1. 2014
  2. Unpublished

    Taste, participation and identity: applied arts practice in the care home ‘community’

    Hatton, N., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  3. Published

    The 2013 Sirenos Theatre Festival: Lithuanian Showcase

    Lease, B., 2014, In: European Stages .

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  4. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. Published

    The Oxford Handbook of Dance and the Popular Screen

    Blanco Borelli, M., 2014, Oxford University Press.

    Research output: Book/ReportAnthology

  6. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Theatre and Migration

    Cox, E., 2014, Palgrave Macmillan. 104 p.

    Research output: Book/ReportBook

  8. Published

    Time-specificity of Performance

    Wakefield, N., 2014, In: Choreographic Practices. 5, 2

    Research output: Contribution to journalArticlepeer-review

  9. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Wallace

    Overend, D. & Drummond, R., 2014

    Research output: Non-textual formPerformance

  11. 2013
  12. Published

    Staging Asylum: Emma Cox sets out the context for a new collection of Australian plays about refugees

    Cox, E., 16 Dec 2013, Platforma Arts and Refugees Network.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  13. Published
  14. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  15. Published

    From Mainstream Theatres to Synergy Theatre Project: Black Men's Participation in 'Urban' Plays in Prison

    Goddard, L., Nov 2013, In: Research in Drama Education. 18, 4, p. 332-345

    Research output: Contribution to journalArticlepeer-review

  16. Published
  17. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  18. Published

    debbie tucker green

    Goddard, L., 10 Oct 2013, Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations. Rebellato, D. (ed.). London: Bloomsbury Methuen Drama, p. 190-212 (Decades of Modern British Playwriting).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse

    Parker-Starbuck, J., Oct 2013, In: Theatre Journal. 65, 3, p. 373-393 21 p.

    Research output: Contribution to journalArticlepeer-review

  20. Unpublished
  21. Published

    Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations

    Rebellato, D. (ed.), Oct 2013, London: Methuen Drama. (Decades)

    Research output: Book/ReportBook

  22. Published

    Exit the Author

    Rebellato, D., Sep 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 9-31 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    'Festina Lente' (Malgven Gerbes & David Brandstaetter, with the company SHIFTS)

    SHIFTS (David Brandstaetter & Malgven Gerbes), Sep 2013

    Research output: Other contribution

  24. Published

    Towards an Anarchist Theatre

    Cawson, M., Sep 2013, In: Platform. 7, 2

    Research output: Contribution to journalArticlepeer-review

  25. Published
  26. Published

    Danger UXB or My Career in Archives

    McCaw, D., Aug 2013, In: Contemporary Theatre Review. 23, 3, p. 403 - 410 8 p.

    Research output: Contribution to journalArticlepeer-review

  27. Published

    On the Injunction 'Enjoy'

    Alston, A., Aug 2013, In: Platform. 7, 2, p. 71-73

    Research output: Contribution to journalArticlepeer-review

  28. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    "Out of the Exhibition: Indigenous Performance and Arts of Diplomacy"

    Gilbert, H., 11 Jul 2013

    Research output: Non-textual formDigital or Visual Products

  30. Unpublished

    Postmodern Ludergies: Theorizing Participatory Theatre Events as Folk Play

    Gowers, M., 4 Jul 2013, (Unpublished) 323 p.

    Research output: ThesisDoctoral Thesis

  31. Published

    Root Vegetables and Reflections on West Coast Culture: Radix's BEUTFL CARATS for Progress Lab

    Poll, M., Jul 2013, Canadian Theatre Review, 155.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  32. Published

    shuttle 1-21: elsew/here

    Williams, D., Jul 2013

    Research output: Other contribution

  33. Published

    Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre

    Alston, A., Jun 2013, In: Performance Research. 18, 2, p. 128-138

    Research output: Contribution to journalArticlepeer-review

  34. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Occasionally Ovid - Helen Ainsworth

    Bidgood, J., 11 May 2013, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  36. Published

    "European Opportunities for Funding"

    Gilbert, H., 17 Apr 2013

    Research output: Non-textual formDigital or Visual Products

  37. Unpublished
  38. Published

    B is for Booing

    Rebellato, D., Mar 2013, In: Contemporary Theatre Review. 18, 1, p. 11-15

    Research output: Contribution to journalArticlepeer-review

  39. Published

    Corporeality and Subversion in Post-Renaissance Italy: The Inquisition and the Commedia dell’Arte

    Cawson, M., Mar 2013, In: Platform. 7, 1, p. 26-41 15 p.

    Research output: Contribution to journalArticlepeer-review

  40. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    'Theatre making as shared enquiry': The UWA Centenary Theatre Collection, Perth, WA, Australia

    Williams, D., Mar 2013, Perth, Western Australia

    Research output: Other contribution

  42. Published

    A “United” Kingdom: The London 2012 Cultural Olympiad

    Abrams, J. & Parker-Starbuck, J., Jan 2013, In: PAJ: A Journal of Performance and Art. 35, 1, p. 19-31 13 p.

    Research output: Contribution to journalArticlepeer-review

  43. Published

    "And I was struck still by time": Contemporary British Theatre and the Metaphysical Imagination

    Megson, C., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 32-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    "Nomos and Attic Dramatics"

    Shuler, W., 2013, In: Emerging Theatre Research.

    Research output: Contribution to journalArticlepeer-review

  45. Published

    "On the Radio the Pictures are Better": Dan Rebellato interviewed by Michał Lachman

    Rebellato, D., 2013, In: Text Matters. 3, p. 264-270 6 p.

    Research output: Contribution to journalArticlepeer-review

  46. Forthcoming

    ‘Behind Every Suffering, There Is a Human Life Worth Loving’: Receptions and Perceptions of Uniqueness, Universality and Hope in Warwick Thornton’s Samson and Delilah

    Castro, E., 2013, (Accepted/In press) In: The Journal of the European Association for Studies on Australia. 3, 2

    Research output: Contribution to journalArticlepeer-review

  47. Published

    ‘Genealogies of the Self: (auto)Biography in Sandra Kogut’s Um Passaporte Húngaro (Sandra Kogut, 2001) and Albertina Carri’s Los rubios (2003)

    Gleghorn, C., 2013, Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Gutiérrez-Albilla, J. D. & Nair, P. (eds.). University of Manchester Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    ‘Power play: Dhaka Theatre’s Bangla Tempest’

    Dymkowski, C., 2013, Shakespeare beyond English: A Global Experiment: A Global Experiment. Bennett, S. & Carson, C. (eds.). Cambridge University Press, p. 141-49

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    ‘Re-making Katherina: Julia Marlowe and "The Shrew"’

    Schafer, E., 2013, Women Making Shakespeare. McMullan, G., Orlin, L. & Mason Vaughan, V. (eds.). London: Bloomsbury Academic, p. 283-92 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    A Shrew full of laughter

    Schafer, E., 2013, Shakespeare Beyond English: A Global Experiment. Bennett, S. & Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Acting In/Action: Staging Human Rights in debbie tucker green's Royal Court Plays

    Goddard, L. & Fragkou, M., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave, p. 145-66

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Anthologizing Indonesian Popular Theatre

    Cohen, M. I., 2013, In: Asian Theatre Journal. 30, 1, p. 506-519

    Research output: Contribution to journalArticle

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