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  1. Published

    Classical models and modern poetics in Ariosto’s Orlando Furioso

    Jossa, S., 2011, Y. Plumley, G. Di Bacco and S. Jossa (eds), Intertextuality, Memory, Citation from the Middle Ages to the Renaissance (Exeter: Exeter University Press, 2011). 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Cocteau's La Villa Santo-Sospir

    Williams, J., 2011, Criterion DVD edition of Cocteau's Orpheus. Criterion Collection, New York, p. 23-25

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  3. Published

    Coincidenze casuali e incontri possibili: Ariosto oggi

    Jossa, S., 2012, In : Versants. 59, 2, p. 189-211 23 p.

    Research output: Contribution to journalArticle

  4. Published
  5. Published

    Colonial, Postcolonial and Global Economies: Questions of Consumption in Claire Denis's Chocolat (1988)

    Cruickshank, R., 2006, In : Studies in European Cinema. 3, 1, p. 55-66 12 p.

    Research output: Contribution to journalArticle

  6. Published

    Comedy, Satire, Paradox, and the Plurality of Discourses in Cinquecento Italy

    Jossa, S. (ed.) & Moroncini, A., Jun 2017, In : Renaissance and Reformation/ Renaissance et Réforme . 40, 1

    Research output: Contribution to journalSpecial issue

  7. Published

    Comedy, Satire, Paradox, and the Plurality of Discourses in Cinquecento Italy: Introduction

    Jossa, S. & Moroncini, A., Jun 2017, In : Renaissance and Reformation/ Renaissance et Réforme . 40, 1, p. 7-14 8 p.

    Research output: Contribution to journalSpecial issue

  8. Unpublished

    Coming to terms: scepticism and the philosophical essay

    Plunkett, E., 2016, (Unpublished) 151 p.

    Research output: ThesisDoctoral Thesis

  9. Published

    Commemorating Joseph Roth: "It's only the minutiae of life that are important"

    Hughes, J., 2009, In : New Books in German. 25, p. 20-21 2 p.

    Research output: Contribution to journalArticle

  10. Published

    Comment être un bon juge?

    O'Brien, J., 2001, In : Bulletin de la Société des Amis de Montaigne. 8e série, no. 21-22, p. 185-192 7 p.

    Research output: Contribution to journalArticle

  11. Published

    Conference Report: ‘Liberty, Irreverence, and the Place of Women in Early Modern Italian Culture’ A symposium to celebrate the work of Letizia Panizza IMLR, 11 May 2018

    Jossa, S., 2019, In : Journal of Romance Studies. 19, 1, p. 165-167 3 p.

    Research output: Contribution to journalReview article

  12. Published

    Confessions of a "New Aesthete": a Response to the "New Philistines"

    Bowie, A., 1997, In : New Left Review. September-October, p. 105-26 78 p.

    Research output: Contribution to journalArticle

  13. Published

    Confusa la historia y clara la pena: The Child's Perspective in El Sur and Bene, by Adelaida García Morales

    Lee Six, A., 2013, In : Forum for Modern Language Studies. 49, 2, p. 184-191

    Research output: Contribution to journalArticle

  14. Unpublished

    Constructing the City: Spatializing the Real and Imagined Havana in Visual Culture (1933-2010)

    Kent, J. C., 2012, (Unpublished) 279 p.

    Research output: ThesisDoctoral Thesis

  15. Published

    Constructing voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)

    Fox, A., 2014, In : Studies in French Cinema. 14, 1, p. 19-32 14 p.

    Research output: Contribution to journalArticle

  16. Published

    Consuming Passions: The Aesthetics of Cultural Consumption in Calixto Bieito’s Don Giovanni (2001)

    Wright, S., 2004, In : Journal of Spanish Cultural Studies. 5, 3, p. 317-39

    Research output: Contribution to journalArticle

  17. Published

    Contemporaneite and presence

    Pajevic, M., 2003, In : Encrages, Cahiers d'esthetique. 3, p. 54-59 6 p.

    Research output: Contribution to journalArticle

  18. Published

    Contemporary Mexican Cinema (1989 -€“ 1999): History, Space and Identity

    Haddu, M., 2007, Lewiston, N.Y.: Edwin Mellen Press.

    Research output: Book/ReportBook

  19. Unpublished

    Contesting Visions: Memory and Cultural Trauma in Early Post-Civil War Spanish Cinema 1939-1950

    Nasu, M., 2014, (Unpublished) 263 p.

    Research output: ThesisDoctoral Thesis

  20. Published

    Continuous recollection vs. unitized familiarity in associative recognition.

    Mickes, L., Johnson, E. & Wixted, J., 2010, In : Journal of Experimental Psychology: Learning, Memory, and Cognition.

    Research output: Contribution to journalArticle

  21. Published

    Contro il Castelvetro: Borghini, Firenze e una questione ideologica

    Jossa, S., 2 Oct 2013, Varchi e altro Rinascimento. Studi offerti a Vanni Bramanti. Tomasi, F. & Lo Re, S. (eds.). Manziana: Vecchiarelli, p. 433-462 30 p. (Cinquecento - Testi e Studi di letteratura Italiana; vol. 44).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Conveyors to Consumption: Lifts and Escalators in Department Stores in German Culture of the 1920s and 1930s

    Hughes, J., 7 Oct 2015, Konsum und Imagination : Das Warenhaus und die Moderne in Film und Literatur. Weiss-Sussex, G. & Zitzlsperger, U. (eds.). Frankfurt am Main: Peter Lang, p. 201-217 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Corneille and audience identification

    Harris, J., Jul 2009, In : Modern Language Review. 104, 3, p. 659-675 17 p.

    Research output: Contribution to journalArticle

  24. Published

    Corneille confronts the ridiculous: Mélite

    Harris, J., 2007, In : Nottingham French Studies. 46, 1, p. 17-27 11 p.

    Research output: Contribution to journalArticle

  25. Forthcoming

    Corneille’s aggressive suicides: Rodogune and Théodore

    Harris, J., 2020, (Accepted/In press) Last Scene of All: Representing Death on the Western Stage.. Legenda

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

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