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  2. Published

    ‘ “A More Worthy Patronesse”: Elizabeth Cary and Ireland’

    Rankin, D., 2007, The Literary Life and Legacy of Elizabeth Cary, 1613-1680. Wolfe, H. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    ‘ “Betwixt Both”: Sketching the Borders of Seventeenth-Century Tragicomedy’

    Rankin, D., 2007, Tragicomedy. Lyne, R. & Mukherji, S. (eds.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    ‘ “If Egypt now enslav’d or free/ A Kingdom or a Province be”: Translating Corneille in Restoration Dublin’

    Rankin, D., 2003, Culture and Conflict in Seventeenth Century France. Desnain, V. & Alwyn Stacey, S. (eds.). Dublin: Four Courts Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    ‘(Re:)Historicizing Spontaneity: Original Practices, Stanislavski, and Characterisation’

    Stern, T., 2012, Shakespeare’s Sense of Character: on the Page and from the Stage. Ko, Y. J. & Shurgot, M. W. (eds.). Aldershot: Ashgate, p. 99-110 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    ‘“A Bird in Bishopswood”: Some Newly-Discovered Lines of Alliterative Verse from the Late Fourteenth Century’

    Kennedy, R., 1987, Medieval Literature and Antiquities: Studies in Honour of Basil Cottle. Stokes, M. & Burton, T. L. (eds.). Woodbridge: D. S. Brewer, p. 71-87

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    ‘“A kind of history”: The Taming of the Shrew’

    Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 145. p. 287-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    ‘“A Ruinous Monastery”: The Second Blackfriars Playhouse as a Place of Nostalgia’

    Stern, T., 2014, Moving Shakespeare Indoors . Gurr, A. & Karim-Cooper, F. (eds.). Cambridge: Cambridge University Press, p. 97-114 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    ‘“Before the Beginning; After the End”: When did Plays Start and Stop?’

    Stern, T., 2015, Shakespeare and Textual Studies . Kidnie, M. J. & Massai, S. (eds.). Cambridge: Cambridge University Press, p. 358-74 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    ‘“Ducdame”: As You Like It’

    Ryan, K., 2011, Shakespearean Criticism. Detroit: Thomson Gale, Vol. 141. p. 41-58

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Submitted

    ‘“Ev’ry Man must Play a Part”: Actors’ Parts and The Merchant of Venice’

    Stern, T., 2016, (Submitted) Filologia Teatro Spettacolo. Cotticelli, F. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Forthcoming

    ‘“extreme consciousness”: D.H. Lawrence and America’s Challenge to European Modernism’

    Fox, B., 2015, (Accepted/In press) “We Speak a Different Tongue”: Maverick Voices and Modernity, 1890–1939.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    ‘“I do wish that you had mentioned Garrick”: the absence of Garrick in Johnson’s Shakespeare’

    Stern, T., 2007, Comparative Excellence: Essays on Shakespeare and Johnson . Rasmussen, E. & Santesso, A. (eds.). New York: AMS, p. 70-96 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    ‘“Nothing that is so, is so”: Twelfth Night’

    Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 144. p. 277-95

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    ‘“Strange misprision”: Much Ado About Nothing’

    Ryan, K., 2011, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 141. p. 109-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    ‘“Taking Part”’: Actors and Audience on the Blackfriars Stage’

    Stern, T., 2006, Inside Shakespeare: Essays on the Blackfriars Stage. Menzer, P. (ed.). susquehannah university press, p. 35-53 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    ‘“The Curtain is Yours!”

    Stern, T., 2009, Locating the Queen’s Men, 1583-1603: Material Practices and Conditions of Playing . Ostovich, H., Syme, H. & Griffin, A. (eds.). Aldershot: Ashgate

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    ‘“This Insubstantial Pageant”: Shakespeare’s Utopian Realism’

    Ryan, K., 2017, Cervantes – Shakespeare 1616-2016: Context, Influence, Relation. González, J. M., Ferri, J. M. & Irles, M. D. C. (eds.). Kassel: Reichenberger, p. 251-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    ‘“This Wide and Universal Theatre”: the Theatre as Prop in Shakespeare’s Metadrama’

    Stern, T., 2013, Shakespeare’s Theatres and the Effects of Performance . Karim-Cooper, F. & Stern, T. (eds.). London: Methuen, p. 11-32 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    ‘“Whether one did Contrive, the Other Write, / Or one Fram’d the Plot, the Other did Indite”: Fletcher and Theobald as Collaborative Writers’

    Stern, T., 2012, The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Carnegie, D. & Taylor, G. (eds.). Oxford: Oxford University Press, p. 115-30 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    ‘« Je ne suis pas ce que je suis »: Shakespeare et l’ontologie

    Chiba, J., 4 Jul 2017, Shakespeare au risque de la philosophie . Drouet, P. & Grosos, P. (eds.). Paris: Harmann, p. 335-347 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘Actors’ Parts’

    Stern, T., 2009, Handbook on Early Modern Theatre . Dutton, R. (ed.). Oxford: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. In preparation

    ‘Amazons on the verge of war: England and Ireland, 1640’

    Rankin, D., 2017, (In preparation) Performing Epic, 2 vols., eds. Fiona Mackintosh and Justine McConnell (Oxford University Press, forthcoming 2017) . Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Forthcoming

    ‘And nothing brings me all things': Shakespeare’s Philosophy of Nothing

    Chiba, J., 2017, (Accepted/In press) The Routledge Companion to Shakespeare and Philosophy. Bourne, C. & Caddick Bourne, E. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    ‘Bread and Circuses: Chiten, Japan performing Coriolanus’

    Rankin, D., 2013, eds. Christie Carson and Susan Bennet, Shakespeare beyond English (Cambridge University Press, 2013). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    ‘Corporate Acts of Satire’

    Hawley, J., 30 Jul 2019, The Oxford Handbook of Eighteenth-Century Satire. Bullard, P. (ed.). Oxford: Oxford University Press, p. 23-38 15 p. (Oxford Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter

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