1. Published

    Gadgets, Bodies and Screens: Dance in Advertisements for New Technologies

    Blanco, M., 2016, The Oxford Handbook of Screendance Studies. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  2. Published

    Galileo’s Finger and the Perspiring Waxwork: on Death, Appearance and the Promise of Flesh

    Nield, S., 2010, In: Performance Research. 15, 2, p. 39-43 4 p.

    Research output: Contribution to journalArticlepeer-review

  3. Published

    Gallathea: Theatre Review of Gallathea at King's Head Theatre, London

    Paitayawat, P., 2007, In: Cahiers Elisabéthains. 72, Autumn, p. 64-68 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  4. Forthcoming

    Gamelanesque effects: Musical impressions of Java and Bali inter war America

    Cohen, M. I., 2018, (Accepted/In press) Global Perspectives on Orchestras: Collective Creativity and Social Agency . Ramnarine, T. K. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Gardens Speak

    El Khoury, T., Feb 2016, Tadween.

    Research output: Book/ReportBook

  6. Published

    Gardzienice Theatre’s Influence on Western Theatre Practice

    Hodge, A., 2005, In: Contemporary Theatre Review. 15, 1

    Research output: Contribution to journalArticlepeer-review

  7. Published

    Gateway to Heaven - Fifty Years of Lesbian and Gay Oral History.

    Summerskill, C., 2012, 2012 ed. London: Tollington Press. 224 p.

    Research output: Book/ReportBook

  8. Published

    Gateway to Heaven - The Play

    Summerskill, C., 18 Aug 2019, Machynlleth: Tollington Press. 78 p.

    Research output: Book/ReportBook

  9. Published

    Gender and Medieval Drama

    Normington, K., 2004, Woodbridge, Suffolk: D. S. Brewer.

    Research output: Book/ReportBook

  10. Published

    Genre and Gender

    McGirr, E., 2012, In: The Eighteenth Century. 53

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  11. Published

    Genre, Gender and Play: Feminist Theory and Drama Education.

    Nicholson, H., 1996, In: The NADIE Journal Australia. 19, 2, p. 15-24

    Research output: Contribution to journalArticlepeer-review

  12. Published

    Geographies of requiredness: Notes on the dramaturg in collaborative devising

    Williams, D., 2010, In: Notatnik Teatralny (Poland). 58-9 (Summer), p. 148-58 11 p.

    Research output: Contribution to journalArticlepeer-review

  13. Published

    Gestes d'utopie: le théâtre de David Greig

    Rebellato, D., 2002, Dramaturgies Britanniques (1980-2000). Lanteri, J-M. (ed.). Paris-Caen: Lettres Modernes Minard, (Écritures Contemporaines).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Get Real: Documentary Theatre Past and Present

    Forsyth, A. (ed.) & Megson, C. (ed.), 2009, Basingstoke: Palgrave Macmillan. 256 p.

    Research output: Book/ReportBook

  15. Published

    Ghosts in a Landscape: Louis Nowra's Inside the Island and Janis Balodis's Too Young for Ghosts

    Gilbert, H., 1994, In: Southern Review. 27, p. 432-447

    Research output: Contribution to journalArticlepeer-review

  16. Published

    GI Joe Versus Digger Dave: Contemporary Australian Drama and the Vietnam War

    Gilbert, H., 1997, WAR: Australia's Creative Response. Rutherford, A. & Wieland, J. (eds.). Sydney: Dangaroo, p. 293-307

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Gibellina: art, memory and the unfinished

    Williams, A., 17 Feb 2016

    Research output: Other contribution

  18. Published

    Giving Voice to Women: Teaching Feminist Approaches to the Mystery Plays

    Normington, K., 2001, In: College Literature. 28, 2, p. 130-154

    Research output: Contribution to journalArticlepeer-review

  19. Published

    Global Friends: The Builders Association at BAM

    Parker-Starbuck, J., May 2004, In: PAJ: A Journal of Performance and Art. 26, 2, p. 96-102 7 p.

    Research output: Contribution to journalArticlepeer-review

  20. Published

    Global Modernities and Post-Traditional Shadow Puppetry in Contemporary Southeast Asia

    Cohen, M., 20 Mar 2017, In: Third Text. 30, 3-4, p. 188-206 19 p.

    Research output: Contribution to journalArticlepeer-review

  21. Published

    Globalization and Playwriting: Towards a Site-Unspecific Theatre

    Rebellato, D., 2006, In: Contemporary Theatre Review. xvi, 1, p. 97-113

    Research output: Contribution to journalArticlepeer-review

  22. Published

    Gold leaf goose, sublime suchness: an unfinished and unfinishable A-Z

    Williams, D. & Whitehead, S., 2006, Walking to work. Cardiff: Arts Council of Wales/Shoeless, p. 62-3 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Golden Girls and Bad Girls: the plays of Dorothy Hewett

    Schafer, E., 1994, In: Critical Survey. 6, p. 140-5

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Great Adventures in Nursing: Colonial Discourse and Health Care Delivery in Canada’s North

    Gilbert, H., 2003, In: Jouvert: A Journal of Postcolonial Studies. 7, 1

    Research output: Contribution to journalArticlepeer-review

  25. Published

    Greek and Roman Actors: Aspects of an Ancient Profession

    Easterling, P. (ed.) & Hall, E. (ed.), Sep 2002, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  26. Published

    Greek and Shakespearean plays in performance: their different academic receptions

    Wiles, D., 2010, Theorising performance: Greek Drama, Cultural History and Critical Practice. Hall, E. & Harrop, S. (eds.). London: Duckworth, p. 43-55

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Greek theatre and the legitimation of slavery

    Wiles, D., 1988, Slavery and Other Forms of Unfree Labour. Archer, L. (ed.). London: Routledge, p. 53-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Greek Theatre Performance: an Introduction

    Wiles, D., 2000, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  29. Published

    Greek Tragedy and the British Theatre 1660-1914

    Hall, E. (ed.) & Macintosh, F. (ed.), 14 Jul 2005, Oxford University Press. 768 p.

    Research output: Book/ReportBook

  30. Published

    Half the Picture: “a certain frisson” at the Tricycle Theatre

    Megson, C., 2009, Get Real: Documentary Theatre Past and Present. Forsyth, A. & Megson, C. (eds.). Basingstoke: Palgrave Macmillan, p. 195-208

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published
  32. Published

    Harley Granville Barker: A Preface to Modern Shakespeare

    Dymkowski, C., 1986, Washington, London, and Toronto: Folger Shakespeare Library and Associated University Presses. 240 p.

    Research output: Book/ReportBook

  33. In preparation

    Hear Tell: Describing, Reporting, Narrating

    Guy, G. (ed.) & Linsley, J. (ed.), 2022, (In preparation) In: Contemporary Theatre Review.

    Research output: Contribution to journalSpecial issuepeer-review

  34. Published

    Hearing Voices

    Summerskill, C., 2010, London: Tollington Press. 91 p.

    Research output: Book/ReportBook

  35. Published

    Hearing Voices: Creating Theatre from Stories Given by Mental Health Service Users

    Summerskill, C., 2014, Creative Positions in Adult Mental Health: Outside In-Inside Out. McNab, S. & Partridge, K. (eds.). Karnac Books, p. 227-239

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    'Her painful legs joined in the conversation': Dramatherapy and the Space before and beyond the Talking Cure

    Brodzinski, E., 7 Feb 2019, Performing Psychologies: Imagination, Creativity and Dramas of the Mind. Shaughnessy, N. & Barnard, P. (eds.). 1 ed. Methuen Drama, p. 99-112 14 p. (Performance and Science: Interdisciplinary Dialogues).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  37. Published

    'Her tears were sincere': Kate McCann and the Paradox of Mourning

    Nield, S., 2008, In: Contemporary Theatre Review.

    Research output: Contribution to journalArticlepeer-review

  38. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  39. Published

    Heroic Mode and Political Crisis, 1660-1745

    McGirr, E., 2009, Newark, NJ: University of Delaware Press. 248 p.

    Research output: Book/ReportBook

  40. Published

    Hidden Territories: The Theatre of Gardzienice

    Hodge, A. & Staniewski, W., 2003, London: Routledge.

    Research output: Book/ReportBook

  41. Published

    Hip Work: Undoing the Tragic Mulata

    Blanco Borelli, M., 2014, Black Performance Theory. DeFrantz, T. F. & Gonzalez, A. (eds.). Duke University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  42. Published

    Hips, Hip-notism, Hip(g)nosis: the mulata performances of Ninón Sevilla

    Blanco Borelli, M., 2010, The Routledge Dance Studies Reader. Carter, A. & O'Shea, J. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  43. Published

    Historical Re-presentation: Performance and Counter-discourse in Jack Davis's Drama

    Gilbert, H., 1990, In: New Literatures Review. 19, p. 91-101

    Research output: Contribution to journalArticlepeer-review

  44. Published

    Hope (L'espoir)

    Castro, E. & Neil, L., 2011, Origins Festival of First Nations Programme. London: Border Crossings, p. 59 1 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  45. Published

    Hosts and Parasites: Late 19th Century Migration, Bram Stoker's Dracula, and the Discourse of Disease

    Nield, S., Apr 2018, Bodies of Evidence: Ethics, Aesthetics and Politics of Movement. Ertem, G. & Noeth, S. (eds.). Vienna: Passagen Verlag, p. 215-228 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    How can Westerners study Japanese Noh? An Interview with Richard Emmert, Director of the Noh Training Project and Theatre Nohgaku.

    Thorpe, A., Oct 2014, In: Theatre, Dance and Performance Training. 5, 3, p. 321-333

    Research output: Contribution to journalArticlepeer-review

  47. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre and Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). 1st ed. Methuen Drama, p. 284-295 12 p. (Thinking Through Theatre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    How Long a Thing Takes: an invitation to think duration

    Wakefield, N., 2013, In: Video Journal of Performance.

    Research output: Contribution to journalArticlepeer-review

  50. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  52. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In: Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview articlepeer-review

  54. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    Hrosvitha of Gandersheim: the performance of her plays in the tenth century

    Wiles, D., 1999, In: Theatre History Studies. 19, p. 133-150

    Research output: Contribution to journalArticlepeer-review

  57. Published

    Humanism after the Human

    Lewandowski, H. (Guest ed.) & Moravec, L. (Guest ed.), 14 Jun 2021, In: Photography and Culture. 14, 2

    Research output: Contribution to journalArticlepeer-review

  58. E-pub ahead of print

    Humanism after the Human: An Introduction

    Lewandowski, H. & Moravec, L., 14 Jun 2021, (E-pub ahead of print) In: Photography and Culture. 14, 2, p. 125-133 9 p., Editorial .

    Research output: Contribution to journalArticlepeer-review

  59. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    I La Galigo

    Cohen, M., 2005, In: Asian Theatre Journal. 22, 1, p. 138-149

    Research output: Contribution to journalArticlepeer-review

  62. Published

    I Love A Good Story: British Drama against Postmodernism

    Rebellato, D., 1999.

    Research output: Contribution to conferencePaper

  63. Published

    I'm Not This Girl

    Gardner, N-M., Jan 2006, Bedford Square. Serota, A. & Motion, A. (eds.). London: Hodder Headline

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  64. E-pub ahead of print

    Image and Infatuation

    Guy, G., 2 Jan 2020, (E-pub ahead of print) In: PAJ: A Journal of Performance and Art. 42, 1, p. 49-52 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  65. Published

    Imaginary (re)vision: Politics and Poetics in Sam Watson’s The Kadaitcha Sung and Eric Willmot’s Below the Line

    Castro, E., 2007, In: Anglophonia: French journal of English studies. 21, Divergences and Convergences, p. 159-170 12 p.

    Research output: Contribution to journalArticlepeer-review

  66. Published

    Imagining Human Rights in Twenty-First Century Theater: Global Perspectives

    Cox, E., 2014, In: Contemporary Theatre Review. 24, 1, p. 117-119

    Research output: Contribution to journalBook/Film/Article review

  67. Unpublished

    Improbable Objects: Physical Materials between the Self and the 'Other'? A provocation

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  68. Published

    Improvisation in Dance and the Movement of Everyday Life

    Worth, L., 2 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. L. (ed.). 1 ed. Oxford: Oxford University Press, p. 1-13 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. Published

    In Conversation with Geoffrey Rush

    Cox, E., 2012, In: Australian Studies. 4

    Research output: Contribution to journalArticlepeer-review

  70. Published

    In Memoriam: Harold Pinter 1930-2008

    Rebellato, D., 2009, In: Contemporary Theatre Review. 19, 2, p. 244-253

    Research output: Contribution to journalArticlepeer-review

  71. Published

    In Praise of Luvvies

    Rebellato, D., 2000.

    Research output: Contribution to conferencePaper

  72. Unpublished

    In Search of Another Eye: Mimesis, Chinese Aesthetics, Post-modern Theatre

    Sohn, W., 2011, (Unpublished)

    Research output: ThesisDoctoral Thesis

  73. Unpublished
  74. Published

    In the Balance: Indigeneity, Performance, Globalization

    Raheja, M. H. (ed.), Phillipson, D. J. (ed.) & Gilbert, H. (ed.), 2017, Liverpool: Liverpool University Press. 316 p.

    Research output: Book/ReportBook

  75. Published

    In Transit: Travel, Text, Empire

    Gilbert, H. (ed.) & Johnston, A. (ed.), 2002, New York: Peter Lang. 285 p.

    Research output: Book/ReportBook

  76. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Inappropriate(d) others: the difficulty of being a dog

    Williams, D., 2007, In: TDR: The Drama Review. 51, 1 T193, p. 92-118 27 p.

    Research output: Contribution to journalArticlepeer-review

  78. Published

    India, Greece, and Rome, 1757 to 2007

    Hall, E. (ed.) & Vasunia, P. (ed.), 2010, London: Institute of the Classical Tradition. 180 p.

    Research output: Book/ReportBook

  79. Published

    Indian Modern Dance, Feminism and Transnationalism

    Purkayastha, P., Oct 2014, 1 ed. Basingstoke, Hampshire: Palgrave Macmillan. 232 p. (New World Choreographies)

    Research output: Book/ReportBook

  80. Unpublished

    Indigeneity and Theatre in the New South Africa

    Moyo, A., 2016, (Unpublished) 329 p.

    Research output: ThesisDoctoral Thesis

  81. Published

    Indigeneity in the Contemporary World

    Gilbert, H., 2014, London : Streamline Press.

    Research output: Other contribution

  82. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  83. Published

    Indigeneity, time and the cosmopolitics of postcolonial belonging in the atomic age

    Gilbert, H. (ed.), 2013, In: Interventions: International Journal of Postcolonial Studies. 15, 2, p. 195-210

    Research output: Contribution to journalArticlepeer-review

  84. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  85. Published

    Indigenous Australian Arts Showcased in Saint-Tropez

    Castro, E., 9 Dec 2010, National Indigenous Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  86. Published

    Indigenous Festivals in the Pacific: Cultural Renewal, Decolonization and Nation-building

    Gilbert, H., 2020, In: Pacific and American Studies. p. 41-56 16 p.

    Research output: Contribution to journalArticlepeer-review

  87. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  88. Published

    Indonesian performing arts across borders

    Cohen, M., Lopez y Royo, A. & Noszlopy, L., 2007, In: Indonesia and the Malay World. 35, 101, p. 1-7

    Research output: Contribution to journalArticlepeer-review

  89. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Unpublished
  91. Published

    Indonesian theatre: New North American scholarship on modern and traditional performance practices

    Cohen, M. I., 2013, In: Theatre Journal. 65, 1, p. 127-135

    Research output: Contribution to journalArticle

  92. Unpublished

    Inhuman, All Too Inhuman

    Rebellato, D., 19 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  93. Published
  94. Published

    Intercultural Art Music and the Sensory Veracity of Reconciliation: Brent Michael Davids’ Powwow Symphony on the Dakota Music Tour

    Robinson, D., 2012, In: MUSICultures. 39, 1, p. 111-128 17 p.

    Research output: Contribution to journalArticlepeer-review

  95. Unpublished

    Intercultural Communication of Chinese Traditional Opera Programs under the View of Deconstructionism

    Li, X., 13 Aug 2018, (Unpublished) Second World Conference of Chinese Studies & 17th Intl. Conference on the Digitalization of Premodern Chinese Novel & Drama.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  96. Published

    Interculturalism, Globalization and Cosmopolitanism

    Rebellato, D., 15 Dec 2010.

    Research output: Contribution to conferencePaper

  97. Published

    Interculturalización fallida: Desarrollismo, neoindigenismo y universidad intercultural en Yucatán, México

    Llanes Ortiz, G., Jun 2008, In: TRACE. VI, 53, p. 49-63

    Research output: Contribution to journalArticlepeer-review

  98. Published

    Interdisciplinarity, ‘Mythunderstanding’ and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works

    Castro, E., 2009, L'interdisciplinarité en question/Questioning Interdisciplinarity. Presses universitaires de Nancy, p. 161-1731 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  99. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. Published

    Intermedial Performance and Politics in the Public Sphere

    Mancewicz, A., Arfara, K. & Remshardt, R., 2018, Palgrave Macmillan.

    Research output: Book/ReportBook

  102. Published

    Intermedial Shakespeares on European Stages

    Mancewicz, A., 2014, 1 ed. Palgrave Macmillan. 215 p. (Palgrave Studies in Performance and Technology)

    Research output: Book/ReportBook

  103. Published

    Intersections of Queer in Post-apartheid Cape Town

    Lease, B., Mar 2015, In: Theatre Research International. 40, 1, p. 70-74 5 p.

    Research output: Contribution to journalArticlepeer-review

  104. Published

    Interview with Daniel York, actor, writer and director and Anna Chen, writer, performer and broadcaster

    Rogers, A. & Thorpe, A., 2014, In: Contemporary Theatre Review. 24, 4, p. 496-503 8 p.

    Research output: Contribution to journalArticlepeer-review

  105. Published

    Interview with Katie Mitchell

    Lease, B., 2020, In: Contemporary Theatre Review. 30, 3, p. 253 259 p.

    Research output: Contribution to journalReview articlepeer-review

  106. In preparation

    Interview with Kerry Reed-Gilbert / Entretien avec Kerry Reed-Gilbert

    Castro, E., 2013, (In preparation) The Australian Literature Resource.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  107. Published

    Interview with the RSC’s Hannah Miller, Head of Casting, and Kevin Fitzmaurice, Producer

    Thorpe, A. & Rogers, A., 2014, In: Contemporary Theatre Review. 24, 4, p. 486-493 8 p.

    Research output: Contribution to journalArticlepeer-review

  108. Published

    Interview: Chris Megson in conversation with Jonathan Holmes, Cora Bissett and Jem Wall: Performance and Ethics - A Debate

    Megson, C., 2013, In: Performing Ethos: an international journal of ethics in theatre and performance. 3, 1, p. 59-75 17 p.

    Research output: Contribution to journalArticlepeer-review

  109. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  110. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants: Dance Books, p. 105-116 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  111. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  112. Published

    Introduction: Global encounters in Southeast Asian performing arts

    Cohen, M. I., 2014, In: Asian Theatre Journal. 31, 2, p. 353-368

    Research output: Contribution to journalArticlepeer-review

  113. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  114. Published

    Introduction

    Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  115. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  116. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  117. Published

    Introduction

    Bullen, D., Dec 2015, Adaptable Women: A Collection of Essays to Accompany By Jove Theatre's Pantomime Adaptation of 'Pride and Prejudice'. Plastow, C. (ed.). London: By Jove Theatre Company

    Research output: Chapter in Book/Report/Conference proceedingChapter

  118. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Ah! Wilderness. London: Nick Hern Books, p. vii-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  119. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Desire under the Elms and The Great God Brown. London: Nick Hern Books, p. vii-xxviii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  120. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Hairy Ape and All God’s Chillun Got Wings. London: Nick Hern Books, p. vi-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  121. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, A Touch of the Poet. London: Nick Hern Books, p. v-xxv

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  122. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Iceman Cometh. London: Nick Hern Books, p. v-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  123. Published

    Introduction

    Schafer, E. & Bradley Smith, S., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 1-10

    Research output: Chapter in Book/Report/Conference proceedingChapter

  124. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Long Day’s Journey into Night. London: Nick Hern Books, p. vii-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  125. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Strange Interlude. London: Nick Hern Books, p. v-xxiii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  126. Published

    Introduction

    Dymkowski, C. & vii-xxix, 1991, Anna Christie & The Emperor Jones: Introduction by Christine Dymkowski. London: Nick Hern Books

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  127. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, A Moon for the Misbegotten. London: Nick Hern Books, p. v-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  128. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, Mourning Becomes Electra. London: Nick Hern Books, p. v-xxix

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  129. Published

    Introduction

    Schafer, E. & Rogers, M., 2009, In: Australasian Drama Studies. 53, October

    Research output: Contribution to journalArticlepeer-review

  130. In preparation

    Introduction

    Schafer, E., 2022, (In preparation) Emilia by Morgan Lloyd Freeman. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  131. E-pub ahead of print

    Introduction: Outing Archives, Archives Outing

    Blanco Borelli, M., Lease, B. & Mitra, R., 19 May 2021, (E-pub ahead of print) In: Contemporary Theatre Review. 31, 1-2, p. 4-13 10 p.

    Research output: Contribution to journalArticlepeer-review

  132. Published

    Introduction

    Goddard, L., 12 Dec 2019, Mojisola Adebayo Plays Two. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  133. In preparation

    Introduction - Part II: Theorising the multiplicity of Noh

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  134. Published

    Introduction – Theatre Australia: or London is a long way from the centre

    Schafer, E., 2004, In: Contemporary Theatre Review. 14, 5, p. 1-4

    Research output: Contribution to journalArticlepeer-review

  135. Published

    Introduction and Notes

    Rebellato, D. (ed.) & McDowall, A., 2020, Pomona: Student Edition. London: Bloomsbury Methuen Drama, p. vi-xxiii, 119-120 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  136. Published

    Introduction to Part V: Presence, Physicality, Play and Communication

    McCaw, R., 2015, The Actor Training Reader. Abingdon: Routledge, p. 171 -181 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  137. Published

    Introduction: "A presence queer unwelcome here": On Eris and Unhappiness

    Bullen, D., 2018, ERIS by John King. London and New York: Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  138. Published

    Introduction: Attending to Early Modern Women as Theatre Makers

    Schafer, E., Dec 2015, In: Early Theatre. 18, 2, p. 125-33 9 p.

    Research output: Contribution to journalArticlepeer-review

  139. Published

    Introduction: Indigeneity and Performance

    Gilbert, H., 2013, In: Interventions: International Journal of Postcolonial Studies. 15, 2, p. 173–80

    Research output: Contribution to journalArticlepeer-review

  140. Published

    Introduction: The Power of Speech

    Nield, S., 2008, Farber, Yael “Molora”. Oberon Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  141. Published

    Introduction: Unsettling Will?

    Schafer, E. & Houlahan, M., 2009, In: Contemporary Theatre Review. 19, 3, p. 266-9

    Research output: Contribution to journalArticlepeer-review

  142. Published

    Inventing the Performing Arts: Modernity and Tradition in Colonial Indonesia

    Cohen, M. I., Feb 2016, University of Hawaii Press. 352 p.

    Research output: Book/ReportBook

  143. Published

    'Is it chaos? Or is it a building site?': British Theatrical Responses to the Cold War and its Aftermath

    Megson, C., 2005, Cold War Literature: Writing the Global Conflict. Hammond, A. (ed.). London: Routledge, p. 46-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Published

    Is the Theatre a Zombie? On the Successful Failures of Émile Zola

    Rebellato, D., 10 Mar 2018, In: Anglia. 136, 1, p. 100-120 21 p.

    Research output: Contribution to journalArticlepeer-review

  145. Published

    Is the Tricycle right to put the London riots on stage so soon?

    Nield, S., 3 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  146. Published

    Is Theatre Historical All The Way Down?

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  147. Published

    Is There a Comic Sublime?

    Rebellato, D., Oct 2007.

    Research output: Contribution to conferencePaper

  148. Published

    Island Impasse: Refugee Detention and the Thickening Border

    Cox, E., 2021, The Oxford Handbook of Politics and Performance. Rai, S., Gluhovic, M., Jestrovic, S. & Saward, M. (eds.). Oxford University Press, p. 217-233 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  149. Published

    it’s alright ma…

    Gardner, N-M., 31 Jan 2007, 3AM Magazine.

    Research output: Other contribution

  150. Published

    It's a Gay Economy, Stupid!

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  151. Forthcoming

    Jackie Huggins

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  152. Published

    Jacques Derrida 1930-2004

    Rebellato, D. & Ridout, N., 2005, In: Contemporary Theatre Review. 15, 1, p. 183-186

    Research output: Contribution to journalArticlepeer-review

  153. Published

    Jane Mason's 'Life Forces'

    Mason, J. & Williams, D., Nov 2014

    Research output: Other contribution

  154. Published

    Jane Scott the writer-manager

    Bratton, J., 1999, Women and Playwriting in Nineteenth-Century Britain. Davis, T. C. & Donkin, E. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  155. Published

    Jasmin Vardimon's Dance Theatre: Movement, Memory and Metaphor

    Worth, L. & Vardimon, J., 10 Jan 2017, 1 ed. Abingdon, Oxon: Routledge. 202 p.

    Research output: Book/ReportBook

  156. Published

    John Wyndham: the unread bestseller

    Rebellato, D., 20 Dec 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  157. Published

    Kantor’s Symptom or Grotowski’s Fantasy? Towards a Theatre of the Political

    Lease, B., 2014, Žižek and Performance. Chow, B. & Mangold, A. (eds.). Palgrave Macmillan, p. 33-47 15 p. (Performance and Philosophy Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  158. Published

    Karaoke Theatre: Channelling Mediated Lives

    Parker-Starbuck, J., 2017, In: Contemporary Theatre Review. 27, 3, p. 379-390 12 p.

    Research output: Contribution to journalArticlepeer-review

  159. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). 2nd ed. Routledge, p. 427-452 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  160. Published

    Katie Mitchell: Uczenie się od Europy

    Rebellato, D., Feb 2014, In: Didaskalia Gazeta Teatralna. 119, p. 84-92 9 p.

    Research output: Contribution to journalArticlepeer-review

  161. Published

    Katie Mitchell and the Politics of Naturalist Theatre

    Rebellato, D., 2018, The Theatre of Katie Mitchell. Fowler, B. (ed.). London: Routledge, p. 39-71 33 p. (4x45).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  162. Published

    Katie Mitchell. Uczenie się od Europy

    Rebellato, D., Feb 2014, In: Didaskalia Gazeta Teatralna. 119, p. 84-92

    Research output: Contribution to journalArticlepeer-review

  163. Published

    Katie Mitchell: Learning from Europe

    Rebellato, D., 2010, Contemporary European Theatre Directors. Delgado, M. M. & Rebellato, D. (eds.). Abingdon: Routledge, p. 317-338

    Research output: Chapter in Book/Report/Conference proceedingChapter

  164. Published

    Kinds of Irishness: Henry Burnell and Richard Head

    Rankin, D., 2010, A Companion to Irish Literature: volume 1. Wright, J. M. (ed.). Oxford: Wiley-Blackwell, Vol. 1. p. 108-124 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  165. Unpublished
  166. Published

    King Lear: Text and Performance

    Bratton, J. & Carson, C., 2000, Cambridge University Press.

    Research output: Book/ReportBook

  167. Published

    'Knees-up'

    Whelan, G., Winters, G. & Williams, D., Dec 2012

    Research output: Other contribution

  168. Published

    Krzysztof Warlikowski: Rupturing Taboos, Curating Publics

    Lease, B., 2020, Contemporary European Theatre Directors. Delgado, M. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  169. Unpublished

    Kunqu in the Early Twenty-First Century: Alternative Stage Productions in China

    Hsu, S. H., 2020, (Unpublished)

    Research output: ThesisDoctoral Thesis

  170. Published

    'Kwame Kwei-Armah'

    Goddard, L., 2011, The Methuen Drama Guide to Contemporary British Playwrights. Sierz, A., Middekke, M. & Schnierer, P. P. (eds.). London: Methuen, p. 323-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Published

    L’ombre de ton ombre: on dogs and goats and meanwhile

    Williams, D., 2005, In: Frakcija (Croatia). 35, p. unpaginated 4 p.

    Research output: Contribution to journalArticlepeer-review

  172. Published

    La investigación de campo en los estudios culturales. Presuposiciones, fundamentos, amplitud y validez a partir de una etnografía en los Andes ecuatorianos

    Huarcaya, S. M., 2003, Estudios Culturales Latinoamericanos: Retos Desde y Sobre la Región Andina. Quito: Universidad Andina Simón Bolívar

    Research output: Chapter in Book/Report/Conference proceedingChapter

  173. Unpublished
  174. Published

    Lady Precious Stream [Research Performance]

    Thorpe, A., Dec 2011, Bulmeshe Theatre, University of Reading / Islington Chinese Association.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  175. Unpublished

    Lakhon Phanthang: Thai Traditional Theatre in the Modern World

    Jirajarupat, P., 2014, (Unpublished) 339 p.

    Research output: ThesisDoctoral Thesis

  176. Published
  177. Published

    Las Ramblas: the memory of water, the water of memory

    Williams, D., 2001, Of pigs and lovers: a lone twin research companion. Whelan, G. & Winters, G. (eds.). Nottingham: LiveArt Magazine/Arts Council of England, p. unpaginated 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  178. Published

    Law’s Theatrical Presence: special issue of Law Text Culture

    Nield, S. (ed.) & Leiboff, M. (ed.), 2010, University of Wollongong.

    Research output: Book/ReportBook

  179. Published

    'Lean-into'

    Williams, D. & Palmer, S., 13 Dec 2012

    Research output: Other contribution

  180. Forthcoming

    Learning through Feeling: The Somatic Pedagogy of Moshe Feldenkrais and Nikolai Bernstein

    McCaw, R., 2020, (Accepted/In press) The Feldenkrais Method and Creative Practice. Scholl, R. (ed.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  181. Published

    Learning to Teach Drama 11-18.

    Kempe, A. & Nicholson, H., 2007, 2nd ed. London: Continuum Group. 243 p.

    Research output: Book/ReportBook

  182. Published

    Lena Ashwell and her Players: Popular Performers on Extraordinary Stages

    Dymkowski, C., 2004, Extraordinary Actors: Essays on Popular Performers. Milling, J. & Banham, M. (eds.). Exeter: Exeter University Press, p. 120-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  183. Published

    'Leoni che folleggiano fra le peonie in fiore’: Spettacoli di Teatro nō al XIII Festival Internazionale ‘Biennale’ di Venezia (1954)

    Pellecchia, D., 2012, In: Prove di Drammaturgia. p. 27-30

    Research output: Contribution to journalArticlepeer-review

  184. Published

    Les Sept contre Thèbes d'Eschyle: approche structuraliste vers l'espace théâtral

    Wiles, D. & Ghiron-Bistagne, P. (Translator), 1991, In: Cahiers du GITA. 6, p. 145-160

    Research output: Contribution to journalArticlepeer-review

  185. Published

    'Let the Games Begin': Pageants, Protests, Indigeneity (1968–2010)

    Gilbert, H., 2013, Royal Holloway, University of London.

    Research output: Working paper

  186. Published

    'Let the Games Begin': Pageants, Protests, Indigeneity (1968–2010)

    Gilbert, H., 2014, The Politics of Interweaving Performance Cultures: Beyond Postcolonialism. Fischer-Lichte, E., Jost, T. & Jain, S. I. (eds.). New York: Routledge, p. 156–75. 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  187. Published

    Leveraging Justice

    Reinelt, J. (ed.), Estrada-Fuentes, M. (ed.), Hughes, J., Waterfield, C., de Smet, S., Breyne, M., Jestrovic, S., Santana, A., Noriega, J., Inchley, M., Cox, E., Sarkar Munsi, U., Castillo, D., Roy, A., Parameswaran, A. & Rai, S. M., Oct 2016, In: Lateral: Journal of the Cultural Studies Association. 5, 2, p. 1

    Research output: Contribution to journalSpecial issuepeer-review

  188. Published

    LGBT Voices: Sharing Our Past, Shaping Our Future

    Summerskill, C. (ed.), Nov 2014, LGBT Voices. Stonewall Publications, 55 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  189. Published

    Life and Death in the Emergency Room: Linus Tunström’s Faust 1 at the Staatsschauspiel Dresden

    Lease, B., 2015, In: European Stages . 5, p. 1-7 7 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  190. Published

    Life Work

    Nield, S., Nov 2014, In: Art History. 37, 5, p. 1001-1005 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  191. Published

    Lights Up: for Teatr.doc, Russia’s most controversial theatre company, the show must go on

    Flynn, M., 12 Mar 2015, In: Calvert Journal.

    Research output: Contribution to journalArticle

  192. Published

    Lilian Baylis: A Biography

    Schafer, E., 2006, Hatfield: University of Hertfordshire Press.

    Research output: Book/ReportBook

  193. Published

    Lines of flight: intersubjective training across intercultures as the basis for a comparison between Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2018, In: Theatre, Dance and Performance Training. 9, 1, p. 81-98 18 p.

    Research output: Contribution to journalArticlepeer-review

  194. Unpublished

    Listening In-between Oral History and Applied Performance

    O'Neill, S., 2019, (Unpublished) 307 p.

    Research output: ThesisDoctoral Thesis

  195. Published

    Listening to the Politics of Aesthetics: Contemporary Encounters Between First Nations/Inuit and Early Music Traditions

    Robinson, D., 2012, Aboriginal Music in Contemporary Canada: Echoes and Exchanges. Hoefnagels, A. & Diamond, B. (eds.). Montreal: McGill-Queen's University Press, p. 222-248 26 p. (Native and Nothern Series; no. 66).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  196. Published

    Littérature aborigène, entre traditions et reconnaissance

    Castro, E., Feb 2007, Le Mensuel de l’université , 13.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  197. Published

    Little Acts of Faith: Katie Mitchell’s The Mysteries

    Normington, K., 1998, In: New Theatre Quarterly. 14, 54, p. 99-110

    Research output: Contribution to journalArticlepeer-review

  198. In preparation

    Living Film Set

    Jarvis, L., 2016, (In preparation) TBC.

    Research output: Book/ReportBook

  199. Published

    Local and Global Myths in Shakespearean Performance

    Mancewicz, A. & Joubin, A. A., 2018, Palgrave Macmillan.

    Research output: Book/ReportBook

  200. Published

    Local Hero: The Places of David Greig

    Rebellato, D., 3 Mar 2016, In: Contemporary Theatre Review. 26, 1, p. 9-18 10 p.

    Research output: Contribution to journalArticlepeer-review

  201. Published

    London Calling

    Abrams, J. & Parker-Starbuck, J., Sep 2005, In: PAJ: A Journal of Performance and Art. 27, 3, p. 37-44 8 p.

    Research output: Contribution to journalArticlepeer-review

  202. Published

    Lone Twin's 'True West'

    Whelan, G., Winters, G. & Williams, D., 15 Feb 2015

    Research output: Other contribution

  203. Published

    Longitudinal studies in Javanese performing arts

    Cohen, M., 2010, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 166, 1, p. 158-167

    Research output: Contribution to journalArticlepeer-review

  204. Published

    Look at the clouds: Migration and West Sumatran ‘popular’ theatre

    Cohen, M., 2003, In: New Theatre Quarterly. 19, 3, p. 214-229

    Research output: Contribution to journalArticlepeer-review

  205. Published

    Look back at empire: British theatre and imperial decline

    Rebellato, D., 2001, British Culture and the End of Empire. Ward, S. (ed.). Manchester: Manchester University Press, (Studies in Imperialism).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  206. Published

    Looking Back at Anger

    Rebellato, D., 2006, In: Contemporary Theatre Review. 16, 4, p. 527-529

    Research output: Contribution to journalArticlepeer-review

  207. Published

    Looking for Fruits in the Jungle: Head injury, multi-modal theatre and the politics of visibility

    Burn, A., Franks, A. & Nicholson, H., 2001, In: Research in Drama Education. 6, 2, p. 161-178

    Research output: Contribution to journalArticlepeer-review

  208. Published

    Looking the Same?: A Preliminary (Post-colonial) Discussion of Orientalism and Occidentalism in Australia and Japan

    Gilbert, H. & Dale, L., 1993, In: Yearbook of Comparative and General Literature. 41, p. 35-50

    Research output: Contribution to journalArticlepeer-review

  209. Published

    Lorenzaccio

    Rebellato, D., 10 Mar 2019

    Research output: Non-textual formPerformance

  210. Published

    Los Límites de la Maleabilidad de la Historia Nacional en Cacha, Ecuador

    Huarcaya, S. M., 2005, In: Revista Andina. 40

    Research output: Contribution to journalArticlepeer-review

  211. Published

    Love in Idleness/Less Than Kind

    Rebellato, D., 2011, London: Nick Hern Books.

    Research output: Book/ReportScholarly edition

  212. Published

    Loving Place(less)ness: The Pioneer Spirit, The Old Country and the Work of Lone Twin

    Brodzinski, E., 2011, Good Luck Everybody. p. 91-99 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  213. Published

    Lu Santo Julláre Dario Fo

    Rebellato, D., 2002, Research Papers on Dario Fo and Franca Rame. Emery, E. (ed.). London: Red Notes, (Red Notes Italian Archive).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  214. Published

    Lungs

    MacMillan, D. & Mitchell, K., 2014

    Research output: Other contribution

  215. Published

    Lungs

    Mitchell, K. & MacMillan, D., 2014

    Research output: Non-textual formPerformance

  216. Published

    'Lynette Goddard in conversation with Mojisola Adebayo'

    Goddard, L., 2008, Hidden Gems. Osborne, D. (ed.). London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  217. Published

    Lynette Goddard on the Renaissance of Black British Theatre in the 2000s

    Goddard, L., 2012, London : National Theatre Archive.

    Research output: Other contribution

  218. Published

    Macbeth: Theatre Review of Macbeth at Open Air Theatre 2007

    Paitayawat, P., 2007, In: Cahiers Elisabéthains. 72, Autumn, p. 51-53 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  219. Unpublished

    Mad Fragmentations: the theatre collection's transition from private home to public archive

    Smith, E., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  220. Published

    Maidan 'Voices From the Uprising': Molly Flynn Interviews Natalya Vorozhbit about her new documentary theatre piece

    Flynn, M., 19 May 2014, Central and Eastern European London Review.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  221. Published

    Making a Performance: Devising Histories and Contemporary Practices

    Govan, E., Nicholson, H. & Normington, K., 2007, London and New York: Routledge.

    Research output: Book/ReportBook

  222. Published

    Making Home Work: Theatre-making with older adults in residential care

    Nicholson, H., 2011, In: NJ: Drama Australia Journal. 35, 1, p. 47-62 16 p.

    Research output: Contribution to journalArticlepeer-review

  223. Published

    Making Memory, Making Poetry: The Sovereignty of the Mind and Imagination in Contemporary Indigenous Australian Literature

    Castro, E., Jan 2009, Indigeneity: Culture and Interpretation. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Orient Blackswan, p. 269-278 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  224. Unpublished

    Making Movement: Text and Practice

    Worth, L., 2008, (Unpublished)

    Research output: ThesisDoctoral Thesis

  225. Published

    Making Routes: Journeys in Live Art

    Overend, D., 2012, London: Live Art Development Agency. 32 p.

    Research output: Book/ReportBook

  226. Published

    Making Routes: Relational journeys in contemporary performance

    Overend, D., 2013, In: Studies in Theatre and Performance. 33, 3, p. 365-381

    Research output: Contribution to journalArticlepeer-review

  227. Submitted
  228. Published

    Manjula Padmanabhan’s Harvest: Global Technoscapes and the International Trade in Human Body Organs

    Gilbert, H., 2006, In: Contemporary Theatre Review. 16, 1, p. 122-129

    Research output: Contribution to journalArticlepeer-review

  229. Published

    Manjusri Chaki Sircar and Ranjabati Sircar

    Purkayastha, P., 9 May 2016, Routledge Encyclopedia of Modernism. Ross, S. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  230. Published

    Manly Lessons: Sir Charles Grandison, the Rake and the Man of Sentiment

    McGirr, E., 2007, In: Studies in the Novel. 39, 3, p. 267-83

    Research output: Contribution to journalArticlepeer-review

  231. Published

    'Marathon Lexicon' (Forced Entertainment) - contributing writer

    Forced Entertainment, 2003

    Research output: Other contribution

  232. Published

    Marco Pantani: The Pirate

    Overend, D. & Hepburn, S., 2013

    Research output: Non-textual formPerformance

  233. Published

    Mare Nostrum, or On Water Matters

    Cox, E. & Zaroulia, M., 3 May 2016, In: Performance Research. 21, 2, p. 141-149 9 p.

    Research output: Contribution to journalArticlepeer-review

  234. Forthcoming

    Marie-Claude Teissier-Landgraf

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  235. Published

    Marriage and prostitution in classical New Comedy

    Wiles, D., 1989, Women in Theatre: Themes in Drama Vol.11. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 31-48

    Research output: Chapter in Book/Report/Conference proceedingChapter

  236. Published

    Marrugeku: Telling That Story

    Gilbert, H. (ed.), Pigram, D. (ed.) & Swain, R. (ed.), 2021, Aberystwyth: Performance Research Books. 384 p. (Inside Performance Practice)

    Research output: Book/ReportAnthology

  237. Published

    Mask and Performance in Greek tragedy: From Ancient Festival to Modern Experimentation

    Wiles, D., 2007, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  238. Published

    Masks: East and West Confronted

    Pellecchia, D. (Translator) & Sartori, D., 2011, iudicium.

    Research output: Other contribution

  239. Unpublished

    Material Bodies... Bodied Material: A Case of Subversion

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  240. Unpublished

    Material Words for Voicing Dancers: A practice-led inquiry into the role of voice for the improvising dancer

    Vesty, R., 10 Sep 2020, (Unpublished) 356 p.

    Research output: ThesisDoctoral Thesis

  241. Published

    Materialities of Amateur Theatre

    Penny, S. & Gray, C., 12 Apr 2017, In: Contemporary Theatre Review. 27, 1, p. 104-123 20 p.

    Research output: Contribution to journalArticlepeer-review

  242. Published

    Maybe If You Choreograph Me: You'll Feel Better

    El Khoury, T., 2016, Forest Fringe : The First Ten Years.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  243. Published

    Measure for Measure: Shakespeare’s Twentieth-Century Play

    Dymkowski, C., 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 164-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  244. Published

    Medea in Performance 1500-2000

    Hall, E. (ed.), Macintosh, F. (ed.) & Taplin, O. (ed.), 1 Dec 2000, Oxford: legenda. 320 p.

    Research output: Book/ReportBook

  245. Unpublished

    Mediated Breath: Interfaces between the Theatre and The Visual Arts

    Goudouna, S., 2011, (Unpublished)

    Research output: ThesisDoctoral Thesis

  246. Published

    Medieval English Drama: Performance and Spectatorship

    Normington, K., 2009, Cambridge: Polity Press.

    Research output: Book/ReportBook

  247. Published

    Menander's Dyskolos and Demetrios of Phaleron's dilemma

    Wiles, D., 1984, In: Greece and Rome. 31, p. 170-180

    Research output: Contribution to journalArticlepeer-review

  248. Published

    Meyerhold in the New Millennium

    Normington, K., 2005, In: New Theatre Quarterly. 21, 2, p. 118-126

    Research output: Contribution to journalArticlepeer-review

  249. Published
  250. Published

    'Middle Class Aspirations and Black Women’s Mental Illness in Zindika’s Leonora’s Dance, and Bonnie Greer’s Munda Negra and Dancing on Blackwater'

    Goddard, L., 2007, Cool Britannia: British Political Theatre in the 1990s. D'Monte, R. & Saunders, G. (eds.). Basingstoke: Palgrave, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  251. Published

    Midland Street

    Overend, D., 2009

    Research output: Non-textual formPerformance

  252. Published

    Migrant Voices Onstage in London

    Flynn, M., 8 Oct 2015, In: Open Democracy.

    Research output: Contribution to journalBook/Film/Article review

  253. Published

    Millennial Blues: Performing the (White) Nation

    Gilbert, H., 2003, Playing Australia: Theatre, Diaspora, Dialogue. Pfisterer, S. & Schafer, L. (eds.). Amsterdam: Editions Rodopi BV, p. 12-28

    Research output: Chapter in Book/Report/Conference proceedingChapter

  254. Published

    Mining Anatomy: Moving Naturally

    Worth, L., Oct 2011, Dancing Naturally : Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance. Carter, A. & Fensham, R. (eds.). 1st ed. Hampshire: Palgrave Macmillan, p. 155-169 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  255. Published

    Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations

    Rebellato, D. (ed.), Oct 2013, London: Methuen Drama. (Decades)

    Research output: Book/ReportBook

  256. Published

    Modern British Playwriting: the 1970s: Voices, Documents, New Interpretations

    Megson, C., 2012, London: Methuen Drama. 299 p.

    Research output: Book/ReportBook

  257. Published

    Modern Mysteries: Contemporary Productions of Medieval English Cycle Drama

    Normington, K., 2007, Woodbridge, Suffolk: D. S. Brewer.

    Research output: Book/ReportBook

  258. Published

    Monumental Moments: Michael Gow's 1841, Stephen Sewell's Hate, Louis Nowra's Capricornia and Australia's Bicentenary

    Gilbert, H., 1994, In: Australasian Drama Studies. 24, p. 29-45

    Research output: Contribution to journalArticlepeer-review

  259. Unpublished

    Moving Intimacies: A Comparative Study of "Physical Theatres" in France and the UK

    Pastor, E., 2014, (Unpublished) 356 p.

    Research output: ThesisDoctoral Thesis

  260. Published

    MsDirecting Shakespeare: Women Direct Shakespeare

    Schafer, E., 1998, London: Women's Press.

    Research output: Book/ReportBook

  261. Published

    Music Hall

    Bratton, J., 2003, Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  262. Published

    Music in traditional Asian theatre: China

    Thorpe, A., 2016, The Routledge Handbook of Asian Theatre. Liu, S. (ed.). London & New York: Routledge, p. 134-139 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  263. Published

    Musical Epistemology

    Robinson, D., 2009, Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Verstraete, P., Itay, S., Birdsall, C. & Boletsi, M. (eds.). Cambridge Scholars, p. 245-266

    Research output: Chapter in Book/Report/Conference proceedingChapter

  264. Published

    Musicology Objects

    Robinson, D., 2008, Collision: Interarts Practice and Research. Cecchetto, D., Cuthbert, N., Lassonde, J. & Robinson, D. (eds.). Cambridge Scholars, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  265. Published

    My Life

    Rebellato, D., 2007, In: Studies in Theatre and Performance. 27, 2, p. 199

    Research output: Contribution to journalArticlepeer-review

  266. Published

    Myth and the Monster of Intersex: Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

    Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, AB: Canada: University of Calgary Press, p. 149-174 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  267. Published

    Nation: Alphabet: A Lexicon of Theatre & Performance

    Thorpe, A., 2013, In: Contemporary Theatre Review. 23, 1, p. 49-52 3 p.

    Research output: Contribution to journalArticlepeer-review

  268. Published

    Nation and Negation (Terrible Rage)

    Rebellato, D., 4 May 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 15-39 25 p.

    Research output: Contribution to journalArticlepeer-review

  269. Published

    National Identity and the Female Body

    Nield, S., 2000, Feminisms on Edge: Politics, Discourses and National Identities. Atkinson, K., Oerton, S. & Plain, G. (eds.). Cardiff, Wales: Cardiff Academic Press, p. 101-110 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  270. Published

    National Theatre of Scotland: The First Year

    Rebellato, D., 2007, In: Contemporary Theatre Review. 17, 2, p. 213-218

    Research output: Contribution to journalArticlepeer-review

  271. Published

    Natural Theatre Company (Bath)

    Peterson, G. T., 15 Oct 2011.

    Research output: Contribution to conferencePaperpeer-review

  272. Published

    Naturalism and Symbolism: Early Modernist Practice

    Rebellato, D., 2010, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 6-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  273. Published

    Navigating the currents: an interview with Basia Irland

    Williams, D., 2001, In: Performance Research. 6, 3, p. 113-122 10 p.

    Research output: Contribution to journalArticlepeer-review

  274. Published

    Negotiating Cultural Narratives: All-Aboriginal Shakespearean Dreaming

    Cox, E., 2004, In: Southerly. 64, 3, p. 15-27

    Research output: Contribution to journalArticlepeer-review

  275. Unpublished

    Negotiating the Material Past: ‘Telling’ as Rearticulation of Place

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  276. Published

    New Directions: Much Ado – Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 8 Feb 2018, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). 1 ed. London: Bloomsbury Academic, p. 111-132 22 p. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  277. Published

    New Directions in Ancient Pantomime

    Hall, E. (ed.) & Wyles, R. (ed.), 20 Nov 2008, Oxford University Press. 504 p.

    Research output: Book/ReportBook

  278. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  279. Published

    'New Music - New Audience': A Report

    Alston, A., Nov 2009, In: Dutch Journal of Music Theory. 14, 3, p. 194 197 p.

    Research output: Contribution to journalComment/debatepeer-review

  280. E-pub ahead of print

    New Perspectives on Home: Simon Stephens and Authorship in British Theatre

    Love, C., 22 Sep 2016, (E-pub ahead of print) In: Contemporary Theatre Review. 26, 3, p. 319-327 19 p.

    Research output: Contribution to journalArticlepeer-review

  281. Published

    New Readings in Theatre History

    Bratton, J., 2003, Cambridge University Press.

    Research output: Book/ReportBook

  282. Published

    New Theatre Writing: Dennis Kelly

    Rebellato, D., 2007, In: Contemporary Theatre Review. 17, 4, p. 603-608

    Research output: Contribution to journalArticlepeer-review

  283. Published

    New Theatre Writing: Simon Stephens

    Rebellato, D., 2005, In: Contemporary Theatre Review. 15, 1

    Research output: Contribution to journalArticlepeer-review

  284. Published

    New York Abroad [in section 'Being Contemporary']

    Parker-Starbuck, J. & Abrams, J., Jan 2012, In: PAJ: A Journal of Performance and Art. 34, 1, p. 93-110 18 p.

    Research output: Contribution to journalArticlepeer-review

  285. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  286. Published

    Ninette de Valois: Adventurous Traditionalist

    Cave, R. A. (ed.) & Worth, L. (ed.), 2 Jul 2012, Alton, Hampshire: Dance Books. 308 p.

    Research output: Book/ReportBook

  287. Published
  288. Published
  289. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  290. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  291. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  292. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  293. Published

    Noli Me Tangere: Revealing New Approaches to Early Drama

    Normington, K., 2007, In: Literature Compass. 4, 3, p. 688-697

    Research output: Contribution to journalArticlepeer-review

  294. Published

    Not Magic But Work: An Ethnographic Account of a Rehearsal Process

    McAuley, G., 2012, Manchester: Manchester University Press. 241 p.

    Research output: Book/ReportBook

  295. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  296. Published

    Notebook (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2009

    Research output: Other contribution

  297. Published

    Obituary: David Bradby

    Rebellato, D., 2 Mar 2011, The Guardian, p. 36.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  298. Published

    Objectivity and Observation

    Rebellato, D., Dec 2020, The Cambridge Companion to Theatre and Science. Shepherd-Barr, K. (ed.). Cambridge: Cambridge University Press, p. 12-25 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  299. Published

    Objects of Engagement: Conference Response

    Hussein, N., Peterson, G. & Sánchez-Camus, R., 2008, In: Platform. 3, 2

    Research output: Contribution to journalComment/debatepeer-review

  300. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  301. Published

    Occasionally Ovid - Helen Ainsworth

    Bidgood, J., 11 May 2013, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  302. Published

    Occidental (Sex) Tourists: Michael Gurr's Sex Diary of an Infidel

    Gilbert, H., 1994, In: Australasian Drama Studies. 25, p. 177-188

    Research output: Contribution to journalArticlepeer-review

  303. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  304. Published

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Rebellato, D., 23 Jun 2017, In: Sillages Critiques. 22

    Research output: Contribution to journalArticlepeer-review

  305. Published

    On Amateurs: An Introduction and a Manifesto

    Gilbert, D., Hawley, J., Nicholson, H. & Worth, L., 30 Apr 2020, In: Performance Research. 25, 1, p. 2-9 8 p.

    Research output: Contribution to journalArticlepeer-review

  306. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  307. Published

    On Disability: Creative Tensions in Applied Theatre

    Conroy, C. (ed.), Feb 2009, In: Research in Drama Education. 14, 1, 163 p.

    Research output: Contribution to journalSpecial issuepeer-review

  308. Published

    On Edward Bond’s Dramaturgy of Crisis in The Chair Plays: The Dystopian Imagination and the Imagination in Dystopia

    Chen, C-C., 2016, In: Platform. 10, 2, p. 32-50 19 p.

    Research output: Contribution to journalArticlepeer-review

  309. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  310. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  311. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  312. Published

    On the Edge: The Plays of Susan Glaspell

    Dymkowski, C., 1988, In: Modern Drama. 31, 1, p. 91-105

    Research output: Contribution to journalArticlepeer-review

  313. Published

    On the Injunction 'Enjoy'

    Alston, A., Aug 2013, In: Platform. 7, 2, p. 71-73

    Research output: Contribution to journalArticlepeer-review

  314. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  315. Published

    On the origin of the Komedie Stamboel: popular culture, colonial society, and the Parsi theatre movement

    Cohen, M., 2001, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 2, p. 313-357

    Research output: Contribution to journalArticlepeer-review

  316. Published

    Only joking? The relationship between the clown and percussion in Jingju

    Thorpe, A., 2005, In: Asian Theatre Journal. 22, 2, p. 269-292 23 p.

    Research output: Contribution to journalArticlepeer-review

  317. E-pub ahead of print

    Opening Borders, Closing Nations: How ‘Generation Nothing’ Stages Polish Migration

    Lease, B., 5 Mar 2014, (E-pub ahead of print) In: Contemporary Theatre Review. 24, 1, p. 6-20 15 p.

    Research output: Contribution to journalArticlepeer-review

  318. Published

    Opera Indigene: Re/presenting First Nations and Indigenous Culture

    Karantonis, P. (ed.) & Robinson, D. (ed.), 2011, Ashgate. 357 p. (Ashgate Interdisciplinary Studies in Opera; no. 1)

    Research output: Book/ReportAnthology

  319. Published

    Orlando

    Mitchell, K., McLeish, L. & Woolf, V., 5 Sep 2019

    Research output: Non-textual formPerformance

  320. Published

    Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador

    Huarcaya, S. M., 2010, In: Latin American and Caribbean Ethnic Studies. 5, 3

    Research output: Contribution to journalArticlepeer-review

  321. Published

    Ottomar Anschütz’s Animal Photography through the Lens of Darwinism

    Mlodzianowski, S., Moravec, L. (Translator) & Lewandowski, H. (Translator), 14 Jun 2021, In: Photography and Culture. 14, 2, p. 159-172

    Research output: Contribution to journalArticlepeer-review

  322. Unpublished

    OUT OF LINE: Performing Drag and Archive in Settler Culture

    Weiner, R., 2019, (Unpublished)

    Research output: ThesisDoctoral Thesis

  323. Published

    Out of Sync: Curation, participation and reactional pathways

    Guy, G., 15 Sep 2011, In: Performance Research. 16, 3, p. 89-93 5 p.

    Research output: Contribution to journalArticlepeer-review

  324. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  325. Published

    Outing Archives, Archives Outing: Special Issue of CTR

    Lease, B. (ed.), Blanco Borelli, M. (ed.) & Mitra, R. (ed.), 2021, 1-2 ed. Contemporary Theatre Review Online.

    Research output: Book/ReportAnthology

  326. E-pub ahead of print

    Outing Pleasure and Indulgence: Indubala’s Scrapbook and the Red-Light Dances of Calcutta

    Purkayastha, P., 19 May 2021, (E-pub ahead of print) In: Contemporary Theatre Review. 31, 1-2, p. 14-33 20 p.

    Research output: Contribution to journalArticlepeer-review

  327. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  328. Published

    Paradigms of Movement Composition

    Skanberg Dahlstedt, A., 4 Dec 2014, In: The International Journal of Screendance . 4, 4, p. 130 -146 16 p.

    Research output: Contribution to journalArticlepeer-review

  329. E-pub ahead of print

    Paradoxes of Acting: Bakhtin and Stanislavsky

    McCaw, D., 6 Feb 2014, (E-pub ahead of print) Cambridge: Cambridge Uni Press, p. 29 - 39, 11 p.

    Research output: Working paper

  330. Published

    Partial Histories: A Reappraisal of Colley Cibber

    McGirr, E., 15 Jun 2016, 1 ed. Palgrave Macmillan. 210 p.

    Research output: Book/ReportBook

  331. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  332. Published

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  333. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  334. Published
  335. Published

    Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia

    Gilbert, H. & Lo, J., 2007, London: Palgrave Macmillan. 246 p.

    Research output: Book/ReportBook

  336. Published

    Performance and Media: Taxonomies for a Changing Field

    Bay-Cheng, S., Parker-Starbuck, J. & Saltz, D., Oct 2015, University of Michigan Press. 192 p.

    Research output: Book/ReportBook

  337. Forthcoming

    Performance and Migration

    Cox, E. (ed.), Ring Petersen, A., Rae, P., Murphy, J., Robertson, J., Adin, M., Suares, S. & Peterson, R., Sep 2021, (Accepted/In press) Routledge. 118 p. (4x45)

    Research output: Book/ReportBook

  338. Published

    Performance and Participation: Practices, Audiences, Politics

    Harpin, A. (ed.) & Nicholson, H. (ed.), 7 Oct 2016, London: Palgrave Macmillan. 256 p.

    Research output: Book/ReportBook

  339. Published

    Performance and the Global City edited by D.J. Hopkins and Kim Solga

    Poll, M., Dec 2014, In: Performance Research. 19.5, p. 112-114 3 p.

    Research output: Contribution to journalBook/Film/Article review

  340. Published

    Performance Anxiety: The Relationship Between Social and Aesthetic Drama in Medicine and Health

    Brodzinski, E., 2014, Medicine, Health and the Arts: Approaches to Medical Humanities. Bates, V., Bleakley, A. & Goodman, S. (eds.). London: Routledge, p. 165-185 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  341. Published

    Performance Editions, Editing and Editors

    Schafer, E., 2006, In: Shakespeare Survey. 59, p. 198-212

    Research output: Contribution to journalArticlepeer-review

  342. Published

    Performance Practices and the Conflict of Memory in Colombia: Working Towards a ‘Decolonial’ Digital Archive and Epistemological Justice

    Blanco Borelli, M. & Sorzano, O. L., 19 May 2021, In: Contemporary Theatre Review. 31, 1-2, p. 172-190 19 p.

    Research output: Contribution to journalArticlepeer-review

  343. Published

    Performance, Experience, Transformation: What do Spectators Value in Theatre?

    Megson, C. & Reinelt, J., 1 May 2016, In: Journal of Contemporary Drama in English. 4, 1, p. 227-242 16 p.

    Research output: Contribution to journalArticlepeer-review

  344. Published

    Performative Acts: Drama Education and Gender.

    Nicholson, H., 1995, In: The NADIE Journal Australia. 19, 1, p. 27-37

    Research output: Contribution to journalArticlepeer-review

  345. Published

    Performative Reintegration: Applied Theatre for Conflict Transformation in Contemporary Colombia

    Estrada-Fuentes, M., Oct 2018, In: Theatre Research International. 43, 3, p. 291-304 14 p.

    Research output: Contribution to journalArticlepeer-review

  346. Published

    Performer training: researching practice in the theatre laboratory

    Worth, L., Apr 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh University Press, (Research Methods for the Arts and Humanities).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  347. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  348. Published

    Performing Animality: animals in performance practice

    Parker-Starbuck, J., Jan 2015, 1 ed. Palgrave Macmillan. 18 p.

    Research output: Book/ReportBook

  349. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  350. Published

    Performing China on the London Stage: Chinese Opera and Global Power, 1759–2008

    Thorpe, A., Oct 2016, 1 ed. Houndmills: Palgrave Macmillan. 263 p.

    Research output: Book/ReportBook

  351. Published

    Performing Herself: AutoBiography & Fanny Kelly's Dramatic Recollections

    Bush-Bailey, G., 2011, Manchester: Manchester University Press.

    Research output: Book/ReportBook

  352. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  353. Published

    Performing Hybridity in Post-colonial Monodrama

    Gilbert, H. & Lo, J., 1997, In: Journal of Commonwealth Literature. 31, 1, p. 5-19

    Research output: Contribution to journalArticlepeer-review

  354. Submitted
  355. Published

    Performing Identity Politics: South Asian Dance in Britain

    Purkayastha, P., 2010, In: Diálogos com a Arte II. p. 71-84

    Research output: Contribution to journalArticle

  356. Unpublished
  357. Published

    Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism

    Cox, E., 1 May 2015, Anthem Press. 202 p. (Anthem Australian Humanities Research Series)

    Research output: Book/ReportBook

  358. Published

    Performing Otherness: Java and Bali on International Stages, 1905-1952

    Cohen, M. I., 2010, Basingstoke: Palgrave Macmillan. 285 p.

    Research output: Book/ReportBook

  359. Published

    'Performing Palermo: protests against forgetting'

    Williams, D., 20 Aug 2014, Performing Cities. Whybrow, N. (ed.). Basingstoke: Palgrave Macmillan, p. 21-38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  360. Published

    Performing Sites: Illusion and authenticity in the spatial stories of the guided tour

    Overend, D., 2012, In: Scandinavian Journal of Tourism and Hospitality. 12, 1, p. 44-54

    Research output: Contribution to journalArticlepeer-review

  361. Published

    Performing Statelessness in Europe

    Cox, E., 12 Nov 2020, In: Journal of Contemporary Drama in English. 8, 2, p. 318-322 5 p.

    Research output: Contribution to journalBook/Film/Article review

  362. Unpublished
  363. Published

    Performing the "Arab"

    El Khoury, T., 2016, In: Kohl: a Journal for Body and Gender Research. 2, 2, p. 163-167 5 p.

    Research output: Contribution to journalArticle

  364. Published

    Performing the Anthropocene: Marrugeku's Cut the Sky

    Gilbert, H., 2020, Ecocritical Concerns and the Australian Continent. Neumeier, B. & Tiffin, H. (eds.). New York & London: Lexington Books, p. 219–33 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  365. Unpublished

    Performing the Feminisms of Euripides' The Bacchae in Britain

    Bullen, D., 2019, (Unpublished)

    Research output: ThesisDoctoral Thesis

  366. Published

    Performing Wayang Internationally

    Cohen, M., 2015, In: Puppetry International. 2015, 38

    Research output: Contribution to journalArticlepeer-review

  367. Published

    Peter Brook

    Williams, D. & Kennedy, D. (ed.), 2010, The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, p. 84-6 3 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  368. Published

    Peter Brook and the Mahabharata: Critical Perspectives

    Williams, D. (ed.), 1991, London and New York: Routledge.

    Research output: Book/ReportBook

  369. Published

    Peter Brook: A Theatrical Casebook

    Williams, D. (ed.), 1992, London: Methuen.

    Research output: Book/ReportBook

  370. Published

    Peter Brook: transparency and the invisible network

    Williams, D. & Marshall, L., 2000, Twentieth Century Actor Training. Hodge, A. (ed.). London and New York: Routledge, p. 174-190 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  371. Published

    Philip Ridley

    Rebellato, D., 2011, The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama, p. 425-444

    Research output: Chapter in Book/Report/Conference proceedingChapter

  372. Unpublished

    Pichet Klunchun Dance Company in Contemporary Thailand and Global Stage

    Tawalwongsri, S., 2015, (Unpublished)

    Research output: ThesisMaster's Thesis

  373. E-pub ahead of print

    Pig bodies and vegetative states: Diagnosing the symptoms of a culture of excess

    Parker-Starbuck, J., 31 Jul 2008, (E-pub ahead of print) In: Women & Performance: a journal of feminist theory. 18, 2, p. 133-151 19 p.

    Research output: Contribution to journalArticlepeer-review

  374. Published

    Pina Bausch: An Appreciation (1940–2009)

    Worth, L., 9 Dec 2009, In: Contemporary Theatre Review. 19, 4, p. 505-507 3 p.

    Research output: Contribution to journalArticlepeer-review

  375. Published

    Pinter's Memory Plays of the 1970s

    Megson, C., 2014, The Theatre of Harold Pinter. Taylor-Batty, M. (ed.). London: Methuen, p. 215-231

    Research output: Chapter in Book/Report/Conference proceedingChapter

  376. Published

    Place et espace du mal dans Macbeth

    Wiles, D. & Laroque, F. (Translator), 1993, In: Nouvelle Revue du Seizième Siècle. 11, p. 55-70

    Research output: Contribution to journalArticlepeer-review

  377. Unpublished

    Place Imaging in South African Dance-Musical Theatre

    Moyo, A., 25 May 2012, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  378. Published

    'Playgrounds that would never happen now because they’d be far too dangerous': Risk, Childhood Development and Radical Sites of Theatre Practice

    Peterson, G., 2011, In: Research in Drama Education. 16, 3

    Research output: Contribution to journalArticlepeer-review

  379. Published

    Playing Australia: Australian theatre and the International Stage

    Schafer, E. & Bradley Smith, S. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  380. Published

    Playing with shadows in the dark: Shadow theatre and performance in flux

    Cohen, M., 27 Jul 2017, Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, A. & Welton, M. (eds.). 1st ed. Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingChapter

  381. Published

    Plumbbob: eleven songs for the hydrogen jukebox

    Williams, D., 2010

    Research output: Other contribution

  382. Published

    'Pocketsize' (with choreographer Emilyn Claid) - performer, writer

    Williams, D. & Claid, E., 2005

    Research output: Other contribution

  383. Published

    Pod powierzchnia swiata, poza historia: Ku kontrhistorii odpadow i ziemi jalowej

    Williams, D., Sep 2011, In: Przestrzenie Teorii (Poland). 15, p. 259-281 23 p.

    Research output: Contribution to journalArticlepeer-review

  384. Published

    Poetic language and corporeality in translations of Greek tragedy

    Wiles, D. & Harrop, S., 2008, In: New Theatre Quarterly. 24, p. 51-64

    Research output: Contribution to journalArticlepeer-review

  385. Published

    Poetic Licence

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  386. Unpublished

    Politics and Putinism: A Critical Examination of New Russian Drama

    Rowson, J., 2017, (Unpublished)

    Research output: ThesisDoctoral Thesis

  387. Published

    Politics and the Classics

    Abrams, J. & Parker-Starbuck, J., Jan 2007, In: PAJ: A Journal of Performance and Art. 29, 1, p. 88-100 13 p.

    Research output: Contribution to journalArticlepeer-review

  388. Forthcoming

    Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images

    Alston, A., 2013, (Accepted/In press) Affective Performance and Cognitive Science: body, brain and being. Shaughnessy, N. (ed.). Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  389. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  390. Published

    Portable Theatre Company

    Megson, C., 15 Dec 2016, British Theatre Companies : 1965-1979. Bull, J. (ed.). 1st ed. London: Methuen Drama, p. 171-194 24 p. (British Theatre Companies: From Fringe to Mainstream).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  391. Published

    Post-colonial Drama: Theory, Practice, Politics

    Gilbert, H. & Tompkins, J., 1996, London: Routledge. 344 p.

    Research output: Book/ReportBook

  392. Published

    Post-Colonial Grotesques: Re-membering the Body in Louis Nowra's Visions and The Golden Age

    Gilbert, H., 1993, In: SPAN. 36, 2, p. 618-633

    Research output: Contribution to journalArticlepeer-review

  393. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  394. Published

    Post-Colonial Plays: An Anthology

    Gilbert, H., 2001, London: Routledge. 486 p.

    Research output: Book/ReportBook

  395. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  396. Published

    Postmodern Chinese Opera: Re-citing China in Monkey: Journey to the West

    Thorpe, A., 2010, In: Contemporary Theatre Review. 20, 1, p. 66-86 18 p.

    Research output: Contribution to journalArticlepeer-review

  397. Unpublished

    Postmodern Ludergies: Theorizing Participatory Theatre Events as Folk Play

    Gowers, M., 4 Jul 2013, (Unpublished) 323 p.

    Research output: ThesisDoctoral Thesis

  398. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  399. Published

    Postshow

    Overend, D. & Drummond, R., 2009

    Research output: Non-textual formPerformance

  400. Published

    'Practising Participation: A Conversation with Lone Twin'

    Lavery, C. & Williams, D., 2011, Performance Research: 'On Participation'. 4 ed. England: Taylor & Francis / Performance Research, Vol. 16. p. 7-14 8 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  401. Published

    Prefazione

    Dymkowski, C. & Gandolfi, R. (ed.), 2003, La Prima Regista: Edith Craig, fra rivoluzione della scena e cultura della donne. Roma: Bulzone Editore, p. 13-14

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  402. Published

    Pré-occupation et souffle du lieu dans Carpentaria

    Castro, E., 2009, In: Loxias. 25, Littératures du Pacifique

    Research output: Contribution to journalArticlepeer-review

  403. Unpublished
  404. Published

    Processional Aesthetics and Irregular Transit: Envisioning Refugees in Europe

    Cox, E., Dec 2017, In: Theatre Journal. 69, 4, p. 477-496 20 p.

    Research output: Contribution to journalArticlepeer-review

  405. Unpublished
  406. Unpublished

    Productive Participants: Aesthetics and Politics in Immersive Theatre

    Alston, A., 2013, (Unpublished) 355 p.

    Research output: ThesisDoctoral Thesis

  407. Forthcoming

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 2020, (Accepted/In press) Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  408. Published

    Psychological Training for the Actor: A question of plumbing or Wiring?

    McCaw, D., Jun 2009, In: Performance Research. 14, 2, p. 60 - 66 7 p.

    Research output: Contribution to journalArticlepeer-review

  409. Published

    Psychopathic characters on the stage of Stephen Sondheim

    Cohen, M. & Cohen, P. M., 2006, In: Psychoanalytic Study of the Child. 61, p. 308-319

    Research output: Contribution to journalArticlepeer-review

  410. Published

    Puppetry and the destruction of the object

    Cohen, M., 2007, In: Performance Research. 12, 4, p. 119-27

    Research output: Contribution to journalArticlepeer-review

  411. Unpublished

    Puppetry in Museum Interpretation and Communication

    Tsitou, F., 2012, (Unpublished) 346 p.

    Research output: ThesisDoctoral Thesis

  412. Published

    Puppetry: A Reader in Theatre Practice by Penny Francis

    Bidgood, J., 2012, In: Platform. 6, 2, p. 112-114 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  413. Unpublished
  414. E-pub ahead of print

    Puppets, Puppeteers, and Puppet Spectators: A Response to the Volkenburg Puppetry Symposium

    Cohen, M., 18 Jul 2017, (E-pub ahead of print) In: Contemporary Theatre Review. 27, 2, p. 275-280 6 p.

    Research output: Contribution to journalArticlepeer-review

  415. Published

    Purchase power: the marketing of performance and its discursive effects

    Thorpe, A., 2014, Contemporary Theatre Review Interventions.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  416. Published

    Quand la parole libère (de) l’écrit, et l’écrit (de) la parole…Entretien avec Romaine Moreton

    Castro, E., Jun 2007, In: Multitudes. 29, p. 101-112 12 p.

    Research output: Contribution to journalSpecial issuepeer-review

  417. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  418. Published
  419. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  420. Published

    Quizoola LIVE in response to Forced Entertainment’s Quizoola!

    Ramayya, N. & Damian Martin, D. (ed.), Nov 2014, Exeunt.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  421. Published

    Raymond Williams Now: Knowledge, Limits and the Future

    Nield, S. (ed.), Wallace, J. (ed.) & Jones, R. (ed.), 1997, Basingstoke and London: Palgrave Macmillan. 192 p.

    Research output: Book/ReportBook

  422. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  423. Published

    Reading “Suluk Wayang”: Javanese Shadow Puppets, “Nala”-Vision, Private Self, Bodily Self

    Cohen, M., Jul 2002, In: Journal of the Royal Asiatic Society. 12, 2, p. 167-186 20 p.

    Research output: Contribution to journalArticlepeer-review

  424. Published

    Reading Ancient Slavery

    Alston, R. (ed.), Hall, E. (ed.) & Proffitt, L. (ed.), 2010, Duckworth.

    Research output: Book/ReportBook

  425. Published

    Reading Ancient Slavery

    Hall, E. (ed.), Proffitt, L. (ed.) & Alston, R. (ed.), 27 Jan 2011, London: Duckworth. 240 p.

    Research output: Book/ReportBook

  426. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  427. Published

    Reading Greek performance

    Wiles, D., 1987, In: Greece and Rome. 34, p. 136-151

    Research output: Contribution to journalArticlepeer-review

  428. E-pub ahead of print

    Reading Three Kingdoms as a Woman: Criticism, Misogyny, and Representation

    Nield, S., 22 Sep 2016, (E-pub ahead of print) In: Contemporary Theatre Review. 26, 3, p. 396-399 4 p.

    Research output: Contribution to journalArticlepeer-review

  429. E-pub ahead of print

    Realness & the Digital Archive: South African Drag Online

    Lease, B., 19 May 2021, (E-pub ahead of print) In: Contemporary Theatre Review. 31, 1-2, p. 153-171 19 p.

    Research output: Contribution to journalArticlepeer-review

  430. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  431. Published

    Recasting Commodity and Spectacle in the Indigenous Americas

    Gilbert, H. & Gleghorn, C., 20 Nov 2014, Institute of Latin American Studies. 268 p.

    Research output: Book/ReportBook

  432. Forthcoming

    Reconciliation en minga: Indigenous Video and Social Justice in Colombia

    Gleghorn, C., 2013, (Accepted/In press) In: Journal of Latin American Cultural Studies: Travesia.

    Research output: Contribution to journalArticlepeer-review

  433. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  434. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  435. Published

    Reconciling Shakespeare and Indigeneity in Australia: Star-cross’d Communities and Racial Tempests

    Cox, E., 2004, In: Australasian Drama Studies. 44, p. 78-95

    Research output: Contribution to journalArticlepeer-review

  436. Published

    Reflecting on Amateur Theatre Research

    Nicholson, H., Holdsworth, N. & Milling, J., Sep 2016, None: Grey Literature. 22 p.

    Research output: Book/ReportOther report

  437. Published

    Reflections on a mobile train conference from Helsinki to Rovaniemi

    Overend, D. & Bissell, L., 1 Oct 2015, In: Cultural Geographies. 22, 4, p. 731-735 5 p.

    Research output: Contribution to journalArticlepeer-review

  438. Forthcoming

    Reflections on Intimacy and Narcissism in Ontroerend Goed’s Personal Trilogy

    Alston, A., 2013, (Accepted/In press) In: Performing Ethos: an international journal of ethics in theatre and performance. 4, 1

    Research output: Contribution to journalArticlepeer-review

  439. Unpublished

    Reflections on observing, doing and writing for ‘practice-informed’ research

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  440. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  441. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  442. Published

    Refuge and Refusal: Why Theatre about Asylum Seekers Matters

    Cox, E., 29 Jan 2014, The Conversation.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  443. Published

    Refugee Imaginaries: Research Across the Humanities

    Cox, E. (ed.), Durrant, S. (ed.), Farrier, D. (ed.), Stonebridge, L. (ed.) & Woolley, A. (ed.), 2019, Edinburgh University Press. 642 p.

    Research output: Book/ReportBook

  444. Published

    Refugee Performance: Practical Encounters

    Cox, E., 2014, In: New Theatre Quarterly. 30, 3, p. 302-303

    Research output: Contribution to journalBook/Film/Article review

  445. Published

    Refugees, Theatre and Crisis: Performing Global Identities

    Cox, E., 2012, In: Research in Drama Education. 17, 3, p. 454-456

    Research output: Contribution to journalBook/Film/Article review

  446. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 2016, Deep Mapping. Roberts, L. (ed.). Basel: MDPI, p. 131-154

    Research output: Chapter in Book/Report/Conference proceedingChapter

  447. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 23 Sep 2015, In: Humanities . 4, 3, p. 476-499 24 p.

    Research output: Contribution to journalArticlepeer-review

  448. Published

    Rehearsing (Inter)disciplinarity: Interdisciplinary Production Practice and the 10,000 Hour Problem

    Vorwerg, L., 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). Routledge, p. 166-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  449. Published
  450. Published

    Re-imagining the care home: a spatially responsive approach to arts practice with older people in residential care

    Hatton, N., 2014, In: Research in Drama Education. 19, 4

    Research output: Contribution to journalArticlepeer-review

  451. Published

    Re-locating Memory: Performance, Reminiscence and Communities of Diaspora

    Nicholson, H., 2009, The Applied Theatre Reader. Prentki, T. & Preston, S. (eds.). London: Routledge, p. 268-276

    Research output: Chapter in Book/Report/Conference proceedingChapter

  452. Published

    re-member 3

    Richardson, A., 29 Nov 2014

    Research output: Non-textual formPerformance

  453. Published

    Re-membering the others that are us: trans-culturalism and myth in the theatre of Peter Brook

    Williams, D. & Pavis, P. (ed.), 1996, The Intercultural Performance Reader. Pavis, P. (ed.). London and New York: Routledge, p. 67-78 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  454. Published

    Rencontres (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2007

    Research output: Other contribution

  455. In preparation

    Renegotiating Immersive Participation

    Jarvis, L., 2015, (In preparation) Performance & Participation.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  456. Unpublished

    Re-Orienting Shakespeare in Japan

    Eglinton, M., 2017, (Unpublished) 243 p.

    Research output: ThesisDoctoral Thesis

  457. Forthcoming

    Re-Packaged and Re-Sold: Shakespeare as a Cultural product

    Paitayawat, P., 2010, (Accepted/In press) In: Thoughts.

    Research output: Contribution to journalArticlepeer-review

  458. Published

    Report on the Demonstration and Roundtable at Royal Holloway, University of London

    Thorpe, A. & Watson, M., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Tokyo, p. 9-18 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  459. Unpublished
  460. Published

    Representing Java and Bali in Popular Film, 1919-1954: Sites of Performance, Extra-Daily Bodies, Enduring Stories

    Cohen, M. I., 2015, Sites, Bodies and Stories: Imagining Indonesian History. Legêne, S., Purwanto, B. & Schulte Nordholt, H. (eds.). Singapore: NUS Press, p. 132-156 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  461. Published

    Research into communicating climate change in live performance

    Mitchell, K., Birch, A., Macmillan, D., Emmott, S. & Rapley, C., Nov 2014

    Research output: Non-textual formPerformance

  462. Published

    Research Methods in Theatre and Performance

    Kershaw, B. (ed.) & Nicholson, H. (ed.), 2011, Edinburgh University Press. 248 p.

    Research output: Book/ReportBook

  463. Published

    Researching the Body in/as Performance

    Parker-Starbuck, J. & Mock, R., 1 Jun 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh, United Kingdom: Edinburgh University Press, p. 210-235 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  464. Published

    Resisting Globalization from Above: Ethics, Aesthetics and British Drama

    Rebellato, D., 2003.

    Research output: Contribution to conferencePaper

  465. Published
  466. Published

    Rethinking Reform Comedies: Colley Cibber's Desiring Women

    McGirr, E. M., 2013, In: Eighteenth-Century Studies. 46, 3, p. 385-397 12 p.

    Research output: Contribution to journalArticlepeer-review

  467. Forthcoming

    Rethinking the Actor's Body: Dialogues with Neuroscience

    McCaw, R., 2019, (Accepted/In press) London: Methuen. (Performance and Science)

    Research output: Book/ReportBook

  468. Published

    Review of "Dionysus Resurrected: Performances of Euripides' The Bacchae in a Globalizing World" by Erika Fischer-Lichte

    Bullen, D., 2016, In: Contemporary Theatre Review. 26, 2, p. 273 274 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  469. Published

    Review of "Ladies' Greek: Victorian Translations of Tragedy" by Yopie Prins

    Bullen, D., 2018, In: Classical Review.

    Research output: Contribution to journalBook/Film/Article review

  470. Published

    Review of "The Gentle, Jealous God: Reading Euripides' Bacchae in English" by Simon Perris

    Bullen, D., 2017, In: Translation and Literature. 26, 3

    Research output: Contribution to journalBook/Film/Article review

  471. Published

    Review of Andrew Beatty, Varieties of Javanese Religion: An Anthropological Account

    Cohen, M., 2000, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 4, p. 818-821

    Research output: Contribution to journalArticlepeer-review

  472. Published

    Review of Andrew N. Weintraub, Power Plays: Wayang Golek Puppet Theater of West Java

    Cohen, M., 2005, In: Asian Theatre Journal. 25, 2, p. 366-368

    Research output: Contribution to journalArticlepeer-review

  473. Published

    Review of Applied Theatre: International Case Studies and Challenges for Practice by Monica Prendergast and Juliana Saxton

    Apospori, S., 2010, In: Platform. x, 1

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  474. Published

    Review of Bambang Widoyo Sp., Gapit, 4 Naskah Drama Berbahasa Jawa [Gapit, 4 Playscripts in Javanese]

    Cohen, M., 1999, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 155, 2, p. 268-271

    Research output: Contribution to journalArticlepeer-review

  475. Published

    Review of 'Beyond the Slave Narrative: Politics, Sex, and Manuscripts in the Haitian Revolution' by Deborah Jenson

    Hammond, C., 2011, In: Bulletin of Francophone Postcolonial Studies. 2, 2

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  476. Published

    Review of Craig A. Lockard, Dance of Life: Popular Music and Politics in Southeast Asia

    Cohen, M., 1998, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 154, 4, p. 649-652

    Research output: Contribution to journalArticlepeer-review

  477. Published

    Review of Garelick, Rhonda K., Electric Salome: Loie Fuller’s Performance of Modernism. Princeton: Princeton University Press, 2007

    Worth, L., 22 Oct 2008, In: TDR: The Drama Review. 51, 2, p. 298-300 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  478. Published

    Review of Hamera, Judith, Dancing Communities: Performance, Difference and Connection in the Global City, Basingstoke, Palgrave, 2007

    Worth, L., Mar 2009, In: Theatre Research International. 34, 1, p. 93-94 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  479. Published

    Review of Henry Spiller, Erotic Triangles: Sundanese Dance and Masculinity in West Java

    Cohen, M. I., 2012, In: Asian Theatre Journal. 29 , 1, p. 313-316

    Research output: Contribution to journalBook/Film/Article review

  480. Published

    Review of Henry Spiller, Gamelan: The Traditional Sounds of Indonesia

    Cohen, M., 2005, In: Asian Theatre Journal. 25, 2, p. 365-366

    Research output: Contribution to journalArticlepeer-review

  481. Published

    Review of Jan Mrázek, Phenomenology of a Puppet Theatre: Contemplations on the Art of Javanese Wayang kulit

    Cohen, M., 2008, In: Crossroads. 19, 1, p. 200-203

    Research output: Contribution to journalArticlepeer-review

  482. Published

    Review of Laurie J. Sears, Shadows of Empire: Colonial Discourse and Javanese Tales

    Cohen, M., 1997, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 153, 3, p. 442-445

    Research output: Contribution to journalArticlepeer-review

  483. Published

    Review of Leon Rubin and I Nyoman Sedana, Performance in Bali

    Cohen, M., 2008, In: New Theatre Quarterly. 24, 4, p. 396

    Research output: Contribution to journalArticlepeer-review

  484. Published

    Review of Leonard Retel Helmrich (director), Promised Paradise

    Cohen, M., 2010, In: Asian Theatre Journal. 27, 2, p. 400-402

    Research output: Contribution to journalArticlepeer-review

  485. Published

    Review of M.C. Ricklefs, Polarising Javanese Society: Islamic and Other Visions (c. 1830-1930)

    Cohen, M., 2010, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 166, 1, p. 143-146

    Research output: Contribution to journalArticlepeer-review

  486. Published

    Review of Mimi Herbert, Voices of the Puppet Masters: The Wayang Golek Theater of Indonesia

    Cohen, M., 2002, In: Journal of Asian Studies. 6, 4, p. 1436-1438

    Research output: Contribution to journalArticlepeer-review

  487. Published

    Review of Philip Kitley, Television, Nation, and Culture in Indonesia

    Cohen, M., 2002, In: Journal of Southeast Asian Studies. 33, 1, p. 178-180

    Research output: Contribution to journalArticlepeer-review

  488. Published

    Review of Purbo Asmoro and Kathryn Emerson, Makutharama: Rama’s Crown and The Grand Offering of the Kings: Sesaji Raja Suya (Wayang Educational Package)

    Cohen, M., 11 Mar 2016, In: Asian Theatre Journal. 33, 1, p. 206-213 8 p.

    Research output: Contribution to journalBook/Film/Article review

  489. Published

    Review of Rudolph Mrázek, A Certain Age

    Cohen, M. I., 2011, In: Journal of Asian Studies. 70, 1, p. 309-310

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  490. Published

    Review of Rustom Bharucha, The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization

    Cohen, M., 2001, In: Theatre Research International. 27, 1, p. 119

    Research output: Contribution to journalArticlepeer-review

  491. Published

    Review of Sean Williams, The Sound of the Ancestral Ship: Highland Music of West Java

    Cohen, M., 2004, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 4, p. 575-578

    Research output: Contribution to journalArticlepeer-review

  492. Published

    Review of Stephen C. Headley (ed.), Towards an Anthropology of Prayer: Javanese Ethnolinguistic Studies

    Cohen, M., 1997, In: Journal of Asian Studies. 56, 4, p. 1165-1167

    Research output: Contribution to journalArticlepeer-review

  493. Published

    Review of Stephen C. Headley, From Cosmogony to Exorcism in a Javanese Genesis

    Cohen, M., 2001, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 4, p. 915-917

    Research output: Contribution to journalArticlepeer-review

  494. Published

    Review of Stuart Robson (ed.), The Kraton

    Cohen, M., 2004, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 2 and 3, p. 371-373

    Research output: Contribution to journalArticlepeer-review

  495. Published

    Review of Sylvia Tiwon, Breaking the Spell: Colonialism and Literary Renaissance in Indonesia

    Cohen, M., 2000, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 4, p. 821-824

    Research output: Contribution to journalArticlepeer-review

  496. Published

    Review of 'Theatres of Immanence: Deleuze and the Ethics of Performance' by Laura Cull

    Wakefield, N., 2013, In: Platform. 7, 2, p. 101-103 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  497. Published

    Review: A Boal Companion

    Conroy, C., 2007, In: Studies in Theatre and Performance. 27, 1

    Research output: Contribution to journalBook/Film/Article review

  498. Published

    Review: Contemporary Disability Performance: Bodies On Edge

    Conroy, C., 2005, In: Contemporary Theatre Review. 5, 1

    Research output: Contribution to journalBook/Film/Article review

  499. Published

    Review: Mythogeography: a Guide to Walking Sideways by Phil Smith

    Overend, D., 2010, In: New Theatre Quarterly. 26, 4, p. 399

    Research output: Contribution to journalBook/Film/Article review

  500. Published

    Review: The art of inclusive theatre making

    Conroy, C., 2005, In: Research in Drama Education. 11, 1

    Research output: Contribution to journalBook/Film/Article review