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  1. 1990
  2. Published

    Opera: 1850-1890: France

    Charlton, D., 1990, Romanticism: (1830-1890). Abraham, G. & Pascall, R. (eds.). Oxford etc.: Oxford University Press, p. 327-409 82 p. (The New Oxford History of Music; vol. IX).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Romantic Opera: 1830-1850: Grand Opéra and Opéra Comique

    Charlton, D., 1990, Romanticism : (1830-1890). Abraham, G. (ed.). Oxford etc.: Oxford University Press, p. 85-140 56 p. (The New Oxford History of Music; vol. IX).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Szymanowski and Polish Nationalism

    Samson, J., 1990, In: The Musical Times. 1765, March, p. 135-37

    Research output: Contribution to journalArticlepeer-review

  5. Published

    The Aryanization of Music in Nazi Germany

    Levi, E., 1990, In: Musical Times. p. 19-23

    Research output: Contribution to journalArticlepeer-review

  6. Published

    The Dramaturgy of Grand Opera: Some Origins

    Charlton, D., 1990, Trasmissione e recezione delle forme di cultura musicale: Atti del XIV congresso della Società Internazionale di Musicologia. Bianconi, L. (ed.). Turin: EDT, Vol. 3. p. 853-58 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. 1991
  8. Published

    Atonality, 12-Tone Music and the Third Reich

    Levi, E., 1991, In: Tempo. 178, p. 17-21

    Research output: Contribution to journalArticlepeer-review

  9. Published

    East Central Europe: the Struggle for National Identity

    Samson, J., 1991, The Late Romantic Era. Samson, J. (ed.). Macmillan, Vol. 7. p. 205-39 (Man and Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Ernst Kurth, Music as Psychic Motion, and Tristan und Isolde: Towards a Model for Analysing Musical Instability

    Chew, G., 1991, In: Music Analysis. 10, p. 171-193

    Research output: Contribution to journalArticlepeer-review

  11. Published

    Frederic Chopin

    Samson, J., 1991, Stuttgart: Unkown Publisher. (Reclams Musikführer)

    Research output: Book/ReportBook

  12. Published

    Les instruments à vent: Les sons et les gestes

    Charlton, D., 1991, Le Tambour et la harpe: Oeuvres, pratiques et manifestations musicales sous la Révolution, 1788-1800. Julien, J-R. & Mongrédien, J. (eds.). Paris: Éditions Du May, p. 209-20 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Published

    Music and Society

    Samson, J., 1991, The Late Romantic Era. Samson, J. (ed.). Macmillan, p. 1-49 (Man and Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Music in Hegel's Aesthetics: A Re-evaluation

    Johnson, J., 1991, In: British Journal of Aesthetics. 31, 2, p. 152-162

    Research output: Contribution to journalArticlepeer-review

  15. Published

    The German-Jewish Contribution to Musical Life in Britain

    Levi, E., 1991, Second Chance. Two Centuries of Geman-speaking Jews in the United Kingdom. Mosse, W. (ed.). Tübingen: J.C.B. Mohr (Paul Siebeck), p. 275-295

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    The Late Romantic Era

    Samson, J. (ed.), 1991, Macmillan. (Man and Music)

    Research output: Book/ReportBook

  17. 1992
  18. Published

    Chopin: The Four Ballades

    Samson, J., 1992, Cambridge University Press.

    Research output: Book/ReportBook

  19. Published

    Culture and Value: The Musical Canon in a `New South Africa’

    Chew, G., 1992, In: South African Journal of Musicology. 12, p. 1-10

    Research output: Contribution to journalArticlepeer-review

  20. Published

    Finnomenon

    Ramnarine, T. K., 1992, In: Folk Roots. 14, 6, p. 30-33

    Research output: Contribution to journalArticlepeer-review

  21. Published

    Introduction: Exploring the Revolution

    Charlton, D., 1992, Music and the French Revolution. Boyd, M. (ed.). Cambridge: Cambridge University Press, p. 1-11 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Kein Ende der Gegensätze: Operantheorien und opéra comique

    Charlton, D., 1992, Text und Musik: Neue Perspektiven der Theorie. Walter, M. (ed.). Munich: Wilhelm Fink Verlag, p. 181-210 30 p. (Materialität der Zeichen; vol. Reihe A, no. Band 10).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Modernism in the Music of East Central Europe

    Samson, J., 1992, In: Coexistence. June, p. 201-16

    Research output: Contribution to journalArticlepeer-review

  24. Published

    On Redefinitions of 'Rescue opera'

    Charlton, D., 1992, Music and the French Revolution. Boyd, M. (ed.). 1992: Cambridge University Press, p. 169-88 20 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. Published

    Opéra-comique and the computer

    Charlton, D., 1992, Grétry et l'Europe de l'Opéra-Comique. Vendrix, P. (ed.). Liège: Mardaga, p. 367-78 11 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  26. Published

    Pastoral

    Chew, G., 1992, The New Grove Dictionary of Opera. Sadie, S. (ed.). London: Macmillan, Vol. 3. p. 910-913

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    The Cambridge Companion to Chopin

    Samson, J. (ed.), 1992, Cambridge University Press.

    Research output: Book/ReportBook

  28. 1993
  29. Published

    'A "maître d'orchestre"...conducts': New and old evidence on French practice

    Charlton, D., 1993, In: Early Music. 21, 3, p. 360-74 14 p.

    Research output: Contribution to journalArticlepeer-review

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