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  1. Chapter › Research
  2. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    A "New Drama for Television"?: Diary of a Young Man

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 48-69 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    A 360 Public Service Sector: The role of independent production in the UK's public service broadcasting landscape

    Bennett, J. & Kerr, P., 2012, Regaining the initiative for public service media: RIPE@2011 reader. Gregory Ferrell, L. & Jeanette, S. (eds.). University of Gothenburg, p. 219-235 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    A Hard Day's Night

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 372-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    A Life Story of Runme.org, software art repository

    Goriunova, O., 2011, ART ++. Éditions HYX, p. 113-143

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    A Minister is About to Resign: On the Interpretation of Television Footage

    Ellis, J., 2002, Realism and 'Reality' in Film and Media. Jerslev, A. (ed.). University of Copenhagen Press, p. 193-210 (Northern Lights Film and Media Studies Yearbook).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies

    Bennett, J., Medrado, A. & Strange, N., Jan 2015, Media Independence: Working with freedom or working for free. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 139-158 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    A Stretch of Time: Extended Distribution and Narrative Accumulation in Prison Break

    Kelly, JP., 2012, Time in Television Narrative: Exploring Temporality in 21st Century Programming. Mississippi : University Press of Mississippi

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Allegorising the Nation: British Gangster films of the 1980s

    Hill, J., 1999, British Crime Cinema. Chibnall, S. & Murphy, R. (eds.). London: Routledge, p. 160-71 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    An Experiment in Television Drama: John McGrath’s The Adventures of Frank

    Cooke, L., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 106-119 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Artefactu(r)al Logic in Allen Fisher's SPUTTOR

    Hazell, C., 10 May 2020, The Allen Fisher Companion. Hampson, R. & cheek, C. (eds.). Bristol: Shearsman, p. 192-201

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Autocreativity. The Operation of Codes of Freedom in Art and Culture

    Goriunova, O., 2008, FLOSS + ART. de Valk, M. & Mansoux, A. (eds.). Open Mute, p. 92-118

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Barney Platts-Mills

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance

    Langford, B., 1 Sep 2017, Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Pomerance, M. & Rybin, S. (eds.). Edinburgh: Edinburgh University Press, p. 157-168 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    BBC English Regions Drama: Second City Firsts

    Cooke, L., 2007, Re-viewing television History: Critical Issues in Television Historiography. Wheatley, H. (ed.). London: I. B. Tauris, p. 82-95 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Beyond McKee: Screenwriting in and out of the academy

    Langford, B., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 251-262

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Beyond the broadcast text: new economies and temporalities of online TV

    Kelly, J. P., 2011, Ephemeral Media: Transitory screen culture from television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 122-137

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Bille Eltringham

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Brechtian Television: Theatricality and Adaptation of the Stage Play

    Smart, B., 2012, Stages of Reality: Theatricality in Cinema. Loiselle, A. & Maron, J. (eds.). Toronto: University of Toronto Press, p. 30-52

    Research output: Chapter in Book/Report/Conference proceedingChapter

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