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  1. Chapter › Research
  2. Published

    Surrealist Legacies: The influence of Luis Buñuel’s ‘irrationality’ on Hiroshi Teshigahara’s ‘documentary-fantasy’

    Gee, F., Mar 2013, A Companion to Luis Bunuel . Stone, R. & Gutierrez-Albilla, J. D. (eds.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Susan Sontag’s Screen Tests

    Merck, M., 2013, Warhol in Ten Takes. Davis, G. & Needham, G. (eds.). BFI/Palgrave, p. 93-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Technological macrobiome: media art and technology as matter

    Goriunova, O., 30 Dec 2016, Across and Beyond : A transmediale Reader on Post-digital Practices, Concepts, and Institutions. Bishop, R., Gansing, K. & Parikka, J. (eds.). Stenberg Press, p. 334-348 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Television and Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 658-9 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Television and Independent Cinema

    Ellis, J., 1982, What's This Channel Fo(u)r?. Blanchard, S. & Morley, D. (eds.). Comedia

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Television and Pop: The Case of the 1950s

    Hill, J., 1991, Popular Television in Britain. Corner, J. (ed.). London: BFI, p. 90-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Television as Working Through

    Ellis, J., 1999, Media and Knowledge: The Role of Television. Gripsrud, J. (ed.). Routledge, p. 55-70

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Television Production

    Ellis, J., 2003, The Television Studies Reader. Allen, R. & Hill, A. (eds.). Routledge, p. 275-292

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    The BBC Archive Post-Jimmy Savile: Irreparable Damage or Recoverable Ground?

    Aust, R., 2017, The Past in Visual Culture: Essays on Memory, Nostalgia and the Media. McFarland, p. 170-184 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    The Bodily Sounds of the Abyss

    Goriunova, O., 1 Apr 2019, Unsound / Undead. Ikoniadou, E., Heys, T. & Goodman, S. (eds.). Urbanomic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    The Challenge of Public Service Broadcasting in a Web 2.0 Era: Broadcast Production Culture’s View of Interactive Audiences

    Bennett, J., 2013, Public Service Media in the Digital Age: International Perspectives. Gulyas, A. & Hammer, F. (eds.). Cambridge Scholars, p. 3-20 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    The Correspondence of Fragments: Time, Space and Subjectivity in Monika Oechsler's Video Installations

    Townsend, C., 2005, Monika Oechsler: Parallel Worlds. Sheffield: Lentos Kunstmuseum, Linz/ Site Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    The Death of the Video Clip

    Ellis, J., 1990, What A Wonderful World.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    The Diary of a Young Girl (The Diary of Anne Frank)

    Langford, B., 2018, Books to Film. Grant, B. K. (ed.). Macmillan Reference USA, p. 83-89 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Forthcoming

    The Dickens Movie: Dickens Adaptations in Hollywood and British Film

    Langford, B., 15 Nov 2017, (Accepted/In press) Dickens and the Arts. John, J. & Wood, C. (eds.). Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    The Digitally Enhanced Audience: New Attitudes to Factual Footage

    Ellis, J., 2010, Relocating Television. Gripsrud, J. (ed.). Routledge, p. 183-193

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    The forbidden films: Film censorship in East German cinema in the wake of the Eleventh Plenum

    Berghahn, D., 2005, 100 Years of European Cinema: Entertainment or Ideology?. Holmes, D. & Smith, A. (eds.). Manchester: Manchester University Press, p. 40-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    The Frequency of Existence: Bill Viola's Archetypal Sound

    Davies, R., 19 May 2004, The Art of Bill Viola. Thames and Hudson, p. 142 - 158 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    The Future of European Cinema: the economics and culture of pan-European strategies

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 53-80

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    The Incomplete Spectacle: Aberfan in its own image

    Townsend, C., 2008, The Attraction of Onlookers. Attie, S. (ed.). Parthian Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    The Issue of National Cinema and British Film Production

    Hill, J., 1992, New Questions of British Cinema. Petrie, D. (ed.). London: BFI, p. 10-21

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    The Meaning Of Television In Twentieth Century Life

    Ellis, J., 2001, L’ Eredita Del Novecento. Di Nolfo, E. (ed.). Rome: Instituto dell’Enciclopedia Italiana/Editione Trecani

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    The New Social Realism of Clocking Off

    Cooke, L., 2005, Popular Television Drama: Critical Perspectives. Bignell, J. & Lacey, S. (eds.). Manchester: Manchester University Press, p. 183-197 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    The past as television: are television programmes more than nostalgic ephemera

    Ellis, J. & Grasso, A. (ed.), 2006, Fare storia con la televisione. Milan, p. 167-172

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    The Police Series

    Cooke, L., 2001, The Television Genre Book. Creeber, G. (ed.). London: British Film Institute, p. 19-23 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    The Political Thriller Debate

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 114-116 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    The Quality Film Adventure: British Critics and the Cinema, 1942-8

    Ellis, J., 1996, Dissolving Views: Key Writings on British Cinema. Higson, A. (ed.). Edward Arnold, p. 66-93

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    The Quiet Man

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 732-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    The Quiet Man: Ford, Mythology and Ireland

    Hill, J., 2009, 'The Quiet Man ... and Beyond'. Crosson, S. & Stoneman, R. (eds.). Dublin: The Liffey Press, p. 178-99 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    The Relaunching of Ulster pride: the Titanic, Belfast and film

    Hill, J., 2013, Relaunching Titanic: Memory and Marketing in the New Belfast. Neill, W. J. V., Murray, M. & Grist, B. (eds.). London: Routledge, p. 31-45 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    The Relaunching of Ulster Pride: The Titanic, Belfast and Film

    Hill, J., 2004, The Titanic in Myth and Memory: Representations in Visual and Literary Culture. Bergfelder, T. & Street, S. (eds.). London: I. B. Tauris, p. 15-24 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    The Rise of British Art Cinema in the 1980s

    Hill, J., 2019, British Art Cinema. Newland, P. & Hoyle, B. (eds.). Manchester: Manchester University Press, p. 185-199 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    The Social Problem Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 625 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    'The Troubles we've seen': film, television drama and the Northern Irish conflict in Britain

    Hill, J., 1 Nov 2016, The Northern Ireland Troubles in Britain: Impacts, Engagements, Legacies and Memories. Dawson, G., Dover, J. & Hopkins, S. (eds.). Manchester University Press, p. 243-260

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    The utopia of independent media

    Bennett, J., Jan 2015, Media Independence: Working with freedom or working for free?. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 1-39 38 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Three Brothers: Three Generations

    Ellis, J., 1989, Raymond Williams: Film, TV, Culture. Lusted, D. (ed.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    TV and Cinema: What Forms of History Do We Need?

    Ellis, J., 2014, Cinema, Television & History: New Approaches. Mee, L. & Walker, J. (eds.). Newcastle-upon-Tyne: Cambridge Scholars, p. 12-24 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    TV Pages

    Ellis, J., 2008, Pulling Newspapers Apart: Analysing Print Journalism. Franklin, B. (ed.). Routledge, p. 244-52

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Twitter: Channels in the Stream

    Bennett, J. & Strange, N., 2017, From Networks to Netflix: A Guide to Changing Channels. Johnson, D. (ed.). 1 ed. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Ulusal Film Politikari: Ekonomi ve Kültür Arasinda

    Hill, J., 2008, Türk Film Ara?tirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). Istanbul: Baglam, p. 23-30 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Visions: a Channel 4 Experiment 1982-5

    Ellis, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). University of Manchester Press, p. 136-145

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Vitalist Technocultural Thinking in Revolutionary Russia (on Piotr Engelmeier)

    Goriunova, O., 2009, Place Studies in Art, Media, Science and Technology. Historical Investigations on the Sites and the Migration of Knowledge. Broeckmann, A. & Nadarajan, G. (eds.). Verlag und Datenbank für Geisteswissenschaften, p. 183-197

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Watching Death at Work: an Analysis of A MATTER OF LIFE AND DEATH

    Ellis, J., 1978, Powell, Pressburger and Others. Christie, I. (ed.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Watching Death at Work: An Analysis of 'A Matter of Life and Death'

    Ellis, J. & Christie, I. (ed.), 1978, Powell, Pressburger and Others. London UK, p. 79-104

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    'We Did Something': Framing Resistance in Cinematic Depictions of the Sonderkommando

    Langford, B., Sep 2019, Testimonies of Resistance: Representations of the Auschwitz-Birkenau Sonderkommando. Chare, N. & Williams, D. (eds.). Oxford: Berghahn Books, p. 287-306 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Weit verstreut, doch eng verbunden: Diasporafamilien im zeitgenössischen europäischen Kino

    Berghahn, D., 1 May 2020, Familienbilder: Lebensgemeinschaften und Kino . Pauleit, W. & Rabing, A. (eds.). Berlin : Bertz + Fischer, p. 10-20 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    What Might Have Been: Land and Freedom and The Wind that Shakes the Barley

    Hill, J., 2014, British Cinema: Volume 2: Films and Film-makers. Murphy, R. (ed.). London: Routledge, p. 111-130

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    What's the Point?

    Ellis, J., 1990, The Question of Quality. Mulgan, G. (ed.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Working Class Realism and Sexual Reaction: Some Theses on the British "New Wave"

    Hill, J., 1983, British Cinema History. Curran, J. & Porter, V. (eds.). London: Weidenfeld & Nicolson, p. 303-11, 368-70

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    中国家庭伦理电视剧中的女性形象研究

    Guo, D., Nov 2009, 第一媒介:全球化背景下的中国电视. Guo, Z., Deng, L. & Zhang, Z. (eds.). Beijing: Tsinghua University Press, p. 123-136 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter