1. Chapter › Research
  2. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Suriashi - a meditation on the local through artistic research

    Skanberg Dahlstedt, A., 7 Mar 2018, Artistic Research: Being There - explorations into the Local. Greenfield, L., Trustam, M. & Abrantes, E. (eds.). Copenhagen: NSU Press, p. 29-41 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Tahrir Square EC4M: the Occupy movement and the dramaturgy of public order

    Nield, S., 2015, The Grammar of Politics and Performance. Rai, S. M. & Reinelt, J. (eds.). London and New York: Routledge, p. 121-133 13 p. (Interventions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Taking farce seriously: recent critical approaches to Plautus

    Wiles, D., 1987, Farce: Themes in Drama Vol.10. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 261-271

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    'Talking Country': Place and Displacement in Jack Davis's Theatre

    Gilbert, H., 1994, Jack Davis: A Critical Study. Turcotte, G. (ed.). Sydney: Collins-Angus & Robertson, p. 60-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Talking in Class: Spoken Language and Effective Learning

    Nicholson, H., 1999, Use of Language in the Secondary Curriculum . London: Routledge, p. 26-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Taming, Shaming and Displaying; Katharine Hepburn’s trousers, Australia 1955

    Schafer, E., 17 Oct 2018, Robert Helpmann; The Many Faces of a Theatrical Dynamo . Cave, R. & Meadmore, A. (eds.). Dance Books, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Technicolour Twelfth Night

    Schafer, E., 2013, Shakespeare Beyond English: a Global Experiment. & Bennett, S. Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Technologies of Performance

    Nield, S., 8 Aug 2019, A Cultural History of Theatre in the Age of Empire . Marx, P. W. (ed.). 1 ed. Methuen Drama, Vol. 5. p. 203-226 24 p. (The Cultural Histories Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Textual Notes

    Dymkowski, C., 1987, The Plays of Susan Glaspell. Bigsby, C. (ed.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    The Alchemist on the Stage: Performance, Collaboration, and Deviation

    Schafer, E. & Cox, E., 2013, Ben Jonson: A Critical Reader. Ostovich, H. & Julian, E. (eds.). Methuen Drama, p. 43-74

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    The Arts Britain Utterly Ignored: or; Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s.

    Thorpe, A., 31 Aug 2018, Contesting British Chinese Culture. Thorpe, A. & Yeh, D. (eds.). Palgrave Macmillan Ltd., p. 195-222 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    The Beginning of Spoken Theatre: Colonialism and Colonial Modernity

    Cohen, M. I., Singh, A., Isaka, M. & Liu, S., 2016, Routledge Handbook of Asian Theatre. Liu, S. (ed.). 1st ed. Routledge, p. 393-412 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    The Care Home as a Creative Space

    Nicholson, H. & Lloyd, J., 2017, Applied Theatre: Creative Ageing. McCormick, S. (ed.). London: Bloomsbury, p. 125-146 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    The carnivalesque in A Midsummer Night’s Dream

    Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    The Choreography of Performance

    Nicholson, H. & Taylor, R., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 112-128

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estrelas (Tata Amaral, 1996) and Vagón Fumador (Verónica Chen, 2001)

    Gleghorn, C., 2011, New Trends in Argentine and Brazilian Cinema. Rêgo, C. & Rocha, C. (eds.). Bristol, UK; Chicago; USA: Intellect Books, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    'The Girl Defies': A Kenyan Merry Wives of Windsor

    Cox, E., 2013, Shakespeare Beyond English: A Global Experiment. Carson, C. & Bennett, S. (eds.). Cambridge University Press, p. 53-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. In preparation

    The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance

    Shuler, W., 30 Oct 2016, (In preparation) War and Theatrical Innovation: "Palgrave Studies in Theatre and Performance". Emeljanow, V. & Wilmeth, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    The Heat Signatures of Refugee Transit: Incoming by Richard Mosse

    Cox, E., Sep 2021, Performance and Migration. Abingdon and New York: Routledge, p. 87-104 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Forthcoming

    The Hidden Dialogue between Sarah Kane and Edward Bond

    Chen, C-C., 2019, (Accepted/In press) After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. Boles, W. (ed.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    The Imperial London Stage: A Tale of Two Australians: Haddon Chambers and Gilbert Murray

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 108-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    The International Noh Institute of Milan: Transmission of Ethics and Ethics of Transmission in a Transcultural Contex

    Pellecchia, D., Dec 2011, Japanese Theatre Transcultural: German and Italian Intertwinings. Scholz-Cionca, S. & Regelsberger, A. (eds.). iudicium, p. 32-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    The Internet: History 2.0?

    Bratton, J. & Peterson, G., 2012, The Cambridge Companion to Theatre History. Dymkowski, C. & Wiles, D. (eds.). Cambridge University Press, p. 299-313 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    'The State We’re In': Tribunal Theatre and British Politics in the 1990s

    Megson, C., 2008, Theatres of Thought: Theatre, Performance and Philosophy. Watt, D. & Meyer-Dinkgräfe, D. (eds.). Newcastle: Cambridge Scholars, p. 110-126

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    The tears of things (for Pina)

    Williams, D., Mar 2011, The Live Art Almanac Vol. 2. Keidan, L., Mitchell, CJ. & Mitchelson, A. (eds.). Live Art Development Agency, p. 125-8 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Theatre History and Historiography

    Davis, J., Normington, K., Bush-Bailey, G. & Bratton, J., 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh: Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Theatre in Indonesia under occupation

    Cohen, M. I., 2016, A History of Japanese Theatre. Salz, J. (ed.). Cambridge: Cambridge University Press, p. 260 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Theatre in Roman and Christian Europe

    Wiles, D., 1995, The Oxford Illustrated History of Theatre. Brown, J. R. (ed.). Oxford: Oxford University Press, p. 49-92

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    'There are children here somewhere, I can smell them'. Robert Helpmann and the making of an on-screen villain: the Child Catcher in Chitty Chitty Bang Bang (1968).

    Worth, L., 1 Dec 2018, Robert Helpmann : The Many Faces of a Theatrical Dynamo. Cave, R. & Meadmore, A. (eds.). Binstead, Hants: Dance Books, p. 169-183 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    There is another world: space, theatre and global anti-capitalism

    Nield, S., 2006, Contemporary Theatre Review: Theatre and Globalisation. Harvie, J. & Rebellato, D. (eds.). Routledge, p. 51-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    This Island’s Mine: Theatre, Nationhood and Identity.

    Nicholson, H., 2008, International Interventions in Theatre Education. Guven, I. (ed.). Ankara: Ankara University Press, p. 56-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. E-pub ahead of print

    Thisworldly Wonderment: Contemporary British Theatre and Postsecularism

    Megson, C., 15 Sep 2017, (E-pub ahead of print) Performing the Secular: Religion, Representation, and Politics. Gluhovic, M. & Menon, J. (eds.). London: Palgrave Macmillan, p. 71-91 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Time Moves: Temporal experiences in current London-based training for traditional clog and rapper sword dances

    Worth, L., 12 Feb 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). 1st ed. Abingdon, Oxon: Routledge, p. 208-223 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Forthcoming

    To Come Between: Refugees at Sea, from Representation to Direct Action

    Cox, E., 2022, (Accepted/In press) Handbook on Theatre and Migration. Wilmer, S. & Meerzon, Y. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Towards a Philosophy of the Moving Body

    McCaw, R., 1 Sep 2018, Bakhtin's Heritage in Literature, Arts, and Psychology: Arts and Answerability. Gratchev, S. & Mancing, H. (eds.). Lanham, Maryland: Rowman & Littlefield, p. 237 - 254 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Forthcoming

    Towards a theatrical history of the picket line

    Nield, S., 2020, (Accepted/In press) Oxford Handbook of Performance and Politics. Jestrovic, S., Saward, M., Rai, S. & Gluhovic, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Towards an art of memory: Peter Brook, a foreigner in Paris

    Williams, D., 2002, The Paris Theatre Jigsaw: Internationalism and the City’s Stages. Bradby, D. & Delgado, M. (eds.). Manchester: Manchester University Press, p. 37-52 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Traditional and Post-traditional Wayang Kulit in Java Today

    Cohen, M. I., 15 Jul 2014, The Routledge Companion to Puppetry and Material Performance. Posner, D., Orenstein, C. & Bell, J. (eds.). 1st ed. Routledge, p. 178-191 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Traditional Theatre: The Case of Japanese Noh

    Pellecchia, D., 2012, The Cambridge Companion to Theatre History. Wiles, D. & Dymkovski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 89-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    解构主义哲学观下的中国传统戏曲程式的跨文化交流

    Li, X., 1 Oct 2018, 京剧传播研究. Yu, J. (ed.). Beijing: 文化艺术

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Entry for encyclopedia/dictionary › Research
  71. Published

    Colley Cibber

    McGirr, E., 2014, The Encyclopedia of British Literature, 1660-1789. Brooks, H. (ed.). Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  72. Published

    David Hare

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 446-447

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  73. Published

    David Hare

    Megson, C., 2006, Encyclopedia of British Literature. Kastan, D. S. (ed.). Oxford: Oxford University Press, Vol. 2. p. 510-514

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  74. Forthcoming

    Ecrivaines polynésiennes et Littérama’ohi

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  75. Forthcoming

    Femmes auteures aborigènes

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  76. Forthcoming

    Flora Devatine

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  77. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  78. Forthcoming

    Jackie Huggins

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  79. Published

    Manjusri Chaki Sircar and Ranjabati Sircar

    Purkayastha, P., 9 May 2016, Routledge Encyclopedia of Modernism. Ross, S. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  80. Forthcoming

    Marie-Claude Teissier-Landgraf

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  81. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  82. Forthcoming

    Romaine Moreton

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  83. Published

    Sexuality: The Mulatta Figure in the Cuban Imaginary

    Blanco Borelli, M., 2012, Cuba: History, Culture, Society. West-Duran, A. (ed.). First ed. Charles Scribner's Sons

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  84. Published

    Social Movement and Modern Dance [Bengal]

    Purkayastha, P., 2010, The Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  85. Forthcoming

    Stéphanie-Ariirau Richard

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  86. Forthcoming

    Terri Janke

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  87. Published

    The Indian People's Theatre Association

    Purkayastha, P., 2010, Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  88. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  89. Conference contribution › Research
  90. Submitted

    “Archive and Asylum – experiential memories of Kneehigh Theatre’s performance venue and theatre archive” at Shared Memories II Eastap Conference at the University of Lison, Portugal

    Trenchfield, C., 24 Sep 2019, (Submitted) Shared Memories II Eastap Conference at the University of Lison, Portugal.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  91. Submitted

    “Kneehigh Theatre Company and Cultural Hybridisation”at Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta

    Trenchfield, C., 14 Mar 2019, (Submitted) Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  92. Published

    A Buddhist monks’ performance and a play, in the context of the Buddhist ritual event of giving

    Utairat, M., 2015, International Federation for Theatre Research (IFTR) 2015, Hyderabad, India .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  93. Unpublished

    Aesthetics of Conventionalisation and the Contributions to Xiqu's Intercultural Communication

    Li, X., 2018, (Unpublished) Intercultural Communications, Translation, and Methods of Teaching Foreign Languages.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  94. Published

    After Beckett: Edward Bond’s Post-Auschwitz Dramaturgy of Ruins

    Chen, C-C., 5 Sep 2016, TaPRA.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  95. Published

    Buddhist Monks' Performance and a Play in the Context of the Buddhist Ritual Event of Giving

    Utairat, M., 2014, Theatre and Stratification, IFTR World Congress, Warwick, UK.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  96. Published

    Casting the Outcast: Perspectives on Acting Style

    Conroy, C., 2003, Conference Proceedings: Finding The Spotlight.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  97. Unpublished

    Directionality of Cultural Flows in Intercultural Performance: Power Politics and Intercultural Identities

    Li, X., 5 Dec 2019, (Unpublished) 2019 Performance as Method from Global Perspectives: Historical Memory, Technologies of the Self, and Cultural Production.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  98. Unpublished

    Intercultural Communication of Chinese Traditional Opera Programs under the View of Deconstructionism

    Li, X., 13 Aug 2018, (Unpublished) Second World Conference of Chinese Studies & 17th Intl. Conference on the Digitalization of Premodern Chinese Novel & Drama.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  99. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  100. Published

    Rhythmic Routes: Developing a nomadic physical practice for the daily commute

    Overend, D. & Bissell, L., 2014, Scottish Journal of Performance.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  101. Published

    Shifting the mainstream: Conference Keynote Speech

    Conroy, C., 2003, Shifting Aesthetic: Disability and Performance: Conference Proceedings. London Arts Board

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  102. Published

    The ‘reinvention’ of the Mahachat Sung Sermon as a theatre play for new generations of Thai Buddhist audience in the context of urban migration

    Utairat, M., 2018, Theatre and Migration: Theatre, Nation and Identity between Migration and Stasis, IFTR World Congress 2018, Belgrade, Serbia .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  103. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution