1. Chapter › Research
  2. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Forthcoming

    Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images

    Alston, A., 2013, (Accepted/In press) Affective Performance and Cognitive Science: body, brain and being. Shaughnessy, N. (ed.). Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Portable Theatre Company

    Megson, C., 15 Dec 2016, British Theatre Companies : 1965-1979. Bull, J. (ed.). 1st ed. London: Methuen Drama, p. 171-194 24 p. (British Theatre Companies: From Fringe to Mainstream).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Post-War British Theatre

    Rebellato, D., 2021, Tom Stoppard in Context. Loehlin, J. N. & Kornhaber, D. (eds.). Cambridge: Cambridge University Press, p. 199-206

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Forthcoming

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 2020, (Accepted/In press) Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 2016, Deep Mapping. Roberts, L. (ed.). Basel: MDPI, p. 131-154

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Rehearsing (Inter)disciplinarity: Interdisciplinary Production Practice and the 10,000 Hour Problem

    Vorwerg, L., 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). Routledge, p. 166-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Re-locating Memory: Performance, Reminiscence and Communities of Diaspora

    Nicholson, H., 2009, The Applied Theatre Reader. Prentki, T. & Preston, S. (eds.). London: Routledge, p. 268-276

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Re-membering the others that are us: trans-culturalism and myth in the theatre of Peter Brook

    Williams, D. & Pavis, P. (ed.), 1996, The Intercultural Performance Reader. Pavis, P. (ed.). London and New York: Routledge, p. 67-78 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. In preparation

    Renegotiating Immersive Participation

    Jarvis, L., 2015, (In preparation) Performance & Participation.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Representing Java and Bali in Popular Film, 1919-1954: Sites of Performance, Extra-Daily Bodies, Enduring Stories

    Cohen, M. I., 2015, Sites, Bodies and Stories: Imagining Indonesian History. Legêne, S., Purwanto, B. & Schulte Nordholt, H. (eds.). Singapore: NUS Press, p. 132-156 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Researching the Body in/as Performance

    Parker-Starbuck, J. & Mock, R., 1 Jun 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh, United Kingdom: Edinburgh University Press, p. 210-235 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Revolution, Legislation & Autonomy

    Bush-Bailey, G., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 15-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Ringing True

    Worth, L., 15 Oct 2016, Justitia: Multidisciplinary Readings of the work of Jasmin Vardimon Company. Johnson, P. & Dobkowska, S. (eds.). 1st ed. Bristol: Intellect Publishers, p. 113-122 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Sarah Kane before Blasted: The Monologues

    Rebellato, D., 2010, Sarah Kane in Context. Saunders, G. & De Vos, L. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Seeing is believing: the historian’s use of images

    Wiles, D., 2010, Representing the Past: Essays in the Historiography of Performance. Canning, C. & Postlewait, T. (eds.). Iowa: Iowa University Press, p. 215 239 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Shakespeare and the medieval idea of the play

    Wiles, D., 1992, The Show Within: Dramatic and Other Insets. Laroque, F. (ed.). Publications de l'Université Paul Valéry, Montpellier III, p. 65-74 (Collection Astraea; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Sightlines: Foucault and Naturalist theatre

    Rebellato, D., Oct 2019, Foucault’s theatres. Fisher, T. & Gotman, K. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Simon McBurney

    Williams, D., 2005, Fifty Key Theatre Directors. Shevtsova, M. & Mitter, S. (eds.). London and New York: Routledge, p. 247-252 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Siting the people: power, protest and public space

    Nield, S., 2012, Performing Site-Specific Theatre. Birch, A. & Tompkins, J. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Forthcoming

    'Somewhere to Call Home? Immigration, Asylum and Citizenship in Black British Plays, 1958-2018'

    Goddard, L., 2020, (Accepted/In press) Cambridge Companion to British Playwriting Since 1945. Angelaki, V. & Rebellato, D. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Suriashi - a meditation on the local through artistic research

    Skanberg Dahlstedt, A., 7 Mar 2018, Artistic Research: Being There - explorations into the Local. Greenfield, L., Trustam, M. & Abrantes, E. (eds.). Copenhagen: NSU Press, p. 29-41 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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