51 - 60 out of 2,122Page size: 10
Sort by: Title
- Published
Wide Sargasso Sea: Jean Rhys, Jane Eyre and the Making of an Author
Oliver, S., Sep 2016Research output: Non-textual form › Exhibition
- Unpublished
Why Simon Stephens Writes Such Bad Plays
Rebellato, D., 30 Apr 2011, (Unpublished).Research output: Contribution to conference › Paper
- Published
Why Read Ted Hughes?
Searle, W., 2013, Frontispiece to a Dramatic Performance of Tales of Ovid .Research output: Chapter in Book/Report/Conference proceeding › Chapter
- Published
Why I wrote a play about William Wordsworth: 'Coming to theatre so late, and then trying to write for it, is a fairly mad idea'
Pierpan, N., 29 Mar 2017, 1 p. The Independent.Research output: Other contribution
- Published
Why I write
Hampson, R., 2014, In: Newsletter (Aberystwyth University).Research output: Contribution to journal › Article
- Published
Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?
Rebellato, D., 8 Apr 2011, The Guardian.Research output: Contribution to non-peer-reviewed publication › Internet publication
- Published
Who is Sylvia?/Duologue
Rebellato, D., 2011, Nick Hern Books.Research output: Book/Report › Scholarly edition
- Published
'Whiteout Film for Snowgoggles I & II': Poems in PN Review
Olsen, R., Dec 2014Research output: Other contribution
- Published
- Published
Whig Heroics: Shakespeare, Cibber, and the Troublesome King John
McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36Research output: Chapter in Book/Report/Conference proceeding › Chapter