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  1. Published
  2. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  3. Unpublished

    "A little game between ‘I’ and me:” Marcel Duchamp, Autonomy and the Self (Extended/reworked)

    Markaki, V., 2018, (Unpublished).

    Research output: Contribution to conferencePaper

  4. Published

    "A New Dictionary of Gestures": Chaplin's The Rink and Ricciotto Canudo's Skating Rink

    Townsend, C., 2010, The Popular Avant-Garde. Silverman, R. M. (ed.). Rodopi, p. 153-173 (Avant-Garde Critical Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "A Working-Class Hero Is Something To Be?" Changing Representations of Class and Masculinity in British Cinema

    Hill, J., 2004, The Trouble with Men: Masculinities in European and Hollywood Cinema. Powrie, P. (ed.). London: Wallflower Press, p. 100-109 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    "Bonnie Scotland, Eh?": Scottish Cinema, the Working Class and the Films of Ken Loach

    Hill, J., 2009, Scottish Cinema Now. Murray, J. (ed.). Newcastle: Cambridge Scholars, p. 88-104 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    "But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Response to Paleoart

    Lee, N. & Dicker, B., Mar 2012, In : Time and Mind: The Journal of Archaeology, Consciousness and Culture. 5, 1

    Research output: Contribution to journalArticle

  8. Published

    "Changing of the Guard": Channel 4, FilmFour and Film Policy: Interview with Paul Webster

    Hill, J., 2002, In : Journal of Popular British Cinema. 5, p. 53-63

    Research output: Contribution to journalArticle

  9. Published

    "Creative in its own right": The Langham Group and the search for a new television drama

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 17-30 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    "Enmeshed in British Society but with a Yen for American Movies": Film, Television and Stephen Frears

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 224-31

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Forthcoming

    "It's all in the Game" Greek myth, Violence and "The Wire"

    Ganz, A., 2015, (Accepted/In press) Ancient Greek Myth in World Fiction since 1989. Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    "Just the same part of the United Kingdom as your County Sussex": the coming of television to Northern Ireland

    Hill, A. & Hill, J., 2007, In : Journal of British Cinema and Television. 4, 2, p. 253-71

    Research output: Contribution to journalArticle

  13. Published

    "Leaping Broken Narration" -: Ballads, Oral storytelling and the cinema

    Ganz, A., 29 May 2012, Storytelling in World Cinemas: volume 1 Forms. Khatib, L. (ed.). Columbia University Press, p. 71-89 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    "Leben...ein Blick genügt doch": Der utopische Augenblick in Wim Wenders' road movies

    Berghahn, D., 1999, In : Monatshefte. 91, 1, p. 64-83 21 p.

    Research output: Contribution to journalArticle

  15. Published

    "Purely Sinn Fein propaganda": the banning of Ourselves Alone (1936)

    Hill, J., 2000, In : Historical Journal of Film, Radio and Television. 20, 3, p. 317-33

    Research output: Contribution to journalArticle

  16. Published

    "Scotland doesna mean much tae Glesca": Some Notes on The Gorbals Story

    Hill, J., 1982, Scotch Reels. McArthur, C. (ed.). London: British Film Institute, p. 100-11

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    "Seeing everything with different eyes": The diasporic optic in the films of Fatih Akin’

    Berghahn, D., 2011, New Directions in German Cinema . Cooke, P. & Homewood, C. (eds.). London: I. B. Tauris, p. 235-252 17 p. (World Cinema Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Published

    "The Past is Always There in the Present": Fools of Fortune and the Heritage Film

    Hill, J., 1999, Contemporary Irish Cinema. Mackillop, J. (ed.). New York: Syracuse University Press, p. 29-39, 237-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    "Under control"? Black Narcissus and the Imagining of India

    Davidson, K. & Hill, J., 2005, In : Film Studies. 6, p. 1-12

    Research output: Contribution to journalArticle

  20. Published

    "Womit sonst kann man heute erzählen als mit Bildern?": Images and Stories in Wim Wenders' Der Himmel über Berlin and In weiter Ferne, so nah!

    Berghahn, D., 1997, Text into Image: Image into Text. Morrison, J. & Krobb, F. (eds.). Amsterdam and Atlanta: Rodopi, p. 329-338

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  21. Published

    ...das war der Ealing Film

    Ellis, J., 1981, Der Produzent. Brown, G. (ed.). Berlin: Verlag Volker Speiss

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘Blue is the pervading shade': Re-examining British Film Censorship in the 1970s

    Barber, S., 2009, In : Journal of British Cinema and Television. 6, 3, p. 349-369. 20 p.

    Research output: Contribution to journalArticle

  23. E-pub ahead of print

    ‘Blurring the lines between fact and fiction’: Ken Russell, the BBC and ‘Television Biography’

    Hill, J., Sep 2015, In : Journal of British Cinema and Television. 12, 4, p. 452-478 27 p.

    Research output: Contribution to journalArticle

  24. Published

    ‘Cause trouble! Inspire change! Do it first’ — writing series drama for Channel 4

    Ganz, A., 2007, In : Journal of Media Practice. 8, 3, p. 273-288

    Research output: Contribution to journalArticle

  25. Published

    ‘Diasporas, film and cinema’

    Berghahn, D., 2010, Diasporas: : Concepts, Identities, Intersections. Knott, K. & McLoughlin, S. (eds.). pbk ed. London : Zed Books, p. 157-161 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  26. Unpublished

    ‘F.W.Murnau’s magical modernism’

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  27. E-pub ahead of print

    ‘Nats Go Home’: Modernism, Television and Three BBC Productions of Ibsen (1971–1974)

    Smart, W., 4 May 2016, In : Ibsen Studies. 16, 1, p. 37-70 34 p.

    Research output: Contribution to journalArticle

  28. Published

    ‘Ontology, Film and the Case of Eric Rohmer’

    Leigh, J., 2009, Realism and the Audiovisual Media. Nagib, L. & Mello, C. (eds.). Basingstoke: Palgrave/Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    ‘The Caprices of Rosine or the Follies of a Fortnight: Parallel Intrigues in Eric Rohmer’s Conte d’automne’

    Leigh, J., Jul 2006, In : Undercurrent. 2

    Research output: Contribution to journalArticle

  30. Published

    ‘The End of Summer: Conte d’été (Eric Rohmer, 1996)’

    Leigh, J., 2010, Film Moments: Criticism, History, Theory. Brown, T. & Walters, J. (eds.). London: BFI/Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. In preparation

    ‘The exchange between amateurism and professionalism in vanguard and mainstream film culture in Dorothy Richardson’s writing for Close Up’ in The Critic As Amateur (eds) Saikat Majumdar and Aarthi Vadde

    Nikolova, Z. & Townsend, C., 2019, (In preparation) The Critic As Amateur . Majumdar, S. & Vadde, A. (eds.). Bloomsbury Academic

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    ‘The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair’s Intermedial Projects Relâche and Entr’acte

    Townsend, C., 2011, In : Nottingham French Studies. 50, 3, p. 43-66

    Research output: Contribution to journalArticle

  33. Published

    ‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema

    Berghahn, D., 2019, In : Transnational Screens. 10, 1, p. 34-52 19 p.

    Research output: Contribution to journalArticle

  34. Published

    ‘The Purist Focus: Léger’s Theory of the Close-Up and Les Gueules Cassées’

    Townsend, C., 2011, In : Angelaki: journal of the theoretical humanities. 16, 1, p. 161-180

    Research output: Contribution to journalArticle

  35. Published

    ‘We were the young lions in those days’. An interview with Herbert Wise

    Cooke, L., Jul 2016, In : Journal of British Cinema and Television. 13, 3

    Research output: Contribution to journalArticle

  36. Published

    “Male literature” of Udaff.com and other networked artistic practices of the cultural resistance

    Goriunova, O., 2006, Control + Shift. Public and Private Usages of the Russian Internet. Schmidt, H., Teubener, K. & Konradova, N. (eds.). Norderstedt, p. 177-198

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Unpublished

    “Play from Slide Show: PowerPoint, Screenwriting, and Writing on Screen”

    Ganz, A., 20 Aug 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  38. Forthcoming

    “The Figure in the Carpet”: Bodily Experience and Abstraction in Duncan Grant’s Abstract Kinetic Collage Painting with Sound (1914) and Designs for the Omega Workshop

    Townsend, C., 2014, (Accepted/In press) Across the Great Divide: Modernism's Intermedialities from Futurism to Fluxus. Townsend, C., Trott, A. & Davies, R. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Forthcoming

    “We Did Something”: Framing Resistance in Cinematic Depictions of the Sonderkommando

    Langford, B., 2019, (Accepted/In press) Testimonies of Resistance: Representations of the Auschwitz-Birkenau Sonderkommando. Nicholas, C. & Dominic, W. (eds.). Oxford: Berghahn Books, p. 287-306 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. In preparation

    “You had to be there” – ARGs and Multiple Durational Temporalities

    Janes, S., 2015, (In preparation) The Politics of Ephemeral Digital Media: Permanence and Obsolescence in Paratexts. Pesce, S. & Noto, P. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    ”De Margin and De Centre”: Repositioning Race and Ethnicity in Diasporic European Cinema’

    Berghahn, D., 1 Sep 2015, Media, Margins and Popular Culture. Savigny, H., Alexander, J. & Thorsten, E. (eds.). Basingstoke: Palgrave Macmillan, p. 105-22 17 p. Chapter 7

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  42. Published

    A Cinematic Artist: The Films of Man Ray by Kim Knowles

    Townsend, C., Oct 2011, In : French Studies. LXV, 4, p. 548-549

    Research output: Contribution to journalBook/Film/Article review

  43. Published

    Three Ring Circus: the ur-text of modernist television drama

    Cooke, L., 2009, In : Screen. 50, 4, p. 428-438 11 p.

    Research output: Contribution to journalArticle

  44. Published

    Six and 'Five More': Experiments in Filmed Drama for BBC2

    Cooke, L., Jul 2017, In : Journal of British Cinema and Television. 14, 3, p. 298-323 26 p.

    Research output: Contribution to journalArticle

  45. Unpublished

    • ‘Magic Surrealism: The hybrid aesthetic of Hiroshi Teshigahara’s Otoshiana (Pitfall)’,

    Gee, F., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  46. Published

    01.18.08 – Viral Marketing Strategies in Hollywood Cinema

    Janes, S., Jan 2015, Besides The Screen: Moving Images through Distribution, Promotion and Curation. Crisp, V. & Menotti Gonring, G. (eds.). London: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    10 wonderful women of sci-fi

    Jacob, C. & Dunican, A., Nov 2016, BFI Online.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  48. Published
  49. Published

    16mm Film Editing: Using Filmed Simulation as a Hands-on Approach to TV History

    Murphy, A., Aust, R., Jackson, V. & Ellis, J., 13 Jul 2015, In : View: Journal of European Television History and Culture. 4, 7, p. 1-4 4 p.

    Research output: Contribution to journalArticle

  50. Unpublished

    1970s US Women's Liberation Cinema

    Jacob, C., Jan 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  51. Published

    A "New Drama for Television"?: Diary of a Young Man

    Hill, J., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 48-69 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    A ‘New Wave’ in British Television Drama

    Cooke, L., 2005, In : Media International Australia. 115, p. 23-32 10 p.

    Research output: Contribution to journalArticle

  53. Published

    A 360 Public Service Sector: The role of independent production in the UK's public service broadcasting landscape

    Bennett, J. & Kerr, P., 2012, Regaining the initiative for public service media: RIPE@2011 reader. Gregory Ferrell, L. & Jeanette, S. (eds.). University of Gothenburg, p. 219-235 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Unpublished
  55. Published

    A Consuming Public: Movie Audiences in the Bengali Cultural Imaginary

    Dass, M., 2014, Meanings of Audiences: Comparative Discourses. Butsch, R. & Livingstone, S. (eds.). Routledge, p. 97-110

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  56. Published

    A Deeper, Wider POOL: Reading Close Up Through the Archives of its Contributors

    Townsend, C., 2019, In : Papers on Language and Literature. 55, 1

    Research output: Contribution to journalArticle

  57. Published

    A Hard Day's Night

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 372-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    A Life Story of Runme.org, software art repository

    Goriunova, O., 2011, ART ++. Éditions HYX, p. 113-143

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    A Minister is About to Resign: On the Interpretation of Television Footage

    Ellis, J., 2002, Realism and 'Reality' in Film and Media. Jerslev, A. (ed.). University of Copenhagen Press, p. 193-210 (Northern Lights Film and Media Studies Yearbook).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    A Moral Economy of Independent Work? Creative Freedom and Public Service in UK Digital Agencies

    Bennett, J., Medrado, A. & Strange, N., Jan 2015, Media Independence: Working with freedom or working for free. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 139-158 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    A Sense of Place: Regional British television drama, 1956-82

    Cooke, L., 2012, Manchester: Manchester University Press. 227 p.

    Research output: Book/ReportBook

  62. Published

    A Stretch of Time: Extended Distribution and Narrative Accumulation in Prison Break

    Kelly, JP., 2012, Time in Television Narrative: Exploring Temporality in 21st Century Programming. Mississippi : University Press of Mississippi

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. In preparation

    A5: The World on A Road (working title)

    Isaacs, M., 1 Jan 1800, (In preparation)

    Research output: Non-textual formDigital or Visual Products

  64. Published
  65. Published

    Adapting to Social Media: Commerce, Creativity and Competition in UK Television Production

    Bennett, J. & Strange, N., May 2018, Royal Holloway, University of London. 100 p.

    Research output: Book/ReportCommissioned report

  66. Published

    All White In Barking

    Isaacs, M., 22 Mar 2008

    Research output: Non-textual formDigital or Visual Products

  67. Published

    Allegorising the Nation: British Gangster films of the 1980s

    Hill, J., 1999, British Crime Cinema. Chibnall, S. & Murphy, R. (eds.). London: Routledge, p. 160-71 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Alternate Reality Games and Consumer Power

    Janes, S., May 2012.

    Research output: Contribution to conferencePaper

  69. Unpublished

    American Authenticity and the Modern Western, 1962-1984

    Hughes, T., 2016, (Unpublished) 286 p.

    Research output: ThesisDoctoral Thesis

  70. Published

    American Cinema and Hollywood: Critical Approaches,

    Hill, J. (ed.) & Gibson, P. C. (ed.), 2000, Oxford University Press.

    Research output: Book/ReportBook

  71. Published

    An Experiment in Television Drama: John McGrath’s The Adventures of Frank

    Cooke, L., 2007, Experimental British Television. Mulvey, L. & Sexton, J. (eds.). Manchester: Manchester University Press, p. 106-119 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    Analysing Unity and Diversity in the New Europe

    Berghahn, D., Axford, B. & Hewlett, N., 2000, Unity and Diversity in the New Europe. Oxford and Bern: Peter Lang, p. 13-26

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  73. Published

    Angela Mason Citation

    Merck, M., 18 Jul 2007.

    Research output: Contribution to conferenceOther

  74. Published

    Art and Death

    Townsend, C., 30 Jul 2008, I.B.Tauris. 157 p.

    Research output: Book/ReportBook

  75. Published

    Art Platforms and Cultural Production on the Internet

    Goriunova, O., 2012, Routledge. 162 p.

    Research output: Book/ReportBook

  76. Published

    Art, Culture and Quality: Terms for a Cinema in the Forties and the Seventies

    Ellis, J., 1978, In : Screen. 19, 3, p. 9-50

    Research output: Contribution to journalArticle

  77. Published

    At the Edge of Our World: Michael Powell

    Ellis, J., 1994, In : Vertigo. 3, Spring

    Research output: Contribution to journalArticle

  78. Published

    At the Fountainhead (of TV History)

    Ellis, J., 1980, In : Screen. 21, 4, p. 45-55

    Research output: Contribution to journalArticle

  79. Published

    Autocreativity and Organizational Aesthetics in Art Platforms

    Goriunova, O., 2011, In : Fibreculture. 17, p. 18-33

    Research output: Contribution to journalArticle

  80. Published

    Autocreativity. The Operation of Codes of Freedom in Art and Culture

    Goriunova, O., 2008, FLOSS + ART. de Valk, M. & Mansoux, A. (eds.). Open Mute, p. 92-118

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Unpublished
  82. Published

    Barney Platts-Mills

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance

    Langford, B., 1 Sep 2017, Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen. Pomerance, M. & Rybin, S. (eds.). Edinburgh: Edinburgh University Press, p. 157-168 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    BBC English Regions Drama: Second City Firsts

    Cooke, L., 2007, Re-viewing television History: Critical Issues in Television Historiography. Wheatley, H. (ed.). London: I. B. Tauris, p. 82-95 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Unpublished

    Bedsitter Sunday Blues: The History of the Demonstration: Tape/Cassette/Compact Disk/Mp3

    Davies, R., 2013, (Unpublished)

    Research output: Non-textual formDigital or Visual Products

  86. Unpublished

    Before Feminist Film Theory: The Story of Women & Film

    Jacob, C. K., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  87. Unpublished

    Before Feminist Film Theory: The Story of Women & Film

    Jacob, C., 22 Jun 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  88. Unpublished

    Between the Stranger and the Thief: A Non-Standard Reading of Bill Griffiths's Liam's Song

    Hazell, C., 2018, (Unpublished) Between the Stranger and the Thief: A Non-Standard Reading of Bill Griffiths's Liam's Song.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  89. Published

    Beyond McKee: Screenwriting in and out of the academy

    Langford, B., 2011, Analysing the Screenplay. Nelmes, J. (ed.). London: Routledge, p. 251-262

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Beyond Sex, Bond and Star Wars: Exhibition data from the Southampton Odeon 1972-1980

    Barber, S., 2011, In : Post Script: Essays in Film and the Humanities. 30, 3, p. 77-90. 14 p.

    Research output: Contribution to journalArticle

  91. Published

    Beyond the broadcast text: new economies and temporalities of online TV

    Kelly, J. P., 2011, Ephemeral Media: Transitory screen culture from television to YouTube. Grainge, P. (ed.). Palgrave Macmillan, p. 122-137

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published
  93. Published

    Big Picture, Small Screen: The Relations Between Film and Television

    Hill, J. (ed.) & McLoone, M. (ed.), 1996, Luton: John Libbey Media/University of Luton Press.

    Research output: Book/ReportBook

  94. Published

    Bille Eltringham

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. In preparation

    Bleak Joys

    Goriunova, O. & Fuller, M., 2019, (In preparation) University of Minnesota Press. (Posthumanities)

    Research output: Book/ReportBook

  96. Published

    Bonjour, Paris! Musical Conventions in Les Chansons d’amour (2007, Christophe Honoré)

    Leigh, J., 17 Apr 2019, In : Bright Lights.

    Research output: Contribution to journalArticle

  97. Published

    Book Review: Apropos Film 2005: Das Jahrbuch der DEFA Stiftung, eds. Ralf Schenk, Erika Richter and Claus Löser

    Berghahn, D., 2007, In : Historical Journal of Film, Radio and Television. 27, 3, p. 432-435

    Research output: Contribution to journalArticle

  98. Published

    Book Review: Courting Dissolution: Adumbration, Alterity and the Dislocation of Sacrifice from Space to Image by Michael Lent

    Markaki, V., Apr 2018, In : LSE Review of Books.

    Research output: Contribution to journalBook/Film/Article review

  99. Published

    Book Review: Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism edited by Hermione Spriggs

    Markaki, V., 29 Nov 2018, In : LSE Review of Books.

    Research output: Contribution to journalBook/Film/Article review

  100. Published

    Book Review: Images of Women in East German Cinema 1972-1982: Socialist Models, Private Dreamers and Rebels, Andrea Rinke

    Berghahn, D., 2008, In : The German Quarterly. 81, 2

    Research output: Contribution to journalArticle

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