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  1. Chapter › Research
  2. Published

    Holocaust film

    Langford, B., 2012, The Edinburgh Companion to Twentieth-Century British and American War Literature. Piette, A. & Rawlinson, M. (eds.). Edinburgh University Press, p. 134-150

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Humans Categorise Humans: on "ImageNet Roulette" and Machine Vision

    Goriunova, O., 1 Apr 2020, Donaufestival Reader. Austria: Donaufestival, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Ideology and Subjectivity

    Ellis, J., 1980, Culture, Media and Language. Hall, S. (ed.). Hutchinson-Ross

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Ideology, Economy and the British Cinema

    Hill, J., 1979, Ideology and Cultural Production. Barrett, M. (ed.). London: Croom Helm, p. 112-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. E-pub ahead of print

    Immersive Journalism and Virtual Reality

    Soler-Adillon, J. & Sora, C., 17 Sep 2018, (E-pub ahead of print) Interaction in Digital News Media: From Principles to Practice. Pérez-Montoro, M. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Importance, Significance, Cost And Value: Is An ITV Canon Possible?

    Ellis, J., 2005, ITV Cultures: Fifty Years of Commercial Television. Johnson, C. & Turnock, R. (eds.). Open University Press, p. 36-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Interstitials: How the 'Bits in Between' Define the Programmes

    Ellis, J., Oct 2011, Ephemeral Media: Transitory Screen Culture from Television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 59-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Interview with Ken Loach

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 160-76 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Introduction

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 1-7

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Introduction: British Television and Film: The Making of a Relationship

    Hill, J. & McLoone, M., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 1-6 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Irish Cinema

    Hill, J., 2007, The Cinema Book. Cook, P. (ed.). 3rd ed. BFI: London, p. 228-30 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Irish Film Studies: Twenty Years On

    Hill, J., 2007, Irish Films, Global Cinema: Studies in Irish Film 4. McLoone, M. & Rockett, K. (eds.). Dublin: Four Courts Press, p. 15-26 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Is it Possible to Construct a Canon of Television Programmes? Immanent Reading versus Textual Historicism

    Ellis, J., 2007, Re-Viewing Television Histories: Critical Issues in Television Historiography. Wheatley, H. (ed.). I.B.Tauris, p. 15-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    John Forte

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Just a Station on His Way? Altman's Transition From Television to Film

    Hall, N., Jun 2015, A Companion to Robert Altman. Danks, A. (ed.). Wiley-Blackwell, p. 68-91 24 p. (Wiley-Blackwell Companions to Film Directors).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Ken McMullen

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    La mise en scène de soi à la télévision: L’exemple du premier jeu télévisé sur ITV

    Ellis, J., 2011, Télévision: le moment expérimental: De l'invention à l'institution (1935-1955). Delavaud, G. & Maréchal, D. (eds.). Rennes: Éditions Apogée, p. 285-298

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    'Let the audience add up two plus two. They'll love you forever.': The screenplay as a self-teaching system

    Ganz, A., 2011, Analysing the Screenplay. Nelmes, J. (ed.). Routledge, p. 127-141

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. In preparation

    'L'Homme et son desir': The Ballets Suedois, and the Fourth Dimension in Stage Design

    Trott, A., Sep 2013, (In preparation) Modernism's Intermedialities. Townsend, C., Davies, R. & Trott, A. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    'Like the Différance Between Art and the Commodity; Like the Différance Between a Life and a Lifestyle: Silvia Kolbowski and Peter Eisenmann's 1995 Project with Comme des Garçons

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam and Atlanta: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Linear Legacies: Managing the Multiplatform Production Process

    Bennett, J. & Strange, N., Aug 2014, Making Media Work: Cultures of Management in the Entertainment Industries. Johnson, D., Kompare, D. & Santo, A. (eds.). New York: New York University Press, p. 63-89 27 p. (Critical Cultural Communication).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Forthcoming

    More than just a ‘nasty’ decade: Classifying the popular in the 1980s

    Barber, S., 2012, (Accepted/In press) Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age. Lamberti, E. (ed.). BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Mundane Witness

    Ellis, J., 2009, Media Witnessing: Testimony in the Age of Mass Communication. Frosh, P. & Pinchevski, A. (eds.). Palgrave Macmillan, p. 73-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Nan Goldin: Bohemian Ballads

    Townsend, C., 2003, Phototextualities: Intersections of Photography and Narrative. Hughes, A. & Noble, A. (eds.). University of New Mexico Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Narrative and Realism

    Hill, J., 2000, The Film Studies Reader. Hollows, J. (ed.). London: Arnold, p. 206-213 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    No One Runs Away to Join the Circus

    Townsend, C., 2003, Melanie Manchot. Public Art Leicester

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Northern Ireland

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 489-90 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Notes on the Obvious

    Ellis, J., 1981, Literary Theory Today. Abbas, M. & Wong, T. (eds.). Hong Kong University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Odd Man Out

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 648-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    On screenwriting outside the West

    Clayton, S., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 175-197

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Os filmes proibidos

    Berghahn, D., Jul 2018, Imagens Para O Futuro : O Cinema Da Alemanha Oriental . Rio de Janeiro : Caixa Cultural and Goethe Institute Rio de Janeiro, p. 117-130 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Pat Murphy

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 470 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Per un canone storico dei programmi televisivi

    Ellis, J., Apr 2013, Storie e culture della televisione italiana. Grasso, A. (ed.). Milano: Mondadori, p. 211-222 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Politics, Realism and Ken Loach

    Hill, J., 2009, Cinema and Politics: Turkish Cinema and The New Europe. Bayradkar, D. (ed.). Newcastle: Cambridge Scholars, p. 70-81 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Public Service Algorithms

    Bennett, J., Mar 2018, A future for public service Television. Freedman, D. & Goblet, V. (eds.). London: University of Goldsmith Press, p. 112-120 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Public Service as Production Culture

    Bennett, J., Jul 2015, Production Studies Volume 2: The Sequel. Mayer, V., Connor, B. & Banks, M. (eds.). 1st ed. New York: Routledge, Vol. 2. p. 123-137 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Reading Political Comedy: Yes Minister and Comic Coherence

    Crowder, M., 2010, Using Moving Image Archives. Bose, N. & Grieveson, L. (eds.). p. 64-81

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Realism

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 552-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Representing Violence: The British Cinema and Ireland

    Hill, J., 1986, Ireland's Terrorist Dilemma. Alexander, Y. & O'Day, A. (eds.). Dordrecht: Martinus Nijhoff, p. 123-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Revisiting British Film Studies

    Hill, J., 2014, Britsih Cinema: Volume 3: Issues and Debates. Murphy, R. (ed.). 2014: Routledge, p. 72-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Richard Hayward

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 299 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Ritorno Al Futuro? Il Cinema Inglese Anni 50 E All'Inizio Degli Anni 60

    Hill, J., 1991, Free Cinema E Dintorni: Nuovo Cinema Inglese 1956-68. Martini, E. (ed.). Turin: E.D.T., p. 11-18

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Selection by Committee

    Ellis, J., 1981, The Social Function of Cinema. Stoneman, R. & Thompson, H. (eds.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Skills for Immersive experience creation; barriers to growth in the UK immersive economy, launched Jan 2020. https://www.storyfutures.com/news/skills-report

    Murphy, A. & Bennett, J., 28 Jan 2020, StoryFutures Academy: National Centre for Immersive Storytelling. 1 ed. London, Vol. 1. 51 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Slave to the Rhythm: Sonia Delaunay's Fashion Project and the Fragmentary, Mobile, Modernist Body

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Social Network Sites (SNSs)

    Goriunova, O. & Bernardi, C., 2014, The Johns Hopkins Guide to Digital Media. Ryan, M-L., Emerson, L. & Robertson, B. (eds.). Johns Hopkins University Press, p. 455-463

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Forthcoming

    Sound Salad: The Soundscapes of a Brazilian Favela

    Medrado, A., 2012, (Accepted/In press) Urban Developments in Brazil and Portugal. Moraes Valenca, M. (ed.). New York: Nova science, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Speaking-in-the-last-instance: Non-Standard Usage, Superposition, and the (H)interlinguistic State

    Hazell, C., Mar 2022, Philo-Fictions, La revue des non-philosophies: N°5: “Énergie, un sort à défendre”. Brouzes, É. & Sekulovski, J. (eds.). Paris: ONPhI Editions, Vol. 5. p. 83-101

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Speed, Film and Television: Media Moving Apart

    Ellis, J., 1996, Big Picture, Small Screen - The Relation Between Film and Television. Hill, J. & McLoone, M. (eds.). John Libbey & Co, p. 97-106

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Subverting the Sitcom from Within: Form, Ideology and Father Ted

    Hill, J., 2016, British TV Comedies: Cultural Concepts, Contexts and Controversies. Kamm, J. & Neumann, B. (eds.). Basingstoke: Palgrave Macmillan, p. 225-239 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter