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  1. Published

    "Always Something New from Africa": Jan Rychlík's Africký cyklus and Czech Experimental Music in the Early 1960s

    Chew, G., 2003, In: Central Europe. 1, p. 115-132

    Research output: Contribution to journalArticlepeer-review

  2. Published

    "Beauty and Promise": Sonic Narratives and the Politics of Freedom in the Literary Imagination of Lovelace

    Ramnarine, T. K., 2008, Caribbean Literature After Independence: The Case of Earl Lovelace. Schwartz, B. (ed.). London: Institute for the Study of the Americas, p. 175-190

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  3. Forthcoming

    "Beauty Like a Tightened Bow": Analysing the Juxtaposition of Drama and Lyricism in Schubert's Paratactic Sonata-Form Movements

    Hyland, A., 2013, (Accepted/In press) Irish Musical Studies. Four Courts Press, (Irish Musical Studies; vol. 11).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  4. Published

    "Behold! The long-awaited new Hungarian opera has been born!" Discourses of denial and Petrovics' C'est la guerre

    Beckles Willson, R., 2003, In: Central Europe. I, 2, p. 133-145

    Research output: Contribution to journalArticlepeer-review

  5. Published

    "Culture is a vast weapon, its artistic force is also strong." Finding a context for Kurtág's works: an interim report

    Beckles Willson, R., 2001, Perspectives on Kurtág. Beckles Willson, R. & Williams, A. E. (eds.). p. 3-38

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    "Early Music Online"

    Rose, S. & Wiermann, B. (Translator), 2012, In: Forum Musikbibliothek. 33, ii, p. 11-16 6 p.

    Research output: Contribution to journalArticle

  7. Submitted

    "Grande Musicque" typeface

    Hunter-Bradley, L., 2019, (Submitted) The Museum of Renaissance Music: A History in 100 Exhibits.. Shephard, T. & Borghetti, V. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    "Idling on Some Compulsive Fantasy": Schubert's Second Subjects and the String Quintet in C Major, D956

    Hyland, A., 2006, In: The Musicology Review. 2, p. 147-179 27 p.

    Research output: Contribution to journalArticlepeer-review

  9. Published

    "La Habana que no conoces": Cuban rap and the social construction of urban space

    Baker, G., 2006, In: Ethnomusicology Forum. 15, 2, p. 215-246

    Research output: Contribution to journalArticlepeer-review

  10. Published

    "The Magnificence of the Sublime": Carissimi's Music in Restoration England

    Lebedinski, E., 2014, Reappraising the Seicento: Composition, Dissemination, Assimilation. Cheetham, A. J., Knowles, J. & Wainwright, J. P. (eds.). Cambridge Scholars, p. 151-180 30 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra

    Tan, S., Mar 2016, The Oxford Handbook of Music and Virtuality. Whiteley, S. & Rambarran, S. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Forthcoming

    "Warped Singing": La traviata from Cinema to YouTube

    Cenciarelli, C., 2015, (Accepted/In press) Verdi on Screen. Vincent, D. (ed.). Lausanne: L'Age d'Homme

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Unpublished

    #Classical: An Analysis of Social Media Marketing in the Classical Music Industry

    Lee, A., 2017, (Unpublished)

    Research output: ThesisDoctoral Thesis

  14. Published

    ....a seal upon thine heart: Clarinet and Piano

    Bunce, G., 6 Jan 2010

    Research output: Non-textual formComposition

  15. Forthcoming

    [Un]Himmlische Länge: Editorial Intervention as Reception History

    Hyland, A., 2013, (Accepted/In press) Schubert's Late Music in History and Theory. Horton, J. & Byrne Bodley, L. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  16. Published

    ¡Hip hop, revolución! Nationalizing rap in Cuba

    Baker, G., 2005, In: Ethnomusicology. 49, 3, p. 368-402

    Research output: Contribution to journalArticlepeer-review

  17. Published

    ¿Quién es el Supay? Reflexiones sobre experiencias en una comunidad campesina del norte de Potosí, Bolivia

    Stobart, H., 2016, Wak’as, diablos y muertos : alteridades significantes en el mundo andino. Bugallo, L. & Vilca, M. (eds.). Universidad Nacional de Jujuy, p. 201-230 30 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    ‘“Hymnis Germanicis Davidis, Lutheri & aliorum piorum virorum”: Hymnbooks and confessionalisation in Heidelberg, 1546–1620

    Laube, M., 2014, Musik in neuzeitlichen Konfessionskulturen. Ostfildern: Jan Thorbecke Verlag, p. 85-102 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published
  20. Published
  21. Published

    ‘Blow the Opera Houses into the Air’: Wagner, Boulez, and Modernist Canons

    Berry, M., Sep 2020, Oxford Handbook of the Operatic Canon. Newark, C. & Weber, W. (eds.). OXFORD UNIV PRESS, p. 403-419 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires

    Baker, G., May 2015, In: Popular Music. 34, 2, p. 175-196 22 p.

    Research output: Contribution to journalArticlepeer-review

  23. Published

    ‘Does World Music Exist In Singapore?’

    Tan, S., 2001, In: Focas.

    Research output: Contribution to journalArticlepeer-review

  24. Published

    ‘Es klang so alt und war doch so neu!’: Modernist operatic culture through the prism of staging 'Die Meistersinger von Nürnberg'

    Berry, M., Sep 2018, Routledge Research Companion to Modernism in Music. Heile, B. & Wilson, C. (eds.). Routledge, p. 454-74 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    ‘Harmless’ and ‘hump-less’ political podcasts: censorship and internet resistance in Singapore.

    Tan, S., 2011, In: Music, Sound and the Moving Image.

    Research output: Contribution to journalArticlepeer-review

  26. Unpublished
  27. Published

    ‘Language, Music, and Desire: The Interior Landscape of the Lied around 1900’

    Johnson, J., 2018, Ästhetik der Innerlichkeit. Max Reger und das Lied um 1900 . Gasch, S. (ed.). Vienna: Hollitzer, p. 17-37 21 p. (Wiener Veroffentlichungen zur Musikwissenschaft; vol. 48).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published
  29. Published

    ‘Manufacturing and Consuming Culture: Fakesong in Singapore.’

    Tan, S., 2005, In: Ethnomusicology Forum. 14.1, p. 83-106.

    Research output: Contribution to journalArticlepeer-review

  30. Published

    ‘Modernity’ Symphony

    Wang, W., 5 Feb 2015, In: Siyi Journal. 1, p. 9-11 3 p.

    Research output: Contribution to journalArticlepeer-review

  31. Published

    ‘National Songs Revisted: From Propaganda to Pop to Anti-cool Kitsch.’

    Tan, S., 2010, In: S/PORES.

    Research output: Contribution to journalArticlepeer-review

  32. Unpublished
  33. Published

    ‘Our true north’: Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England

    Harper-Scott, J. P. E., 2008, In: Music and Letters. 89, 4, p. 562-589

    Research output: Contribution to journalArticlepeer-review

  34. Published

    ‘Producing musicians like sausages’: new perspectives on the history and historiography of Venezuela's El Sistema

    Baker, G. & Frega, A. L., 2018, In: Music Education Research. 20, 4, p. 502-516 15 p.

    Research output: Contribution to journalArticlepeer-review

  35. Published

    ‘Programme’ and ‘Absolute’ Music for String Trio

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  36. Published

    ‘Returning to and from ‘Innocence’: Taiwan aboriginal recordings.’

    Tan, S., 2008, In: Journal of American Folklore. 121.480, p. 222 - 235

    Research output: Contribution to journalArticlepeer-review

  37. E-pub ahead of print

    ‘Sparks of Meaning’: Comics, Music and Alan Moore

    Summers, T., 30 Apr 2015, (E-pub ahead of print) In: Journal of the Royal Musical Association. 140, 1, p. 121-162 42 p.

    Research output: Contribution to journalArticlepeer-review

  38. Published

    ‘Talk to Her: Courtship politics behind the Taiwan aboriginal jaw’s harp.’

    Tan, S., 2003, In: Wacana Seni - Journal of Arts Discourse.

    Research output: Contribution to journalArticlepeer-review

  39. E-pub ahead of print

    ‘The Cure is Worse than the Disease’: Mumbai Dance Bars, and New Forms of Justice in the History of Female Public Performers in India

    Morcom, A., 22 May 2017, (E-pub ahead of print) In: Cultural and Social History. 14, 4, p. 499-512 14 p.

    Research output: Contribution to journalArticlepeer-review

  40. Unpublished
  41. Published

    ‘The Real Amis Enigma: Life History of a Taiwan Aboriginal Musician.’

    Tan, S., 2000, In: CHIME. 14/15

    Research output: Contribution to journalArticlepeer-review

  42. Published

    ‘The Red Accordion: inscribing Chineseness into Singaporean music.’

    Tan, S., 2011, ICTM Southeast Asia Study Group - Inaugural Conference . International Council for Traditional Music

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    ‘Voices: Notes From A Small Island.’

    Tan, S., 2002, State of the Arts. National Arts Council, Singapore

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Submitted

    ‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology

    Wagner, T., 15 May 2022, (Submitted) In: Popular Music.

    Research output: Contribution to journalArticlepeer-review

  45. Published

    ‘Yuanzhumin Liuxing Yinyue’. (‘Taiwan Aboriginal Pop.’): Encyclopedia of Music in Taiwan

    Tan, S., 2007, Taiwan: Dongwu University.

    Research output: Other contribution

  46. Published

    ’In Our Foremothers’ Arms’: Goddesses, Feminism, and the Politics of Emotion in Sámi Songs

    Ramnarine, T. K., 2013, Performing Gender, Place, and Emotion in Music: Global Perspectives. Magowan, F. & Wrazen, L. (eds.). University of Rochester Press, p. 162-184

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  47. Published

    “‘This is about the future’: voiceover, gesture and the subversion/perversion of virtuosity in 2018 for piano and multimedia by Neil Luck” at the Music and/as Process conference, Edinburgh Napier University

    Kanga, Z., 2018, Music and/as Process conference, Edinburgh Napier University.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Published

    “C'era una volta il West” Eine Oper über den Tod?

    Summers, T., 2014, FilmMusik - Ennio Morricone. Heldt, G., Moormann, P., Strank, W. & Krohn, T. (eds.). Munich: Edition Text und Kritik, p. 67-96

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    “Cultural Imperialism and the New ‘Yellow Peril’ in Western Classical Music” Study Day Report for Asian-European Music Research

    Kawabata, M. & Tan, S., 1 Dec 2019, In: Asian-European Journal of Music Research. 4, p. 87-98 12 p.

    Research output: Contribution to journalArticlepeer-review

  50. Unpublished
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