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  1. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  2. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self (Extended/reworked)

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  3. Published

    "A New Dictionary of Gestures": Chaplin's The Rink and Ricciotto Canudo's Skating Rink

    Townsend, C., 2010, The Popular Avant-Garde. Silverman, R. M. (ed.). Rodopi, p. 153-173 (Avant-Garde Critical Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    "A Working-Class Hero Is Something To Be?" Changing Representations of Class and Masculinity in British Cinema

    Hill, J., 2004, The Trouble with Men: Masculinities in European and Hollywood Cinema. Powrie, P. (ed.). London: Wallflower Press, p. 100-109 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "Bonnie Scotland, Eh?": Scottish Cinema, the Working Class and the Films of Ken Loach

    Hill, J., 2009, Scottish Cinema Now. Murray, J. (ed.). Newcastle: Cambridge Scholars, p. 88-104 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Response to Paleoart

    Lee, N. & Dicker, B., Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1

    Research output: Contribution to journalArticle

  7. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Responses to Paleoart

    Lee, N. & Dicker, B., 1 Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1, p. 33-52 19 p.

    Research output: Contribution to journalArticle

  8. Published

    "Changing of the Guard": Channel 4, FilmFour and Film Policy: Interview with Paul Webster

    Hill, J., 2002, In : Journal of Popular British Cinema. 5, p. 53-63

    Research output: Contribution to journalArticle

  9. Published

    "Creative in its own right": The Langham Group and the search for a new television drama

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 17-30 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    "Enmeshed in British Society but with a Yen for American Movies": Film, Television and Stephen Frears

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 224-31

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Forthcoming

    "It's all in the Game" Greek myth, Violence and "The Wire"

    Ganz, A., 2015, (Accepted/In press) Ancient Greek Myth in World Fiction since 1989. Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    "Just the same part of the United Kingdom as your County Sussex": the coming of television to Northern Ireland

    Hill, A. & Hill, J., 2007, In : Journal of British Cinema and Television. 4, 2, p. 253-71

    Research output: Contribution to journalArticle

  13. Published

    "Leaping Broken Narration" -: Ballads, Oral storytelling and the cinema

    Ganz, A., 29 May 2012, Storytelling in World Cinemas: volume 1 Forms. Khatib, L. (ed.). Columbia University Press, p. 71-89 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    "Leben...ein Blick genügt doch": Der utopische Augenblick in Wim Wenders' road movies

    Berghahn, D., 1999, In : Monatshefte. 91, 1, p. 64-83 21 p.

    Research output: Contribution to journalArticle

  15. Published

    "Purely Sinn Fein propaganda": the banning of Ourselves Alone (1936)

    Hill, J., 2000, In : Historical Journal of Film, Radio and Television. 20, 3, p. 317-33

    Research output: Contribution to journalArticle

  16. Published

    "Scotland doesna mean much tae Glesca": Some Notes on The Gorbals Story

    Hill, J., 1982, Scotch Reels. McArthur, C. (ed.). London: British Film Institute, p. 100-11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    "Seeing everything with different eyes": The diasporic optic in the films of Fatih Akin’

    Berghahn, D., 2011, New Directions in German Cinema . Cooke, P. & Homewood, C. (eds.). London: I. B. Tauris, p. 235-252 17 p. (World Cinema Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Published

    "The past is a foreign country": exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 3 Mar 2020, Transnational Screens: Expanding the Borders of Transnational Cinema . De La Garza, A., Doughty, R. & Shaw, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    "Under control"? Black Narcissus and the Imagining of India

    Davidson, K. & Hill, J., 2005, In : Film Studies. 6, p. 1-12

    Research output: Contribution to journalArticle

  21. Published

    "Womit sonst kann man heute erzählen als mit Bildern?": Images and Stories in Wim Wenders' Der Himmel über Berlin and In weiter Ferne, so nah!

    Berghahn, D., 1997, Text into Image: Image into Text. Morrison, J. & Krobb, F. (eds.). Amsterdam and Atlanta: Rodopi, p. 329-338

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  22. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    ‘Blue is the pervading shade': Re-examining British Film Censorship in the 1970s

    Barber, S., 2009, In : Journal of British Cinema and Television. 6, 3, p. 349-369. 20 p.

    Research output: Contribution to journalArticle

  24. E-pub ahead of print

    ‘Blurring the lines between fact and fiction’: Ken Russell, the BBC and ‘Television Biography’

    Hill, J., Sep 2015, In : Journal of British Cinema and Television. 12, 4, p. 452-478 27 p.

    Research output: Contribution to journalArticle

  25. Published

    ‘Book Review: If George Orwell Was Alive Today’

    Hember, P., 2020, In : George Orwell Studies. 4, 2

    Research output: Contribution to journalBook/Film/Article review

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