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  1. Chapter › Research
  2. Published

    Glitch

    Goriunova, O. & Shulgin, A., 2008, Software Studies: a Lexicon. Fuller, M. (ed.). MIT Press, p. 110-119

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Globalizing the Holocaust: Fantasies of Annihilation in Contemporary Media Culture

    Langford, B., 2013, Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Bangert, A., Gordon, R. S. C. & Saxton, L. (eds.). London: Legenda, p. 113-129

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. In preparation

    Going with the Flow; cinema, attraction or performance?

    Pearce, G., 1 Sep 2013, (In preparation) Truth, Dare or Promise: art and documentary revisited. Pearce, G., McLaughlin, C. & Daniels, J. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Goverment Aid and Film Legislation: 'An elastoplast to stop a haemorrhage'

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. & Smith, J. (eds.). Edinburgh: Edinburgh University Press, p. 10-21 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Hollywood Gerçegini Kabullenmek: Globallesme Çaginda Ulusal Sinemalar

    Hill, J., 2001, Türk Film Arastirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). 2001: Baglam Istanbul

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Holocaust film

    Langford, B., 2012, The Edinburgh Companion to Twentieth-Century British and American War Literature. Piette, A. & Rawlinson, M. (eds.). Edinburgh University Press, p. 134-150

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Ideology and Subjectivity

    Ellis, J., 1980, Culture, Media and Language. Hall, S. (ed.). Hutchinson-Ross

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Ideology, Economy and the British Cinema

    Hill, J., 1979, Ideology and Cultural Production. Barrett, M. (ed.). London: Croom Helm, p. 112-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. E-pub ahead of print

    Immersive Journalism and Virtual Reality

    Soler-Adillon, J. & Sora, C., 17 Sep 2018, Interaction in Digital News Media: From Principles to Practice. Pérez-Montoro, M. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Importance, Significance, Cost And Value: Is An ITV Canon Possible?

    Ellis, J., 2005, ITV Cultures: Fifty Years of Commercial Television. Johnson, C. & Turnock, R. (eds.). Open University Press, p. 36-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Interstitials: How the 'Bits in Between' Define the Programmes

    Ellis, J., Oct 2011, Ephemeral Media: Transitory Screen Culture from Television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 59-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Interview with Ken Loach

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 160-76 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Introduction

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 1-7

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Introduction: British Television and Film: The Making of a Relationship

    Hill, J. & McLoone, M., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 1-6 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Irish Cinema

    Hill, J., 2007, The Cinema Book. Cook, P. (ed.). 3rd ed. BFI: London, p. 228-30 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Irish Film Studies: Twenty Years On

    Hill, J., 2007, Irish Films, Global Cinema: Studies in Irish Film 4. McLoone, M. & Rockett, K. (eds.). Dublin: Four Courts Press, p. 15-26 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Is it Possible to Construct a Canon of Television Programmes? Immanent Reading versus Textual Historicism

    Ellis, J., 2007, Re-Viewing Television Histories: Critical Issues in Television Historiography. Wheatley, H. (ed.). I.B.Tauris, p. 15-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    John Forte

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Just a station on his way? Robert Altman’s transition from television to film

    Hall, N., Jun 2015, A Companion to Robert Altman. Danks, A. (ed.). Wiley-Blackwell, p. 68-91 (Wiley-Blackwell Companions to Film Directors).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Ken McMullen

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    La mise en scène de soi à la télévision: L’exemple du premier jeu télévisé sur ITV

    Ellis, J., 2011, Télévision: le moment expérimental: De l'invention à l'institution (1935-1955). Delavaud, G. & Maréchal, D. (eds.). Rennes: Éditions Apogée, p. 285-298

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    'Let the audience add up two plus two. They'll love you forever.': The screenplay as a self-teaching system

    Ganz, A., 2011, Analysing the Screenplay. Nelmes, J. (ed.). Routledge, p. 127-141

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. In preparation

    'L'Homme et son desir': The Ballets Suedois, and the Fourth Dimension in Stage Design

    Trott, A., Sep 2013, (In preparation) Modernism's Intermedialities. Townsend, C., Davies, R. & Trott, A. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    'Like the Différance Between Art and the Commodity; Like the Différance Between a Life and a Lifestyle: Silvia Kolbowski and Peter Eisenmann's 1995 Project with Comme des Garçons

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam and Atlanta: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Linear Legacies: Managing the Multiplatform Production Process

    Bennett, J. & Strange, N., Aug 2014, Making Media Work: Cultures of Management in the Entertainment Industries. Johnson, D., Kompare, D. & Santo, A. (eds.). New York: New York University Press, p. 63-89 27 p. (Critical Cultural Communication).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Forthcoming

    More than just a ‘nasty’ decade: Classifying the popular in the 1980s

    Barber, S., 2012, (Accepted/In press) Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age. Lamberti, E. (ed.). BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Mundane Witness

    Ellis, J., 2009, Media Witnessing: Testimony in the Age of Mass Communication. Frosh, P. & Pinchevski, A. (eds.). Palgrave Macmillan, p. 73-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Nan Goldin: Bohemian Ballads

    Townsend, C., 2003, Phototextualities: Intersections of Photography and Narrative. Hughes, A. & Noble, A. (eds.). University of New Mexico Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Narrative and Realism

    Hill, J., 2000, The Film Studies Reader. Hollows, J. (ed.). London: Arnold, p. 206-213 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    No One Runs Away to Join the Circus

    Townsend, C., 2003, Melanie Manchot. Public Art Leicester

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Northern Ireland

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 489-90 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Notes on the Obvious

    Ellis, J., 1981, Literary Theory Today. Abbas, M. & Wong, T. (eds.). Hong Kong University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Odd Man Out

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 648-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    On screenwriting outside the West

    Clayton, S., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 175-197

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Os filmes proibidos

    Berghahn, D., Jul 2018, Imagens Para O Futuro : O Cinema Da Alemanha Oriental . Rio de Janeiro : Caixa Cultural and Goethe Institute Rio de Janeiro, p. 117-130 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Participatory Platforms and the Emergence of Art

    Goriunova, O., 2016, A Companion to Digital Art. Paul, C. (ed.). Blackwell, p. 297-309

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Pat Murphy

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 470 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Per un canone storico dei programmi televisivi

    Ellis, J., Apr 2013, Storie e culture della televisione italiana. Grasso, A. (ed.). Milano: Mondadori, p. 211-222 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Phrase

    Goriunova, O. & Fuller, M., 2012, Inventive Methods: The Happening of the Social. Lury, C. & Wakeford, N. (eds.). Routledge, p. 163-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Politics, Realism and Ken Loach

    Hill, J., 2009, Cinema and Politics: Turkish Cinema and The New Europe. Bayradkar, D. (ed.). Newcastle: Cambridge Scholars, p. 70-81 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Public Service Algorithms

    Bennett, J., Mar 2018, A future for public service Television. Freedman, D. & Goblet, V. (eds.). London: University of Goldsmith Press, p. 112-120 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Public Service as Production Culture

    Bennett, J., Jul 2015, Production Studies Volume 2: The Sequel. Mayer, V., Connor, B. & Banks, M. (eds.). 1st ed. New York: Routledge, Vol. 2. p. 123-137 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Reading Political Comedy: Yes Minister and Comic Coherence

    Crowder, M., 2010, Using Moving Image Archives. Bose, N. & Grieveson, L. (eds.). p. 64-81

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Realism

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 552-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Representing Violence: The British Cinema and Ireland

    Hill, J., 1986, Ireland's Terrorist Dilemma. Alexander, Y. & O'Day, A. (eds.). Dordrecht: Martinus Nijhoff, p. 123-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Revisiting British Film Studies

    Hill, J., 2014, Britsih Cinema: Volume 3: Issues and Debates. Murphy, R. (ed.). 2014: Routledge, p. 72-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Richard Hayward

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 299 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Ritorno Al Futuro? Il Cinema Inglese Anni 50 E All'Inizio Degli Anni 60

    Hill, J., 1991, Free Cinema E Dintorni: Nuovo Cinema Inglese 1956-68. Martini, E. (ed.). Turin: E.D.T., p. 11-18

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Selection by Committee

    Ellis, J., 1981, The Social Function of Cinema. Stoneman, R. & Thompson, H. (eds.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Slave to the Rhythm: Sonia Delaunay's Fashion Project and the Fragmentary, Mobile, Modernist Body

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Social Network Sites (SNSs)

    Goriunova, O. & Bernardi, C., 2014, The Johns Hopkins Guide to Digital Media. Ryan, M-L., Emerson, L. & Robertson, B. (eds.). Johns Hopkins University Press, p. 455-463

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Forthcoming

    Sound Salad: The Soundscapes of a Brazilian Favela

    Medrado, A., 2012, (Accepted/In press) Urban Developments in Brazil and Portugal. Moraes Valenca, M. (ed.). New York: Nova science, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Speed, Film and Television: Media Moving Apart

    Ellis, J., 1996, Big Picture, Small Screen - The Relation Between Film and Television. Hill, J. & McLoone, M. (eds.). John Libbey & Co, p. 97-106

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Forthcoming

    Stand-in

    Goriunova, O., 2020, (Accepted/In press) Uncertain Archives. Thylstrup, N., Agostinho, D., Ring, A., D'Ignazio, C. & Veel, K. (eds.). MIT Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Subverting the Sitcom from Within: Form, Ideology and Father Ted

    Hill, J., 2016, British TV Comedies: Cultural Concepts, Contexts and Controversies. Kamm, J. & Neumann, B. (eds.). Basingstoke: Palgrave Macmillan, p. 225-239 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Surrealist Legacies: The influence of Luis Buñuel’s ‘irrationality’ on Hiroshi Teshigahara’s ‘documentary-fantasy’

    Gee, F., Mar 2013, A Companion to Luis Bunuel . Stone, R. & Gutierrez-Albilla, J. D. (eds.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Susan Sontag’s Screen Tests

    Merck, M., 2013, Warhol in Ten Takes. Davis, G. & Needham, G. (eds.). BFI/Palgrave, p. 93-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Technological macrobiome: media art and technology as matter

    Goriunova, O., 30 Dec 2016, Across and Beyond : A transmediale Reader on Post-digital Practices, Concepts, and Institutions. Bishop, R., Gansing, K. & Parikka, J. (eds.). Stenberg Press, p. 334-348 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Television and Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 658-9 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Television and Independent Cinema

    Ellis, J., 1982, What's This Channel Fo(u)r?. Blanchard, S. & Morley, D. (eds.). Comedia

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    Television and Pop: The Case of the 1950s

    Hill, J., 1991, Popular Television in Britain. Corner, J. (ed.). London: BFI, p. 90-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Television as Working Through

    Ellis, J., 1999, Media and Knowledge: The Role of Television. Gripsrud, J. (ed.). Routledge, p. 55-70

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Television Production

    Ellis, J., 2003, The Television Studies Reader. Allen, R. & Hill, A. (eds.). Routledge, p. 275-292

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    The BBC Archive Post-Jimmy Savile: Irreparable Damage or Recoverable Ground?

    Aust, R., 2017, The Past in Visual Culture: Essays on Memory, Nostalgia and the Media. McFarland, p. 170-184 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    The Bodily Sounds of the Abyss

    Goriunova, O., 1 Apr 2019, Unsound / Undead. Ikoniadou, E., Heys, T. & Goodman, S. (eds.). Urbanomic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    The Challenge of Public Service Broadcasting in a Web 2.0 Era: Broadcast Production Culture’s View of Interactive Audiences

    Bennett, J., 2013, Public Service Media in the Digital Age: International Perspectives. Gulyas, A. & Hammer, F. (eds.). Cambridge Scholars, p. 3-20 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    The Correspondence of Fragments: Time, Space and Subjectivity in Monika Oechsler's Video Installations

    Townsend, C., 2005, Monika Oechsler: Parallel Worlds. Sheffield: Lentos Kunstmuseum, Linz/ Site Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    The Death of the Video Clip

    Ellis, J., 1990, What A Wonderful World.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    The Diary of a Young Girl (The Diary of Anne Frank)

    Langford, B., 2018, Books to Film. Grant, B. K. (ed.). Macmillan Reference USA, p. 83-89 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Forthcoming

    The Dickens Movie: Dickens Adaptations in Hollywood and British Film

    Langford, B., 15 Nov 2017, (Accepted/In press) Dickens and the Arts. John, J. & Wood, C. (eds.). Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    The Digitally Enhanced Audience: New Attitudes to Factual Footage

    Ellis, J., 2010, Relocating Television. Gripsrud, J. (ed.). Routledge, p. 183-193

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    The forbidden films: Film censorship in East German cinema in the wake of the Eleventh Plenum

    Berghahn, D., 2005, 100 Years of European Cinema: Entertainment or Ideology?. Holmes, D. & Smith, A. (eds.). Manchester: Manchester University Press, p. 40-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    The Frequency of Existence: Bill Viola's Archetypal Sound

    Davies, R., 19 May 2004, The Art of Bill Viola. Thames and Hudson, p. 142 - 158 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    The Future of European Cinema: the economics and culture of pan-European strategies

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 53-80

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    The Incomplete Spectacle: Aberfan in its own image

    Townsend, C., 2008, The Attraction of Onlookers. Attie, S. (ed.). Parthian Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    The Issue of National Cinema and British Film Production

    Hill, J., 1992, New Questions of British Cinema. Petrie, D. (ed.). London: BFI, p. 10-21

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    The Meaning Of Television In Twentieth Century Life

    Ellis, J., 2001, L’ Eredita Del Novecento. Di Nolfo, E. (ed.). Rome: Instituto dell’Enciclopedia Italiana/Editione Trecani

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    The New Social Realism of Clocking Off

    Cooke, L., 2005, Popular Television Drama: Critical Perspectives. Bignell, J. & Lacey, S. (eds.). Manchester: Manchester University Press, p. 183-197 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    The past as television: are television programmes more than nostalgic ephemera

    Ellis, J. & Grasso, A. (ed.), 2006, Fare storia con la televisione. Milan, p. 167-172

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    The Police Series

    Cooke, L., 2001, The Television Genre Book. Creeber, G. (ed.). London: British Film Institute, p. 19-23 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    The Political Thriller Debate

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 114-116 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    The Quality Film Adventure: British Critics and the Cinema, 1942-8

    Ellis, J., 1996, Dissolving Views: Key Writings on British Cinema. Higson, A. (ed.). Edward Arnold, p. 66-93

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    The Quiet Man

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 732-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    The Quiet Man: Ford, Mythology and Ireland

    Hill, J., 2009, 'The Quiet Man ... and Beyond'. Crosson, S. & Stoneman, R. (eds.). Dublin: The Liffey Press, p. 178-99 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    The Ragged Manifold of the Subject: Databaseness and the Generic in Curating YouTube

    Goriunova, O., 2015, Media After Kittler. Ikoniadou, E. & Wilson, S. (eds.). Rowman & Littlefield, p. 155-176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    The Relaunching of Ulster pride: the Titanic, Belfast and film

    Hill, J., 2013, Relaunching Titanic: Memory and Marketing in the New Belfast. Neill, W. J. V., Murray, M. & Grist, B. (eds.). London: Routledge, p. 31-45 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    The Relaunching of Ulster Pride: The Titanic, Belfast and Film

    Hill, J., 2004, The Titanic in Myth and Memory: Representations in Visual and Literary Culture. Bergfelder, T. & Street, S. (eds.). London: I. B. Tauris, p. 15-24 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    The Social Problem Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 625 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    'The Troubles we've seen': film, television drama and the Northern Irish conflict in Britain

    Hill, J., 1 Nov 2016, The Northern Ireland Troubles in Britain: Impacts, Engagements, Legacies and Memories. Dawson, G., Dover, J. & Hopkins, S. (eds.). Manchester University Press, p. 243-260

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    The utopia of independent media

    Bennett, J., Jan 2015, Media Independence: Working with freedom or working for free?. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 1-39 38 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Three Brothers: Three Generations

    Ellis, J., 1989, Raymond Williams: Film, TV, Culture. Lusted, D. (ed.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    TV and Cinema: What Forms of History Do We Need?

    Ellis, J., 2014, Cinema, Television & History: New Approaches. Mee, L. & Walker, J. (eds.). Newcastle-upon-Tyne: Cambridge Scholars, p. 12-24 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    TV Pages

    Ellis, J., 2008, Pulling Newspapers Apart: Analysing Print Journalism. Franklin, B. (ed.). Routledge, p. 244-52

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Twitter: Channels in the Stream

    Bennett, J. & Strange, N., 2017, From Networks to Netflix: A Guide to Changing Channels. Johnson, D. (ed.). 1 ed. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    Ulusal Film Politikari: Ekonomi ve Kültür Arasinda

    Hill, J., 2008, Türk Film Ara?tirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). Istanbul: Baglam, p. 23-30 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Visions: a Channel 4 Experiment 1982-5

    Ellis, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). University of Manchester Press, p. 136-145

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Vitalist Technocultural Thinking in Revolutionary Russia (on Piotr Engelmeier)

    Goriunova, O., 2009, Place Studies in Art, Media, Science and Technology. Historical Investigations on the Sites and the Migration of Knowledge. Broeckmann, A. & Nadarajan, G. (eds.). Verlag und Datenbank für Geisteswissenschaften, p. 183-197

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Watching Death at Work: an Analysis of A MATTER OF LIFE AND DEATH

    Ellis, J., 1978, Powell, Pressburger and Others. Christie, I. (ed.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    Watching Death at Work: An Analysis of 'A Matter of Life and Death'

    Ellis, J. & Christie, I. (ed.), 1978, Powell, Pressburger and Others. London UK, p. 79-104

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    'We Did Something': Framing Resistance in Cinematic Depictions of the Sonderkommando

    Langford, B., Sep 2019, Testimonies of Resistance: Representations of the Auschwitz-Birkenau Sonderkommando. Chare, N. & Williams, D. (eds.). Oxford: Berghahn Books, p. 287-306 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter