1. Chapter › Research
  2. Published

    Dreams Made Public?: Juliana of Mont Cornillon and Dame Procula

    Normington, K., 1999, New Trends in Feminine Spirituality. Dor, J., Johnson, L. & Wogan-Browne, J. (eds.). Turnout: Brepols, p. 251-268

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Dressed to Kill: A Post-Colonial Reading of Costume and the Body in Contemporary Australian Theatre

    Gilbert, H., 1995, Imperialism and Theatre: Essays on World Theatre, Drama, and Performance, 1795–1995. Gainor, J. E. (ed.). London: Routledge, p. 104-131

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Economies of Atonement in the European Museum: Repatriation and the Post-rational

    Cox, E., Jun 2015, Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Zaroulia, M. & Hager, P. (eds.). Palgrave Macmillan, p. 211-231 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Ecotourism: A Colonial Legacy?

    Gilbert, H., 2007, Five Emus to the King of Siam: Essays on Environment and Empire. Tiffin, H. (ed.). Amsterdam: Editions Rodopi BV, p. 51-69

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Edges of the Self: Topographies of the Body in the Writing of David Malouf

    Gilbert, H. & Dale, L., 1994, Provisional Maps: Critical Essays on David Malouf. Nettlebeck, A. (ed.). Perth: Centre for Studies in Australian Literature, p. 85-100

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Forthcoming

    Education for citizenship: the uses of Antigone (in Greek translation)

    Wiles, D., 2011, (Accepted/In press) Reception of Ancient Greek Drama & Education. Merkouri, N., Mavromoustakos, P., Shoenmakers, H. & Hardwick, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Embodied Knowledges: Technologies of Representation in a Postcolonial Classroom

    Gilbert, H., 2002, Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Maufort, M. & Bellarsi, F. (eds.). Brussels: Peter Lang, p. 323–38 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Embodied Knowledges: Interdisciplinary Performance Practice and Collaborative Skill Augmentation in the National Theatre’s production of War Horse

    Vorwerg, L., 2018, Interdisciplinarity in the Performing Arts: Contemporary Perspectives. Aquilina, S. & Sarco-Thomas, M. (eds.). University of Malta Press, p. 41-60

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    'England brings you down at last': Politics and Passion in Barker’s 'State of England' Drama

    Megson, C., 2006, Theatre of Catastrophe: New Essays on Howard Barker. Gritzner, K. & Rabey, D. I. (eds.). London: Oberon Books, p. 124-135

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Entertaining Ideas: Edy Craig and the Pioneer Players

    Dymkowski, C., 1992, The New Woman and her Sisters: Feminism and Theatre 1850-1914. Gardner, V. & Rutherford, S. (eds.). Brighton and Ann Arbor: Harvester Wheatsheaf and University of Michigan Press, p. 221-33

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Entrusting the scriptures: wayang kulit, cultural politics, and truly popular art in New Order West Java

    Cohen, M., 2002, Puppet Theater in Contemporary Indonesia: New Approaches to Performance Events. Mrazek, J. (ed.). Ann Arbor: Center for South and Southeast Asian Studies, The University of Michigan, p. 109-123

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    European Playwriting and Politics, 1945-1989

    Rebellato, D., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Exit the Author

    Rebellato, D., Sep 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 9-31 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Eyewitness Testimony: Theoretical and Practical Issues

    Memon, A. & Wright, D., 2000, Behaviour, Crime and Legal Process. McGuire, J., Mason, T. & O'Kane, A. (eds.). Chichester: John Wiley & Sons

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Forthcoming

    Fan critics, theatre zines, and institutional credibility

    Vaughan, M., 2020, (Accepted/In press) Theatre Fandom. Sedgman, K. (ed.). University of Iowa Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s 'The Tragedy of Mariam'

    Schafer, E. & Reimers, S., 20 May 2020, The Palgrave Handbook of the History of Women on Stage. Sewell, J. & Smout, C. (eds.). Houndmills: Palgrave Macmillan, p. 655-77 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Fitting the Bill: Acting out the season at the Sans Pareil 1813/14

    Bush-Bailey, G., 2007, The Performing Century: Theatre in Nineteenth-Century Britain. Davis, T. C. & Holland, P. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Four Entries: 'Black Mime Theatre', 'Denise Wong', 'Black Theatre Co-op' and 'Theatre Venues'

    Goddard, L., 2002, Companion to Contemporary Black British Culture. Donnell, A. (ed.). London: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Frances Anne Kemble

    Bratton, J., 2011, Jameson, Cowden Clarke, Kemble, Cushman: Great Shakespeareans. Marshall, G. (ed.). 1st ed. London: Continuum Group, Vol. VII. p. 92-132 40 p. (Great Shakespeareans).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Freud, Disability and Impairment

    Conroy, C., 2007, Consciousness, literature, theatre and the arts. Meyer-Dinkgrafe, D. (ed.). Cambridge Scholars, p. 426-435

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    From the State of the Nation to Globalization: Shifting Political Agendas in Contemporary British Playwriting

    Rebellato, D., 2007, A Concise Companion to Contemporary British and Irish Drama. Holdsworth, N. & Luckhurst, M. (eds.). Oxford: Blackwell, (Blackwell Concise Companions to Literature and Culture).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Forthcoming

    Gamelanesque effects: Musical impressions of Java and Bali inter war America

    Cohen, M. I., 2018, (Accepted/In press) Global Perspectives on Orchestras: Collective Creativity and Social Agency . Ramnarine, T. K. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Gestes d'utopie: le théâtre de David Greig

    Rebellato, D., 2002, Dramaturgies Britanniques (1980-2000). Lanteri, J-M. (ed.). Paris-Caen: Lettres Modernes Minard, (Écritures Contemporaines).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    GI Joe Versus Digger Dave: Contemporary Australian Drama and the Vietnam War

    Gilbert, H., 1997, WAR: Australia's Creative Response. Rutherford, A. & Wieland, J. (eds.). Sydney: Dangaroo, p. 293-307

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Gold leaf goose, sublime suchness: an unfinished and unfinishable A-Z

    Williams, D. & Whitehead, S., 2006, Walking to work. Cardiff: Arts Council of Wales/Shoeless, p. 62-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Greek and Shakespearean plays in performance: their different academic receptions

    Wiles, D., 2010, Theorising performance: Greek Drama, Cultural History and Critical Practice. Hall, E. & Harrop, S. (eds.). London: Duckworth, p. 43-55

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Greek theatre and the legitimation of slavery

    Wiles, D., 1988, Slavery and Other Forms of Unfree Labour. Archer, L. (ed.). London: Routledge, p. 53-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Half the Picture: “a certain frisson” at the Tricycle Theatre

    Megson, C., 2009, Get Real: Documentary Theatre Past and Present. Forsyth, A. & Megson, C. (eds.). Basingstoke: Palgrave Macmillan, p. 195-208

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Hearing Voices: Creating Theatre from Stories Given by Mental Health Service Users

    Summerskill, C., 2014, Creative Positions in Adult Mental Health: Outside In-Inside Out. McNab, S. & Partridge, K. (eds.). Karnac Books, p. 227-239

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Hosts and Parasites: Late 19th Century Migration, Bram Stoker's Dracula, and the Discourse of Disease

    Nield, S., Apr 2018, Bodies of Evidence: Ethics, Aesthetics and Politics of Movement. Ertem, G. & Noeth, S. (eds.). Vienna: Passagen Verlag, p. 215-228 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre and Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). 1st ed. Methuen Drama, p. 284-295 12 p. (Thinking Through Theatre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Improvisation in Dance and the Movement of Everyday Life

    Worth, L., 2 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. L. (ed.). 1 ed. Oxford: Oxford University Press, p. 1-13 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants: Dance Books, p. 105-116 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter