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  1. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  2. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self (Extended/reworked)

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  3. Published

    "A New Dictionary of Gestures": Chaplin's The Rink and Ricciotto Canudo's Skating Rink

    Townsend, C., 2010, The Popular Avant-Garde. Silverman, R. M. (ed.). Rodopi, p. 153-173 (Avant-Garde Critical Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    "A Working-Class Hero Is Something To Be?" Changing Representations of Class and Masculinity in British Cinema

    Hill, J., 2004, The Trouble with Men: Masculinities in European and Hollywood Cinema. Powrie, P. (ed.). London: Wallflower Press, p. 100-109 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "Bonnie Scotland, Eh?": Scottish Cinema, the Working Class and the Films of Ken Loach

    Hill, J., 2009, Scottish Cinema Now. Murray, J. (ed.). Newcastle: Cambridge Scholars, p. 88-104 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Response to Paleoart

    Lee, N. & Dicker, B., Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1

    Research output: Contribution to journalArticle

  7. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Responses to Paleoart

    Lee, N. & Dicker, B., 1 Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1, p. 33-52 19 p.

    Research output: Contribution to journalArticle

  8. Published

    "Changing of the Guard": Channel 4, FilmFour and Film Policy: Interview with Paul Webster

    Hill, J., 2002, In : Journal of Popular British Cinema. 5, p. 53-63

    Research output: Contribution to journalArticle

  9. Published

    "Creative in its own right": The Langham Group and the search for a new television drama

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 17-30 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    "Enmeshed in British Society but with a Yen for American Movies": Film, Television and Stephen Frears

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 224-31

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Forthcoming

    "It's all in the Game" Greek myth, Violence and "The Wire"

    Ganz, A., 2015, (Accepted/In press) Ancient Greek Myth in World Fiction since 1989. Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    "Just the same part of the United Kingdom as your County Sussex": the coming of television to Northern Ireland

    Hill, A. & Hill, J., 2007, In : Journal of British Cinema and Television. 4, 2, p. 253-71

    Research output: Contribution to journalArticle

  13. Published

    "Leaping Broken Narration" -: Ballads, Oral storytelling and the cinema

    Ganz, A., 29 May 2012, Storytelling in World Cinemas: volume 1 Forms. Khatib, L. (ed.). Columbia University Press, p. 71-89 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    "Leben...ein Blick genügt doch": Der utopische Augenblick in Wim Wenders' road movies

    Berghahn, D., 1999, In : Monatshefte. 91, 1, p. 64-83 21 p.

    Research output: Contribution to journalArticle

  15. Published

    "Purely Sinn Fein propaganda": the banning of Ourselves Alone (1936)

    Hill, J., 2000, In : Historical Journal of Film, Radio and Television. 20, 3, p. 317-33

    Research output: Contribution to journalArticle

  16. Published

    "Scotland doesna mean much tae Glesca": Some Notes on The Gorbals Story

    Hill, J., 1982, Scotch Reels. McArthur, C. (ed.). London: British Film Institute, p. 100-11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    "Seeing everything with different eyes": The diasporic optic in the films of Fatih Akin’

    Berghahn, D., 2011, New Directions in German Cinema . Cooke, P. & Homewood, C. (eds.). London: I. B. Tauris, p. 235-252 17 p. (World Cinema Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Published

    "The past is a foreign country": exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 3 Mar 2020, Transnational Screens: Expanding the Borders of Transnational Cinema . De La Garza, A., Doughty, R. & Shaw, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    "Under control"? Black Narcissus and the Imagining of India

    Davidson, K. & Hill, J., 2005, In : Film Studies. 6, p. 1-12

    Research output: Contribution to journalArticle

  21. Published

    "Womit sonst kann man heute erzählen als mit Bildern?": Images and Stories in Wim Wenders' Der Himmel über Berlin and In weiter Ferne, so nah!

    Berghahn, D., 1997, Text into Image: Image into Text. Morrison, J. & Krobb, F. (eds.). Amsterdam and Atlanta: Rodopi, p. 329-338

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  22. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    ‘Blue is the pervading shade': Re-examining British Film Censorship in the 1970s

    Barber, S., 2009, In : Journal of British Cinema and Television. 6, 3, p. 349-369. 20 p.

    Research output: Contribution to journalArticle

  24. E-pub ahead of print

    ‘Blurring the lines between fact and fiction’: Ken Russell, the BBC and ‘Television Biography’

    Hill, J., Sep 2015, In : Journal of British Cinema and Television. 12, 4, p. 452-478 27 p.

    Research output: Contribution to journalArticle

  25. Published

    ‘Book Review: If George Orwell Was Alive Today’

    Hember, P., 2020, In : George Orwell Studies. 4, 2

    Research output: Contribution to journalBook/Film/Article review

  26. Published

    ‘Cause trouble! Inspire change! Do it first’ — writing series drama for Channel 4

    Ganz, A., 2007, In : Journal of Media Practice. 8, 3, p. 273-288

    Research output: Contribution to journalArticle

  27. Published

    ‘Diasporas, film and cinema’

    Berghahn, D., 2010, Diasporas: : Concepts, Identities, Intersections. Knott, K. & McLoughlin, S. (eds.). pbk ed. London : Zed Books, p. 157-161 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  28. Unpublished

    ‘F.W.Murnau’s magical modernism’

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  29. E-pub ahead of print

    ‘Nats Go Home’: Modernism, Television and Three BBC Productions of Ibsen (1971–1974)

    Smart, W., 4 May 2016, In : Ibsen Studies. 16, 1, p. 37-70 34 p.

    Research output: Contribution to journalArticle

  30. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    ‘The Caprices of Rosine or the Follies of a Fortnight: Parallel Intrigues in Eric Rohmer’s Conte d’automne’

    Leigh, J., Jul 2006, In : Undercurrent. 2

    Research output: Contribution to journalArticle

  32. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    ‘The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair’s Intermedial Projects Relâche and Entr’acte

    Townsend, C., 2011, In : Nottingham French Studies. 50, 3, p. 43-66

    Research output: Contribution to journalArticle

  35. E-pub ahead of print

    ‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 25 Apr 2019, In : Transnational Screens. 10, 1, p. 34-52 19 p.

    Research output: Contribution to journalArticle

  36. Published

    ‘The Purist Focus: Léger’s Theory of the Close-Up and Les Gueules Cassées’

    Townsend, C., 2011, In : Angelaki: journal of the theoretical humanities. 16, 1, p. 161-180

    Research output: Contribution to journalArticle

  37. Published

    ‘We were the young lions in those days’. An interview with Herbert Wise

    Cooke, L., Jul 2016, In : Journal of British Cinema and Television. 13, 3

    Research output: Contribution to journalArticle

  38. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Unpublished

    “Play from Slide Show: PowerPoint, Screenwriting, and Writing on Screen”

    Ganz, A., 20 Aug 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  40. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. E-pub ahead of print

    “This Title is no Longer Available”: Preserving Television in the Streaming Age

    Kelly, JP., 9 Jun 2020, In : Television & New Media. p. 1-19 19 p.

    Research output: Contribution to journalArticle

  42. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    ”De Margin and De Centre”: Repositioning Race and Ethnicity in Diasporic European Cinema

    Berghahn, D., 1 Sep 2015, Media, Margins and Popular Culture. Savigny, H., Alexander, J. & Thorsten, E. (eds.). Basingstoke: Palgrave Macmillan, p. 105-22 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  44. Published

    A Cinematic Artist: The Films of Man Ray by Kim Knowles

    Townsend, C., Oct 2011, In : French Studies. LXV, 4, p. 548-549

    Research output: Contribution to journalBook/Film/Article review

  45. Published

    Three Ring Circus: the ur-text of modernist television drama

    Cooke, L., 2009, In : Screen. 50, 4, p. 428-438 11 p.

    Research output: Contribution to journalArticle

  46. Published

    Close Up, After Close Up : Life and Letters To-Day as a Modernist Film Journal

    Townsend, C., 13 Sep 2019, In : Journal of Modern Periodical Studies. 9, 2, p. 245-264 20 p.

    Research output: Contribution to journalArticle

  47. Published

    Six and 'Five More': Experiments in Filmed Drama for BBC2

    Cooke, L., Jul 2017, In : Journal of British Cinema and Television. 14, 3, p. 298-323 26 p.

    Research output: Contribution to journalArticle

  48. Unpublished

    • ‘Magic Surrealism: The hybrid aesthetic of Hiroshi Teshigahara’s Otoshiana (Pitfall)’,

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  49. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    10 wonderful women of sci-fi

    Jacob, C. & Dunican, A., Nov 2016, BFI Online.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  51. Published
  52. Published

    16mm Film Editing: Using Filmed Simulation as a Hands-on Approach to TV History

    Murphy, A., Aust, R., Jackson, V. & Ellis, J., 13 Jul 2015, In : View: Journal of European Television History and Culture. 4, 7, p. 1-4 4 p.

    Research output: Contribution to journalArticle

  53. Unpublished

    1970s US Women's Liberation Cinema

    Jacob, C., Jan 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  54. Published

    A "New Drama for Television"?: Diary of a Young Man

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 48-69 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    A ‘New Wave’ in British Television Drama

    Cooke, L., 2005, In : Media International Australia. 115, p. 23-32 10 p.

    Research output: Contribution to journalArticle

  56. Published

    A 360 Public Service Sector: The role of independent production in the UK's public service broadcasting landscape

    Bennett, J. & Kerr, P., 2012, Regaining the initiative for public service media: RIPE@2011 reader. Gregory Ferrell, L. & Jeanette, S. (eds.). University of Gothenburg, p. 219-235 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Unpublished
  58. Published

    A Companion to British and Irish Cinema

    Hill, J., 2019, Hoboken, NJ: Wiley-Blackwell. 593 p.

    Research output: Book/ReportAnthology

  59. Published

    A Consuming Public: Movie Audiences in the Bengali Cultural Imaginary

    Dass, M., 2014, Meanings of Audiences: Comparative Discourses. Butsch, R. & Livingstone, S. (eds.). Routledge, p. 97-110

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  60. Unpublished

    A Crisis is an Opportunity

    Markaki, L., Sep 2020, (Unpublished).

    Research output: Contribution to conferencePaper

  61. Published

    A Deeper, Wider POOL: Reading Close Up Through the Archives of its Contributors

    Townsend, C., 2019, In : Papers on Language and Literature. 55, 1

    Research output: Contribution to journalArticle

  62. Published

    A Hard Day's Night

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 372-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    A Life Story of Runme.org, software art repository

    Goriunova, O., 2011, ART ++. Éditions HYX, p. 113-143

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    A Minister is About to Resign: On the Interpretation of Television Footage

    Ellis, J., 2002, Realism and 'Reality' in Film and Media. Jerslev, A. (ed.). University of Copenhagen Press, p. 193-210 (Northern Lights Film and Media Studies Yearbook).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies

    Bennett, J., Medrado, A. & Strange, N., Jan 2015, Media Independence: Working with freedom or working for free. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 139-158 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    A Review of Child's Bone by Yi Sang, trans. Janet Hong

    Hazell, C., 11 Dec 2019, In : Erotoplasty. 5: The Korean Issue, p. 118

    Research output: Contribution to journalBook/Film/Article review

  67. Published

    A Sense of Place: Regional British television drama, 1956-82

    Cooke, L., 2012, Manchester: Manchester University Press. 227 p.

    Research output: Book/ReportBook

  68. Published

    A Stretch of Time: Extended Distribution and Narrative Accumulation in Prison Break

    Kelly, JP., 2012, Time in Television Narrative: Exploring Temporality in 21st Century Programming. Mississippi : University Press of Mississippi

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    A Surrealist Discourse on the Origins of Artistic Inspiration

    Walsh, A., 31 May 2019, In : The Modernist Review.

    Research output: Contribution to journalArticle

  70. Unpublished

    A Tale of Two Cities: Robert Herring's 'Cactus Coast' and H.D.'s 'Mira Mare'

    Hember, P., 2019, (Unpublished).

    Research output: Contribution to conferencePaper

  71. In preparation

    A5: The World on A Road (working title)

    Isaacs, M., 1 Jan 1800, (In preparation)

    Research output: Non-textual formDigital or Visual Products

  72. Published

    Across the Great Divide: Modernism's Intermedialities, from Futurism to Fluxus

    Davies, R. (ed.), Townsend, C. (ed.) & Trott, A. (ed.), 1 Mar 2014, Cambridge Scholars. 259 p.

    Research output: Book/ReportAnthology

  73. Published

    Adapting to Social Media: Commerce, Creativity and Competition in UK Television Production

    Bennett, J. & Strange, N., May 2018, Royal Holloway, University of London. 100 p.

    Research output: Book/ReportCommissioned report

  74. Published

    AIDS: Don't Die of Ignorance - Thirty Years On

    Lee, N., 1 Dec 2017, Royal Holloway.

    Research output: Working paperDiscussion paper

  75. Published

    All White In Barking

    Isaacs, M., 22 Mar 2008

    Research output: Non-textual formDigital or Visual Products

  76. Published

    Allegorising the Nation: British Gangster films of the 1980s

    Hill, J., 1999, British Crime Cinema. Chibnall, S. & Murphy, R. (eds.). London: Routledge, p. 160-71 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Alternate Reality Games and Consumer Power

    Janes, S., May 2012.

    Research output: Contribution to conferencePaper

  78. Unpublished

    American Authenticity and the Modern Western, 1962-1984

    Hughes, T., 2016, (Unpublished) 286 p.

    Research output: ThesisDoctoral Thesis

  79. Published

    American Cinema and Hollywood: Critical Approaches,

    Hill, J. (ed.) & Gibson, P. C. (ed.), 2000, Oxford University Press.

    Research output: Book/ReportBook

  80. Published

    An Experiment in Television Drama: John McGrath’s The Adventures of Frank

    Cooke, L., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 106-119 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    Analysing Unity and Diversity in the New Europe

    Berghahn, D., Axford, B. & Hewlett, N., 2000, Unity and Diversity in the New Europe. Oxford and Bern: Peter Lang, p. 13-26

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  82. Published

    Angela Mason Citation

    Merck, M., 18 Jul 2007.

    Research output: Contribution to conferenceOther

  83. Published

    Anxious laughter: Mauron’s Renversement and Gogol’s Overcoat

    Bown, A., Jun 2017, In : The American Journal of Psychoanalysis. 77, 2, p. 163-176 14 p.

    Research output: Contribution to journalArticle

  84. Unpublished
  85. Published

    Art and Death

    Townsend, C., 30 Jul 2008, I.B.Tauris. 157 p.

    Research output: Book/ReportBook

  86. Published

    Art Platforms and Cultural Production on the Internet

    Goriunova, O., 2012, Routledge. 162 p.

    Research output: Book/ReportBook

  87. Published

    Art, Culture and Quality: Terms for a Cinema in the Forties and the Seventies

    Ellis, J., 1978, In : Screen. 19, 3, p. 9-50

    Research output: Contribution to journalArticle

  88. Published

    Artefactu(r)al Logic in Allen Fisher's SPUTTOR

    Hazell, C., 10 May 2020, The Allen Fisher Companion. Hampson, R. & cheek, C. (eds.). Bristol: Shearsman, p. 192-201

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Assessing the aesthetic oblique effect in painting and plating

    Spence, C., Youssef, J., Michel, C. & Woods, A., Oct 2019, In : International Journal of Gastronomy and Food Science. 17, p. 1-8 8 p., 100168.

    Research output: Contribution to journalArticle

  90. Published

    At the Edge of Our World: Michael Powell

    Ellis, J., 1994, In : Vertigo. 3, Spring

    Research output: Contribution to journalArticle

  91. Published

    At the Fountainhead (of TV History)

    Ellis, J., 1980, In : Screen. 21, 4, p. 45-55

    Research output: Contribution to journalArticle

  92. Published

    Autocreativity and Organizational Aesthetics in Art Platforms

    Goriunova, O., 2011, In : Fibreculture. 17, p. 18-33

    Research output: Contribution to journalArticle

  93. Published

    Autocreativity. The Operation of Codes of Freedom in Art and Culture

    Goriunova, O., 2008, FLOSS + ART. de Valk, M. & Mansoux, A. (eds.). Open Mute, p. 92-118

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Unpublished

    Back to the Future

    Markaki, L., Mar 2019, (Unpublished).

    Research output: Contribution to conferencePaper

  95. Unpublished
  96. Published

    Barney Platts-Mills

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance

    Langford, B., 1 Sep 2017, Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Pomerance, M. & Rybin, S. (eds.). Edinburgh: Edinburgh University Press, p. 157-168 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    BBC English Regions Drama: Second City Firsts

    Cooke, L., 2007, Re-viewing television History: Critical Issues in Television Historiography. Wheatley, H. (ed.). London: I. B. Tauris, p. 82-95 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Unpublished

    Bedsitter Sunday Blues: The History of the Demonstration: Tape/Cassette/Compact Disk/Mp3

    Davies, R., 2013, (Unpublished)

    Research output: Non-textual formDigital or Visual Products

  100. Unpublished

    Before Feminist Film Theory: The Story of Women & Film

    Jacob, C. K., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

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