1. Chapter › Research
  2. Published

    ‘Writing across the footlights: Ninette de Valois and the Vic-Wells community’

    Schafer, E., Jul 2012, Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books, p. 88-93 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    “Not our Olivia”: Lydia Lopokova and Twelfth Night

    Schafer, E., 2010, Shakespeare in Stages: New Directions in Theatre History. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 144-163

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    “The play’s the thing”: The Metatheatre of Timberlake Wertenbaker

    Dymkowski, C., 1997, Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Boireau, N. (ed.). London: Palgrave Macmillan, p. 121-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    A Cabinet of (Medical) Performance Curiosities

    Parker-Starbuck, J., 25 Feb 2016, Performance and the Medical Body. Mermikides, A., Bouchard, G. & Lutterbie, J. (eds.). 1st ed. Methuen Drama: Bloomsbury, (Performance and Science: Interdisciplinary Dialogues).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    A Chinese pujangga from Surabaya? Yap Gwan Thay in an age of translation

    Cohen, M., 2010, Sadur: Sejarah Terjemahan di Indonesia dan Malaysia. Chambert-Loir, H. (ed.). Jakarta: Kepustakaan Populer Gramedia, p. 877-894

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    A Shrew full of laughter

    Schafer, E., 2013, Shakespeare Beyond English: A Global Experiment. Bennett, S. & Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Forthcoming

    A Star is Born: The Rising Profile of the Non-professional Actor in Recent Brazilian Cinema

    Gleghorn, C., 2012, (Accepted/In press) Stars and Stardom in Brazilian Cinema. Bergfelder, T., Shaw, L. & Vieira, J. L. (eds.). Berghahn

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    About Theatre Games - a critical introduction

    McCaw, D., 2010, Theatre Games. London : Methuen, p. xi - xxv 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Acting In/Action: Staging Human Rights in debbie tucker green's Royal Court Plays

    Goddard, L. & Fragkou, M., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave, p. 145-66

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Affective Atmospheres: Performative Pedagogies of Space

    Nicholson, H., 2015, Theatre and Learning. Babayants, A. & Fitzsimmons Frey, H. (eds.). Newcastle: Cambridge Scholars, p. 166-184 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. In preparation

    Afterlives: Performances of Early Modern Women’s Drama in Modernity

    Schafer, E., 2022, (In preparation) Pagrave Encyclopaedia of Early Modern Women’s Writing in English. Smith, R. & Pender, P. (eds.). Palgrave Macmillan, 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    An Encounter with Possibility

    Spowage, C., 2012, Encounters Beyond Text: Art Transforming Lives. London: People's Palace Projects

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    An Irish Jig? Edris Stannus, Ninette de Valois and the English Royal Ballet

    Schafer, E., 2007, The Irish Theatre in England. Cave, R. & Levitas, B. (eds.). Dublin: Carysfort Press, p. 143-156

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Animality, Posthumanism

    Parker-Starbuck, J., 28 Nov 2014, Performance Studies: Key Words, Concepts and Theories. Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Antyk Grecki – inspiracja spektakli Gardzienic

    Wiles, D. & Mackiewicz, P. P. (Translator), 2008, Teatr Obiecany: 30 lat “Gardzienic”. Taranienko, Z. (ed.). Warsaw: Wydawnictwo SWPS Academica, p. 212-224

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Applied Drama/ Theatre/ Performance

    Nicholson, H., 2011, Key Concepts in Theatre/ Drama Education. Schonmann, S. (ed.). Sense Publishers, p. 241-247 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Aristotle’s Poetics and ancient dramatic theory

    Wiles, D., 2007, The Cambridge Companion to Greek and Roman Theatre. Walton, J. M. & McDonald, M. (eds.). Cambridge: Cambridge University Press, p. 92-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Assembling our differences: bridging identities-in-motion in intercultural performance

    Williams, D., 2007, The Physical Theatres Reader. Murray, S. & Keefe, J. (eds.). London and New York: Routledge, p. 239-248 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Astrology and the Elizabethan Epithalamium

    Wiles, D., 1993, Le Mariage au temps de la Renaissance. Jones-Davies, M. -T. (ed.). Paris: Klincksiek, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Authorial Performances: Actress, Author, Critic

    McGirr, E., 2016, Women's Writing, 1660-1830: Feminisms and Futures. Batchelor, J. & Dow, G. (eds.). Palgrave Macmillan, p. 97-116

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Barrio Superstarrio

    Gardner, N-M., 25 Feb 2008, 3:AM London, New York, Paris. Stevens, A. (ed.). London: Social Disease

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    'Because It Feels Fucking Amazing': Recent British Drama and Bodily Mutilation

    Rebellato, D., 2008, Cool Britannia? British Political Drama in the 1990s. D'Monté, R. & Saunders, G. (eds.). Basingstoke: Palgrave Macmillan, p. 192-207

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Becoming Citizens: Loss and Desire in the Social Reintegration of Guerrilla Ex-Combatants in Colombia

    Estrada Fuentes, M., 2017, Gendered CItizenship: Manifestations and Performance. Reinelt, J., Dutt, B. & Sahai, S. (eds.). Palgrave Macmillan, p. 271-290

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Belated Journeys: Ecotourism as a Style of Travel Performance

    Gilbert, H., 2002, In Transit: Travel, Text, Empire. Gilbert, H. & Johnston, A. (eds.). New York: Peter Lang, p. 255-274

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Beyond Belief: British Theatre and the ‘re-enchantment of the world’

    Megson, C., Jul 2016, Twenty-First Century Drama : What Happens Now. Adiseshiah, S. & LePage, L. (eds.). 1 ed. London: Palgrave Macmillan, p. 37-57 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Forthcoming

    'Black Lives Black Words at the Bush Theatre: Art, Anger, Affect and Activism'

    Goddard, L., 6 Jan 2020, (Accepted/In press) Affects in 21st-Century British Theatre: Exploring Feeling on Page and Stage.. Aragay, M., Delgado, C. & Middeke, M. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Brai in performance: religious ecstasy and art in Java

    Cohen, M. I., 2011, Divine Inspiration: Music and Islam in Indonesia. Harnish, D. D. & Rasmussen, A. K. (eds.). Oxford: Oxford University Press, p. 132-160

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Case Study: Cicely Hamilton’s Diana of Dobson’s, 1908

    Dymkowski, C., 2004, The Cambridge History of British Theatre, Volume 3: Since 1895. Kershaw, B. (ed.). Cambridge: Cambridge University Press, p. 110-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Forthcoming

    Celebrity Actors and their Parts

    McGirr, E., 2017, (Accepted/In press) Public Interiors: Intimacy and Celebrity in Eighteenth-Century Literary Culture. Jones, E. & Joule, V. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Coda: Picturing Charlie Hebdo

    Nield, S., 2016, Performing (for) Survival: Theatre, Crisis, Extremity. Duggan, P. & Peschel, L. (eds.). Palgrave Macmillan, p. 241-247 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Conceptual worlds: play and theater in child psychoanalysis

    Cohen, M. & Cohen, P. M., 1993, The Many Meanings of Play: A Psychoanalytic Perspective. Solnit, A. J., Cohen, D. J. & Neubauer, P. B. (eds.). New Haven: Yale University Press, p. 75-98

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Contemporary Aboriginal theater

    Gilbert, H., 2009, The Cambridge History of Canadian Literature. Howells, C. A. & Kröller, E-M. (eds.). Cambridge: Cambridge University Press, p. 518-535

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Creating in the Dark: Conceptualising Different Darknesses in Contemporary Practice

    Jarvis, L., 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Creativity and Drama Education: Education for Globalisation?

    Nicholson, H., 2006, Drama and Social Intervention. Somers, J. & Balfour, M. (eds.). Toronto: Captus Press, p. 107-117 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Cultural Diversity

    Goddard, L., 14 Nov 2014, Performance Studies: Key Words, Concepts and Theories. Reynolds, B. (ed.). Basingstoke: Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Cutting the Romantic's Throat: Witkacy's Nasty Nightmare

    Lease, B., 2014, Witkacy : 21st Century Perspectives. Hayes, A. & Rudnicki, M. (eds.). The Witkacy Heritage and Convention Co

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Cyborg Returns: Always-Already Subject Technologies

    Parker-Starbuck, J., Oct 2015, Performance and Media: Taxonomies for a Changing Field. Bay-Cheng, S., Parker-Starbuck, J. & Saltz, D. (eds.). University of Michigan Press, p. 65-92 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Dario Fo

    Rebellato, D., 2015, Fifty Modern and Contemporary Dramatists. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 82-86 5 p. (Routledge Key Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    David Edgar

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 446-447

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    debbie tucker green

    Goddard, L., 10 Oct 2013, Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations. Rebellato, D. (ed.). London: Bloomsbury Methuen Drama, p. 190-212 (Decades of Modern British Playwriting).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Demises

    Overend, D., 2016, Forest Fringe: The First Ten Years. Forest Fringe (ed.). London: Oberon, p. 44-65

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    De-scribing Orality: Performance and the Recuperation of Indigenous Voices

    Gilbert, H., 1994, De-scribing Empire: Colonialism and Textuality. Tiffin, C. & Lawson, A. (eds.). London: Routledge, p. 98-111

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Diaspora and Performance

    Gilbert, H., 2010, Diasporas: Concepts, Identitites, Intersections. Knott, K. & McLoughlin, S. (eds.). London: Zed Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Dido Queen of Carthage: Site Specific Marlowe

    Mccutcheon, R., 2012, Performing Early Modern Drama Today. Prince, K. & Aebischer, P. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Disguising Desire: Gender and Imperialism in Jill Shearer's Shimada

    Gilbert, H. & Dale, L., 1992, Myths, Heroes and Anti-Heroes: Essays on the Literature and Culture of the Asia-Pacific Region. Bennett, B. & Haskell, D. (eds.). Perth: Centre for Studies in Australian Literature, p. 47-57

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Doing the Impossible: Katie Mitchell in Conversation with Dan Rebellato

    Rebellato, D., 2014, Theatre and Adaptation: Return, Rewrite, Repeat. Laera, M. (ed.). 1 ed. London: Bloomsbury Methuen Drama, p. 213-226 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Dr Shirley Summerskill MP: An interview with Clare Summerskill

    Summerskill, C., 20 Aug 2019, Amending Speech: Women's Voices in Parliament: ed. Maggie Inchley and John Vice. London: Vote 100 and Queen Mary University of London, p. 157-163 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Drama Education and Masculinities

    Nicholson, H., 1999, International Conversations. Miller, C. & Saxton, J. (eds.). New York: American Education Research Association , p. 98-108

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Drama, Education and Narrative

    Nicholson, H., 2008, Drama and English Teaching: imagination, action and engagement. Anderson, M. & Hughes, J. (eds.). Sydney: Oxford University Press, p. 66-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Drama, literacies and difference

    Nicholson, H., 2000, Where Texts and Children Meet. Bearne, E. (ed.). London: Routledge, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Dreams Made Public?: Juliana of Mont Cornillon and Dame Procula

    Normington, K., 1999, New Trends in Feminine Spirituality. Dor, J., Johnson, L. & Wogan-Browne, J. (eds.). Turnout: Brepols, p. 251-268

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Dressed to Kill: A Post-Colonial Reading of Costume and the Body in Contemporary Australian Theatre

    Gilbert, H., 1995, Imperialism and Theatre: Essays on World Theatre, Drama, and Performance, 1795–1995. Gainor, J. E. (ed.). London: Routledge, p. 104-131

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Economies of Atonement in the European Museum: Repatriation and the Post-rational

    Cox, E., Jun 2015, Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Zaroulia, M. & Hager, P. (eds.). Palgrave Macmillan, p. 211-231 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Ecotourism: A Colonial Legacy?

    Gilbert, H., 2007, Five Emus to the King of Siam: Essays on Environment and Empire. Tiffin, H. (ed.). Amsterdam: Editions Rodopi BV, p. 51-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Edges of the Self: Topographies of the Body in the Writing of David Malouf

    Gilbert, H. & Dale, L., 1994, Provisional Maps: Critical Essays on David Malouf. Nettlebeck, A. (ed.). Perth: Centre for Studies in Australian Literature, p. 85-100

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Forthcoming

    Education for citizenship: the uses of Antigone (in Greek translation)

    Wiles, D., 2011, (Accepted/In press) Reception of Ancient Greek Drama & Education. Merkouri, N., Mavromoustakos, P., Shoenmakers, H. & Hardwick, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Embodied Knowledges: Technologies of Representation in a Postcolonial Classroom

    Gilbert, H., 2002, Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Maufort, M. & Bellarsi, F. (eds.). Brussels: Peter Lang, p. 323–38 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Embodied Knowledges: Interdisciplinary Performance Practice and Collaborative Skill Augmentation in the National Theatre’s production of War Horse

    Vorwerg, L., 2018, Interdisciplinarity in the Performing Arts: Contemporary Perspectives. Aquilina, S. & Sarco-Thomas, M. (eds.). University of Malta Press, p. 41-60

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    'England brings you down at last': Politics and Passion in Barker’s 'State of England' Drama

    Megson, C., 2006, Theatre of Catastrophe: New Essays on Howard Barker. Gritzner, K. & Rabey, D. I. (eds.). London: Oberon Books, p. 124-135

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Entertaining Ideas: Edy Craig and the Pioneer Players

    Dymkowski, C., 1992, The New Woman and her Sisters: Feminism and Theatre 1850-1914. Gardner, V. & Rutherford, S. (eds.). Brighton and Ann Arbor: Harvester Wheatsheaf and University of Michigan Press, p. 221-33

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    Entrusting the scriptures: wayang kulit, cultural politics, and truly popular art in New Order West Java

    Cohen, M., 2002, Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. Mrazek, J. (ed.). Ann Arbor: Center for South and Southeast Asian Studies, The University of Michigan, p. 109-123

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    European Playwriting and Politics, 1945-1989

    Rebellato, D., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Exit the Author

    Rebellato, D., Sep 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 9-31 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Eyewitness Testimony: Theoretical and Practical Issues

    Memon, A. & Wright, D., 2000, Behaviour, Crime and Legal Process. McGuire, J., Mason, T. & O'Kane, A. (eds.). Chichester: John Wiley & Sons

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Forthcoming

    Fan critics, theatre zines, and institutional credibility

    Vaughan, M., 2020, (Accepted/In press) Theatre Fandom. Sedgman, K. (ed.). University of Iowa Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s 'The Tragedy of Mariam'

    Schafer, E. & Reimers, S., 20 May 2020, The Palgrave Handbook of the History of Women on Stage. Sewell, J. & Smout, C. (eds.). Houndmills: Palgrave Macmillan, p. 655-77 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Fitting the Bill: Acting out the season at the Sans Pareil 1813/14

    Bush-Bailey, G., 2007, The Performing Century: Theatre in Nineteenth-Century Britain. Davis, T. C. & Holland, P. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    Four Entries: 'Black Mime Theatre', 'Denise Wong', 'Black Theatre Co-op' and 'Theatre Venues'

    Goddard, L., 2002, Companion to Contemporary Black British Culture. Donnell, A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Frances Anne Kemble

    Bratton, J., 2011, Jameson, Cowden Clarke, Kemble, Cushman: Great Shakespeareans. Marshall, G. (ed.). 1st ed. London: Continuum Group, Vol. VII. p. 92-132 40 p. (Great Shakespeareans).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    Freud, Disability and Impairment

    Conroy, C., 2007, Consciousness, literature, theatre and the arts. Meyer-Dinkgrafe, D. (ed.). Cambridge Scholars, p. 426-435

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    From the State of the Nation to Globalization: Shifting Political Agendas in Contemporary British Playwriting

    Rebellato, D., 2007, A Concise Companion to Contemporary British and Irish Drama. Holdsworth, N. & Luckhurst, M. (eds.). Oxford: Blackwell, (Blackwell Concise Companions to Literature and Culture).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Forthcoming

    Gamelanesque effects: Musical impressions of Java and Bali inter war America

    Cohen, M. I., 2018, (Accepted/In press) Global Perspectives on Orchestras: Collective Creativity and Social Agency . Ramnarine, T. K. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Gestes d'utopie: le théâtre de David Greig

    Rebellato, D., 2002, Dramaturgies Britanniques (1980-2000). Lanteri, J-M. (ed.). Paris-Caen: Lettres Modernes Minard, (Écritures Contemporaines).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    GI Joe Versus Digger Dave: Contemporary Australian Drama and the Vietnam War

    Gilbert, H., 1997, WAR: Australia's Creative Response. Rutherford, A. & Wieland, J. (eds.). Sydney: Dangaroo, p. 293-307

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Gold leaf goose, sublime suchness: an unfinished and unfinishable A-Z

    Williams, D. & Whitehead, S., 2006, Walking to work. Cardiff: Arts Council of Wales/Shoeless, p. 62-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Greek and Shakespearean plays in performance: their different academic receptions

    Wiles, D., 2010, Theorising performance: Greek Drama, Cultural History and Critical Practice. Hall, E. & Harrop, S. (eds.). London: Duckworth, p. 43-55

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    Greek theatre and the legitimation of slavery

    Wiles, D., 1988, Slavery and Other Forms of Unfree Labour. Archer, L. (ed.). London: Routledge, p. 53-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Half the Picture: “a certain frisson” at the Tricycle Theatre

    Megson, C., 2009, Get Real: Documentary Theatre Past and Present. Forsyth, A. & Megson, C. (eds.). Basingstoke: Palgrave Macmillan, p. 195-208

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    Hearing Voices: Creating Theatre from Stories Given by Mental Health Service Users

    Summerskill, C., 2014, Creative Positions in Adult Mental Health: Outside In-Inside Out. McNab, S. & Partridge, K. (eds.). Karnac Books, p. 227-239

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    Hosts and Parasites: Late 19th Century Migration, Bram Stoker's Dracula, and the Discourse of Disease

    Nield, S., Apr 2018, Bodies of Evidence: Ethics, Aesthetics and Politics of Movement. Ertem, G. & Noeth, S. (eds.). Vienna: Passagen Verlag, p. 215-228 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre and Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). 1st ed. Methuen Drama, p. 284-295 12 p. (Thinking Through Theatre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Improvisation in Dance and the Movement of Everyday Life

    Worth, L., 2 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. L. (ed.). 1 ed. Oxford: Oxford University Press, p. 1-13 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants: Dance Books, p. 105-116 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  102. Published

    Introduction

    Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. Published

    Introduction

    Bullen, D., Dec 2015, Adaptable Women: A Collection of Essays to Accompany By Jove Theatre's Pantomime Adaptation of 'Pride and Prejudice'. Plastow, C. (ed.). London: By Jove Theatre Company

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Published

    Introduction

    Schafer, E. & Bradley Smith, S., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 1-10

    Research output: Chapter in Book/Report/Conference proceedingChapter

  105. Published

    Introduction

    Goddard, L., 12 Dec 2019, Mojisola Adebayo Plays Two. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  106. In preparation

    Introduction

    Schafer, E., 2022, (In preparation) Emilia by Morgan Lloyd Freeman. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  107. Published

    Introduction and Notes

    Rebellato, D. (ed.) & McDowall, A., 2020, Pomona: Student Edition. London: Bloomsbury Methuen Drama, p. vi-xxiii, 119-120 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  108. Published

    Introduction to Part V: Presence, Physicality, Play and Communication

    McCaw, R., 2015, The Actor Training Reader. Abingdon: Routledge, p. 171 -181 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  109. Published

    Introduction: The Power of Speech

    Nield, S., 2008, Farber, Yael “Molora”. Oberon Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  110. Published

    'Is it chaos? Or is it a building site?': British Theatrical Responses to the Cold War and its Aftermath

    Megson, C., 2005, Cold War Literature: Writing the Global Conflict. Hammond, A. (ed.). London: Routledge, p. 46-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  111. Published

    Island Impasse: Refugee Detention and the Thickening Border

    Cox, E., 2021, The Oxford Handbook of Politics and Performance. Rai, S., Gluhovic, M., Jestrovic, S. & Saward, M. (eds.). Oxford University Press, p. 217-233 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  112. Published

    Jane Scott the writer-manager

    Bratton, J., 1999, Women and Playwriting in Nineteenth-Century Britain. Davis, T. C. & Donkin, E. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  113. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). 2nd ed. Routledge, p. 427-452 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  114. Published

    Katie Mitchell and the Politics of Naturalist Theatre

    Rebellato, D., 2018, The Theatre of Katie Mitchell. Fowler, B. (ed.). London: Routledge, p. 39-71 33 p. (4x45).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  115. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2010, Contemporary European Theatre Directors. Delgado, M. M. & Rebellato, D. (eds.). Abingdon: Routledge, p. 317-338

    Research output: Chapter in Book/Report/Conference proceedingChapter

  116. Published

    Kinds of Irishness: Henry Burnell and Richard Head

    Rankin, D., 2010, A Companion to Irish Literature: volume 1. Wright, J. M. (ed.). Oxford: Wiley-Blackwell, Vol. 1. p. 108-124 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  117. Published

    'Kwame Kwei-Armah'

    Goddard, L., 2011, The Methuen Drama Guide to Contemporary British Playwrights. Sierz, A., Middekke, M. & Schnierer, P. P. (eds.). London: Methuen, p. 323-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  118. Published

    La investigación de campo en los estudios culturales. Presuposiciones, fundamentos, amplitud y validez a partir de una etnografía en los Andes ecuatorianos

    Huarcaya, S. M., 2003, Estudios Culturales Latinoamericanos: Retos Desde y Sobre la Región Andina. Quito: Universidad Andina Simón Bolívar

    Research output: Chapter in Book/Report/Conference proceedingChapter

  119. Published

    Las Ramblas: the memory of water, the water of memory

    Williams, D., 2001, Of pigs and lovers: a lone twin research companion. Whelan, G. & Winters, G. (eds.). Nottingham: LiveArt Magazine/Arts Council of England, p. unpaginated 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  120. Forthcoming

    Learning through Feeling: The Somatic Pedagogy of Moshe Feldenkrais and Nikolai Bernstein

    McCaw, R., 2020, (Accepted/In press) The Feldenkrais Method and Creative Practice. Scholl, R. (ed.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  121. Published

    Lena Ashwell and her Players: Popular Performers on Extraordinary Stages

    Dymkowski, C., 2004, Extraordinary Actors: Essays on Popular Performers. Milling, J. & Banham, M. (eds.). Exeter: Exeter University Press, p. 120-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  122. Published

    'Let the Games Begin': Pageants, Protests, Indigeneity (1968–2010)

    Gilbert, H., 2014, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism. Fischer-Lichte, E., Jost, T. & Jain, S. I. (eds.). New York: Routledge, p. 156–75. 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  123. Published

    Listening to the Politics of Aesthetics: Contemporary Encounters Between First Nations/Inuit and Early Music Traditions

    Robinson, D., 2012, Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Hoefnagels, A. & Diamond, B. (eds.). Montreal: McGill-Queen's University Press, p. 222-248 26 p. (Native and Nothern Series; no. 66).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  124. Published

    Look back at empire: British theatre and imperial decline

    Rebellato, D., 2001, British Culture and the End of Empire. Ward, S. (ed.). Manchester: Manchester University Press, (Studies in Imperialism).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  125. Published

    Lu Santo Julláre Dario Fo

    Rebellato, D., 2002, Research Papers on Dario Fo and Franca Rame. Emery, E. (ed.). London: Red Notes, (Red Notes Italian Archive).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  126. Published

    'Lynette Goddard in conversation with Mojisola Adebayo'

    Goddard, L., 2008, Hidden Gems. Osborne, D. (ed.). London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  127. Published

    Marriage and prostitution in classical New Comedy

    Wiles, D., 1989, Women in Theatre: Themes in Drama Vol.11. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 31-48

    Research output: Chapter in Book/Report/Conference proceedingChapter

  128. Published

    Maybe If You Choreograph Me: You'll Feel Better

    El Khoury, T., 2016, Forest Fringe : The First Ten Years.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  129. Published

    Measure for Measure: Shakespeare’s Twentieth-Century Play

    Dymkowski, C., 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 164-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  130. Published

    'Middle Class Aspirations and Black Women’s Mental Illness in Zindika’s Leonora’s Dance, and Bonnie Greer’s Munda Negra and Dancing on Blackwater'

    Goddard, L., 2007, Cool Britannia: British Political Theatre in the 1990s. D'Monte, R. & Saunders, G. (eds.). Basingstoke: Palgrave, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  131. Published

    Millennial Blues: Performing the (White) Nation

    Gilbert, H., 2003, Playing Australia: Theatre, Diaspora, Dialogue. Pfisterer, S. & Schafer, L. (eds.). Amsterdam: Editions Rodopi BV, p. 12-28

    Research output: Chapter in Book/Report/Conference proceedingChapter

  132. Published

    Mining Anatomy: Moving Naturally

    Worth, L., Oct 2011, Dancing Naturally : Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance. Carter, A. & Fensham, R. (eds.). 1st ed. Hampshire: Palgrave Macmillan, p. 155-169 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  133. Published

    Music Hall

    Bratton, J., 2003, Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  134. Published

    Music in traditional Asian theatre: China

    Thorpe, A., 2016, The Routledge Handbook of Asian Theatre. Liu, S. (ed.). London & New York: Routledge, p. 134-139 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  135. Published

    Musical Epistemology

    Robinson, D., 2009, Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Verstraete, P., Itay, S., Birdsall, C. & Boletsi, M. (eds.). Cambridge Scholars, p. 245-266

    Research output: Chapter in Book/Report/Conference proceedingChapter

  136. Published

    Musicology Objects

    Robinson, D., 2008, Collision: Interarts Practice and Research. Cecchetto, D., Cuthbert, N., Lassonde, J. & Robinson, D. (eds.). Cambridge Scholars, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  137. Published

    Myth and the Monster of Intersex: Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

    Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, AB: Canada: University of Calgary Press, p. 149-174 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  138. Published

    National Identity and the Female Body

    Nield, S., 2000, Feminisms on Edge: Politics, Discourses and National Identities. Atkinson, K., Oerton, S. & Plain, G. (eds.). Cardiff, Wales: Cardiff Academic Press, p. 101-110 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  139. Published

    Naturalism and Symbolism: Early Modernist Practice

    Rebellato, D., 2010, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 6-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  140. Published

    New Directions: Much Ado – Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 8 Feb 2018, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). 1 ed. London: Bloomsbury Academic, p. 111-132 22 p. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  141. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  142. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  143. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  145. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  146. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  147. Published

    Objectivity and Observation

    Rebellato, D., Dec 2020, The Cambridge Companion to Theatre and Science. Shepherd-Barr, K. (ed.). Cambridge: Cambridge University Press, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  148. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  149. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  150. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  151. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  152. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  153. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  154. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  155. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  156. Published

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  157. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  158. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  159. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  160. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  161. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  162. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  163. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  164. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  165. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  166. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  167. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  168. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  169. Forthcoming

    Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images

    Alston, A., 2013, (Accepted/In press) Affective Performance and Cognitive Science: body, brain and being. Shaughnessy, N. (ed.). Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  170. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Published

    Portable Theatre Company

    Megson, C., 15 Dec 2016, British Theatre Companies : 1965-1979. Bull, J. (ed.). 1st ed. London: Methuen Drama, p. 171-194 24 p. (British Theatre Companies: From Fringe to Mainstream).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  172. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  173. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  174. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  175. Published

    Post-War British Theatre

    Rebellato, D., 2021, Tom Stoppard in Context. Loehlin, J. N. & Kornhaber, D. (eds.). Cambridge: Cambridge University Press, p. 199-206

    Research output: Chapter in Book/Report/Conference proceedingChapter

  176. Forthcoming

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 2020, (Accepted/In press) Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  177. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  178. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  179. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  180. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  181. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  182. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  183. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  184. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  185. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 2016, Deep Mapping. Roberts, L. (ed.). Basel: MDPI, p. 131-154

    Research output: Chapter in Book/Report/Conference proceedingChapter

  186. Published

    Rehearsing (Inter)disciplinarity: Interdisciplinary Production Practice and the 10,000 Hour Problem

    Vorwerg, L., 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). Routledge, p. 166-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  187. Published

    Re-locating Memory: Performance, Reminiscence and Communities of Diaspora

    Nicholson, H., 2009, The Applied Theatre Reader. Prentki, T. & Preston, S. (eds.). London: Routledge, p. 268-276

    Research output: Chapter in Book/Report/Conference proceedingChapter

  188. Published

    Re-membering the others that are us: trans-culturalism and myth in the theatre of Peter Brook

    Williams, D. & Pavis, P. (ed.), 1996, The Intercultural Performance Reader. Pavis, P. (ed.). London and New York: Routledge, p. 67-78 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  189. In preparation

    Renegotiating Immersive Participation

    Jarvis, L., 2015, (In preparation) Performance & Participation.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  190. Published

    Representing Java and Bali in Popular Film, 1919-1954: Sites of Performance, Extra-Daily Bodies, Enduring Stories

    Cohen, M. I., 2015, Sites, Bodies and Stories: Imagining Indonesian History. Legêne, S., Purwanto, B. & Schulte Nordholt, H. (eds.). Singapore: NUS Press, p. 132-156 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  191. Published

    Researching the Body in/as Performance

    Parker-Starbuck, J. & Mock, R., 1 Jun 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh, United Kingdom: Edinburgh University Press, p. 210-235 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  192. Published

    Revolution, Legislation & Autonomy

    Bush-Bailey, G., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 15-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  193. Published

    Ringing True

    Worth, L., 15 Oct 2016, Justitia: Multidisciplinary Readings of the work of Jasmin Vardimon Company. Johnson, P. & Dobkowska, S. (eds.). 1st ed. Bristol: Intellect Publishers, p. 113-122 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  194. Published

    Sarah Kane before Blasted: The Monologues

    Rebellato, D., 2010, Sarah Kane in Context. Saunders, G. & De Vos, L. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  195. Published

    Seeing is believing: the historian’s use of images

    Wiles, D., 2010, Representing the Past: Essays in the Historiography of Performance. Canning, C. & Postlewait, T. (eds.). Iowa: Iowa University Press, p. 215 239 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  196. Published

    Shakespeare and the medieval idea of the play

    Wiles, D., 1992, The Show Within: Dramatic and Other Insets. Laroque, F. (ed.). Publications de l'Université Paul Valéry, Montpellier III, p. 65-74 (Collection Astraea; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  197. Published

    Sightlines: Foucault and Naturalist theatre

    Rebellato, D., Oct 2019, Foucault’s theatres. Fisher, T. & Gotman, K. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  198. Published

    Simon McBurney

    Williams, D., 2005, Fifty Key Theatre Directors. Shevtsova, M. & Mitter, S. (eds.). London and New York: Routledge, p. 247-252 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  199. Published

    Siting the people: power, protest and public space

    Nield, S., 2012, Performing Site-Specific Theatre. Birch, A. & Tompkins, J. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  200. Forthcoming

    'Somewhere to Call Home? Immigration, Asylum and Citizenship in Black British Plays, 1958-2018'

    Goddard, L., 2020, (Accepted/In press) Cambridge Companion to British Playwriting Since 1945. Angelaki, V. & Rebellato, D. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  202. Published

    Suriashi - a meditation on the local through artistic research

    Skanberg Dahlstedt, A., 7 Mar 2018, Artistic Research: Being There - explorations into the Local. Greenfield, L., Trustam, M. & Abrantes, E. (eds.). Copenhagen: NSU Press, p. 29-41 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  203. Published

    Tahrir Square EC4M: the Occupy movement and the dramaturgy of public order

    Nield, S., 2015, The Grammar of Politics and Performance. Rai, S. M. & Reinelt, J. (eds.). London and New York: Routledge, p. 121-133 13 p. (Interventions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  204. Published

    Taking farce seriously: recent critical approaches to Plautus

    Wiles, D., 1987, Farce: Themes in Drama Vol.10. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 261-271

    Research output: Chapter in Book/Report/Conference proceedingChapter

  205. Published

    'Talking Country': Place and Displacement in Jack Davis's Theatre

    Gilbert, H., 1994, Jack Davis: A Critical Study. Turcotte, G. (ed.). Sydney: Collins-Angus & Robertson, p. 60-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  206. Published

    Talking in Class: Spoken Language and Effective Learning

    Nicholson, H., 1999, Use of Language in the Secondary Curriculum . London: Routledge, p. 26-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  207. Published

    Taming, Shaming and Displaying; Katharine Hepburn’s trousers, Australia 1955

    Schafer, E., 17 Oct 2018, Robert Helpmann; The Many Faces of a Theatrical Dynamo . Cave, R. & Meadmore, A. (eds.). Dance Books, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  208. Published

    Technicolour Twelfth Night

    Schafer, E., 2013, Shakespeare Beyond English: a Global Experiment. & Bennett, S. Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  209. Published

    Technologies of Performance

    Nield, S., 8 Aug 2019, A Cultural History of Theatre in the Age of Empire . Marx, P. W. (ed.). 1 ed. Methuen Drama, Vol. 5. p. 203-226 24 p. (The Cultural Histories Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  210. Published

    Textual Notes

    Dymkowski, C., 1987, The Plays of Susan Glaspell. Bigsby, C. (ed.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  211. Published

    The Alchemist on the Stage: Performance, Collaboration, and Deviation

    Schafer, E. & Cox, E., 2013, Ben Jonson: A Critical Reader. Ostovich, H. & Julian, E. (eds.). Methuen Drama, p. 43-74

    Research output: Chapter in Book/Report/Conference proceedingChapter

  212. Published

    The Arts Britain Utterly Ignored: or; Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s.

    Thorpe, A., 31 Aug 2018, Contesting British Chinese Culture. Thorpe, A. & Yeh, D. (eds.). Palgrave Macmillan Ltd., p. 195-222 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  213. Published

    The Beginning of Spoken Theatre: Colonialism and Colonial Modernity

    Cohen, M. I., Singh, A., Isaka, M. & Liu, S., 2016, Routledge Handbook of Asian Theatre. Liu, S. (ed.). 1st ed. Routledge, p. 393-412 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  214. Published

    The Care Home as a Creative Space

    Nicholson, H. & Lloyd, J., 2017, Applied Theatre: Creative Ageing. McCormick, S. (ed.). London: Bloomsbury, p. 125-146 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  215. Published

    The carnivalesque in A Midsummer Night’s Dream

    Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  216. Published

    The Choreography of Performance

    Nicholson, H. & Taylor, R., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 112-128

    Research output: Chapter in Book/Report/Conference proceedingChapter

  217. Published

    The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estrelas (Tata Amaral, 1996) and Vagón Fumador (Verónica Chen, 2001)

    Gleghorn, C., 2011, New Trends in Argentine and Brazilian Cinema. Rêgo, C. & Rocha, C. (eds.). Bristol, UK; Chicago; USA: Intellect Books, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  218. Published

    'The Girl Defies': A Kenyan Merry Wives of Windsor

    Cox, E., 2013, Shakespeare Beyond English: A Global Experiment. Carson, C. & Bennett, S. (eds.). Cambridge University Press, p. 53-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  219. In preparation

    The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance

    Shuler, W., 30 Oct 2016, (In preparation) War and Theatrical Innovation: "Palgrave Studies in Theatre and Performance". Emeljanow, V. & Wilmeth, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  220. Published

    The Heat Signatures of Refugee Transit: Incoming by Richard Mosse

    Cox, E., Sep 2021, Performance and Migration. Abingdon and New York: Routledge, p. 87-104 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  221. Forthcoming

    The Hidden Dialogue between Sarah Kane and Edward Bond

    Chen, C-C., 2019, (Accepted/In press) After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. Boles, W. (ed.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  222. Published

    The Imperial London Stage: A Tale of Two Australians: Haddon Chambers and Gilbert Murray

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 108-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  223. Published

    The International Noh Institute of Milan: Transmission of Ethics and Ethics of Transmission in a Transcultural Contex

    Pellecchia, D., Dec 2011, Japanese Theatre Transcultural: German and Italian Intertwinings. Scholz-Cionca, S. & Regelsberger, A. (eds.). iudicium, p. 32-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  224. Published

    The Internet: History 2.0?

    Bratton, J. & Peterson, G., 2012, The Cambridge Companion to Theatre History. Dymkowski, C. & Wiles, D. (eds.). Cambridge University Press, p. 299-313 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  225. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  226. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  227. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  228. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  229. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  230. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  231. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  232. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  233. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  234. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  235. Published

    'The State We’re In': Tribunal Theatre and British Politics in the 1990s

    Megson, C., 2008, Theatres of Thought: Theatre, Performance and Philosophy. Watt, D. & Meyer-Dinkgräfe, D. (eds.). Newcastle: Cambridge Scholars, p. 110-126

    Research output: Chapter in Book/Report/Conference proceedingChapter

  236. Published

    The tears of things (for Pina)

    Williams, D., Mar 2011, The Live Art Almanac Vol. 2. Keidan, L., Mitchell, CJ. & Mitchelson, A. (eds.). Live Art Development Agency, p. 125-8 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  237. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  238. Published

    Theatre History and Historiography

    Davis, J., Normington, K., Bush-Bailey, G. & Bratton, J., 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh: Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  239. Published

    Theatre in Indonesia under occupation

    Cohen, M. I., 2016, A History of Japanese Theatre. Salz, J. (ed.). Cambridge: Cambridge University Press, p. 260 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  240. Published

    Theatre in Roman and Christian Europe

    Wiles, D., 1995, The Oxford Illustrated History of Theatre. Brown, J. R. (ed.). Oxford: Oxford University Press, p. 49-92

    Research output: Chapter in Book/Report/Conference proceedingChapter

  241. Published

    'There are children here somewhere, I can smell them'. Robert Helpmann and the making of an on-screen villain: the Child Catcher in Chitty Chitty Bang Bang (1968).

    Worth, L., 1 Dec 2018, Robert Helpmann : The Many Faces of a Theatrical Dynamo. Cave, R. & Meadmore, A. (eds.). Binstead, Hants: Dance Books, p. 169-183 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  242. Published

    There is another world: space, theatre and global anti-capitalism

    Nield, S., 2006, Contemporary Theatre Review: Theatre and Globalisation. Harvie, J. & Rebellato, D. (eds.). Routledge, p. 51-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  243. Published

    This Island’s Mine: Theatre, Nationhood and Identity.

    Nicholson, H., 2008, International Interventions in Theatre Education. Guven, I. (ed.). Ankara: Ankara University Press, p. 56-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  244. E-pub ahead of print

    Thisworldly Wonderment: Contemporary British Theatre and Postsecularism

    Megson, C., 15 Sep 2017, (E-pub ahead of print) Performing the Secular: Religion, Representation, and Politics. Gluhovic, M. & Menon, J. (eds.). London: Palgrave Macmillan, p. 71-91 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  245. Published

    Time Moves: Temporal experiences in current London-based training for traditional clog and rapper sword dances

    Worth, L., 12 Feb 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). 1st ed. Abingdon, Oxon: Routledge, p. 208-223 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  246. Forthcoming

    To Come Between: Refugees at Sea, from Representation to Direct Action

    Cox, E., 2022, (Accepted/In press) Handbook on Theatre and Migration. Wilmer, S. & Meerzon, Y. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  247. Published

    Towards a Philosophy of the Moving Body

    McCaw, R., 1 Sep 2018, Bakhtin's Heritage in Literature, Arts, and Psychology: Arts and Answerability. Gratchev, S. & Mancing, H. (eds.). Lanham, Maryland: Rowman & Littlefield, p. 237 - 254 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  248. Forthcoming

    Towards a theatrical history of the picket line

    Nield, S., 2020, (Accepted/In press) Oxford Handbook of Performance and Politics. Jestrovic, S., Saward, M., Rai, S. & Gluhovic, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  249. Published

    Towards an art of memory: Peter Brook, a foreigner in Paris

    Williams, D., 2002, The Paris Theatre Jigsaw: Internationalism and the City’s Stages. Bradby, D. & Delgado, M. (eds.). Manchester: Manchester University Press, p. 37-52 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  250. Published

    Traditional and Post-traditional Wayang Kulit in Java Today

    Cohen, M. I., 15 Jul 2014, The Routledge Companion to Puppetry and Material Performance. Posner, D., Orenstein, C. & Bell, J. (eds.). 1st ed. Routledge, p. 178-191 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  251. Published

    Traditional Theatre: The Case of Japanese Noh

    Pellecchia, D., 2012, The Cambridge Companion to Theatre History. Wiles, D. & Dymkovski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  252. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  253. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  254. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  255. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  256. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  257. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  258. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  259. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  260. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  261. Published

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 89-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  262. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  263. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  264. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  265. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  266. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  267. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  268. Published

    解构主义哲学观下的中国传统戏曲程式的跨文化交流

    Li, X., 1 Oct 2018, 京剧传播研究. Yu, J. (ed.). Beijing: 文化艺术

    Research output: Chapter in Book/Report/Conference proceedingChapter

  269. Entry for encyclopedia/dictionary › Research
  270. Published

    Colley Cibber

    McGirr, E., 2014, The Encyclopedia of British Literature, 1660-1789. Brooks, H. (ed.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  271. Published

    David Hare

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 446-447

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  272. Published

    David Hare

    Megson, C., 2006, Encyclopedia of British Literature. Kastan, D. S. (ed.). Oxford: Oxford University Press, Vol. 2. p. 510-514

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  273. Forthcoming

    Ecrivaines polynésiennes et Littérama’ohi

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  274. Forthcoming

    Femmes auteures aborigènes

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  275. Forthcoming

    Flora Devatine

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  276. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  277. Forthcoming

    Jackie Huggins

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  278. Published

    Manjusri Chaki Sircar and Ranjabati Sircar

    Purkayastha, P., 9 May 2016, Routledge Encyclopedia of Modernism. Ross, S. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  279. Forthcoming

    Marie-Claude Teissier-Landgraf

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  280. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  281. Forthcoming

    Romaine Moreton

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  282. Published

    Sexuality: The Mulatta Figure in the Cuban Imaginary

    Blanco Borelli, M., 2012, Cuba: History, Culture, Society. West-Duran, A. (ed.). First ed. Charles Scribner's Sons

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  283. Published

    Social Movement and Modern Dance [Bengal]

    Purkayastha, P., 2010, The Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  284. Forthcoming

    Stéphanie-Ariirau Richard

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  285. Forthcoming

    Terri Janke

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  286. Published

    The Indian People's Theatre Association

    Purkayastha, P., 2010, Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  287. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  288. Conference contribution › Research
  289. Submitted

    “Archive and Asylum – experiential memories of Kneehigh Theatre’s performance venue and theatre archive” at Shared Memories II Eastap Conference at the University of Lison, Portugal

    Trenchfield, C., 24 Sep 2019, (Submitted) Shared Memories II Eastap Conference at the University of Lison, Portugal.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  290. Submitted

    “Kneehigh Theatre Company and Cultural Hybridisation”at Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta

    Trenchfield, C., 14 Mar 2019, (Submitted) Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  291. Published

    A Buddhist monks’ performance and a play, in the context of the Buddhist ritual event of giving

    Utairat, M., 2015, International Federation for Theatre Research (IFTR) 2015, Hyderabad, India .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  292. Unpublished

    Aesthetics of Conventionalisation and the Contributions to Xiqu's Intercultural Communication

    Li, X., 2018, (Unpublished) Intercultural Communications, Translation, and Methods of Teaching Foreign Languages.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  293. Published

    After Beckett: Edward Bond’s Post-Auschwitz Dramaturgy of Ruins

    Chen, C-C., 5 Sep 2016, TaPRA.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  294. Published

    Buddhist Monks' Performance and a Play in the Context of the Buddhist Ritual Event of Giving

    Utairat, M., 2014, Theatre and Stratification, IFTR World Congress, Warwick, UK.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  295. Published

    Casting the Outcast: Perspectives on Acting Style

    Conroy, C., 2003, Conference Proceedings: Finding The Spotlight.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  296. Unpublished

    Directionality of Cultural Flows in Intercultural Performance: Power Politics and Intercultural Identities

    Li, X., 5 Dec 2019, (Unpublished) 2019 Performance as Method from Global Perspectives: Historical Memory, Technologies of the Self, and Cultural Production.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  297. Unpublished

    Intercultural Communication of Chinese Traditional Opera Programs under the View of Deconstructionism

    Li, X., 13 Aug 2018, (Unpublished) Second World Conference of Chinese Studies & 17th Intl. Conference on the Digitalization of Premodern Chinese Novel & Drama.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  298. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  299. Published

    Rhythmic Routes: Developing a nomadic physical practice for the daily commute

    Overend, D. & Bissell, L., 2014, Scottish Journal of Performance.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  300. Published

    Shifting the mainstream: Conference Keynote Speech

    Conroy, C., 2003, Shifting Aesthetic: Disability and Performance: Conference Proceedings. London Arts Board

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  301. Published

    The ‘reinvention’ of the Mahachat Sung Sermon as a theatre play for new generations of Thai Buddhist audience in the context of urban migration

    Utairat, M., 2018, Theatre and Migration: Theatre, Nation and Identity between Migration and Stasis, IFTR World Congress 2018, Belgrade, Serbia .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  302. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  303. Published

    The Problem with 'Dance'

    Purkayastha, P., 1 Dec 2020, Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses. Mitra, R., Banerji, A. & Candelario, R. (eds.). Vol. XL. p. 28-30

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  304. Published

    Tradition and Modernity in Buddhist Storytelling

    Utairat, M., 2016, Presenting the Theatrical Past, IFTR World Congress 2016, Stockholm, Sweden .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  305. Foreword/postscript › Research
  306. Published

    Director's Note

    Overend, D., Aug 2017, The Majority by Rob Drummond. Bloomsbury Methuen Drama, p. 5-6

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  307. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Ah! Wilderness. London: Nick Hern Books, p. vii-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  308. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Desire under the Elms and The Great God Brown. London: Nick Hern Books, p. vii-xxviii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  309. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Hairy Ape and All God’s Chillun Got Wings. London: Nick Hern Books, p. vi-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  310. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, A Touch of the Poet. London: Nick Hern Books, p. v-xxv

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  311. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Iceman Cometh. London: Nick Hern Books, p. v-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  312. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Long Day’s Journey into Night. London: Nick Hern Books, p. vii-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  313. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Strange Interlude. London: Nick Hern Books, p. v-xxiii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  314. Published

    Introduction

    Dymkowski, C. & vii-xxix, 1991, Anna Christie & The Emperor Jones: Introduction by Christine Dymkowski. London: Nick Hern Books

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  315. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, A Moon for the Misbegotten. London: Nick Hern Books, p. v-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  316. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, Mourning Becomes Electra. London: Nick Hern Books, p. v-xxix

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  317. Published

    Introduction: "A presence queer unwelcome here": On Eris and Unhappiness

    Bullen, D., 2018, ERIS by John King. London and New York: Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  318. Published

    Prefazione

    Dymkowski, C. & Gandolfi, R. (ed.), 2003, La Prima Regista: Edith Craig, fra rivoluzione della scena e cultura della donne. Roma: Bulzone Editore, p. 13-14

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  319. Other contribution › Research
  320. Published

    3.1 Domestic Spaces of Creativity: The Amateur Dramatist

    Gray, C., 2017, Creativity. Hawkins, H. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  321. Published

    'ANTI 2011, Kuopio, Finland'

    Williams, D., Feb 2012, Performance Research: 'On Failure'. 1 ed. Taylor & Francis / Performance Research, Vol. 17. p. 126-132 7 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  322. Published

    Book review: Adrian Heathfield & Tehching Hsieh, 'Out of Now: The Lifeworks of Tehching Hsieh'

    Williams, D., 2009, Performance Research. 'On Training' (October) ed. UK, Vol. 14:2. p. 130-1 2 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  323. Published

    Book review: Nicholas Ridout, Stage Fright, Animals & Other Theatrical Problems

    Williams, D., 2007, Contemporary Theatre Review. May ed. UK, Vol. 17:2. p. 245-6 2 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  324. Published

    Hope (L'espoir)

    Castro, E. & Neil, L., 2011, Origins Festival of First Nations Programme. London: Border Crossings, p. 59 1 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  325. Published

    I'm Not This Girl

    Gardner, N-M., Jan 2006, Bedford Square. Serota, A. & Motion, A. (eds.). London: Hodder Headline

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  326. Published

    Lady Precious Stream [Research Performance]

    Thorpe, A., Dec 2011, Bulmeshe Theatre, University of Reading / Islington Chinese Association.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  327. Published

    LGBT Voices: Sharing Our Past, Shaping Our Future

    Summerskill, C. (ed.), Nov 2014, LGBT Voices. Stonewall Publications, 55 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  328. Published

    'Practising Participation: A Conversation with Lone Twin'

    Lavery, C. & Williams, D., 2011, Performance Research: 'On Participation'. 4 ed. England: Taylor & Francis / Performance Research, Vol. 16. p. 7-14 8 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  329. Published

    Purchase power: the marketing of performance and its discursive effects

    Thorpe, A., 2014, Contemporary Theatre Review Interventions.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  330. Published

    Special Edition: A Scandinavian Perspective

    Brodzinski, E. (ed.) & Torrissen, W. (ed.), 2015, Journal of Applied Arts and Health. 2 ed. Intellect Books, Vol. 6.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  331. Published

    The Point of Culture: Brazil Turned Upside Down

    Spowage, C., 2013, ed. by Paul Heritage and Rosie Hunter, with Poppy Spowage. Lisbon: Calouste Gulbenkian Foundation

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  332. Published

    The Sea: 6 Waves

    Williams, D., 2009, Cupola Bobber: reading companion to the performance 'Way Out West, The Sea Whispered Me'. Chicago, USA, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  333. Forthcoming

    Theatre History of The Tempest

    Dymkowski, C., 2016, (Accepted/In press) New Variorum edition of The Tempest. Gurr, A. (ed.). Modern Language Association of America

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  334. Paper › Research › Not peer-reviewed
  335. Unpublished
  336. Published

    The Cut and the Critics: Ravenhill's Ethical Politics

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  337. Unpublished

    An Accumulation of Absences: The collector of theatrical ephemera

    Smith, E., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  338. In preparation
  339. Published
  340. Unpublished

    Bodies of Denial: Seeing the Invisible

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  341. Unpublished

    Choreographic Precision and the Changing Tradition in Kunqu Performance

    Hunter Gordon, K., 26 Aug 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  342. Submitted
  343. Published

    Exit the Author

    Rebellato, D., 16 Oct 2010.

    Research output: Contribution to conferencePaper

  344. Unpublished

    Finding Myself, Lost

    Mccutcheon, R., 29 Jan 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  345. Published

    I Love A Good Story: British Drama against Postmodernism

    Rebellato, D., 1999.

    Research output: Contribution to conferencePaper

  346. Unpublished

    Improbable Objects: Physical Materials between the Self and the 'Other'? A provocation

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  347. Published

    In Praise of Luvvies

    Rebellato, D., 2000.

    Research output: Contribution to conferencePaper

  348. Unpublished
  349. Unpublished

    Inhuman, All Too Inhuman

    Rebellato, D., 19 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  350. Published

    Interculturalism, Globalization and Cosmopolitanism

    Rebellato, D., 15 Dec 2010.

    Research output: Contribution to conferencePaper

  351. Published

    Is Theatre Historical All The Way Down?

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  352. Published

    Is There a Comic Sublime?

    Rebellato, D., Oct 2007.

    Research output: Contribution to conferencePaper

  353. Published

    It's a Gay Economy, Stupid!

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  354. Unpublished

    Mad Fragmentations: the theatre collection's transition from private home to public archive

    Smith, E., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  355. Submitted
  356. Unpublished

    Material Bodies... Bodied Material: A Case of Subversion

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  357. Unpublished

    Negotiating the Material Past: ‘Telling’ as Rearticulation of Place

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  358. Published
  359. Published

    Poetic Licence

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  360. Unpublished

    Reflections on observing, doing and writing for ‘practice-informed’ research

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  361. Published

    Resisting Globalization from Above: Ethics, Aesthetics and British Drama

    Rebellato, D., 2003.

    Research output: Contribution to conferencePaper

  362. Submitted
  363. In preparation

    Serampang Dua Belas Ala Singapura: Medan’s Legacy in Singapore Malay Dance History

    Mohamed Farid, M., 2018, (In preparation).

    Research output: Contribution to conferencePaper

  364. Published

    Spaces within Spaces

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  365. Unpublished
  366. Unpublished

    Taste, participation and identity: applied arts practice in the care home ‘community’

    Hatton, N., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  367. Published

    The Body in the Library: On playwriting-as-research

    Rebellato, D., Mar 2010.

    Research output: Contribution to conferencePaper

  368. Published

    The Importance of Being Martha

    Rebellato, D., 2002.

    Research output: Contribution to conferencePaper

  369. Unpublished

    Time as Body, Body as Object, Object as Time: A Case of Materiality

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  370. Unpublished
  371. Unpublished

    Transformation as Action and Reaction: The Body as a Site of Material and Political Exchange

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  372. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  373. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  374. Unpublished

    What If There’s No Such Thing As Practice-as-Research?

    Rebellato, D., 16 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  375. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  376. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  377. Unpublished
  378. Unpublished
  379. Paper › Research › Peer-reviewed
  380. Published

    ‘“Pierced to the Soul’: The Gaze and Political Theology in Richard II’

    Ashby, R., 24 Mar 2018.

    Research output: Contribution to conferencePaperpeer-review

  381. Published

    ‘“Retailed to All Posterity”: “Post-Truth”, Oral Tradition and the Popular Voice in Richard III’

    Ashby, R., 28 Jul 2018.

    Research output: Contribution to conferencePaperpeer-review

  382. Published

    ‘“Thought you were dead”: Dover Cliff, Death and Ephemeral Life in Blasted and King Lear’.

    Ashby, R., 17 Jan 2017.

    Research output: Contribution to conferencePaperpeer-review

  383. Published

    ‘“WHAT IS THIS GOOD?”: The Ethics and the Aesthetics of the Good Life in Seven Lears and King Lear’.

    Ashby, R., May 2016.

    Research output: Contribution to conferencePaperpeer-review

  384. Published
  385. Published

    A collaboration on the physical archive of traditional Japanese theatre training

    Skanberg Dahlstedt, A. & Kamula, D., 3 Dec 2014.

    Research output: Contribution to conferencePaperpeer-review

  386. Published

    Beckett's Breath: Theatricality and Non-Art

    Goudouna, S., 2006.

    Research output: Contribution to conferencePaperpeer-review

  387. Published

    Beckett's Breath

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaperpeer-review

  388. Published

    Critical Intersections: Education and the Expanding Site of Art Practice

    Goudouna, S., 2007.

    Research output: Contribution to conferencePaperpeer-review

  389. Published

    Cross-gender exploration in traditional Japanese dance theatre, as an extended artistic expression

    Skanberg Dahlstedt, A., 29 Nov 2014.

    Research output: Contribution to conferencePaperpeer-review

  390. Unpublished

    Eleventh Plateau: The Environmental Turn

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  391. Unpublished

    Eleveth Plateau: Perseptual Ecologies Territorial Assemblage

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  392. Unpublished

    Eleveth Plateau: The Environmental Turn

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  393. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  394. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  395. Published

    Natural Theatre Company (Bath)

    Peterson, G. T., 15 Oct 2011.

    Research output: Contribution to conferencePaperpeer-review

  396. Unpublished

    Place Imaging in South African Dance-Musical Theatre

    Moyo, A., 25 May 2012, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  397. Published

    Solitary Place

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaperpeer-review

  398. Published

    Solitary Place

    Goudouna, S., 2009.

    Research output: Contribution to conferencePaperpeer-review

  399. Unpublished

    South African Musicals in Global Circulation Space: "Umoja" and "African Footprint"

    Moyo, A., 3 Jul 2012, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  400. Unpublished

    The Author is Dead! Long Live the Author!

    Rebellato, D., 2011, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  401. Published

    The Theatre is Not Local: Borges’s Birds and the Otherwhere of Theatre

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaperpeer-review

  402. Published

    Theatricality and Representation

    Goudouna, S., 2007.

    Research output: Contribution to conferencePaperpeer-review

  403. Poster › Research › Not peer-reviewed
  404. Published

    Spectators at the Saecular games. What do the games smell like?

    Trostnikova, A., 3 Jun 2014.

    Research output: Contribution to conferencePoster

  405. Abstract › Research › Not peer-reviewed
  406. Submitted
  407. Submitted
  408. Chapter (peer-reviewed) › Research › Not peer-reviewed
  409. Forthcoming

    Axiopraxis en mouvement. Festivals et production artistique autochtone océanienne comme lieux de production politique du culturel

    Castro, E., 2013, (Accepted/In press) Les sciences humaines et sociales dans le Pacifique : nouveaux terrains, nouvelles approches. Pacific-Credo Publications

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  410. Published

    Bodies of Terror: Performer and Witness

    Brodzinski, E., 2010, Terror and the Postcolonial. Boehmer, E. & Morton, S. (eds.). Oxford: Wiley-Blackwell, p. 370-380 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  411. Published

    Entertaining Illness

    Brodzinski, E., 2004, Probing the Boundaries/At the Interface. Rodopi, p. 125-140

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  412. Published

    Faking It: The Drama of Simulated Ilness

    Brodzinski, E., 2003, Trompe(-)l'oeil: Imitation and Falsification. University of Rouen Press, p. 325-340

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  413. Published

    Interdisciplinarity, ‘Mythunderstanding’ and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works

    Castro, E., 2009, L'interdisciplinarité en question/Questioning Interdisciplinarity. Presses universitaires de Nancy, p. 161-1731 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  414. Published

    Loving Place(less)ness: The Pioneer Spirit, The Old Country and the Work of Lone Twin

    Brodzinski, E., 2011, Good Luck Everybody. p. 91-99 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  415. Published

    Making Memory, Making Poetry: The Sovereignty of the Mind and Imagination in Contemporary Indigenous Australian Literature

    Castro, E., Jan 2009, Indigeneity: Culture and Interpretation. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Orient Blackswan, p. 269-278 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  416. Published

    Performance Anxiety: The Relationship Between Social and Aesthetic Drama in Medicine and Health

    Brodzinski, E., 2014, Medicine, Health and the Arts: Approaches to Medical Humanities. Bates, V., Bleakley, A. & Goodman, S. (eds.). London: Routledge, p. 165-185 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  417. Published

    Report on the Demonstration and Roundtable at Royal Holloway, University of London

    Thorpe, A. & Watson, M., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Tokyo, p. 9-18 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  418. Published

    State Funerals

    Brodzinski, E., 2009, Encyclopedia of Death and the Human Experience. Thousand Oaks: Sage, p. 837

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  419. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  420. Chapter (peer-reviewed) › Research › Peer-reviewed
  421. In preparation

    ‘Autumn leaves drift west and east’: travel, migration, and cultural globalisation in Pagoda (2009)

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  422. Forthcoming

    Cabaret: A Study in Choreography of Fascism, Sexuality, and Politics

    Milovanovic, D., 2015, (Accepted/In press) Dance and American Culture Anthology. . Sommer, S., Atkins, J. & Young, T. (eds.). University Press of Florida

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  423. In preparation

    Capturing Dance: Photography, Race, Desire

    Purkayastha, P., 1 Jan 2023, (In preparation) The Routledge Companion to Bodies in Performance. Bhana-Young, H., Ramirez Ladrón de Guevara, V. & Mock, R. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  424. In preparation

    Conversation Two

    Purkayastha, P., Curtin, A. & Yamomo, M., 1 Jan 2023, (In preparation) Mixing Methods in Performance Research. C. Davis, T. & Rae, P. (eds.). CAMBRIDGE UNIV PRESS

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  425. Published

    Dance and Identity

    Purkayastha, P., 21 Mar 2019, Bloomsbury Companion to Dance. Dodds, S. (ed.). Bloomsbury

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  426. Published

    Dancing with Žižek: Sublime Objets and the Hollywood Dance Film

    Blanco Borelli, M., 2014, Zizek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 165-177 13 p. (Performance Philosophy).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  427. Published

    Decolonising Dance History

    Purkayastha, P., Jun 2017, Rethinking Dance History: Issues and Methodologies. Nicholas, L. & Morris, G. (eds.). 2 ed. London: Routledge, p. 123-135 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  428. Published

    Dionysus Comes to Gotham: Forces of Disorder in The Dark Knight (2008)

    Bullen, D., 2015, Classical Myth on Screen. Cyrino, M. S. & Safran, M. E. (eds.). Palgrave Macmillan, p. 183-193 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  429. Published

    Embodiment, Reflexivity and Practice-as-Research in Indian Dance: A Case Study

    Purkayastha, P., Feb 2018, Dance Matters Too : Markets, Memories, Identities. Chakravorty, P. & Gupta, N. (eds.). 1 ed. New Delhi, India: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  430. In preparation

    Emily - an English-language Noh

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  431. Published

    Gadgets, Bodies and Screens: Dance in Advertisements for New Technologies

    Blanco, M., 2016, The Oxford Handbook of Screendance Studies. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  432. Published

    'Her painful legs joined in the conversation': Dramatherapy and the Space before and beyond the Talking Cure

    Brodzinski, E., 7 Feb 2019, Performing Psychologies: Imagination, Creativity and Dramas of the Mind. Shaughnessy, N. & Barnard, P. (eds.). 1 ed. Methuen Drama, p. 99-112 14 p. (Performance and Science: Interdisciplinary Dialogues).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  433. Published

    Hip Work: Undoing the Tragic Mulata

    Blanco Borelli, M., 2014, Black Performance Theory. DeFrantz, T. F. & Gonzalez, A. (eds.). Duke University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  434. Published

    Hips, Hip-notism, Hip(g)nosis: the mulata performances of Ninón Sevilla

    Blanco Borelli, M., 2010, The Routledge Dance Studies Reader. Carter, A. & O'Shea, J. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  435. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  436. In preparation

    Introduction - Part II: Theorising the multiplicity of Noh

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  437. Published

    Kantor’s Symptom or Grotowski’s Fantasy? Towards a Theatre of the Political

    Lease, B., 2014, Žižek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 33-47 15 p. (Performance and Philosophy Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  438. Published

    Krzysztof Warlikowski: Rupturing Taboos, Curating Publics

    Lease, B., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  439. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  440. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  441. Forthcoming

    Tarian Melayu Ala Singapura?: Reflections on Singapore’s Nationalising of Malay Folk Dances From Maritime Southeast Asia

    Mohamed Farid, M. N., 2021, (Accepted/In press) Is there such a thing as Singaporean performance? (Working Title).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  442. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  443. Review article › Research › Peer-reviewed
  444. Published

    Kunqu baizhong, Dashi shuoxi (One hundred pieces of Kunqu, Master performers talk about their scenes): A Review Essay

    Hunter Gordon, K., 23 Dec 2016, In: CHINOPERL Journal of Chinese Oral and Performing Literature. 35, 2, p. 143-152 10 p.

    Research output: Contribution to journalReview articlepeer-review

  445. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In: Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview articlepeer-review

  446. Published

    Interview with Katie Mitchell

    Lease, B., 2020, In: Contemporary Theatre Review. 30, 3, p. 253 259 p.

    Research output: Contribution to journalReview articlepeer-review

Previous 1 2 3 Next