1. Article › Research › Peer-reviewed
  2. Published

    'Speeches that draw tears': theatricality, commemoration and social history

    Nield, S., 2014, In : Social History. 39, 4, p. 547-556 10 p.

    Research output: Contribution to journalArticle

  3. Published

    State of the arts, arts of the state: a review essay

    Cohen, M., 2000, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 3, p. 347-355

    Research output: Contribution to journalArticle

  4. Published

    Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity

    Thorpe, A., 2011, In : Studies in Theatre and Performance. 31, 3, p. 275-291 16 p.

    Research output: Contribution to journalArticle

  5. Published

    Subversive Bodies: Feminism and New Dance in India

    Purkayastha, P., 2013, In : Studies in South Asian Film and Media. 4, 2, p. 189-200 11 p.

    Research output: Contribution to journalArticle

  6. Published

    Suluk Wujil and Javanese performance theory

    Cohen, M. I., 2012, In : Performing Islam. 1., 1, p. 13-34

    Research output: Contribution to journalArticle

  7. Published

    Swimming in Sewage: Political performances in the Mediterranean

    El Khoury, T., 2016, In : Performance Research. 21, 2, p. 138-140 3 p.

    Research output: Contribution to journalArticle

  8. Published

    Symmetry and asymmetry in dance and movement training using the Feldenkrais Method®

    Worth, L., 2015, In : Theatre, Dance and Performance Training. 6, 2, p. 130-144 15 p.

    Research output: Contribution to journalArticle

  9. Published

    Te Reo Shakespeare: Te Tangata Whai Rawa o Weneti / The Maori Merchant of Venice

    Cox, E., 2006, In : Kunapipi: Journal of Postcolonial Writing. 28, 1, p. 79-95

    Research output: Contribution to journalArticle

  10. Published

    'Terremoto: Utopia, memory, and the unfinished in Sicily’

    Williams, D., 2015, In : Performance Research. 20, 3, p. 39-49 11 p.

    Research output: Contribution to journalArticle

  11. Published

    Territories of Contact: Two Australian Asylum Seeker Documentaries

    Cox, E., 2012, In : Moving Worlds: A Journal of Transcultural Writings. 12, 2, p. 16-29

    Research output: Contribution to journalArticle

  12. Published

    'That day are you free': The Shoemakers Holiday

    Wiles, D., 1990, In : Cahiers Elisabéthains. 38, p. 49-60

    Research output: Contribution to journalArticle

  13. Published

    The Actor/Audience Contract in Modern Restagings of the Mystery Plays

    Normington, K., 2004, In : Research Opportunities in Renaissance Drama. 43, p. 29-37

    Research output: Contribution to journalArticle

  14. Published

    The aesthetics of variety: to poikilon in the western tradition

    Wiles, D., 2003, In : Pallas. 61, p. 361-364

    Research output: Contribution to journalArticle

  15. Published

    The AHRC Mander and Mitchenson Theatre Collection Access for Research Project: Conversations with Cataloguers

    Nield, S., Davidson, P. & Davis, K., 2005, In : Theatre Notebook. 59, 3, p. 144-164 21 p.

    Research output: Contribution to journalArticle

  16. Published

    The AHRC Mander and Mitchenson Theatre Collection Access for Research Project: Uncovering the Archive

    Nield, S., 2007, In : The Indexer. 25, 3, p. 197-199

    Research output: Contribution to journalArticle

  17. E-pub ahead of print

    The Annotation of Skin

    Purkayastha, P., 26 Nov 2015, In : Performance Research. 20, 6, p. 114-121 8 p.

    Research output: Contribution to journalArticle

  18. Published

    The Barikan banner of Gegesik: ritual and history in a village painting from Colonial Java

    Cohen, M., Behrend, T. E. & Cooper, T. L., 2000, In : Archipel. 59, p. 97-144

    Research output: Contribution to journalArticle

  19. Published

    The big man and the puppeteer: a transcultural morality tale from West Java, Indonesia

    Cohen, M., 2000, In : Puppetry Yearbook. 4, p. 103-156

    Research output: Contribution to journalArticle

  20. Published

    The Body Electric: Cathy Weis at Dance Theatre Workshop

    Parker-Starbuck, J., May 2003, In : PAJ: A Journal of Performance and Art. 25, 2, p. 93-98 6 p.

    Research output: Contribution to journalArticle

  21. Published

    The Boomerang Effect: David Malouf's Blood Relations as an Oppositional Re-working of The Tempest

    Gilbert, H., 1991, In : World Literature Written in English. 31, 2, p. 50-64

    Research output: Contribution to journalArticle

  22. Published

    The Catherine Wheel: Travel, Exile, and the (Post) Colonial Woman

    Gilbert, H., 1993, In : Southerly. 53, 2, p. 58-77

    Research output: Contribution to journalArticle

  23. Published

    The Citation of Injury: Regarding the Exceptional Body

    Cox, E., 2009, In : Journal of Australian Studies. 33, 4, p. 459-72

    Research output: Contribution to journalArticle

  24. Published

    The Contested Scenography of the Revolution

    El Khoury, T., 2013, In : Performance Research. 18, 3, p. 202-205 3 p.

    Research output: Contribution to journalArticle

  25. Published

    The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics

    Gilbert, H., 1992, In : ARIEL: A Review of International English Literature. 23, 1, p. 133-147

    Research output: Contribution to journalArticle

  26. Published

    The Dating of The Merry Wives of Windsor; A Caveat

    Schafer, E., 1991, In : Notes and Queries. March, p. 57-60

    Research output: Contribution to journalArticle

  27. Published

    The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets: The Structure of the Conjuncture

    Cohen, M., 14 Sep 2018, In : Asian Theatre Journal. 35, 2, p. 300-328 29 p.

    Research output: Contribution to journalArticle

  28. Published

    The Fan of Noh Theatre

    Pellecchia, D., 2008, In : Platform. 3, 2, p. 33-46

    Research output: Contribution to journalArticle

  29. Published

    The Far Side Of The Moon (review)

    Parker-Starbuck, J., Mar 2001, In : Theatre Journal. 53, 1, p. 151-154 4 p.

    Research output: Contribution to journalArticle

  30. Published

    The importance of being gay: the perils and possibilities of LGBTI asylum seekers’ involvement in Rights of Passage

    Summerskill, C., 2018, In : Research in Drama Education. 23, 2, p. 282-288 7 p.

    Research output: Contribution to journalArticle

  31. Published

    The Incantation of Semar Smiles: a tarling musical drama by Pepen Effendi

    Cohen, M., 1999, In : Asian Theatre Journal. 16, 2, p. 139-193

    Research output: Contribution to journalArticle

  32. Published

    The Intersubjective Witness: Trauma Testimony in Towfiq Al-Qady’s Nothing But Nothing: One Refugee’s Story

    Cox, E., 2008, In : Research in Drama Education. 13, 2, p. 193-198

    Research output: Contribution to journalArticle

  33. Published

    The Labelling Effect: Drama, Mental Health and Learning Disability

    Hatton, N., 2009, In : Research in Drama Education. 14, 1

    Research output: Contribution to journalArticle

  34. Published

    The Lewes bonfire festival

    Wiles, D., 1996, In : New Theatre Quarterly. 12, 46, p. 177-191

    Research output: Contribution to journalArticle

  35. Published

    The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum

    Thorpe, A., 2009, In : Studies in Theatre and Performance. 29, 2, p. 133-147 14 p.

    Research output: Contribution to journalArticle

  36. Published

    The male gaze in Woyzeck: Re-presenting Madness and Marie

    Schafer, E., 1993, In : Themes in Drama. 15, p. 55-64

    Research output: Contribution to journalArticle

  37. Published

    The mask in Greek tragedy

    Wiles, D., 2004, In : Dioniso. 3, p. 206-213

    Research output: Contribution to journalArticle

  38. Published

    The masks of Greek tragedy as point of departure for modern performance

    Wiles, D. & Vervain, C., 2001, In : New Theatre Quarterly. 17, p. 254-272

    Research output: Contribution to journalArticle

  39. Published

    The Merry Wives of Windsor

    Schafer, E., 2005, In : Performance Research. 10, 3, p. 102

    Research output: Contribution to journalArticle

  40. Published

    The Performance of Memory

    Nicholson, H., 2003, In : The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticle

  41. Published

    The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?

    Rebellato, D., 2007, In : Western European Stages. xix, 1, p. 33-36

    Research output: Contribution to journalArticle

  42. Published

    The play-within-the-film-within-the-play's the thing: re-transmitting analogue bodies in the Wooster Group's Hamlet

    Parker-Starbuck, J., 1 Jun 2009, In : International Journal of Performance Arts and Digital Media. 5, 1, p. 23-34 12 p.

    Research output: Contribution to journalArticle

  43. Published

    The Prison and the Font: An Essay on Patrick White's A Fringe of Leaves

    Gilbert, H., 1989, In : Kunapipi: Journal of Postcolonial Writing. 11, 2, p. 17-22

    Research output: Contribution to journalArticle

  44. Published

    The promises of history: pedagogic principles and processes of change

    Nicholson, H., 2010, In : Research in Drama Education. 15, 2, p. 147-154 8 p.

    Research output: Contribution to journalArticle

  45. Published

    The right horse, the animal eye: Bartabas and Théâtre Zingaro

    Williams, D., 2000, In : Performance Research. 5, 2, p. 29-40 12 p.

    Research output: Contribution to journalArticle

  46. Published

    The Ring Story in Northward Ho I.i.: An English Source

    Schafer, E., 1986, In : Notes and Queries. 33, September, p. 374-375

    Research output: Contribution to journalArticle

  47. Published

    The Rise of the Character named Spectator

    Nield, S., 2008, In : Contemporary Theatre Review. 18, 4

    Research output: Contribution to journalArticle

  48. Published

    The role of objects in supporting older adults with dementia to tell stories about their lives

    Lloyd, J., 1 Oct 2015, In : Journal of Applied Arts & Health. 6, 2, p. 171-186 16 p.

    Research output: Contribution to journalArticle

  49. Published

    The Serpent's Gaze: Re-working Myths for a Feminist Australian Drama

    Gilbert, H., 1993, In : Australian and New Zealand Studies in Canada. 10, p. 30-40

    Research output: Contribution to journalArticle

  50. Published

    The seven gates of Aeschylus

    Wiles, D., 1993, In : Drama. 2, p. 180-194

    Research output: Contribution to journalArticle

  51. Published

    The Sociable Aesthetics of Amateur Theatre

    Walcon, E. & Nicholson, H., 2017, In : Contemporary Theatre Review. 27, 1, p. 18-33 16 p.

    Research output: Contribution to journalArticle

  52. Published

    'The Spectacle is Everywhere': tracing the Situationist legacy in British playwriting since 1968

    Megson, C., May 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle

  53. Published

    'The Spectacle is Everywhere': Tracing the Situationist Legacy in British Playwriting Since 1968

    Megson, C., 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle

  54. Published

    The Spectator and Her Double: Seeing Performance through the Eyes of Another

    Parker-Starbuck, J., Jun 2014, In : Theatre Topics. 24, 2, p. 125-136 12 p.

    Research output: Contribution to journalArticle

  55. E-pub ahead of print

    The Spectatorial Body in Multimedia Performance

    Parker-Starbuck, J., 17 Aug 2011, In : PAJ: A Journal of Performance and Art. 33, 3, p. 60-71 12 p.

    Research output: Contribution to journalArticle

  56. Published

    The staging of the recognition scene in the Choephoroi

    Wiles, D., 1988, In : The Classical Quarterly. 38, p. 82-85

    Research output: Contribution to journalArticle

  57. Published

    The Sweater's Baby and the Docker's Cat: Performing occupation of public space in the 1889 London Dock Strike

    Nield, S., Nov 2016, In : About Performance. 14/15, p. 61-76

    Research output: Contribution to journalArticle

  58. Published

    The Theatres Act (1968), documentary theatre and the actor’s overwhelming reality

    Megson, C., May 2011, In : Studies in Theatre and Performance. 31, 2, p. 137-151 15 p.

    Research output: Contribution to journalArticle

  59. Published

    The thing with feathers

    Williams, D., 2004, In : Performance Research. 9, 4, p. 59-65 7 p.

    Research output: Contribution to journalArticle

  60. Published

    The Trial That Never Was: Russian Documentary Theatre and The Pursuit of Justice

    Flynn, M., 21 Oct 2014, In : New Theatre Quarterly. 30, 04, p. 307-317

    Research output: Contribution to journalArticle

  61. Published

    The Wooster Group Work Book (review)

    Parker-Starbuck, J., 2008, In : Modern Drama. 51, 3, p. 427-429 3 p.

    Research output: Contribution to journalArticle

  62. Published

    Theatre and Cultural Commerce: Louis Nowra’s Cosí

    Gilbert, H., 1997, In : Southerly. 57, 3, p. 191-199

    Research output: Contribution to journalArticle

  63. Published

    Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

    Lease, B., 5 Mar 2015, In : TDR: The Drama Review. 59, 1, p. 119-135 17 p.

    Research output: Contribution to journalArticle

  64. Published

    Théâtre dionysiaque dans le ‘Banquet’ de Xénophon

    Wiles, D., 2000, In : Cahiers du GITA. 13, p. 107-118

    Research output: Contribution to journalArticle

  65. Published

    There is a whale in the room: Pina Bausch’s animals on stage

    Parker-Starbuck, J., 2018, In : Studies in Theatre and Performance. 38, 2, p. 165-175 11 p.

    Research output: Contribution to journalArticle

  66. Published

    'This is all theatre': Iraq Centrestage

    Megson, C., 2005, In : Contemporary Theatre Review. 15, 3, p. 369-71

    Research output: Contribution to journalArticle

  67. Published

    Thomas Holmes: the Dedicatee of The Witch

    Schafer, E., 1996, In : Notes and Queries. June, p. 188-190

    Research output: Contribution to journalArticle

  68. Published

    Thousand and one nights at the Komedie Stamboel: popular theatre and travelling stories in colonial Southeast Asia

    Cohen, M., 2004, In : Middle Eastern Literatures. 7, 2, p. 235-246

    Research output: Contribution to journalArticle

  69. E-pub ahead of print

    Three Eras of Indonesian Arts Diplomacy

    Cohen, M., 12 Jul 2019, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 175, 2-3, p. 253-283 31 p.

    Research output: Contribution to journalArticle

  70. Published

    Thriving in Hard Times: The Contemporary London Scene

    Abrams, J. & Parker-Starbuck, J., 2009, In : Western European Stages. 21, 2, p. 45-58 14 p.

    Research output: Contribution to journalArticle

  71. Published

    Time-specificity of Performance

    Wakefield, N., 2014, In : Choreographic Practices. 5, 2

    Research output: Contribution to journalArticle

  72. Published

    Time-specificity of the future of performance

    Wakefield, N., 1 Nov 2015, In : Maska: The Performing Arts Journal. 30, 175-176, p. 6-13 6 p.

    Research output: Contribution to journalArticle

  73. Published

    Toil and Traffic: Australian Appropriations of the Suzuki Method

    Gilbert, H. & Lo, J., 2001, In : Australasian Drama Studies. 39, p. 76-91

    Research output: Contribution to journalArticle

  74. Published

    Towards a Topography of Cross-cultural Theatre Praxis

    Gilbert, H. & Lo, J., 2002, In : TDR: The Drama Review. 46, 3, p. 31-53

    Research output: Contribution to journalArticle

  75. Published

    Towards an Anarchist Theatre

    Cawson, M., Sep 2013, In : Platform. 7, 2

    Research output: Contribution to journalArticle

  76. Published

    Towards Best Intercultural Practice: An Analysis of Tim Supple's pan-Indian 'A Midsummer Night's Dream'

    O Toole, E., 2011, In : Journal of Adaptation in Film and Performance. 4, 3

    Research output: Contribution to journalArticle

  77. Published

    Traditional and popular painting in modern Java

    Cohen, M., 2005, In : Archipel. 69, p. 5-38

    Research output: Contribution to journalArticle

  78. E-pub ahead of print

    Training of the chorus in ancient Greece

    Shuler, W., 26 Mar 2015, In : Theatre, Dance and Performance Training. 6, 1, p. 110-113 4 p., 12.

    Research output: Contribution to journalArticle

  79. Published

    Transforming Tradition: Performance of Jingju ('Beijing Opera') in the UK

    Thorpe, A., Mar 2011, In : Theatre Research International. 36, 1, p. 33-46

    Research output: Contribution to journalArticle

  80. Published

    Trans-Global Readings: Crossing Theatrical Boundaries

    Parker-Starbuck, J., 2005, In : TDR: The Drama Review. 49, 2, p. 159-160 2 p.

    Research output: Contribution to journalArticle

  81. Published

    Translating Greek theatre

    Wiles, D., 2007, In : Theatre Journal. 59, 3, p. 363-366

    Research output: Contribution to journalArticle

  82. Published

    Transnational and postcolonial gamelan

    Cohen, M., 2006, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 162, 4, p. 576-588

    Research output: Contribution to journalArticle

  83. Published

    Understand the Meaning of Movement

    McCaw, R., 25 Jul 2015, In : Theatre, Dance and Performance Training. 6, 2, p. 219 -232 14 p.

    Research output: Contribution to journalArticle

  84. Published

    Underworld, underground, underhistory: Towards a counterhistory of waste and wastelands

    Williams, D., 2010, In : Performance Research. 15, 4, p. 131-140 10 p.

    Research output: Contribution to journalArticle

  85. Published

    Unsettling Illyria: Twelfth Night, (Austr)Illyria and Exotic Englishness

    Schafer, E., 2009, In : Contemporary Theatre Review. 19, 3, p. 350-359

    Research output: Contribution to journalArticle

  86. Published

    Verbatim Practices in Contemporary Theatre: Symposium Report

    Megson, C., 2006, In : Contemporary Theatre Review. 16, 4, p. 529-32

    Research output: Contribution to journalArticle

  87. Published

    Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking

    Cox, E., Jul 2012, In : Theatre Research International. 37, 2, p. 118-133 16 p.

    Research output: Contribution to journalArticle

  88. Published

    Violence and the Body: Dissecting Recent British Drama

    Rebellato, D., 2002, In : Anglo Files. 126, p. 15-26

    Research output: Contribution to journalArticle

  89. Published

    'W radiu obraz jest lepszy': z Danem Rebellato rozmawia Michał Lachman

    Rebellato, D., 2013, In : Tekstualia: Palimpsesty, Literackie, Artystyczne, Naukowe. 32, 1, p. 25-30 6 p.

    Research output: Contribution to journalArticle

  90. Published

    Warrior, Untouchable, Courtesan: Fringe Women in Tagore’s Dance Dramas

    Purkayastha, P., 2009, In : South Asia Research. 29, 3, p. 255-73 18 p.

    Research output: Contribution to journalArticle

  91. E-pub ahead of print

    Wayang in Jaman Now: Reflexive Traditionalization and Local, National, and Global Networks of Javanese Shadow Puppet Theatre

    Cohen, M., 3 Apr 2019, In : Theatre Research International. 44, 1, p. 40-57 18 p.

    Research output: Contribution to journalArticle

  92. Published

    Wayang in Museums: The Reverse Repatriation of Javanese Puppets

    Cohen, M., 19 Sep 2017, In : Theatre Journal. 69, 3, p. 361-381 21 p.

    Research output: Contribution to journalArticle

  93. Published

    Weather

    Williams, D., 2006, In : Performance Research. 11, 3, p. 142-144 3 p.

    Research output: Contribution to journalArticle

  94. Published

    Welcome to Country? Aboriginal Sovereignties and Asylum Seekers

    Cox, E., 2011, In : Australian Studies. 3

    Research output: Contribution to journalArticle

  95. Published

    'West Indies vs England in Winsome Pinnock's Migration Narratives'

    Goddard, L., Nov 2004, In : Contemporary Theatre Review. 14, 4, p. 23-33

    Research output: Contribution to journalArticle

  96. Published

    'What I'm aspiring to be is a good dramatist': Alecky Blythe in Conversation with Chris Megson

    Megson, C., 4 May 2018, In : Journal of Contemporary Drama in English. 6, 1, p. 220-233

    Research output: Contribution to journalArticle

  97. Published

    What on earth is happening in Poland? On Klątwa, protest, and a new regime

    Lease, B., Jun 2018, In : Interventions . 28, 2

    Research output: Contribution to journalArticle

  98. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In : Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticle

  99. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In : Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticle

  100. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In : Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticle

  101. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In : Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticle

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