1. Chapter (peer-reviewed) › Research › Peer-reviewed
  2. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  3. In preparation

    Introduction - Part II: Theorising the multiplicity of Noh

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  4. Published

    Kantor’s Symptom or Grotowski’s Fantasy? Towards a Theatre of the Political

    Lease, B., 2014, Žižek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 33-47 15 p. (Performance and Philosophy Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  5. Published

    Krzysztof Warlikowski: Rupturing Taboos, Curating Publics

    Lease, B., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  6. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  7. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  8. Forthcoming

    Tarian Melayu Ala Singapura?: Reflections on Singapore’s Nationalising of Malay Folk Dances From Maritime Southeast Asia

    Mohamed Farid, M. N., 2021, (Accepted/In press) Is there such a thing as Singaporean performance? (Working Title).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  9. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  10. Review article › Research › Peer-reviewed
  11. Published

    Kunqu baizhong, Dashi shuoxi (One hundred pieces of Kunqu, Master performers talk about their scenes): A Review Essay

    Hunter Gordon, K., 23 Dec 2016, In: CHINOPERL Journal of Chinese Oral and Performing Literature. 35, 2, p. 143-152 10 p.

    Research output: Contribution to journalReview articlepeer-review

  12. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In: Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview articlepeer-review