1. Chapter › Research
  2. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 89-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    解构主义哲学观下的中国传统戏曲程式的跨文化交流

    Li, X., 1 Oct 2018, 京剧传播研究. Yu, J. (ed.). Beijing: 文化艺术

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Entry for encyclopedia/dictionary › Research
  20. Published

    Colley Cibber

    McGirr, E., 2014, The Encyclopedia of British Literature, 1660-1789. Brooks, H. (ed.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  21. Published

    David Hare

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 446-447

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  22. Published

    David Hare

    Megson, C., 2006, Encyclopedia of British Literature. Kastan, D. S. (ed.). Oxford: Oxford University Press, Vol. 2. p. 510-514

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  23. Forthcoming

    Ecrivaines polynésiennes et Littérama’ohi

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  24. Forthcoming

    Femmes auteures aborigènes

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  25. Forthcoming

    Flora Devatine

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  26. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  27. Forthcoming

    Jackie Huggins

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  28. Published

    Manjusri Chaki Sircar and Ranjabati Sircar

    Purkayastha, P., 9 May 2016, Routledge Encyclopedia of Modernism. Ross, S. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  29. Forthcoming

    Marie-Claude Teissier-Landgraf

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  30. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  31. Forthcoming

    Romaine Moreton

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  32. Published

    Sexuality: The Mulatta Figure in the Cuban Imaginary

    Blanco Borelli, M., 2012, Cuba: History, Culture, Society. West-Duran, A. (ed.). First ed. Charles Scribner's Sons

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  33. Published

    Social Movement and Modern Dance [Bengal]

    Purkayastha, P., 2010, The Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  34. Forthcoming

    Stéphanie-Ariirau Richard

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  35. Forthcoming

    Terri Janke

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  36. Published

    The Indian People's Theatre Association

    Purkayastha, P., 2010, Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  37. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  38. Conference contribution › Research
  39. Submitted

    “Archive and Asylum – experiential memories of Kneehigh Theatre’s performance venue and theatre archive” at Shared Memories II Eastap Conference at the University of Lison, Portugal

    Trenchfield, C., 24 Sep 2019, (Submitted) Shared Memories II Eastap Conference at the University of Lison, Portugal.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  40. Submitted

    “Kneehigh Theatre Company and Cultural Hybridisation”at Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta

    Trenchfield, C., 14 Mar 2019, (Submitted) Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  41. Published

    A Buddhist monks’ performance and a play, in the context of the Buddhist ritual event of giving

    Utairat, M., 2015, International Federation for Theatre Research (IFTR) 2015, Hyderabad, India .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  42. Unpublished

    Aesthetics of Conventionalisation and the Contributions to Xiqu's Intercultural Communication

    Li, X., 2018, (Unpublished) Intercultural Communications, Translation, and Methods of Teaching Foreign Languages.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  43. Published

    After Beckett: Edward Bond’s Post-Auschwitz Dramaturgy of Ruins

    Chen, C-C., 5 Sep 2016, TaPRA.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  44. Published

    Buddhist Monks' Performance and a Play in the Context of the Buddhist Ritual Event of Giving

    Utairat, M., 2014, Theatre and Stratification, IFTR World Congress, Warwick, UK.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  45. Published

    Casting the Outcast: Perspectives on Acting Style

    Conroy, C., 2003, Conference Proceedings: Finding The Spotlight.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  46. Unpublished

    Directionality of Cultural Flows in Intercultural Performance: Power Politics and Intercultural Identities

    Li, X., 5 Dec 2019, (Unpublished) 2019 Performance as Method from Global Perspectives: Historical Memory, Technologies of the Self, and Cultural Production.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  47. Unpublished

    Intercultural Communication of Chinese Traditional Opera Programs under the View of Deconstructionism

    Li, X., 13 Aug 2018, (Unpublished) Second World Conference of Chinese Studies & 17th Intl. Conference on the Digitalization of Premodern Chinese Novel & Drama.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  49. Published

    Rhythmic Routes: Developing a nomadic physical practice for the daily commute

    Overend, D. & Bissell, L., 2014, Scottish Journal of Performance.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. Published

    Shifting the mainstream: Conference Keynote Speech

    Conroy, C., 2003, Shifting Aesthetic: Disability and Performance: Conference Proceedings. London Arts Board

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  51. Published

    The ‘reinvention’ of the Mahachat Sung Sermon as a theatre play for new generations of Thai Buddhist audience in the context of urban migration

    Utairat, M., 2018, Theatre and Migration: Theatre, Nation and Identity between Migration and Stasis, IFTR World Congress 2018, Belgrade, Serbia .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  53. Published

    The Problem with 'Dance'

    Purkayastha, P., 1 Dec 2020, Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses. Mitra, R., Banerji, A. & Candelario, R. (eds.). Vol. XL. p. 28-30

    Research output: Chapter in Book/Report/Conference proceedingConference contribution