Home > Media Arts home > Research > Profile > Publications
  1. Chapter › Research
  2. Published

    Closer to the action: Post-war American television and the zoom shot

    Hall, N., 2013, Television Aesthetics and Style. Jacobs, J. & Peacock, S. (eds.). London: Bloomsbury Academic, p. 277-287 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Community Media: Important but Imperfect: A Case Study of a Community Television Station in a Brazilian Favela

    Medrado, A., 2007, Media Technologies and Journalism in an Enlarged Europe. Carpentier, N. (ed.). Tartu, Estonia: Tartu University Press, p. 123-136 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Considering Her Final Project

    Jacob, C. K. & Tobin, A., Sep 2013, Jo Spence: The Final Project. Lee, L. (ed.). Ridinghouse

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Contemporary Chinese Historical TV Drama as a Cultural Genre: Production, Consumption and the State Power

    Guo, G. D., 1 May 2015, Routledge Handbook of Chinese Media. Rawnsley, G. & Rawnsley, M-Y. T. (eds.). London: Routledge, p. 372-388 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Dead For Having Been Seen: Izima Kaoru

    Townsend, C., 2002, Izima Kaoru. fa Projects

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Digital Political Marketing

    Mitchell, M. & Ridge-Newman, A., 2016, Political Marketing and the 2015 UK General Election. Lilleker, D. & Pack, M. (eds.). london: Palgrave, p. 99-116

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Divorcing Jack

    Hill, J., 2005, The Cinema of Britain and Ireland. MacFarlane, B. (ed.). London: Wallflower Press, p. 226-36 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Forthcoming

    Documentaries on British Television: a Survey

    Ellis, J., Nov 2012, (Accepted/In press) 中国纪录片蓝皮书(2012): Annual Report on the Development of Chinese Documentary (2012). Social Science Academy Press, Beijing, p. 190-200 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Documentary and truth on television: The crisis of 1999

    Ellis, J., 10 Feb 2005, New challenges for documentary. Corner, J. & Rosenthal, A. (eds.). 2nd ed. Manchester, UK

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Documentary and Truth on Television: The Crisis of 1999

    Ellis, J., 2005, New Challenges in Documentary. Corner, J. & Rosenthal, A. (eds.). Manchester University Press, p. 342-360

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Domestic Virtues: Art, Interiority and Domesticity

    Townsend, C., 2007, Comfort Zones. Henry Moore Institute/Oriel Davies

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Donovan Pedelty

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Drama on the Box

    Cooke, L., 2015, The Routledge Companion to Media History. Conboy, M. & Steel, J. (eds.). London and New York: Routledge, p. 460-469 10 p. (Routledge Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Elemental: Crude Metaphors

    Ganz, A. & Ballen, R., Nov 2015, Crude Metaphors: Elemental. Balhetchet, S., DeWitt, M. & Barker, G. (eds.). 1000 ed. London: Hotshoe, Vol. 5. 72 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Ethics and Factual Television: a short history

    Ellis, J., Sep 2015, Adventures in the Lives of Others: Ethical Dilemmas in Factual Filmmaking. Quinn, J. (ed.). London: IB Tauris

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    'Everything All The Time' Graham Dolphin's Interventions in Fashion Media

    Townsend, C., 2005, Everything in Vogue. Art Editions North/University of Sunderland

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s

    Hill, J., 2000, British Cinema of the 90s. Murphy, R. (ed.). London: BFI, p. 178-87 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Film and Northern Ireland

    Hill, J., 2000, The Heritage of Ireland. Buttimer, N., Rynne, C. & Guerin, H. (eds.). Cork: Collins Press, p. 265-9 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Film and Postmodernism

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 96-105 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Film and Television

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 605-611 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Film and Television, a new relationship

    Hill, J., 2014, British Cinema: Volume 1: British Cinema Past and Present. Murphy, R. (ed.). London: Routledge, p. 299-317

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Film Censorship in a "Clean State": The Case of Klein and Kohlhaase's Berlin um die Ecke

    Berghahn, D., 2004, Censorship and Cultural Regulation in the Modern Age. Müller, B. (ed.). Amsterdam : Rodopi, p. 111-139

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Finding a Form: politics and aesthetics in Fatherland, Hidden Agenda and Riff-Raff

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 125-43 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Fiona Crisp: Discerning the Other Dimensions of Photography

    Townsend, C., 2009, Fiona Crisp, 'Hyper Passive'. London: Matt's Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Flashes of Light: Diana Thorneycroft's "Impossible" Photographs and the Possibility of History

    Townsend, C., 1998, slytod: Diana Thorneycroft. Keshavjee, S. (ed.). University of Manitoba Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Flawed heroes, fragmented heroines: the use of myth in cinema screenwriting

    Clayton, S., Jun 2011, Myth and Violence in the Contemporary Female Text: New Cassandras. Bahun-Radunovic, S. & Rajan, V. G. J. (eds.). Ashgate, p. 161-184

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    From Art on Networks to Art on Platforms

    Goriunova, O. & Shulgin, A., 2006, Data Browser volume 3: Curating Immateriality: On 'the Work of the Curator in the Age of Network Systems. Krysa, J. (ed.). Autonomedia, p. 237-267

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    From flow to user flows: Understanding "good" science programming in the digital TV landscape

    Bennett, J., 2009, Investigating science communication in the information age: Implications for public engagement and popular media. Holliman, R. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    From independence to independents, public service to profit: British TV and the Impossibility of Independence

    Bennett, J., Jan 2015, Media Independence: Working with freedom or working for free?. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 71-94 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    From the "New Wave" to "Brit-grit": Continuity and Difference in Working-Class Realism

    Hill, J., 2000, British Cinema: Past and Present. Ashby, J. & Higson, A. (eds.). London: Routledge, p. 249-60 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    From Victorian Theatrical Melodrama to the Futurist Serate: The fall and rise of kinetic emulation as a scenographic evocation of the modern landscape

    Davies, R., 1 Mar 2014, Modernism's Intermedialities: From Futurism to Fluxus. Townsend, C., Davies, R. & A. T. (eds.). Newcastle upon Tyne: Cambridge Scholars, p. 1 - 24 24 p. Chapter 1

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    General Introduction

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. xix-xxii

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Glitch

    Goriunova, O. & Shulgin, A., 2008, Software Studies: a Lexicon. Fuller, M. (ed.). MIT Press, p. 110-119

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Globalizing the Holocaust: Fantasies of Annihilation in Contemporary Media Culture

    Langford, B., 2013, Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Bangert, A., Gordon, R. S. C. & Saxton, L. (eds.). London: Legenda, p. 113-129

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. In preparation

    Going with the Flow; cinema, attraction or performance?

    Pearce, G., 1 Sep 2013, (In preparation) Truth, Dare or Promise: art and documentary revisited. Pearce, G., McLaughlin, C. & Daniels, J. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Goverment Aid and Film Legislation: 'An elastoplast to stop a haemorrhage'

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. & Smith, J. (eds.). Edinburgh: Edinburgh University Press, p. 10-21 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Hollywood Gerçegini Kabullenmek: Globallesme Çaginda Ulusal Sinemalar

    Hill, J., 2001, Türk Film Arastirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). 2001: Baglam Istanbul

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Holocaust film

    Langford, B., 2012, The Edinburgh Companion to Twentieth-Century British and American War Literature. Piette, A. & Rawlinson, M. (eds.). Edinburgh University Press, p. 134-150

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Humans Categorise Humans: on "ImageNet Roulette" and Machine Vision

    Goriunova, O., 1 Apr 2020, Donaufestival Reader. Austria: Donaufestival, 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Ideology and Subjectivity

    Ellis, J., 1980, Culture, Media and Language. Hall, S. (ed.). Hutchinson-Ross

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Ideology, Economy and the British Cinema

    Hill, J., 1979, Ideology and Cultural Production. Barrett, M. (ed.). London: Croom Helm, p. 112-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. E-pub ahead of print

    Immersive Journalism and Virtual Reality

    Soler-Adillon, J. & Sora, C., 17 Sep 2018, (E-pub ahead of print) Interaction in Digital News Media: From Principles to Practice. Pérez-Montoro, M. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Importance, Significance, Cost And Value: Is An ITV Canon Possible?

    Ellis, J., 2005, ITV Cultures: Fifty Years of Commercial Television. Johnson, C. & Turnock, R. (eds.). Open University Press, p. 36-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Interstitials: How the 'Bits in Between' Define the Programmes

    Ellis, J., Oct 2011, Ephemeral Media: Transitory Screen Culture from Television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 59-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Interview with Ken Loach

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 160-76 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Introduction

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 1-7

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Introduction: British Television and Film: The Making of a Relationship

    Hill, J. & McLoone, M., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 1-6 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Irish Cinema

    Hill, J., 2007, The Cinema Book. Cook, P. (ed.). 3rd ed. BFI: London, p. 228-30 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Irish Film Studies: Twenty Years On

    Hill, J., 2007, Irish Films, Global Cinema: Studies in Irish Film 4. McLoone, M. & Rockett, K. (eds.). Dublin: Four Courts Press, p. 15-26 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Is it Possible to Construct a Canon of Television Programmes? Immanent Reading versus Textual Historicism

    Ellis, J., 2007, Re-Viewing Television Histories: Critical Issues in Television Historiography. Wheatley, H. (ed.). I.B.Tauris, p. 15-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    John Forte

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Just a Station on His Way? Altman's Transition From Television to Film

    Hall, N., Jun 2015, A Companion to Robert Altman. Danks, A. (ed.). Wiley-Blackwell, p. 68-91 24 p. (Wiley-Blackwell Companions to Film Directors).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Ken McMullen

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    La mise en scène de soi à la télévision: L’exemple du premier jeu télévisé sur ITV

    Ellis, J., 2011, Télévision: le moment expérimental: De l'invention à l'institution (1935-1955). Delavaud, G. & Maréchal, D. (eds.). Rennes: Éditions Apogée, p. 285-298

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    'Let the audience add up two plus two. They'll love you forever.': The screenplay as a self-teaching system

    Ganz, A., 2011, Analysing the Screenplay. Nelmes, J. (ed.). Routledge, p. 127-141

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. In preparation

    'L'Homme et son desir': The Ballets Suedois, and the Fourth Dimension in Stage Design

    Trott, A., Sep 2013, (In preparation) Modernism's Intermedialities. Townsend, C., Davies, R. & Trott, A. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    'Like the Différance Between Art and the Commodity; Like the Différance Between a Life and a Lifestyle: Silvia Kolbowski and Peter Eisenmann's 1995 Project with Comme des Garçons

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam and Atlanta: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Linear Legacies: Managing the Multiplatform Production Process

    Bennett, J. & Strange, N., Aug 2014, Making Media Work: Cultures of Management in the Entertainment Industries. Johnson, D., Kompare, D. & Santo, A. (eds.). New York: New York University Press, p. 63-89 27 p. (Critical Cultural Communication).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Forthcoming

    More than just a ‘nasty’ decade: Classifying the popular in the 1980s

    Barber, S., 2012, (Accepted/In press) Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age. Lamberti, E. (ed.). BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Mundane Witness

    Ellis, J., 2009, Media Witnessing: Testimony in the Age of Mass Communication. Frosh, P. & Pinchevski, A. (eds.). Palgrave Macmillan, p. 73-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    Nan Goldin: Bohemian Ballads

    Townsend, C., 2003, Phototextualities: Intersections of Photography and Narrative. Hughes, A. & Noble, A. (eds.). University of New Mexico Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Narrative and Realism

    Hill, J., 2000, The Film Studies Reader. Hollows, J. (ed.). London: Arnold, p. 206-213 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    No One Runs Away to Join the Circus

    Townsend, C., 2003, Melanie Manchot. Public Art Leicester

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Northern Ireland

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 489-90 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    Notes on the Obvious

    Ellis, J., 1981, Literary Theory Today. Abbas, M. & Wong, T. (eds.). Hong Kong University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Odd Man Out

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 648-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    On screenwriting outside the West

    Clayton, S., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 175-197

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    Os filmes proibidos

    Berghahn, D., Jul 2018, Imagens Para O Futuro : O Cinema Da Alemanha Oriental . Rio de Janeiro : Caixa Cultural and Goethe Institute Rio de Janeiro, p. 117-130 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Pat Murphy

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 470 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    Per un canone storico dei programmi televisivi

    Ellis, J., Apr 2013, Storie e culture della televisione italiana. Grasso, A. (ed.). Milano: Mondadori, p. 211-222 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    Politics, Realism and Ken Loach

    Hill, J., 2009, Cinema and Politics: Turkish Cinema and The New Europe. Bayradkar, D. (ed.). Newcastle: Cambridge Scholars, p. 70-81 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    Public Service Algorithms

    Bennett, J., Mar 2018, A future for public service Television. Freedman, D. & Goblet, V. (eds.). London: University of Goldsmith Press, p. 112-120 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Public Service as Production Culture

    Bennett, J., Jul 2015, Production Studies Volume 2: The Sequel. Mayer, V., Connor, B. & Banks, M. (eds.). 1st ed. New York: Routledge, Vol. 2. p. 123-137 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    Reading Political Comedy: Yes Minister and Comic Coherence

    Crowder, M., 2010, Using Moving Image Archives. Bose, N. & Grieveson, L. (eds.). p. 64-81

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Realism

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 552-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Representing Violence: The British Cinema and Ireland

    Hill, J., 1986, Ireland's Terrorist Dilemma. Alexander, Y. & O'Day, A. (eds.). Dordrecht: Martinus Nijhoff, p. 123-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    Revisiting British Film Studies

    Hill, J., 2014, Britsih Cinema: Volume 3: Issues and Debates. Murphy, R. (ed.). 2014: Routledge, p. 72-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Richard Hayward

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 299 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    Ritorno Al Futuro? Il Cinema Inglese Anni 50 E All'Inizio Degli Anni 60

    Hill, J., 1991, Free Cinema E Dintorni: Nuovo Cinema Inglese 1956-68. Martini, E. (ed.). Turin: E.D.T., p. 11-18

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    Selection by Committee

    Ellis, J., 1981, The Social Function of Cinema. Stoneman, R. & Thompson, H. (eds.). BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    Skills for Immersive experience creation; barriers to growth in the UK immersive economy, launched Jan 2020. https://www.storyfutures.com/news/skills-report

    Murphy, A. & Bennett, J., 28 Jan 2020, StoryFutures Academy: National Centre for Immersive Storytelling. 1 ed. London, Vol. 1. 51 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Slave to the Rhythm: Sonia Delaunay's Fashion Project and the Fragmentary, Mobile, Modernist Body

    Townsend, C., 2006, The Power of Fashion: On Design and Meaning. Teunissen, J. & Brand, J. (eds.). Amsterdam: Terra Uitgeverij/ARTEZ

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    Social Network Sites (SNSs)

    Goriunova, O. & Bernardi, C., 2014, The Johns Hopkins Guide to Digital Media. Ryan, M-L., Emerson, L. & Robertson, B. (eds.). Johns Hopkins University Press, p. 455-463

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Forthcoming

    Sound Salad: The Soundscapes of a Brazilian Favela

    Medrado, A., 2012, (Accepted/In press) Urban Developments in Brazil and Portugal. Moraes Valenca, M. (ed.). New York: Nova science, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Speed, Film and Television: Media Moving Apart

    Ellis, J., 1996, Big Picture, Small Screen - The Relation Between Film and Television. Hill, J. & McLoone, M. (eds.). John Libbey & Co, p. 97-106

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    Subverting the Sitcom from Within: Form, Ideology and Father Ted

    Hill, J., 2016, British TV Comedies: Cultural Concepts, Contexts and Controversies. Kamm, J. & Neumann, B. (eds.). Basingstoke: Palgrave Macmillan, p. 225-239 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Surrealist Legacies: The influence of Luis Buñuel’s ‘irrationality’ on Hiroshi Teshigahara’s ‘documentary-fantasy’

    Gee, F., Mar 2013, A Companion to Luis Bunuel . Stone, R. & Gutierrez-Albilla, J. D. (eds.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Susan Sontag’s Screen Tests

    Merck, M., 2013, Warhol in Ten Takes. Davis, G. & Needham, G. (eds.). BFI/Palgrave, p. 93-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Technological macrobiome: media art and technology as matter

    Goriunova, O., 30 Dec 2016, Across and Beyond : A transmediale Reader on Post-digital Practices, Concepts, and Institutions. Bishop, R., Gansing, K. & Parikka, J. (eds.). Stenberg Press, p. 334-348 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Television and Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 658-9 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Television and Independent Cinema

    Ellis, J., 1982, What's This Channel Fo(u)r?. Blanchard, S. & Morley, D. (eds.). Comedia

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Television and Pop: The Case of the 1950s

    Hill, J., 1991, Popular Television in Britain. Corner, J. (ed.). London: BFI, p. 90-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Television as Working Through

    Ellis, J., 1999, Media and Knowledge: The Role of Television. Gripsrud, J. (ed.). Routledge, p. 55-70

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Television Production

    Ellis, J., 2003, The Television Studies Reader. Allen, R. & Hill, A. (eds.). Routledge, p. 275-292

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    The BBC Archive Post-Jimmy Savile: Irreparable Damage or Recoverable Ground?

    Aust, R., 2017, The Past in Visual Culture: Essays on Memory, Nostalgia and the Media. McFarland, p. 170-184 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    The Bodily Sounds of the Abyss

    Goriunova, O., 1 Apr 2019, Unsound / Undead. Ikoniadou, E., Heys, T. & Goodman, S. (eds.). Urbanomic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    The Challenge of Public Service Broadcasting in a Web 2.0 Era: Broadcast Production Culture’s View of Interactive Audiences

    Bennett, J., 2013, Public Service Media in the Digital Age: International Perspectives. Gulyas, A. & Hammer, F. (eds.). Cambridge Scholars, p. 3-20 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    The Correspondence of Fragments: Time, Space and Subjectivity in Monika Oechsler's Video Installations

    Townsend, C., 2005, Monika Oechsler: Parallel Worlds. Sheffield: Lentos Kunstmuseum, Linz/ Site Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    The Death of the Video Clip

    Ellis, J., 1990, What A Wonderful World.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    The Diary of a Young Girl (The Diary of Anne Frank)

    Langford, B., 2018, Books to Film. Grant, B. K. (ed.). Macmillan Reference USA, p. 83-89 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter