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  1. Unpublished
  2. Published

    ‘Language, Music, and Desire: The Interior Landscape of the Lied around 1900’

    Johnson, J., 2018, Ästhetik der Innerlichkeit. Max Reger und das Lied um 1900 . Gasch, S. (ed.). Vienna: Hollitzer, p. 17-37 21 p. (Wiener Veroffentlichungen zur Musikwissenschaft; vol. 48).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published
  4. Published

    ‘Manufacturing and Consuming Culture: Fakesong in Singapore.’

    Tan, S., 2005, In: Ethnomusicology Forum. 14.1, p. 83-106.

    Research output: Contribution to journalArticlepeer-review

  5. Published

    ‘Modernity’ Symphony

    Wang, W., 5 Feb 2015, In: Siyi Journal. 1, p. 9-11 3 p.

    Research output: Contribution to journalArticlepeer-review

  6. Published

    ‘National Songs Revisted: From Propaganda to Pop to Anti-cool Kitsch.’

    Tan, S., 2010, In: S/PORES.

    Research output: Contribution to journalArticlepeer-review

  7. Unpublished
  8. Published

    ‘Our true north’: Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England

    Harper-Scott, J. P. E., 2008, In: Music and Letters. 89, 4, p. 562-589

    Research output: Contribution to journalArticlepeer-review

  9. Published

    ‘Producing musicians like sausages’: new perspectives on the history and historiography of Venezuela's El Sistema

    Baker, G. & Frega, A. L., 2018, In: Music Education Research. 20, 4, p. 502-516 15 p.

    Research output: Contribution to journalArticlepeer-review

  10. Published

    ‘Programme’ and ‘Absolute’ Music for String Trio

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  11. Published

    ‘Returning to and from ‘Innocence’: Taiwan aboriginal recordings.’

    Tan, S., 2008, In: Journal of American Folklore. 121.480, p. 222 - 235

    Research output: Contribution to journalArticlepeer-review

  12. E-pub ahead of print

    ‘Sparks of Meaning’: Comics, Music and Alan Moore

    Summers, T., 30 Apr 2015, (E-pub ahead of print) In: Journal of the Royal Musical Association. 140, 1, p. 121-162 42 p.

    Research output: Contribution to journalArticlepeer-review

  13. Published

    ‘Talk to Her: Courtship politics behind the Taiwan aboriginal jaw’s harp.’

    Tan, S., 2003, In: Wacana Seni - Journal of Arts Discourse.

    Research output: Contribution to journalArticlepeer-review

  14. E-pub ahead of print

    ‘The Cure is Worse than the Disease’: Mumbai Dance Bars, and New Forms of Justice in the History of Female Public Performers in India

    Morcom, A., 22 May 2017, (E-pub ahead of print) In: Cultural and Social History. 14, 4, p. 499-512 14 p.

    Research output: Contribution to journalArticlepeer-review

  15. Unpublished
  16. Published

    ‘The Real Amis Enigma: Life History of a Taiwan Aboriginal Musician.’

    Tan, S., 2000, In: CHIME. 14/15

    Research output: Contribution to journalArticlepeer-review

  17. Published

    ‘The Red Accordion: inscribing Chineseness into Singaporean music.’

    Tan, S., 2011, ICTM Southeast Asia Study Group - Inaugural Conference . International Council for Traditional Music

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    ‘Voices: Notes From A Small Island.’

    Tan, S., 2002, State of the Arts. National Arts Council, Singapore

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Submitted

    ‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology

    Wagner, T., 15 May 2022, (Submitted) In: Popular Music.

    Research output: Contribution to journalArticlepeer-review

  20. Published

    ‘Yuanzhumin Liuxing Yinyue’. (‘Taiwan Aboriginal Pop.’): Encyclopedia of Music in Taiwan

    Tan, S., 2007, Taiwan: Dongwu University.

    Research output: Other contribution

  21. Published

    ’In Our Foremothers’ Arms’: Goddesses, Feminism, and the Politics of Emotion in Sámi Songs

    Ramnarine, T. K., 2013, Performing Gender, Place, and Emotion in Music: Global Perspectives. Magowan, F. & Wrazen, L. (eds.). University of Rochester Press, p. 162-184

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  22. Published

    “‘This is about the future’: voiceover, gesture and the subversion/perversion of virtuosity in 2018 for piano and multimedia by Neil Luck” at the Music and/as Process conference, Edinburgh Napier University

    Kanga, Z., 2018, Music and/as Process conference, Edinburgh Napier University.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  23. Published

    “C'era una volta il West” Eine Oper über den Tod?

    Summers, T., 2014, FilmMusik - Ennio Morricone. Heldt, G., Moormann, P., Strank, W. & Krohn, T. (eds.). Munich: Edition Text und Kritik, p. 67-96

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    “Cultural Imperialism and the New ‘Yellow Peril’ in Western Classical Music” Study Day Report for Asian-European Music Research

    Kawabata, M. & Tan, S., 1 Dec 2019, In: Asian-European Journal of Music Research. 4, p. 87-98 12 p.

    Research output: Contribution to journalArticlepeer-review

  25. Unpublished
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