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  2. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    A "New Drama for Television"?: Diary of a Young Man

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 48-69 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    A 360 Public Service Sector: The role of independent production in the UK's public service broadcasting landscape

    Bennett, J. & Kerr, P., 2012, Regaining the initiative for public service media: RIPE@2011 reader. Gregory Ferrell, L. & Jeanette, S. (eds.). University of Gothenburg, p. 219-235 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    A Hard Day's Night

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 372-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    A Life Story of Runme.org, software art repository

    Goriunova, O., 2011, ART ++. Éditions HYX, p. 113-143

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    A Minister is About to Resign: On the Interpretation of Television Footage

    Ellis, J., 2002, Realism and 'Reality' in Film and Media. Jerslev, A. (ed.). University of Copenhagen Press, p. 193-210 (Northern Lights Film and Media Studies Yearbook).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies

    Bennett, J., Medrado, A. & Strange, N., Jan 2015, Media Independence: Working with freedom or working for free. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 139-158 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    A Stretch of Time: Extended Distribution and Narrative Accumulation in Prison Break

    Kelly, JP., 2012, Time in Television Narrative: Exploring Temporality in 21st Century Programming. Mississippi : University Press of Mississippi

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Allegorising the Nation: British Gangster films of the 1980s

    Hill, J., 1999, British Crime Cinema. Chibnall, S. & Murphy, R. (eds.). London: Routledge, p. 160-71 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    An Experiment in Television Drama: John McGrath’s The Adventures of Frank

    Cooke, L., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 106-119 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Artefactu(r)al Logic in Allen Fisher's SPUTTOR

    Hazell, C., 10 May 2020, The Allen Fisher Companion. Hampson, R. & cheek, C. (eds.). Bristol: Shearsman, p. 192-201

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Autocreativity. The Operation of Codes of Freedom in Art and Culture

    Goriunova, O., 2008, FLOSS + ART. de Valk, M. & Mansoux, A. (eds.). Open Mute, p. 92-118

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Barney Platts-Mills

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance

    Langford, B., 1 Sep 2017, Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Pomerance, M. & Rybin, S. (eds.). Edinburgh: Edinburgh University Press, p. 157-168 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    BBC English Regions Drama: Second City Firsts

    Cooke, L., 2007, Re-viewing television History: Critical Issues in Television Historiography. Wheatley, H. (ed.). London: I. B. Tauris, p. 82-95 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Beyond McKee: Screenwriting in and out of the academy

    Langford, B., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 251-262

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Beyond the broadcast text: new economies and temporalities of online TV

    Kelly, J. P., 2011, Ephemeral Media: Transitory screen culture from television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 122-137

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Bille Eltringham

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Brechtian Television: Theatricality and Adaptation of the Stage Play

    Smart, B., 2012, Stages of Reality: Theatricality in Cinema. Loiselle, A. & Maron, J. (eds.). Toronto: University of Toronto Press, p. 30-52

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. In preparation

    Bringing the living back to life: what happens when we re-enact the recent past?

    Hall, N., 2019, (In preparation) Hands On Media History. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Forthcoming

    British Cinema and the Holocaust

    Langford, B., 5 Dec 2017, (Accepted/In press) The Palgrave Handbook on Britain and the Holocaust. Pearce, A. & Lawson, T. (eds.). London: Palgrave Macmillan, p. 1-21 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    British Cinema as National Cinema: Production, Audience and Representation

    Hill, J., 1997, The British Cinema Book. Murphy, R. (ed.). London: BFI, p. 244-54

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    British Cinema as Performance Art: 'Brief Encounter', 'Radio Parade of 1935' and the Circumstances of Film Exhibition

    Ellis, J., 2000, British Cinema, Past and Present. Ashby, J. & Higson, A. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    British Film Censorship and the BBFC in the 1970s

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. (ed.). Edinburgh: Edinburgh University Press, p. 22-33 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    British Film Policy

    Hill, J., 1996, Film Policy: International, National and Regional Perspectives. Moran, A. (ed.). London: Routledge, p. 101-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    British Television and Film: The Making of a Relationship

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 151-76

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    British-Asian Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 84-5 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Broadcast Television as Cultural Form

    Ellis, J., 1990, Popular Fiction: Technology, Ideology, Production and Reading. Bennett, T. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Brother Animal’s Long Tail: Sigmund Freud, Victor Tausk and Intellectual Influence

    Merck, M., 2012, The Psychology and Politics of the Collective: Groups, Crowds and Mass Identifications. Parkin-Gounelas, R. (ed.). Routledge, p. 21-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Buffering Avant-garde: on Time, Software and Computation

    Goriunova, O., 2014, Fun and Software. Exploring Pleasure, Paradox and Pain in Computing. Goriunova, O. (ed.). p. 253-275

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Carry On Nurse

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 151-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Censorship as Performance: A Case of Singapore Media Production

    Fong, S., 2015, Media, Margins and Popular Culture. Thorsen, E., Savigny, H., Alexander, J. & Jackson, D. (eds.). Palgrave Macmillan, p. 202-215 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Censorship in East German cinema: The case of Spur der Steine

    Berghahn, D., 1999, From Classical Shades to Vickers Victorious: Shifting Perspectives in British German Studies. Giles, S. & Graves, P. (eds.). Oxford and Bern: Peter Lang, p. 183-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Cinema

    Hill, J., 1999, The Media in Britain: Current Debates and Developments. Stokes, J. & Reading, A. (eds.). Basingstoke: Macmillan, p. 74-87 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Cinema and Television: Laios and Oedipus

    Ellis, J., 1998, Cinema Futures: Cain, Abel or Cable?. Elsaesser, T. & Hoffmann, K. (eds.). Amsterdam University Press, p. 127-136

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Class

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 124 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Closer to the action: Post-war American television and the zoom shot

    Hall, N., 2013, Television Aesthetics and Style. Jacobs, J. & Peacock, S. (eds.). London: Bloomsbury Academic, p. 277-287 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Community Media: Important but Imperfect: A Case Study of a Community Television Station in a Brazilian Favela

    Medrado, A., 2007, Media Technologies and Journalism in an Enlarged Europe. Carpentier, N. (ed.). Tartu, Estonia: Tartu University Press, p. 123-136 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Considering Her Final Project

    Jacob, C. K. & Tobin, A., Sep 2013, Jo Spence: The Final Project. Lee, L. (ed.). Ridinghouse

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Contemporary Chinese Historical TV Drama as a Cultural Genre: Production, Consumption and the State Power

    Guo, G. D., 1 May 2015, Routledge Handbook of Chinese Media. Rawnsley, G. & Rawnsley, M-Y. T. (eds.). London: Routledge, p. 372-388 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Dead For Having Been Seen: Izima Kaoru

    Townsend, C., 2002, Izima Kaoru. fa Projects

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Devastation

    Fuller, M. & Goriunova, O., 1 Jan 2017, General Ecology: The New Ecological Paradigm. Hörl, E. & Burton, J. (eds.). Bloomsbury Academic, p. 323-344 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Digital Political Marketing

    Mitchell, M. & Ridge-Newman, A., 2016, Political Marketing and the 2015 UK General Election. Lilleker, D. & Pack, M. (eds.). london: Palgrave, p. 99-116

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Divorcing Jack

    Hill, J., 2005, The Cinema of Britain and Ireland. MacFarlane, B. (ed.). London: Wallflower Press, p. 226-36 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Forthcoming

    Documentaries on British Television: a Survey

    Ellis, J., Nov 2012, (Accepted/In press) 中国纪录片蓝皮书(2012): Annual Report on the Development of Chinese Documentary (2012). Social Science Academy Press, Beijing, p. 190-200 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Documentary and truth on television: The crisis of 1999

    Ellis, J., 10 Feb 2005, New challenges for documentary. Corner, J. & Rosenthal, A. (eds.). 2nd ed. Manchester, UK

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Documentary and Truth on Television: The Crisis of 1999

    Ellis, J., 2005, New Challenges in Documentary. Corner, J. & Rosenthal, A. (eds.). Manchester University Press, p. 342-360

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Domestic Virtues: Art, Interiority and Domesticity

    Townsend, C., 2007, Comfort Zones. Henry Moore Institute/Oriel Davies

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Donovan Pedelty

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Drama on the Box

    Cooke, L., 2015, The Routledge Companion to Media History. Conboy, M. & Steel, J. (eds.). London and New York: Routledge, p. 460-469 10 p. (Routledge Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Elemental: Crude Metaphors

    Ganz, A. & Ballen, R., Nov 2015, Crude Metaphors: Elemental. Balhetchet, S., DeWitt, M. & Barker, G. (eds.). 1000 ed. London: Hotshoe, Vol. 5. 72 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Ethics and Factual Television: a short history

    Ellis, J., Sep 2015, Adventures in the Lives of Others: Ethical Dilemmas in Factual Filmmaking. Quinn, J. (ed.). London: IB Tauris

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    'Everything All The Time' Graham Dolphin's Interventions in Fashion Media

    Townsend, C., 2005, Everything in Vogue. Art Editions North/University of Sunderland

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s

    Hill, J., 2000, British Cinema of the 90s. Murphy, R. (ed.). London: BFI, p. 178-87 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Film and Northern Ireland

    Hill, J., 2000, The Heritage of Ireland. Buttimer, N., Rynne, C. & Guerin, H. (eds.). Cork: Collins Press, p. 265-9 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Film and Postmodernism

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 96-105 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    Film and Television

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 605-611 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Film and Television, a new relationship

    Hill, J., 2014, British Cinema: Volume 1: British Cinema Past and Present. Murphy, R. (ed.). London: Routledge, p. 299-317

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Film Censorship in a "Clean State": The Case of Klein and Kohlhaase's Berlin um die Ecke

    Berghahn, D., 2004, Censorship and Cultural Regulation in the Modern Age. Müller, B. (ed.). Amsterdam : Rodopi, p. 111-139

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    Finding a Form: politics and aesthetics in Fatherland, Hidden Agenda and Riff-Raff

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 125-43 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Fiona Crisp: Discerning the Other Dimensions of Photography

    Townsend, C., 2009, Fiona Crisp, 'Hyper Passive'. London: Matt's Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    Flashes of Light: Diana Thorneycroft's "Impossible" Photographs and the Possibility of History

    Townsend, C., 1998, slytod: Diana Thorneycroft. Keshavjee, S. (ed.). University of Manitoba Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    Flawed heroes, fragmented heroines: the use of myth in cinema screenwriting

    Clayton, S., Jun 2011, Myth and Violence in the Contemporary Female Text: New Cassandras. Bahun-Radunovic, S. & Rajan, V. G. J. (eds.). Ashgate, p. 161-184

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    From Art on Networks to Art on Platforms

    Goriunova, O. & Shulgin, A., 2006, Data Browser volume 3: Curating Immateriality: On 'the Work of the Curator in the Age of Network Systems. Krysa, J. (ed.). Autonomedia, p. 237-267

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    From flow to user flows: Understanding "good" science programming in the digital TV landscape

    Bennett, J., 2009, Investigating science communication in the information age: Implications for public engagement and popular media. Holliman, R. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    From independence to independents, public service to profit: British TV and the Impossibility of Independence

    Bennett, J., Jan 2015, Media Independence: Working with freedom or working for free?. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 71-94 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    From the "New Wave" to "Brit-grit": Continuity and Difference in Working-Class Realism

    Hill, J., 2000, British Cinema: Past and Present. Ashby, J. & Higson, A. (eds.). London: Routledge, p. 249-60 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    From Victorian Theatrical Melodrama to the Futurist Serate: The fall and rise of kinetic emulation as a scenographic evocation of the modern landscape

    Davies, R., 1 Mar 2014, Modernism's Intermedialities: From Futurism to Fluxus. Townsend, C., Davies, R. & A. T. (eds.). Newcastle upon Tyne: Cambridge Scholars, p. 1 - 24 24 p. Chapter 1

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    General Introduction

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. xix-xxii

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Glitch

    Goriunova, O. & Shulgin, A., 2008, Software Studies: a Lexicon. Fuller, M. (ed.). MIT Press, p. 110-119

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    Globalizing the Holocaust: Fantasies of Annihilation in Contemporary Media Culture

    Langford, B., 2013, Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Bangert, A., Gordon, R. S. C. & Saxton, L. (eds.). London: Legenda, p. 113-129

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. In preparation

    Going with the Flow; cinema, attraction or performance?

    Pearce, G., 1 Sep 2013, (In preparation) Truth, Dare or Promise: art and documentary revisited. Pearce, G., McLaughlin, C. & Daniels, J. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    Goverment Aid and Film Legislation: 'An elastoplast to stop a haemorrhage'

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. & Smith, J. (eds.). Edinburgh: Edinburgh University Press, p. 10-21 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Hollywood Gerçegini Kabullenmek: Globallesme Çaginda Ulusal Sinemalar

    Hill, J., 2001, Türk Film Arastirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). 2001: Baglam Istanbul

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    Holocaust film

    Langford, B., 2012, The Edinburgh Companion to Twentieth-Century British and American War Literature. Piette, A. & Rawlinson, M. (eds.). Edinburgh University Press, p. 134-150

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Ideology and Subjectivity

    Ellis, J., 1980, Culture, Media and Language. Hall, S. (ed.). Hutchinson-Ross

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Ideology, Economy and the British Cinema

    Hill, J., 1979, Ideology and Cultural Production. Barrett, M. (ed.). London: Croom Helm, p. 112-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. E-pub ahead of print

    Immersive Journalism and Virtual Reality

    Soler-Adillon, J. & Sora, C., 17 Sep 2018, Interaction in Digital News Media: From Principles to Practice. Pérez-Montoro, M. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Importance, Significance, Cost And Value: Is An ITV Canon Possible?

    Ellis, J., 2005, ITV Cultures: Fifty Years of Commercial Television. Johnson, C. & Turnock, R. (eds.). Open University Press, p. 36-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Interstitials: How the 'Bits in Between' Define the Programmes

    Ellis, J., Oct 2011, Ephemeral Media: Transitory Screen Culture from Television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 59-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Interview with Ken Loach

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 160-76 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Introduction

    Hill, J., 1994, Border Crossing: Film in Ireland, Britain and Europe. Hill, J. (ed.). Belfast/London: Institute of Irish Studies/BFI, p. 1-7

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Introduction: British Television and Film: The Making of a Relationship

    Hill, J. & McLoone, M., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 1-6 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Irish Cinema

    Hill, J., 2007, The Cinema Book. Cook, P. (ed.). 3rd ed. BFI: London, p. 228-30 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Irish Film Studies: Twenty Years On

    Hill, J., 2007, Irish Films, Global Cinema: Studies in Irish Film 4. McLoone, M. & Rockett, K. (eds.). Dublin: Four Courts Press, p. 15-26 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Is it Possible to Construct a Canon of Television Programmes? Immanent Reading versus Textual Historicism

    Ellis, J., 2007, Re-Viewing Television Histories: Critical Issues in Television Historiography. Wheatley, H. (ed.). I.B.Tauris, p. 15-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    John Forte

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Just a station on his way? Robert Altman’s transition from television to film

    Hall, N., Jun 2015, A Companion to Robert Altman. Danks, A. (ed.). Wiley-Blackwell, p. 68-91 (Wiley-Blackwell Companions to Film Directors).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Ken McMullen

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    La mise en scène de soi à la télévision: L’exemple du premier jeu télévisé sur ITV

    Ellis, J., 2011, Télévision: le moment expérimental: De l'invention à l'institution (1935-1955). Delavaud, G. & Maréchal, D. (eds.). Rennes: Éditions Apogée, p. 285-298

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    'Let the audience add up two plus two. They'll love you forever.': The screenplay as a self-teaching system

    Ganz, A., 2011, Analysing the Screenplay. Nelmes, J. (ed.). Routledge, p. 127-141

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. In preparation

    'L'Homme et son desir': The Ballets Suedois, and the Fourth Dimension in Stage Design

    Trott, A., Sep 2013, (In preparation) Modernism's Intermedialities. Townsend, C., Davies, R. & Trott, A. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter