Home > Media Arts home > Research > Profile > Publications
  1. Book/Film/Article review › Research › Peer-reviewed
  2. Published

    ‘Book Review: If George Orwell Was Alive Today’

    Hember, P., 2020, In : George Orwell Studies. 4, 2

    Research output: Contribution to journalBook/Film/Article review

  3. Published

    A Cinematic Artist: The Films of Man Ray by Kim Knowles

    Townsend, C., Oct 2011, In : French Studies. LXV, 4, p. 548-549

    Research output: Contribution to journalBook/Film/Article review

  4. Published

    Book Review: The BFI Companion to German Cinema, eds. Thomas Elsaesser and Michael Wedel

    Berghahn, D., 2001, In : German as a Foreign Language.

    Research output: Contribution to journalBook/Film/Article review

  5. Published

    Favela: Four Decades of Living on the Edge in Rio de Janeiro, by Janice Perlman.

    Medrado, A., Jun 2011, In : Westminster Papers in Communication and Culture. 8, 1, p. 181-185 4 p.

    Research output: Contribution to journalBook/Film/Article review

  6. In preparation

    Media and Politics in Latin America: Globalization, Democracy and Identity, by Carolina Matos

    Medrado, A., 2012, (In preparation) In : Media, Culture and Society.

    Research output: Contribution to journalBook/Film/Article review

  7. Published

    New documentary ecologies: emerging platforms, practices and discources

    Mitchell, M., 2016, In : Journal of Media Practice. p. 119-120

    Research output: Contribution to journalBook/Film/Article review

  8. Published

    Palestinian, Lebanese and Syrian communities in the world: theoretical frameworks and empirical studies

    Mitchell, M., 2015, In : Social and Cultural Geography .

    Research output: Contribution to journalBook/Film/Article review

  9. Published

    Review: Screenwriting - History, Theory and Practice, Steven Maras

    Ganz, A., 2010, In : Journal of Screenwriting. 1, 1, p. 213 217 p.

    Research output: Contribution to journalBook/Film/Article review

  10. Published

    The Europeanization of cinema: interzones and imaginative communities

    Berghahn, D., 23 Feb 2016, In : Transnational Cinemas. 8, 2, p. 172-175 4 p.

    Research output: Contribution to journalBook/Film/Article review

  11. Published

    The Films of Mike Leigh

    Hill, J., 2001, In : Cineaste. 26, 2, p. 57-58, 47

    Research output: Contribution to journalBook/Film/Article review

  12. Editorial › Research › Not peer-reviewed
  13. Published

    The Modernist Review Issue #5: Modernism Beyond the Literary

    Markaki, L., Feb 2019, In : The Modernist Review. 5

    Research output: Contribution to journalEditorial

  14. Editorial › Research › Peer-reviewed
  15. Published

    Digital subjects: an introduction

    Goriunova, O., Mar 2019, In : Subjectivity. 12, 1, p. 1-11 11 p.

    Research output: Contribution to journalEditorial

  16. Published

    Editorial

    Ganz, A., 2013, In : Journal of Screenwriting. 4, 3, p. 213-216 3 p., DOI: 10.1386/josc.4.3.213_2 .

    Research output: Contribution to journalEditorial

  17. Published

    Introduction

    Van Eecke, C., Hill, J. & Vanhaesebrouck, K., 1 Oct 2015, In : Journal of British Cinema and Television. 12, 4, p. 427-437 11 p.

    Research output: Contribution to journalEditorial

  18. E-pub ahead of print

    Introduction: film policy in a globalised cultural economy

    Hill, J. & Kawashima, N., 17 Oct 2016, In : International Journal of Cultural Policy. 22, 5, p. 667-672 6 p.

    Research output: Contribution to journalEditorial

  19. Published

    Introduction: Special Issue on Forgotten Television Drama

    Hill, J., Cooke, L. & Smart, B., 19 Apr 2017, In : Historical Journal of Film, Radio and Television. 37, 1, 4 p.

    Research output: Contribution to journalEditorial

  20. Published

    Turkish-German Dialogues on Screen

    Berghahn, D. (ed.), 2009, In : New Cinemas. 7, 1, p. 1-97 97 p.

    Research output: Contribution to journalEditorial

  21. Special issue › Research › Peer-reviewed
  22. In preparation

    Media Ethnography: The Challenges of Breaking Disciplinary Boundaries (issue editor)

    Medrado, A., 2012, (In preparation) In : Westminster Papers in Communication and Culture.

    Research output: Contribution to journalSpecial issue

  23. Newspaper article › Research
  24. Published

    Gothic in the Art Room: Five ways you can use Gothic films in your lessons this Hallowe’en

    Jacob, C., Oct 2014, Times Educational Supplement.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  25. Internet publication › Research
  26. Published

    10 wonderful women of sci-fi

    Jacob, C. & Dunican, A., Nov 2016, BFI Online.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  27. Published

    Stranger Things is the Upside Down to Disney’s Cute and Cuddly Universe

    Lee, N., 2 Nov 2017, The Conversation.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  28. Chapter › Research
  29. Published

    "A New Dictionary of Gestures": Chaplin's The Rink and Ricciotto Canudo's Skating Rink

    Townsend, C., 2010, The Popular Avant-Garde. Silverman, R. M. (ed.). Rodopi, p. 153-173 (Avant-Garde Critical Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    "A Working-Class Hero Is Something To Be?" Changing Representations of Class and Masculinity in British Cinema

    Hill, J., 2004, The Trouble with Men: Masculinities in European and Hollywood Cinema. Powrie, P. (ed.). London: Wallflower Press, p. 100-109 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    "Bonnie Scotland, Eh?": Scottish Cinema, the Working Class and the Films of Ken Loach

    Hill, J., 2009, Scottish Cinema Now. Murray, J. (ed.). Newcastle: Cambridge Scholars, p. 88-104 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    "Creative in its own right": The Langham Group and the search for a new television drama

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 17-30 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    "Enmeshed in British Society but with a Yen for American Movies": Film, Television and Stephen Frears

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 224-31

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Forthcoming

    "It's all in the Game" Greek myth, Violence and "The Wire"

    Ganz, A., 2015, (Accepted/In press) Ancient Greek Myth in World Fiction since 1989. Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    "Leaping Broken Narration" -: Ballads, Oral storytelling and the cinema

    Ganz, A., 29 May 2012, Storytelling in World Cinemas: volume 1 Forms. Khatib, L. (ed.). Columbia University Press, p. 71-89 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    "Scotland doesna mean much tae Glesca": Some Notes on The Gorbals Story

    Hill, J., 1982, Scotch Reels. McArthur, C. (ed.). London: British Film Institute, p. 100-11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    "The past is a foreign country": exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 3 Mar 2020, Transnational Screens: Expanding the Borders of Transnational Cinema . De La Garza, A., Doughty, R. & Shaw, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    A "New Drama for Television"?: Diary of a Young Man

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 48-69 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    A 360 Public Service Sector: The role of independent production in the UK's public service broadcasting landscape

    Bennett, J. & Kerr, P., 2012, Regaining the initiative for public service media: RIPE@2011 reader. Gregory Ferrell, L. & Jeanette, S. (eds.). University of Gothenburg, p. 219-235 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    A Hard Day's Night

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 372-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    A Life Story of Runme.org, software art repository

    Goriunova, O., 2011, ART ++. Éditions HYX, p. 113-143

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    A Minister is About to Resign: On the Interpretation of Television Footage

    Ellis, J., 2002, Realism and 'Reality' in Film and Media. Jerslev, A. (ed.). University of Copenhagen Press, p. 193-210 (Northern Lights Film and Media Studies Yearbook).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies

    Bennett, J., Medrado, A. & Strange, N., Jan 2015, Media Independence: Working with freedom or working for free. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 139-158 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    A Stretch of Time: Extended Distribution and Narrative Accumulation in Prison Break

    Kelly, JP., 2012, Time in Television Narrative: Exploring Temporality in 21st Century Programming. Mississippi : University Press of Mississippi

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Allegorising the Nation: British Gangster films of the 1980s

    Hill, J., 1999, British Crime Cinema. Chibnall, S. & Murphy, R. (eds.). London: Routledge, p. 160-71 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    An Experiment in Television Drama: John McGrath’s The Adventures of Frank

    Cooke, L., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 106-119 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Artefactu(r)al Logic in Allen Fisher's SPUTTOR

    Hazell, C., 10 May 2020, The Allen Fisher Companion. Hampson, R. & cheek, C. (eds.). Bristol: Shearsman, p. 192-201

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Autocreativity. The Operation of Codes of Freedom in Art and Culture

    Goriunova, O., 2008, FLOSS + ART. de Valk, M. & Mansoux, A. (eds.). Open Mute, p. 92-118

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Barney Platts-Mills

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance

    Langford, B., 1 Sep 2017, Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Pomerance, M. & Rybin, S. (eds.). Edinburgh: Edinburgh University Press, p. 157-168 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    BBC English Regions Drama: Second City Firsts

    Cooke, L., 2007, Re-viewing television History: Critical Issues in Television Historiography. Wheatley, H. (ed.). London: I. B. Tauris, p. 82-95 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Beyond McKee: Screenwriting in and out of the academy

    Langford, B., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 251-262

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    Beyond the broadcast text: new economies and temporalities of online TV

    Kelly, J. P., 2011, Ephemeral Media: Transitory screen culture from television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 122-137

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Bille Eltringham

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Brechtian Television: Theatricality and Adaptation of the Stage Play

    Smart, B., 2012, Stages of Reality: Theatricality in Cinema. Loiselle, A. & Maron, J. (eds.). Toronto: University of Toronto Press, p. 30-52

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. In preparation

    Bringing the living back to life: what happens when we re-enact the recent past?

    Hall, N., 2019, (In preparation) Hands On Media History. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Forthcoming

    British Cinema and the Holocaust

    Langford, B., 5 Dec 2017, (Accepted/In press) The Palgrave Handbook on Britain and the Holocaust. Pearce, A. & Lawson, T. (eds.). London: Palgrave Macmillan, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    British Cinema as National Cinema: Production, Audience and Representation

    Hill, J., 1997, The British Cinema Book. Murphy, R. (ed.). London: BFI, p. 244-54

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    British Cinema as Performance Art: 'Brief Encounter', 'Radio Parade of 1935' and the Circumstances of Film Exhibition

    Ellis, J., 2000, British Cinema, Past and Present. Ashby, J. & Higson, A. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    British Film Censorship and the BBFC in the 1970s

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. (ed.). Edinburgh: Edinburgh University Press, p. 22-33 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    British Film Policy

    Hill, J., 1996, Film Policy: International, National and Regional Perspectives. Moran, A. (ed.). London: Routledge, p. 101-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    British Television and Film: The Making of a Relationship

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 151-76

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    British-Asian Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 84-5 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    Broadcast Television as Cultural Form

    Ellis, J., 1990, Popular Fiction: Technology, Ideology, Production and Reading. Bennett, T. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Brother Animal’s Long Tail: Sigmund Freud, Victor Tausk and Intellectual Influence

    Merck, M., 2012, The Psychology and Politics of the Collective: Groups, Crowds and Mass Identifications. Parkin-Gounelas, R. (ed.). Routledge, p. 21-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    Buffering Avant-garde: on Time, Software and Computation

    Goriunova, O., 2014, Fun and Software. Exploring Pleasure, Paradox and Pain in Computing. Goriunova, O. (ed.). p. 253-275

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Carry On Nurse

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 151-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Censorship as Performance: A Case of Singapore Media Production

    Fong, S., 2015, Media, Margins and Popular Culture. Thorsen, E., Savigny, H., Alexander, J. & Jackson, D. (eds.). Palgrave Macmillan, p. 202-215 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    Censorship in East German cinema: The case of Spur der Steine

    Berghahn, D., 1999, From Classical Shades to Vickers Victorious: Shifting Perspectives in British German Studies. Giles, S. & Graves, P. (eds.). Oxford and Bern: Peter Lang, p. 183-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Cinema

    Hill, J., 1999, The Media in Britain: Current Debates and Developments. Stokes, J. & Reading, A. (eds.). Basingstoke: Macmillan, p. 74-87 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    Cinema and Television: Laios and Oedipus

    Ellis, J., 1998, Cinema Futures: Cain, Abel or Cable?. Elsaesser, T. & Hoffmann, K. (eds.). Amsterdam University Press, p. 127-136

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    Class

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 124 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    Closer to the action: Post-war American television and the zoom shot

    Hall, N., 2013, Television Aesthetics and Style. Jacobs, J. & Peacock, S. (eds.). London: Bloomsbury Academic, p. 277-287 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Community Media: Important but Imperfect: A Case Study of a Community Television Station in a Brazilian Favela

    Medrado, A., 2007, Media Technologies and Journalism in an Enlarged Europe. Carpentier, N. (ed.). Tartu, Estonia: Tartu University Press, p. 123-136 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    Considering Her Final Project

    Jacob, C. K. & Tobin, A., Sep 2013, Jo Spence: The Final Project. Lee, L. (ed.). Ridinghouse

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Contemporary Chinese Historical TV Drama as a Cultural Genre: Production, Consumption and the State Power

    Guo, G. D., 1 May 2015, Routledge Handbook of Chinese Media. Rawnsley, G. & Rawnsley, M-Y. T. (eds.). London: Routledge, p. 372-388 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Dead For Having Been Seen: Izima Kaoru

    Townsend, C., 2002, Izima Kaoru. fa Projects

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    Devastation

    Fuller, M. & Goriunova, O., 1 Jan 2017, General Ecology: The New Ecological Paradigm. Hörl, E. & Burton, J. (eds.). Bloomsbury Academic, p. 323-344 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Digital Political Marketing

    Mitchell, M. & Ridge-Newman, A., 2016, Political Marketing and the 2015 UK General Election. Lilleker, D. & Pack, M. (eds.). london: Palgrave, p. 99-116

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Divorcing Jack

    Hill, J., 2005, The Cinema of Britain and Ireland. MacFarlane, B. (ed.). London: Wallflower Press, p. 226-36 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Forthcoming

    Documentaries on British Television: a Survey

    Ellis, J., Nov 2012, (Accepted/In press) 中国纪录片蓝皮书(2012): Annual Report on the Development of Chinese Documentary (2012). Social Science Academy Press, Beijing, p. 190-200 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Documentary and truth on television: The crisis of 1999

    Ellis, J., 10 Feb 2005, New challenges for documentary. Corner, J. & Rosenthal, A. (eds.). 2nd ed. Manchester, UK

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Documentary and Truth on Television: The Crisis of 1999

    Ellis, J., 2005, New Challenges in Documentary. Corner, J. & Rosenthal, A. (eds.). Manchester University Press, p. 342-360

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Domestic Virtues: Art, Interiority and Domesticity

    Townsend, C., 2007, Comfort Zones. Henry Moore Institute/Oriel Davies

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Donovan Pedelty

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Drama on the Box

    Cooke, L., 2015, The Routledge Companion to Media History. Conboy, M. & Steel, J. (eds.). London and New York: Routledge, p. 460-469 10 p. (Routledge Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    Elemental: Crude Metaphors

    Ganz, A. & Ballen, R., Nov 2015, Crude Metaphors: Elemental. Balhetchet, S., DeWitt, M. & Barker, G. (eds.). 1000 ed. London: Hotshoe, Vol. 5. 72 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Ethics and Factual Television: a short history

    Ellis, J., Sep 2015, Adventures in the Lives of Others: Ethical Dilemmas in Factual Filmmaking. Quinn, J. (ed.). London: IB Tauris

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    'Everything All The Time' Graham Dolphin's Interventions in Fashion Media

    Townsend, C., 2005, Everything in Vogue. Art Editions North/University of Sunderland

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s

    Hill, J., 2000, British Cinema of the 90s. Murphy, R. (ed.). London: BFI, p. 178-87 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    Film and Northern Ireland

    Hill, J., 2000, The Heritage of Ireland. Buttimer, N., Rynne, C. & Guerin, H. (eds.). Cork: Collins Press, p. 265-9 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    Film and Postmodernism

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 96-105 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  102. Published

    Film and Television

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 605-611 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. Published

    Film and Television, a new relationship

    Hill, J., 2014, British Cinema: Volume 1: British Cinema Past and Present. Murphy, R. (ed.). London: Routledge, p. 299-317

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Published

    Film Censorship in a "Clean State": The Case of Klein and Kohlhaase's Berlin um die Ecke

    Berghahn, D., 2004, Censorship and Cultural Regulation in the Modern Age. Müller, B. (ed.). Amsterdam : Rodopi, p. 111-139

    Research output: Chapter in Book/Report/Conference proceedingChapter

  105. Published

    Finding a Form: politics and aesthetics in Fatherland, Hidden Agenda and Riff-Raff

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 125-43 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  106. Published

    Fiona Crisp: Discerning the Other Dimensions of Photography

    Townsend, C., 2009, Fiona Crisp, 'Hyper Passive'. London: Matt's Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  107. Published

    Flashes of Light: Diana Thorneycroft's "Impossible" Photographs and the Possibility of History

    Townsend, C., 1998, slytod: Diana Thorneycroft. Keshavjee, S. (ed.). University of Manitoba Press

    Research output: Chapter in Book/Report/Conference proceedingChapter