1. Review article › Research › Peer-reviewed
  2. Published

    Kunqu baizhong, Dashi shuoxi (One hundred pieces of Kunqu, Master performers talk about their scenes): A Review Essay

    Hunter Gordon, K., 23 Dec 2016, In : CHINOPERL Journal of Chinese Oral and Performing Literature. 35, 2, p. 143-152 10 p.

    Research output: Contribution to journalReview article

  3. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In : Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview article

  4. Published

    Interview with Katie Mitchell

    Lease, B., 2020, In : Contemporary Theatre Review. 30, 3, p. 253 259 p.

    Research output: Contribution to journalReview article

  5. Chapter (peer-reviewed) › Research › Peer-reviewed
  6. In preparation

    ‘Autumn leaves drift west and east’: travel, migration, and cultural globalisation in Pagoda (2009)

    Thorpe, A., 2021, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  7. Published

    “Her painful legs joined in the conversation”: Dramatherapy and the space before and beyond the talking cure.

    Brodzinski, E., 2019, Performing Psychologies: Imagination, Creativity and Dramas of the Mind. Shaughnessy, N. & Barnard, P. (eds.). Methuen, p. 99-114 15 p. (Performance and Science: Interdisciplinary Dialogues).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  8. Forthcoming

    Cabaret: A Study in Choreography of Fascism, Sexuality, and Politics

    Milovanovic, D., 2015, (Accepted/In press) Dance and American Culture Anthology. . Sommer, S., Atkins, J. & Young, T. (eds.). University Press of Florida

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  9. Published

    Dancing with Žižek: Sublime Objets and the Hollywood Dance Film

    Blanco Borelli, M., 2014, Zizek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 165-177 13 p. (Performance Philosophy).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  10. Published

    Dionysus Comes to Gotham: Forces of Disorder in The Dark Knight (2008)

    Bullen, D., 2015, Classical Myth on Screen. Cyrino, M. S. & Safran, M. E. (eds.). Palgrave Macmillan, p. 183-193 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  11. In preparation

    Emily - an English-language Noh

    Thorpe, A., 2021, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  12. Published

    Gadgets, Bodies and Screens: Dance in Advertisements for New Technologies

    Blanco, M., 2016, The Oxford Handbook of Screendance Studies. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  13. Published

    Hip Work: Undoing the Tragic Mulata

    Blanco Borelli, M., 2014, Black Performance Theory. DeFrantz, T. F. & Gonzalez, A. (eds.). Duke University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  14. Published

    Hips, Hip-notism, Hip(g)nosis: the mulata performances of Ninón Sevilla

    Blanco Borelli, M., 2010, The Routledge Dance Studies Reader. Carter, A. & O'Shea, J. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  15. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  16. In preparation

    Introduction - Part II: Theorising the multiplicity of Noh

    Thorpe, A., 2021, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  17. Published

    Kantor’s Symptom or Grotowski’s Fantasy? Towards a Theatre of the Political

    Lease, B., 2014, Žižek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 33-47 15 p. (Performance and Philosophy Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Forthcoming

    Krzysztof Warlikowski: Rupturing Taboos, Curating Publics

    Lease, B., 2020, (Accepted/In press) Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  19. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  20. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  21. Forthcoming

    Tarian Melayu Ala Singapura?: Reflections on Singapore’s Nationalising of Malay Folk Dances From Maritime Southeast Asia

    Mohamed Farid, M. N., 2021, (Accepted/In press) Is there such a thing as Singaporean performance? (Working Title).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  22. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  23. Chapter (peer-reviewed) › Research › Not peer-reviewed
  24. Forthcoming

    Axiopraxis en mouvement. Festivals et production artistique autochtone océanienne comme lieux de production politique du culturel

    Castro, E., 2013, (Accepted/In press) Les sciences humaines et sociales dans le Pacifique : nouveaux terrains, nouvelles approches. Pacific-Credo Publications

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  25. Published

    Bodies of Terror: Performer and Witness

    Brodzinski, E., 2010, Terror and the Postcolonial. Boehmer, E. & Morton, S. (eds.). Oxford: Wiley-Blackwell, p. 370-380 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  26. Published

    Entertaining Illness

    Brodzinski, E., 2004, Probing the Boundaries/At the Interface. Rodopi, p. 125-140

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  27. Published

    Faking It: The Drama of Simulated Ilness

    Brodzinski, E., 2003, Trompe(-)l'oeil: Imitation and Falsification. University of Rouen Press, p. 325-340

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  28. Published

    Interdisciplinarity, ‘Mythunderstanding’ and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works

    Castro, E., 2009, L'interdisciplinarité en question/Questioning Interdisciplinarity. Presses universitaires de Nancy, p. 161-1731 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  29. Published

    Loving Place(less)ness: The Pioneer Spirit, The Old Country and the Work of Lone Twin

    Brodzinski, E., 2011, Good Luck Everybody. p. 91-99 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  30. Published

    Making Memory, Making Poetry: The Sovereignty of the Mind and Imagination in Contemporary Indigenous Australian Literature

    Castro, E., Jan 2009, Indigeneity: Culture and Interpretation. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Orient Blackswan, p. 269-278 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  31. Published

    Performance Anxiety: The Relationship Between Social and Aesthetic Drama in Medicine and Health

    Brodzinski, E., 2014, Medicine, Health and the Arts: Approaches to Medical Humanities. Bates, V., Bleakley, A. & Goodman, S. (eds.). London: Routledge, p. 165-185 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  32. Published

    Report on the Demonstration and Roundtable at Royal Holloway, University of London

    Thorpe, A. & Watson, M., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Tokyo, p. 9-18 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  33. Published

    State Funerals

    Brodzinski, E., 2009, Encyclopedia of Death and the Human Experience. Thousand Oaks: Sage, p. 837

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  34. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  35. Abstract › Research › Not peer-reviewed
  36. Submitted
  37. Submitted
  38. Poster › Research › Not peer-reviewed
  39. Published

    Spectators at the Saecular games. What do the games smell like?

    Trostnikova, A., 3 Jun 2014.

    Research output: Contribution to conferencePoster

  40. Paper › Research › Peer-reviewed
  41. Published

    ‘“Pierced to the Soul’: The Gaze and Political Theology in Richard II’

    Ashby, R., 24 Mar 2018.

    Research output: Contribution to conferencePaper

  42. Published
  43. Published
  44. Published
  45. Published
  46. Published

    A collaboration on the physical archive of traditional Japanese theatre training

    Skanberg Dahlstedt, A. & Kamula, D., 3 Dec 2014.

    Research output: Contribution to conferencePaper

  47. Published

    Beckett's Breath: Theatricality and Non-Art

    Goudouna, S., 2006.

    Research output: Contribution to conferencePaper

  48. Published

    Beckett's Breath

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  49. Published

    Critical Intersections: Education and the Expanding Site of Art Practice

    Goudouna, S., 2007.

    Research output: Contribution to conferencePaper

  50. Published
  51. Unpublished

    Eleventh Plateau: The Environmental Turn

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  52. Unpublished

    Eleveth Plateau: Perseptual Ecologies Territorial Assemblage

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  53. Unpublished

    Eleveth Plateau: The Environmental Turn

    Goudouna, S., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  54. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  55. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  56. Published

    Natural Theatre Company (Bath)

    Peterson, G. T., 15 Oct 2011.

    Research output: Contribution to conferencePaper

  57. Unpublished

    Place Imaging in South African Dance-Musical Theatre

    Moyo, A., 25 May 2012, (Unpublished).

    Research output: Contribution to conferencePaper

  58. Published

    Solitary Place

    Goudouna, S., 2009.

    Research output: Contribution to conferencePaper

  59. Published

    Solitary Place

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  60. Unpublished

    South African Musicals in Global Circulation Space: "Umoja" and "African Footprint"

    Moyo, A., 3 Jul 2012, (Unpublished).

    Research output: Contribution to conferencePaper

  61. Unpublished

    The Author is Dead! Long Live the Author!

    Rebellato, D., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  62. Published

    The Theatre is Not Local: Borges’s Birds and the Otherwhere of Theatre

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  63. Published

    Theatricality and Representation

    Goudouna, S., 2007.

    Research output: Contribution to conferencePaper

  64. Paper › Research › Not peer-reviewed
  65. Unpublished
  66. Published

    The Cut and the Critics: Ravenhill's Ethical Politics

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  67. Unpublished

    An Accumulation of Absences: The collector of theatrical ephemera

    Smith, E., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  68. In preparation
  69. Published
  70. Unpublished

    Bodies of Denial: Seeing the Invisible

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  71. Unpublished

    Choreographic Precision and the Changing Tradition in Kunqu Performance

    Hunter Gordon, K., 26 Aug 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  72. Submitted
  73. Published

    Exit the Author

    Rebellato, D., 16 Oct 2010.

    Research output: Contribution to conferencePaper

  74. Unpublished

    Finding Myself, Lost

    Mccutcheon, R., 29 Jan 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  75. Published

    I Love A Good Story: British Drama against Postmodernism

    Rebellato, D., 1999.

    Research output: Contribution to conferencePaper

  76. Unpublished

    Improbable Objects: Physical Materials between the Self and the 'Other'? A provocation

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  77. Published

    In Praise of Luvvies

    Rebellato, D., 2000.

    Research output: Contribution to conferencePaper

  78. Unpublished
  79. Unpublished

    Inhuman, All Too Inhuman

    Rebellato, D., 19 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  80. Published

    Interculturalism, Globalization and Cosmopolitanism

    Rebellato, D., 15 Dec 2010.

    Research output: Contribution to conferencePaper

  81. Published

    Is Theatre Historical All The Way Down?

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  82. Published

    Is There a Comic Sublime?

    Rebellato, D., Oct 2007.

    Research output: Contribution to conferencePaper

  83. Published

    It's a Gay Economy, Stupid!

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  84. Unpublished

    Mad Fragmentations: the theatre collection's transition from private home to public archive

    Smith, E., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  85. Submitted
  86. Unpublished

    Material Bodies... Bodied Material: A Case of Subversion

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  87. Unpublished

    Negotiating the Material Past: ‘Telling’ as Rearticulation of Place

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  88. Published
  89. Published

    Poetic Licence

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  90. Unpublished

    Reflections on observing, doing and writing for ‘practice-informed’ research

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  91. Published

    Resisting Globalization from Above: Ethics, Aesthetics and British Drama

    Rebellato, D., 2003.

    Research output: Contribution to conferencePaper

  92. Submitted
  93. In preparation

    Serampang Dua Belas Ala Singapura: Medan’s Legacy in Singapore Malay Dance History

    Mohamed Farid, M., 2018, (In preparation).

    Research output: Contribution to conferencePaper

  94. Published

    Spaces within Spaces

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  95. Unpublished
  96. Unpublished

    Taste, participation and identity: applied arts practice in the care home ‘community’

    Hatton, N., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  97. Published

    The Body in the Library: On playwriting-as-research

    Rebellato, D., Mar 2010.

    Research output: Contribution to conferencePaper

  98. Published

    The Importance of Being Martha

    Rebellato, D., 2002.

    Research output: Contribution to conferencePaper

  99. Unpublished

    Time as Body, Body as Object, Object as Time: A Case of Materiality

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  100. Unpublished
  101. Unpublished

    Transformation as Action and Reaction: The Body as a Site of Material and Political Exchange

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  102. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  103. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  104. Unpublished

    What If There’s No Such Thing As Practice-as-Research?

    Rebellato, D., 16 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  105. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  106. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  107. Unpublished
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