Home > Music home > Research > Profile > Publications
  1. Conference contribution › Research
  2. Published

    Italianisierte Formen in 'Les Troyens'

    Charlton, D., 2011, Berlioz' 'Troyens' und Halévys 'Juive' im Spiegel der Grand Opéra. Stuttgart: Franz Steiner Verlag, p. 83-96 13 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Published

    Johann Friedrich Fasch’s Mich vom Stricke meiner Sünden – a work for Zerbst?

    Springthorpe, N., 2007, Johann Friedrich Fasch als Instrumentalkomponist: Bericht über die Internationale Wissenshaftliche Konferenz am 8. und 9. April 2005 im Rahmen der 9. International Fasch-Festtage in Zerbst.: Schriften zur mitteldeutschen Musikgeschichte der Ständigen Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen e.V. Band 14. Musketa, K. (ed.). Beeskow: Ortus Musikverlag, Vol. 14. p. 207-224 17 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Published

    La comédie lyrique au temps de Diderot

    Charlton, D., 2016, Music et pantomime dans 'Le Neveu de Rameau'. Salaün, F. & Taïeb, P. (eds.). Paris: Hermann Editeurs, p. 50-77 28 p. (Fictions pensantes).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. Published

    La relación entre la música, coreografía y elementos plásticos de «El sombrero de tres picos» (1919)

    Camacho Acevedo, L., 2021, Un ballet en el balcón de Europa: Repensar «El sombrero de tres picos» cien años después.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  6. Published

    La Rencontre de l'ancien et du nouveau dans 'La Fille mal gardée' de Duni et Favart.

    Charlton, D., 2015, Rire et sourire dans l'opéra-comique en France aux XVIIIe et XIXe siècles.. Loriot, C., Cailliez, M. & Bonche, V. (eds.). Lyon: Symétrie, p. 33-51 19 p. (Symétrie Recherche).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Published

    Le comte de Clermont et les intermèdes italiens vers 1752

    Charlton, D., 2005, Les Théâtres de société au XVIIIe siècle. Plagnol-Diéval, M-E. & Quéro, D. (eds.). Brussels: Éditions de l'Université de Bruxelles, p. 63-74 12 p. (Études sur le 18e siècle; vol. 33).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. Forthcoming

    Le corps en jeu: Debussy et l’art de toucher

    Johnson, J., 2018, (Accepted/In press) Le corps dans l'écriture musicale. Delaplace, J. & Olive, J. P. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  9. Published

    Le Matériel musical de l'opéra-comique

    Charlton, D., 2010, L'Invention des genres lyriques français et leur redécouverte au XIXe siècle. Terrier, A. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 239-56 17 p. (Perpetuum mobile).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. Published

    Learning the Past

    Charlton, D., 2003, Berlioz, Past, Present, Future: Bicentenary Essays. Bloom, P. (ed.). Rochester, NY: University of Rochester Press, p. 34-56 23 p. (Eastman Studies in Music).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. Published

    Les instruments à vent: Les sons et les gestes

    Charlton, D., 1991, Le Tambour et la harpe: Oeuvres, pratiques et manifestations musicales sous la Révolution, 1788-1800. Julien, J-R. & Mongrédien, J. (eds.). Paris: Éditions Du May, p. 209-20 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Forthcoming

    Longing to Belong: Nationalism and Sentimentalism in the Second Violin Concertos of Bartók and Szymanowski

    Downes, S., 1 Mar 2020, (Accepted/In press) Polski Rocznik Muzykologiczny. Lindstedt, I. (ed.). Musicologists Section of the Polish Composers' Union/ PWM Edition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Published

    L'Orchestre et la métaphore du vivant de Mozart

    Charlton, D., 1997, Mozart: Les chemins de l'Europe. Massin, B. (ed.). Strasbourg: Editions du Conseil de l'Europe, p. 105-112 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  14. Published

    Marking the 'Unmarked' Space: Gendered Vocal Construction in Female Electronic Artists

    McCarthy, R., Dec 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Berlin, p. 33-38 6

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. Published

    Modelando el nicho ecológico de los bambúes leñosos (Bambuseae, Poaceae) en Bolivia: Implicaciones para la construcción de aerófonos autóctonos y la conservación de los bambúes musicales

    Hachmeyer, S., 2017, La rebelión de los objetos Cestería y Maderas: Anales de la reunión anual de etnología. La Paz: MUSEF, Vol. XXXI. p. 183-210

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  16. Published

    Mozart and Paris (1778)

    Charlton, D., 1995, Europa im Zeitalter Mozarts. Csáky, M. & Pass, W. (eds.). Vienna: Böhlau, p. 185-89 5 p. (Schriftenreihe der Osterreichischen Gesellschaft zur Erforschung des 18. Jahrhunderts ; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. Published

    Music as Function: Biofeedback in Games for Health

    Plans, E. & Plans, D., 10 Apr 2016, Ludomusicology - Videogame Music Research Group.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Published

    On Redefinitions of 'Rescue opera'

    Charlton, D., 1992, Music and the French Revolution. Boyd, M. (ed.). 1992: Cambridge University Press, p. 169-88 20 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  19. Published

    On the Way to 'Euphonia': Berlioz's Promotion of Earlier Music

    Charlton, D., 2015, Von Gluck zu Berlioz.: Die französische Oper zwischen Antikenrezeption und Monumentalität.. Betzwieser, T. & Mauksch, S. (eds.). Würzburg: Konigshausen & Neumann, p. 139-58 19 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Published

    Opéra Comique: Identity and Manipulation

    Charlton, D., 2001, Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Parker, R. & Smart, M. A. (eds.). Oxford: Oxford University Press, p. 13-45 32 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Published

    Opéra-comique and the computer

    Charlton, D., 1992, Grétry et l'Europe de l'Opéra-Comique. Vendrix, P. (ed.). Liège: Mardaga, p. 367-78 11 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. Published

    Rethinking Musical Space

    Johnson, J., 2015, Lithuanian Musicology. Vol. 16. p. 8-15 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. Published

    'Roellig in charge': a reassessment of the cantata repertoire in Zerbst between 1749 and 1765

    Springthorpe, N., 2017, Fasch-Studien 14: 'Fasch und die Konfessionen': Bericht über die Internationale Wissenschaftliche Konferenz vom 21. bis 22. April 2017 im Rahmen der 14. Internationalen Fasch-Festtage in Zerbst. Beeskow: Ortus Musikverlag, p. 225-252 27 p. (Fasch-Studien; vol. XIV).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  24. Published

    Saltando al barranco sin salir: Transformismo en un baile ritual del Norte de Potosí

    Stobart, H., 2019, Anales de la Reunión Anual de Etnología 33 (Museo Nacional de Etnografía y Folklore, La Paz, Bolivia): Expresiones: Cuerpos y objetos. La Paz, Bolivia: Museo Nacional de Etnografía y Folklore, La Paz, Bolivia, Vol. 33. p. 195-204 10 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. Published

    Sodi's Opera for Mme Favart: "Baiocco et Serpilla"

    Charlton, D., 2005, La 'Querelle des Bouffons' dans la vie culturelle française du XVIIIe siècle. Fabiano, A. (ed.). Paris : CNRS, p. 205-18 14 p. (Sciences de la musique. Série Études.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. Forthcoming

    Solo singing at the Comédie-Italienne, 1716 to c.1752

    Charlton, D., 2018, (Accepted/In press) La Comédie-Italienne de Paris, 1716-1780. Fabiano, A. & De Luca, E. (eds.). Paris: Presses de l'Université Paris-Sorbonne

    Research output: Chapter in Book/Report/Conference proceedingConference contribution