1. Chapter › Research
  2. Published

    New Directions: Much Ado – Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 8 Feb 2018, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). 1 ed. London: Bloomsbury Academic, p. 111-132 22 p. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Forthcoming

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, (Accepted/In press) Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Forthcoming

    Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images

    Alston, A., 2013, (Accepted/In press) Affective Performance and Cognitive Science: body, brain and being. Shaughnessy, N. (ed.). Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Portable Theatre Company

    Megson, C., 15 Dec 2016, British Theatre Companies : 1965-1979. Bull, J. (ed.). 1st ed. London: Methuen Drama, p. 171-194 24 p. (British Theatre Companies: From Fringe to Mainstream).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Forthcoming

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 2020, (Accepted/In press) Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 2016, Deep Mapping. Roberts, L. (ed.). Basel: MDPI, p. 131-154

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    Rehearsing (Inter)disciplinarity: Interdisciplinary Production Practice and the 10,000 Hour Problem

    Vorwerg, L., 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). Routledge, p. 166-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Re-locating Memory: Performance, Reminiscence and Communities of Diaspora

    Nicholson, H., 2009, The Applied Theatre Reader. Prentki, T. & Preston, S. (eds.). London: Routledge, p. 268-276

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Re-membering the others that are us: trans-culturalism and myth in the theatre of Peter Brook

    Williams, D. & Pavis, P. (ed.), 1996, The Intercultural Performance Reader. Pavis, P. (ed.). London and New York: Routledge, p. 67-78 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. In preparation

    Renegotiating Immersive Participation

    Jarvis, L., 2015, (In preparation) Performance & Participation.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Representing Java and Bali in Popular Film, 1919-1954: Sites of Performance, Extra-Daily Bodies, Enduring Stories

    Cohen, M. I., 2015, Sites, Bodies and Stories: Imagining Indonesian History. Legêne, S., Purwanto, B. & Schulte Nordholt, H. (eds.). Singapore: NUS Press, p. 132-156 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Researching the Body in/as Performance

    Parker-Starbuck, J. & Mock, R., 1 Jun 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh, United Kingdom: Edinburgh University Press, p. 210-235 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Revolution, Legislation & Autonomy

    Bush-Bailey, G., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 15-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Ringing True

    Worth, L., 15 Oct 2016, Justitia: Multidisciplinary Readings of the work of Jasmin Vardimon Company. Johnson, P. & Dobkowska, S. (eds.). 1st ed. Bristol: Intellect Publishers, p. 113-122 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Sarah Kane before Blasted: The Monologues

    Rebellato, D., 2010, Sarah Kane in Context. Saunders, G. & De Vos, L. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Seeing is believing: the historian’s use of images

    Wiles, D., 2010, Representing the Past: Essays in the Historiography of Performance. Canning, C. & Postlewait, T. (eds.). Iowa: Iowa University Press, p. 215 239 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Shakespeare and the medieval idea of the play

    Wiles, D., 1992, The Show Within: Dramatic and Other Insets. Laroque, F. (ed.). Publications de l'Université Paul Valéry, Montpellier III, p. 65-74 (Collection Astraea; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Sightlines: Foucault and Naturalist theatre

    Rebellato, D., Oct 2019, Foucault’s theatres. Fisher, T. & Gotman, K. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. Published

    Simon McBurney

    Williams, D., 2005, Fifty Key Theatre Directors. Shevtsova, M. & Mitter, S. (eds.). London and New York: Routledge, p. 247-252 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Siting the people: power, protest and public space

    Nield, S., 2012, Performing Site-Specific Theatre. Birch, A. & Tompkins, J. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Forthcoming

    'Somewhere to Call Home? Immigration, Asylum and Citizenship in Black British Plays, 1958-2018'

    Goddard, L., 2020, (Accepted/In press) Cambridge Companion to British Playwriting Since 1945. Angelaki, V. & Rebellato, D. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. Published

    Suriashi - a meditation on the local through artistic research

    Skanberg Dahlstedt, A., 7 Mar 2018, Artistic Research: Being There - explorations into the Local. Greenfield, L., Trustam, M. & Abrantes, E. (eds.). Copenhagen: NSU Press, p. 29-41 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Tahrir Square EC4M: the Occupy movement and the dramaturgy of public order

    Nield, S., 2015, The Grammar of Politics and Performance. Rai, S. M. & Reinelt, J. (eds.). London and New York: Routledge, p. 121-133 13 p. (Interventions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Taking farce seriously: recent critical approaches to Plautus

    Wiles, D., 1987, Farce: Themes in Drama Vol.10. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 261-271

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    'Talking Country': Place and Displacement in Jack Davis's Theatre

    Gilbert, H., 1994, Jack Davis: A Critical Study. Turcotte, G. (ed.). Sydney: Collins-Angus & Robertson, p. 60-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    Talking in Class: Spoken Language and Effective Learning

    Nicholson, H., 1999, Use of Language in the Secondary Curriculum . London: Routledge, p. 26-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Taming, Shaming and Displaying; Katharine Hepburn’s trousers, Australia 1955

    Schafer, E., 17 Oct 2018, Robert Helpmann; The Many Faces of a Theatrical Dynamo . Cave, R. & Meadmore, A. (eds.). Dance Books, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Technicolour Twelfth Night

    Schafer, E., 2013, Shakespeare Beyond English: a Global Experiment. & Bennett, S. Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    Technologies of Performance

    Nield, S., 8 Aug 2019, A Cultural History of Theatre in the Age of Empire . Marx, P. W. (ed.). 1 ed. Methuen Drama, Vol. 5. p. 203-226 24 p. (The Cultural Histories Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Textual Notes

    Dymkowski, C., 1987, The Plays of Susan Glaspell. Bigsby, C. (ed.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    The Alchemist on the Stage: Performance, Collaboration, and Deviation

    Schafer, E. & Cox, E., 2013, Ben Jonson: A Critical Reader. Ostovich, H. & Julian, E. (eds.). Methuen Drama, p. 43-74

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    The Arts Britain Utterly Ignored: or; Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s.

    Thorpe, A., 31 Aug 2018, Contesting British Chinese Culture. Thorpe, A. & Yeh, D. (eds.). Palgrave Macmillan Ltd., p. 195-222 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    The Beginning of Spoken Theatre: Colonialism and Colonial Modernity

    Cohen, M. I., Singh, A., Isaka, M. & Liu, S., 2016, Routledge Handbook of Asian Theatre. Liu, S. (ed.). 1st ed. Routledge, p. 393-412 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    The Care Home as a Creative Space

    Nicholson, H. & Lloyd, J., 2017, Applied Theatre: Creative Ageing. McCormick, S. (ed.). London: Bloomsbury, p. 125-146 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    The carnivalesque in A Midsummer Night’s Dream

    Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    The Choreography of Performance

    Nicholson, H. & Taylor, R., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 112-128

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estrelas (Tata Amaral, 1996) and Vagón Fumador (Verónica Chen, 2001)

    Gleghorn, C., 2011, New Trends in Argentine and Brazilian Cinema. Rêgo, C. & Rocha, C. (eds.). Bristol, UK; Chicago; USA: Intellect Books, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    'The Girl Defies': A Kenyan Merry Wives of Windsor

    Cox, E., 2013, Shakespeare Beyond English: A Global Experiment. Carson, C. & Bennett, S. (eds.). Cambridge University Press, p. 53-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. In preparation

    The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance

    Shuler, W., 30 Oct 2016, (In preparation) War and Theatrical Innovation: "Palgrave Studies in Theatre and Performance". Emeljanow, V. & Wilmeth, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Forthcoming

    The Hidden Dialogue between Sarah Kane and Edward Bond

    Chen, C-C., 2019, (Accepted/In press) After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. Boles, W. (ed.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  81. Published

    The Imperial London Stage: A Tale of Two Australians: Haddon Chambers and Gilbert Murray

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 108-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    The International Noh Institute of Milan: Transmission of Ethics and Ethics of Transmission in a Transcultural Contex

    Pellecchia, D., Dec 2011, Japanese Theatre Transcultural: German and Italian Intertwinings. Scholz-Cionca, S. & Regelsberger, A. (eds.). iudicium, p. 32-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    The Internet: History 2.0?

    Bratton, J. & Peterson, G., 2012, The Cambridge Companion to Theatre History. Dymkowski, C. & Wiles, D. (eds.). Cambridge University Press, p. 299-313 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    'The State We’re In': Tribunal Theatre and British Politics in the 1990s

    Megson, C., 2008, Theatres of Thought: Theatre, Performance and Philosophy. Watt, D. & Meyer-Dinkgräfe, D. (eds.). Newcastle: Cambridge Scholars, p. 110-126

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    The tears of things (for Pina)

    Williams, D., Mar 2011, The Live Art Almanac Vol. 2. Keidan, L., Mitchell, CJ. & Mitchelson, A. (eds.). Live Art Development Agency, p. 125-8 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Published

    Theatre History and Historiography

    Davis, J., Normington, K., Bush-Bailey, G. & Bratton, J., 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh: Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Theatre in Indonesia under occupation

    Cohen, M. I., 2016, A History of Japanese Theatre. Salz, J. (ed.). Cambridge: Cambridge University Press, p. 260 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Theatre in Roman and Christian Europe

    Wiles, D., 1995, The Oxford Illustrated History of Theatre. Brown, J. R. (ed.). Oxford: Oxford University Press, p. 49-92

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    'There are children here somewhere, I can smell them'. Robert Helpmann and the making of an on-screen villain: the Child Catcher in Chitty Chitty Bang Bang (1968).

    Worth, L., 1 Dec 2018, Robert Helpmann : The Many Faces of a Theatrical Dynamo. Cave, R. & Meadmore, A. (eds.). Binstead, Hants: Dance Books, p. 169-183 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    There is another world: space, theatre and global anti-capitalism

    Nield, S., 2006, Contemporary Theatre Review: Theatre and Globalisation. Harvie, J. & Rebellato, D. (eds.). Routledge, p. 51-61

    Research output: Chapter in Book/Report/Conference proceedingChapter