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  1. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  2. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self (Extended/reworked)

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  3. Published

    "A New Dictionary of Gestures": Chaplin's The Rink and Ricciotto Canudo's Skating Rink

    Townsend, C., 2010, The Popular Avant-Garde. Silverman, R. M. (ed.). Rodopi, p. 153-173 (Avant-Garde Critical Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    "A Working-Class Hero Is Something To Be?" Changing Representations of Class and Masculinity in British Cinema

    Hill, J., 2004, The Trouble with Men: Masculinities in European and Hollywood Cinema. Powrie, P. (ed.). London: Wallflower Press, p. 100-109 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "Bonnie Scotland, Eh?": Scottish Cinema, the Working Class and the Films of Ken Loach

    Hill, J., 2009, Scottish Cinema Now. Murray, J. (ed.). Newcastle: Cambridge Scholars, p. 88-104 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Response to Paleoart

    Lee, N. & Dicker, B., Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1

    Research output: Contribution to journalArticle

  7. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Responses to Paleoart

    Lee, N. & Dicker, B., 1 Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1, p. 33-52 19 p.

    Research output: Contribution to journalArticle

  8. Published

    "Changing of the Guard": Channel 4, FilmFour and Film Policy: Interview with Paul Webster

    Hill, J., 2002, In : Journal of Popular British Cinema. 5, p. 53-63

    Research output: Contribution to journalArticle

  9. Published

    "Creative in its own right": The Langham Group and the search for a new television drama

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 17-30 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    "Enmeshed in British Society but with a Yen for American Movies": Film, Television and Stephen Frears

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 224-31

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Forthcoming

    "It's all in the Game" Greek myth, Violence and "The Wire"

    Ganz, A., 2015, (Accepted/In press) Ancient Greek Myth in World Fiction since 1989. Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    "Just the same part of the United Kingdom as your County Sussex": the coming of television to Northern Ireland

    Hill, A. & Hill, J., 2007, In : Journal of British Cinema and Television. 4, 2, p. 253-71

    Research output: Contribution to journalArticle

  13. Published

    "Leaping Broken Narration" -: Ballads, Oral storytelling and the cinema

    Ganz, A., 29 May 2012, Storytelling in World Cinemas: volume 1 Forms. Khatib, L. (ed.). Columbia University Press, p. 71-89 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    "Leben...ein Blick genügt doch": Der utopische Augenblick in Wim Wenders' road movies

    Berghahn, D., 1999, In : Monatshefte. 91, 1, p. 64-83 21 p.

    Research output: Contribution to journalArticle

  15. Published

    "Purely Sinn Fein propaganda": the banning of Ourselves Alone (1936)

    Hill, J., 2000, In : Historical Journal of Film, Radio and Television. 20, 3, p. 317-33

    Research output: Contribution to journalArticle

  16. Published

    "Scotland doesna mean much tae Glesca": Some Notes on The Gorbals Story

    Hill, J., 1982, Scotch Reels. McArthur, C. (ed.). London: British Film Institute, p. 100-11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    "Seeing everything with different eyes": The diasporic optic in the films of Fatih Akin’

    Berghahn, D., 2011, New Directions in German Cinema . Cooke, P. & Homewood, C. (eds.). London: I. B. Tauris, p. 235-252 17 p. (World Cinema Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Published

    "The past is a foreign country": exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 3 Mar 2020, Transnational Screens: Expanding the Borders of Transnational Cinema . De La Garza, A., Doughty, R. & Shaw, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    "Under control"? Black Narcissus and the Imagining of India

    Davidson, K. & Hill, J., 2005, In : Film Studies. 6, p. 1-12

    Research output: Contribution to journalArticle

  21. Published

    "Womit sonst kann man heute erzählen als mit Bildern?": Images and Stories in Wim Wenders' Der Himmel über Berlin and In weiter Ferne, so nah!

    Berghahn, D., 1997, Text into Image: Image into Text. Morrison, J. & Krobb, F. (eds.). Amsterdam and Atlanta: Rodopi, p. 329-338

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  22. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    ‘Blue is the pervading shade': Re-examining British Film Censorship in the 1970s

    Barber, S., 2009, In : Journal of British Cinema and Television. 6, 3, p. 349-369. 20 p.

    Research output: Contribution to journalArticle

  24. E-pub ahead of print

    ‘Blurring the lines between fact and fiction’: Ken Russell, the BBC and ‘Television Biography’

    Hill, J., Sep 2015, In : Journal of British Cinema and Television. 12, 4, p. 452-478 27 p.

    Research output: Contribution to journalArticle

  25. Published

    ‘Book Review: If George Orwell Was Alive Today’

    Hember, P., 2020, In : George Orwell Studies. 4, 2

    Research output: Contribution to journalBook/Film/Article review

  26. Published

    ‘Cause trouble! Inspire change! Do it first’ — writing series drama for Channel 4

    Ganz, A., 2007, In : Journal of Media Practice. 8, 3, p. 273-288

    Research output: Contribution to journalArticle

  27. Published

    ‘Diasporas, film and cinema’

    Berghahn, D., 2010, Diasporas: : Concepts, Identities, Intersections. Knott, K. & McLoughlin, S. (eds.). pbk ed. London : Zed Books, p. 157-161 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  28. Unpublished

    ‘F.W.Murnau’s magical modernism’

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  29. E-pub ahead of print

    ‘Nats Go Home’: Modernism, Television and Three BBC Productions of Ibsen (1971–1974)

    Smart, W., 4 May 2016, In : Ibsen Studies. 16, 1, p. 37-70 34 p.

    Research output: Contribution to journalArticle

  30. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    ‘The Caprices of Rosine or the Follies of a Fortnight: Parallel Intrigues in Eric Rohmer’s Conte d’automne’

    Leigh, J., Jul 2006, In : Undercurrent. 2

    Research output: Contribution to journalArticle

  32. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    ‘The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair’s Intermedial Projects Relâche and Entr’acte

    Townsend, C., 2011, In : Nottingham French Studies. 50, 3, p. 43-66

    Research output: Contribution to journalArticle

  35. E-pub ahead of print

    ‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 25 Apr 2019, In : Transnational Screens. 10, 1, p. 34-52 19 p.

    Research output: Contribution to journalArticle

  36. Published

    ‘The Purist Focus: Léger’s Theory of the Close-Up and Les Gueules Cassées’

    Townsend, C., 2011, In : Angelaki: journal of the theoretical humanities. 16, 1, p. 161-180

    Research output: Contribution to journalArticle

  37. Published

    ‘We were the young lions in those days’. An interview with Herbert Wise

    Cooke, L., Jul 2016, In : Journal of British Cinema and Television. 13, 3

    Research output: Contribution to journalArticle

  38. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Unpublished

    “Play from Slide Show: PowerPoint, Screenwriting, and Writing on Screen”

    Ganz, A., 20 Aug 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  40. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. E-pub ahead of print

    “This Title is no Longer Available”: Preserving Television in the Streaming Age

    Kelly, JP., 9 Jun 2020, In : Television & New Media. p. 1-19 19 p.

    Research output: Contribution to journalArticle

  42. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    ”De Margin and De Centre”: Repositioning Race and Ethnicity in Diasporic European Cinema

    Berghahn, D., 1 Sep 2015, Media, Margins and Popular Culture. Savigny, H., Alexander, J. & Thorsten, E. (eds.). Basingstoke: Palgrave Macmillan, p. 105-22 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  44. Published

    A Cinematic Artist: The Films of Man Ray by Kim Knowles

    Townsend, C., Oct 2011, In : French Studies. LXV, 4, p. 548-549

    Research output: Contribution to journalBook/Film/Article review

  45. Published

    Three Ring Circus: the ur-text of modernist television drama

    Cooke, L., 2009, In : Screen. 50, 4, p. 428-438 11 p.

    Research output: Contribution to journalArticle

  46. Published

    Close Up, After Close Up : Life and Letters To-Day as a Modernist Film Journal

    Townsend, C., 13 Sep 2019, In : Journal of Modern Periodical Studies. 9, 2, p. 245-264 20 p.

    Research output: Contribution to journalArticle

  47. Published

    Six and 'Five More': Experiments in Filmed Drama for BBC2

    Cooke, L., Jul 2017, In : Journal of British Cinema and Television. 14, 3, p. 298-323 26 p.

    Research output: Contribution to journalArticle

  48. Unpublished

    • ‘Magic Surrealism: The hybrid aesthetic of Hiroshi Teshigahara’s Otoshiana (Pitfall)’,

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  49. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    10 wonderful women of sci-fi

    Jacob, C. & Dunican, A., Nov 2016, BFI Online.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

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