1. Published

    The Making of the West End Stage: marriage, management and the mapping of gender in London, 1830-1870

    Bratton, J., Nov 2011, Cambridge: Cambridge University Press. 222 p.

    Research output: Book/ReportBook

  2. Published

    The male gaze in Woyzeck: Re-presenting Madness and Marie

    Schafer, E., 1993, In: Themes in Drama. 15, p. 55-64

    Research output: Contribution to journalArticlepeer-review

  3. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Unpublished
  5. Published

    The mask in Greek tragedy

    Wiles, D., 2004, In: Dioniso. 3, p. 206-213

    Research output: Contribution to journalArticlepeer-review

  6. Published

    The masks of Greek tragedy as point of departure for modern performance

    Wiles, D. & Vervain, C., 2001, In: New Theatre Quarterly. 17, p. 254-272

    Research output: Contribution to journalArticlepeer-review

  7. Published

    The Masks of Menander: Sign and Meaning in Greek and Roman Performance

    Wiles, D., 1991, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  8. Published

    The Master and Margarita - Complicite and Simon McBurney

    Bidgood, J., 19 Dec 2012, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  9. Published

    The Merchant of Venice: Theatre Review of The Merchant of Venice, Shakespeare's Globe, London

    Paitayawat, P., 2007, In: Cahiers Elisabéthains. 72, Autumn, p. 39-41 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  10. Published

    The Merry Wives of Windsor

    Schafer, E., 2005, In: Performance Research. 10, 3, p. 102

    Research output: Contribution to journalArticlepeer-review

  11. In preparation

    'The Merry Wives of Windsor' in Performance

    Schafer, E., 1 Sep 2021, (In preparation) London: Routledge. 200 p.

    Research output: Book/ReportBook

  12. Published

    The Methuen Drama Book of Naturalist Plays

    Megson, C. (ed.), 2010, London: Methuen.

    Research output: Book/ReportBook

  13. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Forthcoming

    The Northern Lass by Richard Brome

    Schafer, E., 2023, (Accepted/In press) Oxford: Oxford University Press.

    Research output: Book/ReportScholarly edition

  16. Published

    The Oxford Encyclopaedia of Theatre and Performance

    Kennedy, D. (ed.) & Bratton, J. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  17. Published

    The Oxford Handbook of Dance and the Popular Screen

    Blanco Borelli, M., 2014, Oxford University Press.

    Research output: Book/ReportAnthology

  18. In preparation

    The Oxford Handbook of Indian Dance

    Purkayastha, P. & Banerji, A., 1 Jan 2023, (In preparation) New York: Oxford Univerity Press; Oxford.

    Research output: Book/ReportAnthology

  19. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  20. Unpublished
  21. Published

    The Performance of Memory

    Nicholson, H., 2003, In: The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticlepeer-review

  22. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?

    Rebellato, D., 2007, In: Western European Stages. xix, 1, p. 33-36

    Research output: Contribution to journalArticlepeer-review

  24. Unpublished
  25. Published

    The play-within-the-film-within-the-play's the thing: re-transmitting analogue bodies in the Wooster Group's Hamlet

    Parker-Starbuck, J., 1 Jun 2009, In: International Journal of Performance Arts and Digital Media. 5, 1, p. 23-34 12 p.

    Research output: Contribution to journalArticlepeer-review

  26. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    The Point of Culture: Brazil Turned Upside Down

    Spowage, C., 2013, ed. by Paul Heritage and Rosie Hunter, with Poppy Spowage. Lisbon: Calouste Gulbenkian Foundation

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  28. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published
  30. Published

    The Prison and the Font: An Essay on Patrick White's A Fringe of Leaves

    Gilbert, H., 1989, In: Kunapipi: Journal of Postcolonial Writing. 11, 2, p. 17-22

    Research output: Contribution to journalArticlepeer-review

  31. Unpublished
  32. Published

    The Problem with 'Dance'

    Purkayastha, P., 1 Dec 2020, Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses. Mitra, R., Banerji, A. & Candelario, R. (eds.). Vol. XL. p. 28-30

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  33. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    The promises of history: pedagogic principles and processes of change

    Nicholson, H., 2010, In: Research in Drama Education. 15, 2, p. 147-154 8 p.

    Research output: Contribution to journalArticlepeer-review

  35. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. E-pub ahead of print

    The Repairer and the Ad Hocist: Understanding the ‘ongoingness’ of the amateur theatre maker’s craft

    Gray, C., 23 Apr 2020, (E-pub ahead of print) In: Performance Research. 25, 1, p. 88-95 8 p.

    Research output: Contribution to journalArticlepeer-review

  37. Unpublished
  38. Published

    The right horse, the animal eye: Bartabas and Théâtre Zingaro

    Williams, D., 2000, In: Performance Research. 5, 2, p. 29-40 12 p.

    Research output: Contribution to journalArticlepeer-review

  39. Published

    The Ring Story in Northward Ho I.i.: An English Source

    Schafer, E., 1986, In: Notes and Queries. 33, September, p. 374-375

    Research output: Contribution to journalArticlepeer-review

  40. Published

    The Rise of the Character named Spectator

    Nield, S., 2008, In: Contemporary Theatre Review. 18, 4

    Research output: Contribution to journalArticlepeer-review

  41. Published

    The role of objects in supporting older adults with dementia to tell stories about their lives

    Lloyd, J., 1 Oct 2015, In: Journal of Applied Arts & Health. 6, 2, p. 171-186 16 p.

    Research output: Contribution to journalArticlepeer-review

  42. Unpublished

    The Role of Reminiscence Arts in the Lives of Care Home Residents Living with Dementia

    Lloyd, J., 2016, (Unpublished) 337 p.

    Research output: ThesisDoctoral Thesis

  43. Published

    The Role of the Chou ("Clown") in Traditional Chinese Drama: Comedy, Criticism and Cosmology on the Chinese Stage

    Thorpe, A., 2007, Lewiston: The Edwin Mellen Press. 351 p.

    Research output: Book/ReportBook

  44. In preparation

    The Routledge Companion to Documenting Performance

    Guy, G. (ed.) & Linsley, J. (ed.), 2023, (In preparation)

    Research output: Book/ReportBook

  45. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    The Sea: 6 Waves

    Williams, D., 2009, Cupola Bobber: reading companion to the performance 'Way Out West, The Sea Whispered Me'. Chicago, USA, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  47. Published

    The Serpent's Gaze: Re-working Myths for a Feminist Australian Drama

    Gilbert, H., 1993, In: Australian and New Zealand Studies in Canada. 10, p. 30-40

    Research output: Contribution to journalArticlepeer-review

  48. Published

    The seven gates of Aeschylus

    Wiles, D., 1993, In: Drama. 2, p. 180-194

    Research output: Contribution to journalArticlepeer-review

  49. Published

    The Six Wild Ways of the Oak

    Overend, D., Narbed, S., Lorimer, J., Swingler, J. & Twynholm, S., 2018

    Research output: Non-textual formDigital or Visual Products

  50. Published

    The Sociable Aesthetics of Amateur Theatre

    Walcon, E. & Nicholson, H., 2017, In: Contemporary Theatre Review. 27, 1, p. 18-33 16 p.

    Research output: Contribution to journalArticlepeer-review