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  2. Published

    "Lines that have Escaped Destruction": Weinberg and "The Passenger"

    Elphick, D., 2015, Musique et camps de concentration. Strasbourg: Forum Voix Étouffées

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  3. Published

    “‘This is about the future’: voiceover, gesture and the subversion/perversion of virtuosity in 2018 for piano and multimedia by Neil Luck” at the Music and/as Process conference, Edinburgh Napier University

    Kanga, Z., 2018, Music and/as Process conference, Edinburgh Napier University.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Published

    AudioNode : Prototypical Affective Modelling in Experience-driven Procedural Music Generation

    Plans, E., Morelli, D. & Plans, D., 28 Jun 2015, COMPUTATIONAL CREATIVITY & GAMES WORKSHOP.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. Published

    Cérémonie et néoclassicisme à Fontainebleau

    Charlton, D., 2014, D'un 'Orphée', l'autre: 1762-1859...Métamorphoses d'un mythe . Ramaut, A. & Saby, P. (eds.). Saint-Étienne : Publications de l'Université de Saint-Étienne, p. 57-68 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  6. Published

    Correspondence between Johann George Roellig and the Court of Anhalt-Zerbst: musical responsibilities in the 1780s and the Swedish connection

    Springthorpe, N., 2015, Fasch Studien 13: 'Zerbst zur Zeit Faschs - ein anhaltinischer Musenhof'', Bericht über die Internationale Wissenschaftliche Konferenz am 17. bis 18. April 2015 im Rahmen der 13. Internationalen Fasch-Festtage in Zerbst. : Fasch-Studien Herausgegeben von der Internationale Fasch-Gesellschaft e.V. Band XIII. Siegmund, B., Musketa, K. & Reul, B. M. (eds.). Beeskow: Ortus Musikverlag, p. 229-246 18 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Published

    Duni's 'Le Retour au village' and the Politics of Parma

    Charlton, D., 2014, I due mondi di Duni.: Il teatro musicale di un compositore illuminista fra Italia e Francia. Russo, P. (ed.). Lucca: Libreria Musicale Italiana, p. 119-54 36 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  8. Published

    Either / Or

    Samson, J., 2008, Rethinking Musical Modernism: Proceedings of the international conference held from October 11 to 13, 2007. Despić, D. & Milin, M. (eds.). Belgrade: Serbian Academy of Sciences and Arts, p. 15-26

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  9. Published

    Failing with Style: Designing for Aesthetic Failure in Interactive Performance

    Hazzard, A., Greenhalgh, C., Kallionpaa, M., Benford, S., Veinberg, A., Kanga, Z. & McPherson, A., 2 May 2019, CHI '19 Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems. Glasgow, Scotland, p. 1-13 13 p. 30

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. Published

    Grétry et les connaissances modernes

    Charlton, D., 2013, Art & Fact: Revue des historiens de l'art, des archéologues et des musicologues de l'Université de Liège. Tilkin, F. (ed.). Liège: Université de Liège, Vol. 32. p. 42-8 7 p. (Art & Fact; vol. 32).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. Published

    Hearing Through the Eye in Eighteenth-Century French Opera

    Charlton, D., 2014, Exchanges and Tensions in Art, Theatre and Opera, c.1750-1850. Hibberd, S. & Wrigley, R. (eds.). Ashgate

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Published

    Intuiting Form: Memory and (Dis)continuity in Enescu's Piano Quintet, Op. 29

    Savage-Hanford, J., 2017, Proceedings of the "George Enescu" International Musicology Symposium 2017. Cosma, M. (ed.). Bucharest: Editura Muzicala

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Published

    Italianisierte Formen in 'Les Troyens'

    Charlton, D., 2011, Berlioz' 'Troyens' und Halévys 'Juive' im Spiegel der Grand Opéra. Stuttgart: Franz Steiner Verlag, p. 83-96 13 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  14. Published

    Johann Friedrich Fasch’s Mich vom Stricke meiner Sünden – a work for Zerbst?

    Springthorpe, N., 2007, Johann Friedrich Fasch als Instrumentalkomponist: Bericht über die Internationale Wissenshaftliche Konferenz am 8. und 9. April 2005 im Rahmen der 9. International Fasch-Festtage in Zerbst.: Schriften zur mitteldeutschen Musikgeschichte der Ständigen Konferenz Mitteldeutsche Barockmusik in Sachsen, Sachsen-Anhalt und Thüringen e.V. Band 14. Musketa, K. (ed.). Beeskow: Ortus Musikverlag, Vol. 14. p. 207-224 17 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. Published

    La comédie lyrique au temps de Diderot

    Charlton, D., 2016, Music et pantomime dans 'Le Neveu de Rameau'. Salaün, F. & Taïeb, P. (eds.). Paris: Hermann Editeurs, p. 50-77 28 p. (Fictions pensantes).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  16. Published

    La relación entre la música, coreografía y elementos plásticos de «El sombrero de tres picos» (1919)

    Camacho Acevedo, L., 2021, Un ballet en el balcón de Europa: Repensar «El sombrero de tres picos» cien años después.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. Published

    La Rencontre de l'ancien et du nouveau dans 'La Fille mal gardée' de Duni et Favart.

    Charlton, D., 2015, Rire et sourire dans l'opéra-comique en France aux XVIIIe et XIXe siècles.. Loriot, C., Cailliez, M. & Bonche, V. (eds.). Lyon: Symétrie, p. 33-51 19 p. (Symétrie Recherche).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Published

    Le comte de Clermont et les intermèdes italiens vers 1752

    Charlton, D., 2005, Les Théâtres de société au XVIIIe siècle. Plagnol-Diéval, M-E. & Quéro, D. (eds.). Brussels: Éditions de l'Université de Bruxelles, p. 63-74 12 p. (Études sur le 18e siècle; vol. 33).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  19. Forthcoming

    Le corps en jeu: Debussy et l’art de toucher

    Johnson, J., 2018, (Accepted/In press) Le corps dans l'écriture musicale. Delaplace, J. & Olive, J. P. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Published

    Le Matériel musical de l'opéra-comique

    Charlton, D., 2010, L'Invention des genres lyriques français et leur redécouverte au XIXe siècle. Terrier, A. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 239-56 17 p. (Perpetuum mobile).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Published

    Learning the Past

    Charlton, D., 2003, Berlioz, Past, Present, Future: Bicentenary Essays. Bloom, P. (ed.). Rochester, NY: University of Rochester Press, p. 34-56 23 p. (Eastman Studies in Music).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. Published

    Les instruments à vent: Les sons et les gestes

    Charlton, D., 1991, Le Tambour et la harpe: Oeuvres, pratiques et manifestations musicales sous la Révolution, 1788-1800. Julien, J-R. & Mongrédien, J. (eds.). Paris: Éditions Du May, p. 209-20 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. Forthcoming

    Longing to Belong: Nationalism and Sentimentalism in the Second Violin Concertos of Bartók and Szymanowski

    Downes, S., 1 Mar 2020, (Accepted/In press) Polski Rocznik Muzykologiczny. Lindstedt, I. (ed.). Musicologists Section of the Polish Composers' Union/ PWM Edition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  24. Published

    L'Orchestre et la métaphore du vivant de Mozart

    Charlton, D., 1997, Mozart: Les chemins de l'Europe. Massin, B. (ed.). Strasbourg: Editions du Conseil de l'Europe, p. 105-112 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. Published

    Marking the 'Unmarked' Space: Gendered Vocal Construction in Female Electronic Artists

    McCarthy, R., Dec 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Berlin, p. 33-38 6

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. Published

    Modelando el nicho ecológico de los bambúes leñosos (Bambuseae, Poaceae) en Bolivia: Implicaciones para la construcción de aerófonos autóctonos y la conservación de los bambúes musicales

    Hachmeyer, S., 2017, La rebelión de los objetos Cestería y Maderas: Anales de la reunión anual de etnología. La Paz: MUSEF, Vol. XXXI. p. 183-210

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

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