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  1. Published

    `At the Dying Atlantic’s Edge’: Norman Nicholson and the Cumbrian Coast

    Gibson, A., 12 Aug 2017, Coastal Works: Cultures of the Atlantic Edge . Allen, N., Groom, N. & Smith, J. (eds.). Oxford: Oxford University Press, p. 77-92 15 p. 5

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    `Badiou and Beckett: Actual Infinity, Event, Remainder'

    Gibson, A., 2005, In : Polygraph. 17, p. 175-203

    Research output: Contribution to journalArticle

  3. Published

    ‘ “A More Worthy Patronesse”: Elizabeth Cary and Ireland’

    Rankin, D., 2007, The Literary Life and Legacy of Elizabeth Cary, 1613-1680. Wolfe, H. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    ‘ “Betwixt Both”: Sketching the Borders of Seventeenth-Century Tragicomedy’

    Rankin, D., 2007, Tragicomedy. Lyne, R. & Mukherji, S. (eds.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    ‘ “If Egypt now enslav’d or free/ A Kingdom or a Province be”: Translating Corneille in Restoration Dublin’

    Rankin, D., 2003, Culture and Conflict in Seventeenth Century France. Desnain, V. & Alwyn Stacey, S. (eds.). Dublin: Four Courts Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    ‘ “Shet Fourd vor Generaul Nouddificaushion”: Relocating the Irish Joke, 1678-90’

    Rankin, D., 2001, In : Eighteenth Century Ireland. 16 , 5, p. 47-72.

    Research output: Contribution to journalArticle

  7. Published

    ‘(Re:)Historicizing Spontaneity: Original Practices, Stanislavski, and Characterisation’

    Stern, T., 2012, Shakespeare’s Sense of Character: on the Page and from the Stage. Ko, Y. J. & Shurgot, M. W. (eds.). Aldershot: Ashgate, p. 99-110 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    ‘[P]rophane fidlers’: Medical Paratexts and Indecent Readers in Early Modern England

    Newman, H., 2018, Medical Paratexts from Medieval to Modern: Dissecting the Page. Scott, D. & Tweed, H. (eds.). Palgrave Macmillan Ltd., p. 15-41 27 p. (Palgrave Studies in Literature, Science and Medicine).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  9. Published

    ‘‘[D]estined to complete a certain cycle’: Francis Jeffrey and Byron’s Orientalism’

    Regan, J., 2012, In : Keats-Shelley Review . 60, p. 57-76 20 p.

    Research output: Contribution to journalArticle

  10. Published

    ‘“[R]emember, with advantages”: Creating Memory in Shakespeare’s Henry V’

    Warren-Heys, B., 2010, In : Journal of the Northern Renaissance. 2

    Research output: Contribution to journalArticle

  11. Published

    ‘“[T]he king hath killed his heart”: Falstaff’s deaths in 1 Henry IV and Henry V’

    Warren-Heys, B., 2011, In : The Shakespeare Institute Review.

    Research output: Contribution to journalArticle

  12. Published

    ‘“A Bird in Bishopswood”: Some Newly-Discovered Lines of Alliterative Verse from the Late Fourteenth Century’

    Kennedy, R., 1987, Medieval Literature and Antiquities: Studies in Honour of Basil Cottle. Stokes, M. & Burton, T. L. (eds.). Woodbridge: D. S. Brewer, p. 71-87

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    ‘“A kind of history”: The Taming of the Shrew’

    Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 145. p. 287-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    ‘“A Ruinous Monastery”: The Second Blackfriars Playhouse as a Place of Nostalgia’

    Stern, T., 2014, Moving Shakespeare Indoors . Gurr, A. & Karim-Cooper, F. (eds.). Cambridge: Cambridge University Press, p. 97-114 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    ‘“A Small-Beer Health to his Second Day”: Playwrights, Prologues, and First Performances in the Early Modern Theatre’

    Stern, T., 2004, In : Studies in Philology. 101, p. 172-99 27 p.

    Research output: Contribution to journalArticle

  16. Published

    ‘“Before the Beginning; After the End”: When did Plays Start and Stop?’

    Stern, T., 2015, Shakespeare and Textual Studies . Kidnie, M. J. & Massai, S. (eds.). Cambridge: Cambridge University Press, p. 358-74 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    ‘“Ducdame”: As You Like It’

    Ryan, K., 2011, Shakespearean Criticism. Detroit: Thomson Gale, Vol. 141. p. 41-58

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Submitted

    ‘“Ev’ry Man must Play a Part”: Actors’ Parts and The Merchant of Venice’

    Stern, T., 2016, (Submitted) Filologia Teatro Spettacolo. Cotticelli, F. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Unpublished

    ‘“explainable paralysis”: Anthony Cronin and a Portrait of the Artist as a Failure’

    Fox, B., Jun 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  20. Forthcoming

    ‘“extreme consciousness”: D.H. Lawrence and America’s Challenge to European Modernism’

    Fox, B., 2013, (Accepted/In press).

    Research output: Contribution to conferencePaper

  21. Forthcoming

    ‘“extreme consciousness”: D.H. Lawrence and America’s Challenge to European Modernism’

    Fox, B., 2015, (Accepted/In press) “We Speak a Different Tongue”: Maverick Voices and Modernity, 1890–1939.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘“Fill thy Purse with Money”: Shareholders, Shakespeare and Theatrical Finance’

    Stern, T., 2014, In : Shakespeare Jahrbuch. 150, p. 65-78 13 p.

    Research output: Contribution to journalArticle

  23. Unpublished

    ‘“From Queenstown to New York”: Emigration in Joyce’s Writings 1904-1912’

    Fox, B., 2012, (Unpublished).

    Research output: Contribution to conferencePaper

  24. Published

    ‘“I do wish that you had mentioned Garrick”: the absence of Garrick in Johnson’s Shakespeare’

    Stern, T., 2007, Comparative Excellence: Essays on Shakespeare and Johnson . Rasmussen, E. & Santesso, A. (eds.). New York: AMS, p. 70-96 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    ‘“I Have Both the Note, and Dittie About Me”: Songs on the Early Modern Stage’

    Stern, T., 2011, In : Common Knowledge. 17, p. 306-20 14 p.

    Research output: Contribution to journalArticle

  26. Published

    ‘“If I could See the Puppets Dallying”: Der Bestrafte Brudermord as a Puppet Play’

    Stern, T., 2013, In : Shakespeare Bulletin. 31, p. 337-52 15 p.

    Research output: Contribution to journalArticle

  27. Unpublished

    ‘“Irish realist”: Anthony Cronin’s “Beckett man” and the “non-novel” in Ireland’

    Fox, B., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  28. In preparation
  29. Published

    ‘“Nothing that is so, is so”: Twelfth Night’

    Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 144. p. 277-95

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    ‘“On each Wall / And Corner Post”: Playbills, Title-pages, and Advertising in Early Modern London’

    Stern, T., 2006, In : English Literary Renaissance. 36, p. 57-85 18 p.

    Research output: Contribution to journalArticle

  31. Published

    ‘“Strange misprision”: Much Ado About Nothing’

    Ryan, K., 2011, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 141. p. 109-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    ‘“Taking Part”’: Actors and Audience on the Blackfriars Stage’

    Stern, T., 2006, Inside Shakespeare: Essays on the Blackfriars Stage. Menzer, P. (ed.). susquehannah university press, p. 35-53 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    ‘“The Curtain is Yours!”

    Stern, T., 2009, Locating the Queen’s Men, 1583-1603: Material Practices and Conditions of Playing . Ostovich, H., Syme, H. & Griffin, A. (eds.). Aldershot: Ashgate

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    ‘“The Forgery of Some Modern Author”?: Theobald’s Shakespeare and Cardenio’s Double Falsehood’

    Stern, T., 2011, In : Shakespeare Quarterly. 62, p. 555-93 34 p.

    Research output: Contribution to journalArticle

  35. Published

    ‘“The Two Hours’ Traffic of Our Stage”: Time for Shakespeare’

    Stern, T., 2015, In : Journal of the British Academy. 3, p. 1-33 33 p.

    Research output: Contribution to journalArticle

  36. Published

    ‘“This Insubstantial Pageant”: Shakespeare’s Utopian Realism’

    Ryan, K., 2017, Cervantes – Shakespeare 1616-2016: Context, Influence, Relation. González, J. M., Ferri, J. M. & Irles, M. D. C. (eds.). Kassel: Reichenberger, p. 251-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    ‘“This Wide and Universal Theatre”: the Theatre as Prop in Shakespeare’s Metadrama’

    Stern, T., 2013, Shakespeare’s Theatres and the Effects of Performance . Karim-Cooper, F. & Stern, T. (eds.). London: Methuen, p. 11-32 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    ‘“Whether one did Contrive, the Other Write, / Or one Fram’d the Plot, the Other did Indite”: Fletcher and Theobald as Collaborative Writers’

    Stern, T., 2012, The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Carnegie, D. & Taylor, G. (eds.). Oxford: Oxford University Press, p. 115-30 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    ‘“You that Walk i’th’galleries”: Standing and Walking in the Galleries of the Globe Theatre’

    Stern, T., 2000, In : Shakespeare Quarterly. 51, p. 211-16 6 p.

    Research output: Contribution to journalArticle

  40. Published

    ‘« Je ne suis pas ce que je suis »: Shakespeare et l’ontologie

    Chiba, J., 4 Jul 2017, Shakespeare au risque de la philosophie . Drouet, P. & Grosos, P. (eds.). Paris: Harmann, p. 335-347 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Unpublished
  42. Published
  43. Published

    ‘A Note on the Intrinsic Structure of Swinburne’s Laus Veneris’

    Roberts, A., 1990, In : Victorian Poetry. 28, p. 89-92

    Research output: Contribution to journalArticle

  44. Published

    ‘A pair of old masters’: Review of Frank Kermode, Shakespeare’s Language

    Ryan, K., 23 Apr 2000, Independent on Sunday.

    Research output: Other contribution

  45. E-pub ahead of print

    ‘A Perfect Choreography of Ruination’: Resisting Tragedy in The Boy Who Fell Out of the Sky: A True Story (2006)

    Jay, B., 11 Aug 2015, In : Prose Studies. 37, 1, p. 33-45 13 p.

    Research output: Contribution to journalArticle

  46. Published

    ‘A seale of Virgin waxe at hand / Without impression there doeth stand’: Hymenal Seals in English Renaissance Literature

    Newman, H., Dec 2012, In : Lives and Letters. 4, 1, p. 94 113.

    Research output: Contribution to journalArticle

  47. Published

    ‘A Source for Browning's Agamemnon’

    Roberts, A., 1991, In : Victorian Poetry. 29, p. 180-83

    Research output: Contribution to journalArticle

  48. Unpublished
  49. Published

    ‘A Tennyson Letter’

    Roberts, A., 1990, In : Notes and Queries. 37, 425-26.

    Research output: Contribution to journalArticle

  50. Published

    ‘Actors’ Parts’

    Stern, T., 2009, Handbook on Early Modern Theatre . Dutton, R. (ed.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

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