1. Published

    跨界對談:差異- 認同與混雜

    Zhao, Y., hui., B. Y. Y. S. Y. J. S. L. W. C. G. F. B. Y. T. & Prakash, B., 2007, Chu ban. ed. Tai bei xian ban qiao shi: Guo li Tai wan yi shu da xue biao yan yi shu yan jiu suo. 9 p.

    Research output: Book/ReportBook

  2. Published

    解构主义哲学观下的中国传统戏曲程式的跨文化交流

    Li, X., 1 Oct 2018, 京剧传播研究. Yu, J. (ed.). Beijing: 文化艺术

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. In preparation

    艾米丽 - 英语演出的能剧

    Thorpe, A. & Ni, F. (Translator), 2020, (In preparation) Liaoning University Press.

    Research output: Book/ReportBook

  4. Published

    京剧行当术语

    Thorpe, A. (Translator), 2019, Beijing: Zhongguo Xiju Xueyuan Chubanshe.

    Research output: Book/ReportBook

  5. Published

    京剧服饰术语中英文对照

    Thorpe, A. (Translator) & Ba, T. (ed.), 2017, Beijing: Zhongguo Xiju Xueyuan Chubanshe. 211 p.

    Research output: Book/ReportBook

  6. Published
  7. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  8. Published

    Yucatán in an Era of Globalisation - by Baklanoff, Eric N. and Moseley, Edward H., (eds.)

    Llanes Ortiz, G., Jul 2009, In : Bulletin of Latin American Research. 28, 3, p. 437-438 2 p.

    Research output: Contribution to journalBook/Film/Article review

  9. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Y ahora que vas a hacer, mulata?: Hip choreographies in the Mexican cabaretera film Mulata (1954)

    Blanco Borelli, M., 2008, In : Women & Performance: a journal of feminist theory. 18, 3, p. 215-233 18 p.

    Research output: Contribution to journalArticle

  11. Unpublished
  12. Unpublished
  13. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Writ Large: New Writing on the English Stage 2003-2009

    Rebellato, D. & British Theatre Consortium, 9 Dec 2009, London: Arts Council England. 151 p.

    Research output: Book/ReportCommissioned report

  16. Published

    Worlds of Wayang: The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets

    Cohen, M., 2018, In : Yale University Art Gallery Bulletin. p. 40-47 8 p.

    Research output: Contribution to journalArticle

  17. Published

    World Wide Wandering: E-drifting in Paris and London

    Overend, D., 2013, In : Scottish Journal of Performance. 1, 1

    Research output: Contribution to journalArticle

  18. Published

    Working (in) the in-between: contact improvisation as an ethical practice

    Williams, D., 1996, In : Writings on Dance. 15, p. 22-37 16 p.

    Research output: Contribution to journalArticle

  19. Published

    Work/place: Making Theatre in new and old spaces

    Wiles, D., 2000, In : Studies in Theatre and Performance. 20, p. 205-208

    Research output: Contribution to journalArticle

  20. Published
  21. Published

    Women’s Plays and Monologues 1880-1947

    Bush-Bailey, G. (ed.) & Gale, M. B. (ed.), 2011, Manchester University Press.

    Research output: Book/ReportBook

  22. Published

    Women Like Us?

    Bush-Bailey, G., 28 Sep 2012, In : Comedy Studies . 3, 2, p. 151-159

    Research output: Contribution to journalArticle

  23. Published

    Women in Revolutionary Theatre: IPTA, Labor, and Performance

    Purkayastha, P., 14 Sep 2015, In : Asian Theatre Journal. 32, 2, p. 518-535 18 p.

    Research output: Contribution to journalArticle

  24. Unpublished

    Women in Korean Musical Theatre

    Gu, J., 2017, (Unpublished) 380 p.

    Research output: ThesisDoctoral Thesis

  25. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  27. Published

    Witch theatre? A guide to the weird world of stage superstitions

    Nield, S., 31 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  28. Published

    Wind, even when we do not move

    Williams, D., 2000, 5 p. London : Taylor & Francis / Performance Research.

    Research output: Other contribution

  29. Published

    William Haughton's An Englishman for my Money: A Critical Note

    Schafer, E., 1990, In : Review of English Studies. XLI, p. 536-538

    Research output: Contribution to journalArticle

  30. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In : GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticle

  32. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Cribb, R., Gilbert, H. & Tiffin, H., Jan 2014, Honolulu: University of Hawaii Press. 336 p.

    Research output: Book/ReportBook

  33. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  34. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In : Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticle

  35. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  36. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  37. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In : Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticle

  38. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In : Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticle

  39. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  40. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  41. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In : Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticle

  43. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In : Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticle

  44. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  45. Published

    What's so wrong with proscenium arch theatre?

    Rebellato, D., 1 Jul 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  46. Published

    'What Signifies a Theatre?’: Recreating Private Theatricals at Chawton House Library

    McGirr, E., 2011, In : Nineteenth Century Theatre and Film. 38, 2, p. 75-85

    Research output: Contribution to journalSpecial issue

  47. Published
  48. Published
  49. Published

    What on earth is happening in Poland? On Klątwa, protest, and a new regime

    Lease, B., Jun 2018, In : Interventions . 28, 2

    Research output: Contribution to journalArticle

  50. Published

    'What it's like to have Parkinson's for 15 minutes'

    Jarvis, L., 19 Nov 2014

    Research output: Other contribution

  51. Published

    'What I'm aspiring to be is a good dramatist': Alecky Blythe in Conversation with Chris Megson

    Megson, C., 4 May 2018, In : Journal of Contemporary Drama in English. 6, 1, p. 220-233

    Research output: Contribution to journalArticle

  52. Unpublished

    What If There’s No Such Thing As Practice-as-Research?

    Rebellato, D., 16 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  53. Published

    'West Indies vs England in Winsome Pinnock's Migration Narratives'

    Goddard, L., Nov 2004, In : Contemporary Theatre Review. 14, 4, p. 23-33

    Research output: Contribution to journalArticle

  54. Forthcoming

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, (Accepted/In press) Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 87-105

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Welcome to Country? Aboriginal Sovereignties and Asylum Seekers

    Cox, E., 2011, In : Australian Studies. 3

    Research output: Contribution to journalArticle

  56. Published
  57. Published

    Weather

    Williams, D., 2006, In : Performance Research. 11, 3, p. 142-144 3 p.

    Research output: Contribution to journalArticle

  58. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Wayang in Museums: The Reverse Repatriation of Javanese Puppets

    Cohen, M., 19 Sep 2017, In : Theatre Journal. 69, 3, p. 361-381 21 p.

    Research output: Contribution to journalArticle

  62. E-pub ahead of print

    Wayang in Jaman Now: Reflexive Traditionalization and Local, National, and Global Networks of Javanese Shadow Puppet Theatre

    Cohen, M., 3 Apr 2019, In : Theatre Research International. 44, 1, p. 40-57 18 p.

    Research output: Contribution to journalArticle

  63. Published

    Warrior, Untouchable, Courtesan: Fringe Women in Tagore’s Dance Dramas

    Purkayastha, P., 2009, In : South Asia Research. 29, 3, p. 255-73 18 p.

    Research output: Contribution to journalArticle

  64. Published

    Wallace

    Overend, D. & Drummond, R., 2014

    Research output: Non-textual formPerformance

  65. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  66. Published

    'W radiu obraz jest lepszy': z Danem Rebellato rozmawia Michał Lachman

    Rebellato, D., 2013, In : Tekstualia: Palimpsesty, Literackie, Artystyczne, Naukowe. 32, 1, p. 25-30 6 p.

    Research output: Contribution to journalArticle

  67. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Violence and the Body: Dissecting Recent British Drama

    Rebellato, D., 2002, In : Anglo Files. 126, p. 15-26

    Research output: Contribution to journalArticle

  69. Published

    Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking

    Cox, E., Jul 2012, In : Theatre Research International. 37, 2, p. 118-133 16 p.

    Research output: Contribution to journalArticle

  70. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  71. Published

    Verbatim Practices in Contemporary Theatre: Symposium Report

    Megson, C., 2006, In : Contemporary Theatre Review. 16, 4, p. 529-32

    Research output: Contribution to journalArticle

  72. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Unsettling Illyria: Twelfth Night, (Austr)Illyria and Exotic Englishness

    Schafer, E., 2009, In : Contemporary Theatre Review. 19, 3, p. 350-359

    Research output: Contribution to journalArticle

  75. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia, by Davesh Soneji, University of Chicago Press: Book Review

    Purkayastha, P., 2013, In : Dance Research Journal. 45, 2, p. 140-2 2 p.

    Research output: Contribution to journalBook/Film/Article review

  77. Published

    Underworld, underground, underhistory: Towards a counterhistory of waste and wastelands

    Williams, D., 2010, In : Performance Research. 15, 4, p. 131-140 10 p.

    Research output: Contribution to journalArticle

  78. Published

    Understand the Meaning of Movement

    McCaw, R., 25 Jul 2015, In : Theatre, Dance and Performance Training. 6, 2, p. 219 -232 14 p.

    Research output: Contribution to journalArticle

  79. Published

    Underneath the Arches: Developing a relational theatre practice in response to a specific cultural site

    Overend, D., 2011, The University of Glasgow. 195 p.

    Research output: ThesisDoctoral Thesis

  80. Published

    Underneath the Arches

    Overend, D., 2009

    Research output: Non-textual formPerformance

  81. Published

    Two Live Artists in the Theatre: A Dialogue with Tania El Khoury and Deborah Pearson

    Pearson, D. & El Khoury, T., 4 Jul 2015, In : Performance Research. 20, 4, p. 122-126 5 p.

    Research output: Contribution to journalComment/debate

  82. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Twentieth Century Actor Training

    Hodge, A. (ed.), 2000, London and New York: Routledge.

    Research output: Book/ReportBook

  84. Published

    Twelfth Night

    Schafer, E. (ed.), 2009, Cambridge University Press. 250 p.

    Research output: Book/ReportBook

  85. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Treading The Bawds: Actresses & Playwrights on the Late Stuart Stage

    Bush-Bailey, G., 2006, Manchester University Press.

    Research output: Book/ReportBook

  87. Published

    Transnational and postcolonial gamelan

    Cohen, M., 2006, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 162, 4, p. 576-588

    Research output: Contribution to journalArticle

  88. Published
  89. Published

    Translating Greek theatre

    Wiles, D., 2007, In : Theatre Journal. 59, 3, p. 363-366

    Research output: Contribution to journalArticle

  90. Published

    Trans-Global Readings: Crossing Theatrical Boundaries

    Parker-Starbuck, J., 2005, In : TDR: The Drama Review. 49, 2, p. 159-160 2 p.

    Research output: Contribution to journalArticle

  91. Published

    Transforming Tradition: Performance of Jingju ('Beijing Opera') in the UK

    Thorpe, A., Mar 2011, In : Theatre Research International. 36, 1, p. 33-46

    Research output: Contribution to journalArticle

  92. Unpublished

    Transformation as Action and Reaction: The Body as a Site of Material and Political Exchange

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  93. Published

    Training the Actor's Body - A Guide

    McCaw, R., 22 Feb 2018, London: Methuen. 253 p.

    Research output: Book/ReportBook

  94. E-pub ahead of print

    Training of the chorus in ancient Greece

    Shuler, W., 26 Mar 2015, In : Theatre, Dance and Performance Training. 6, 1, p. 110-113 4 p., 12.

    Research output: Contribution to journalArticle

  95. Published

    Tragedy in Athens: Performance Space and Theatrical Meaning

    Wiles, D., 1997, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  96. Published

    Traditional Theatre: The Case of Japanese Noh

    Pellecchia, D., 2012, The Cambridge Companion to Theatre History. Wiles, D. & Dymkovski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Unpublished
  98. Published

    Traditional and Post-traditional Wayang Kulit in Java Today

    Cohen, M. I., 15 Jul 2014, The Routledge Companion to Puppetry and Material Performance. Posner, D., Orenstein, C. & Bell, J. (eds.). 1st ed. Routledge, p. 178-191 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Traditional and popular painting in modern Java

    Cohen, M., 2005, In : Archipel. 69, p. 5-38

    Research output: Contribution to journalArticle

  100. Published

    Tradition and Modernity in Buddhist Storytelling

    Utairat, M., 2016, Presenting the Theatrical Past, IFTR World Congress 2016, Stockholm, Sweden .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  101. Published

    Towards Best Intercultural Practice: An Analysis of Tim Supple's pan-Indian 'A Midsummer Night's Dream'

    O Toole, E., 2011, In : Journal of Adaptation in Film and Performance. 4, 3

    Research output: Contribution to journalArticle

  102. Published

    Towards an art of memory: Peter Brook, a foreigner in Paris

    Williams, D., 2002, The Paris Theatre Jigsaw: Internationalism and the City’s Stages. Bradby, D. & Delgado, M. (eds.). Manchester: Manchester University Press, p. 37-52 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  103. Published

    Towards an Anarchist Theatre

    Cawson, M., Sep 2013, In : Platform. 7, 2

    Research output: Contribution to journalArticle

  104. Published

    Towards a Topography of Cross-cultural Theatre Praxis

    Gilbert, H. & Lo, J., 2002, In : TDR: The Drama Review. 46, 3, p. 31-53

    Research output: Contribution to journalArticle

  105. Forthcoming

    Towards a theatrical history of the picket line

    Nield, S., 2020, (Accepted/In press) Oxford Handbook of Performance and Politics. Jestrovic, S., Saward, M., Rai, S. & Gluhovic, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  106. Published

    Towards a stage history of A Jovial Crew

    Schafer, E., Feb 2010

    Research output: Non-textual formWeb publication/site

  107. Published

    Towards a Philosophy of the Moving Body

    McCaw, R., 1 Sep 2018, Bakhtin's Heritage in Literature, Arts, and Psychology: Arts and Answerability. Gratchev, S. & Mancing, H. (eds.). Lanham, Maryland: Rowman & Littlefield, p. 237 - 254 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  108. Published

    Top Table

    Overend, D. & Drummond, R., 2011

    Research output: Non-textual formPerformance

  109. Published

    Toil and Traffic: Australian Appropriations of the Suzuki Method

    Gilbert, H. & Lo, J., 2001, In : Australasian Drama Studies. 39, p. 76-91

    Research output: Contribution to journalArticle

  110. Published

    To Permit Refusal

    Cox, E., Dec 2016, In : Contemporary Theatre Review. 26, 4

    Research output: Contribution to journalArticle

  111. Published

    Time-specificity of the future of performance

    Wakefield, N., 1 Nov 2015, In : Maska: The Performing Arts Journal. 30, 175-176, p. 6-13 6 p.

    Research output: Contribution to journalArticle

  112. Published

    Time-specificity of Performance

    Wakefield, N., 2014, In : Choreographic Practices. 5, 2

    Research output: Contribution to journalArticle

  113. Published

    Time-Based History: Perspectives on Documenting Performance

    Wakefield, N., 2015, In : Performance Matters. 1, 1-2, p. 167-179 13 p.

    Research output: Contribution to journalBook/Film/Article review

  114. Published

    Time Moves: Temporal experiences in current London-based training for traditional clog and rapper sword dances

    Worth, L., 12 Feb 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). 1st ed. Abingdon, Oxon: Routledge, p. 208-223 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  115. Unpublished

    Time as Body, Body as Object, Object as Time: A Case of Materiality

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  116. Published

    Thriving in Hard Times: The Contemporary London Scene

    Abrams, J. & Parker-Starbuck, J., 2009, In : Western European Stages. 21, 2, p. 45-58 14 p.

    Research output: Contribution to journalArticle

  117. E-pub ahead of print

    Three Eras of Indonesian Arts Diplomacy

    Cohen, M., 12 Jul 2019, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 175, 2-3, p. 253-283 31 p.

    Research output: Contribution to journalArticle

  118. Published

    Thousand and one nights at the Komedie Stamboel: popular theatre and travelling stories in colonial Southeast Asia

    Cohen, M., 2004, In : Middle Eastern Literatures. 7, 2, p. 235-246

    Research output: Contribution to journalArticle

  119. Published

    Thomas Middleton's "The Witch"

    Schafer, E., 1994, London: New Mermaids.

    Research output: Book/ReportBook

  120. Published

    Thomas Holmes: the Dedicatee of The Witch

    Schafer, E., 1996, In : Notes and Queries. June, p. 188-190

    Research output: Contribution to journalArticle

  121. E-pub ahead of print

    Thisworldly Wonderment: Contemporary British Theatre and Postsecularism

    Megson, C., 15 Sep 2017, Performing the Secular: Religion, Representation, and Politics. Gluhovic, M. & Menon, J. (eds.). London: Palgrave Macmillan, p. 71-91 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  122. Published

    This Island’s Mine: Theatre, Nationhood and Identity.

    Nicholson, H., 2008, International Interventions in Theatre Education. Guven, I. (ed.). Ankara: Ankara University Press, p. 56-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  123. Published

    'This is all theatre': Iraq Centrestage

    Megson, C., 2005, In : Contemporary Theatre Review. 15, 3, p. 369-71

    Research output: Contribution to journalArticle

  124. Published

    There is another world: space, theatre and global anti-capitalism

    Nield, S., 2006, Contemporary Theatre Review: Theatre and Globalisation. Harvie, J. & Rebellato, D. (eds.). Routledge, p. 51-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  125. Published

    There is a whale in the room: Pina Bausch’s animals on stage

    Parker-Starbuck, J., 2018, In : Studies in Theatre and Performance. 38, 2, p. 165-175 11 p.

    Research output: Contribution to journalArticle

  126. Published

    'There are children here somewhere, I can smell them'. Robert Helpmann and the making of an on-screen villain: the Child Catcher in Chitty Chitty Bang Bang (1968).

    Worth, L., 1 Dec 2018, Robert Helpmann : The Many Faces of a Theatrical Dynamo. Cave, R. & Meadmore, A. (eds.). Binstead, Hants: Dance Books, p. 169-183 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  127. Published

    Theorising Performance: Greek Drama, Cultural History and Critical Practice

    Hall, E. (ed.) & Harrop, S. (ed.), 25 Mar 2010, London: Duckworth.

    Research output: Book/ReportBook

  128. Published

    Theatricality and Representation

    Goudouna, S., 2007.

    Research output: Contribution to conferencePaper

  129. Published

    Theatremorphosis

    Rebellato, D., 4 Apr 2009

    Research output: Non-textual formPerformance

  130. Published

    Theatre, Performance, and the Amateur Turn

    Holdsworth, N., Milling, J. & Nicholson, H., 2017, In : Contemporary Theatre Review. 27, 1, p. 4-17 14 p.

    Research output: Contribution to journalSpecial issue

  131. Published

    Theatre, Exhibition, and Curation: Displayed & Performed

    Guy, G., 2 May 2016, 1 ed. New York and Abingdon: Routledge. 226 p. (Advances in Theatre and Performance Studies)

    Research output: Book/ReportBook

  132. Published

    Theatre, Education and Performance: The Map and the Story

    Nicholson, H., 2011, Palgrave Macmillan. 245 p.

    Research output: Book/ReportBook

  133. Published
  134. Unpublished
  135. Published

    Theatre of screams: on ghosts and theatre

    Nield, S., 1 Nov 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  136. Published

    THEATRE OF ROOTS: REDIRECTING THE MODERN INDIAN STAGE

    Prakash, B., 2010, In : Asian Theatre Journal. 27, 1, p. 175-179 5 p.

    Research output: Contribution to journalBook/Film/Article review

  137. Published

    'Theatre making as shared enquiry': The UWA Centenary Theatre Collection, Perth, WA, Australia

    Williams, D., Mar 2013, Perth, Western Australia

    Research output: Other contribution

  138. Published

    Theatre in Roman and Christian Europe

    Wiles, D., 1995, The Oxford Illustrated History of Theatre. Brown, J. R. (ed.). Oxford: Oxford University Press, p. 49-92

    Research output: Chapter in Book/Report/Conference proceedingChapter

  139. Published

    Theatre in Indonesia under occupation

    Cohen, M. I., 2016, A History of Japanese Theatre. Salz, J. (ed.). Cambridge: Cambridge University Press, p. 260 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  140. Published

    Theatre in Health and Care

    Brodzinski, E., 2010, Palgrave/Macmillan. 190 p.

    Research output: Book/ReportBook

  141. Published
  142. Forthcoming

    Theatre History of The Tempest

    Dymkowski, C., 2016, (Accepted/In press) New Variorum edition of The Tempest. Gurr, A. (ed.). Modern Language Association of America

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  143. Published

    Theatre History and Historiography

    Davis, J., Normington, K., Bush-Bailey, G. & Bratton, J., 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh: Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  144. Published

    Theatre for Young Audiences in Singapore: Dimensions of Creativity

    Lee, C., 2020

    Research output: ThesisDoctoral Thesis

  145. Published

    Théâtre dionysiaque dans le ‘Banquet’ de Xénophon

    Wiles, D., 2000, In : Cahiers du GITA. 13, p. 107-118

    Research output: Contribution to journalArticle

  146. Published

    Theatre Blogging: The emergence of a critical culture

    Vaughan, M., 6 Feb 2020, Bloomsbury Methuen Drama.

    Research output: Book/ReportBook

  147. Published

    Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

    Lease, B., 5 Mar 2015, In : TDR: The Drama Review. 59, 1, p. 119-135 17 p.

    Research output: Contribution to journalArticle

  148. Published

    Theatre and Migration

    Cox, E., 2014, Palgrave Macmillan. 104 p.

    Research output: Book/ReportBook

  149. Published

    Theatre and Cultural Commerce: Louis Nowra’s Cosí

    Gilbert, H., 1997, In : Southerly. 57, 3, p. 191-199

    Research output: Contribution to journalArticle

  150. Published

    Theatre and Citizenship: the History of a Practice

    Wiles, D., 2011, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  151. Submitted
  152. Published

    Theatre & The Body

    Conroy, C., 2010, Basingstoke: Palgrave Macmillan.

    Research output: Book/ReportBook

  153. Published

    Theatre & Globalization

    Rebellato, D., 2009, Basingstoke: Palgrave Macmillan. 97 p. (Theatre&)

    Research output: Book/ReportBook

  154. Published

    Theatre & Education

    Nicholson, H., 2009, Basingstoke: Palgrave Macmillan. 91 p.

    Research output: Book/ReportBook

  155. Published

    Theatre & Christianity

    Schafer, E., 22 Mar 2019, Red Globe Press. 91 p. (Theatre &)

    Research output: Book/ReportBook

  156. Published

    The Work of the Moment

    Nield, S., Feb 2012, In : Art History. 35, 1, p. 185-187 3 p.

    Research output: Contribution to journalBook/Film/Article review

  157. Published
  158. Published

    The Wooster Group Work Book (review)

    Parker-Starbuck, J., 2008, In : Modern Drama. 51, 3, p. 427-429 3 p.

    Research output: Contribution to journalArticle

  159. Published

    The Wind in the Willows - Will Tuckett

    Bidgood, J., 13 Dec 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  160. Published

    The Visual Laboratory of Robert Lepage by Ludovic Fouquet

    Poll, M., 25 Mar 2015, In : Theatre Research in Canada. 36, 1, p. 165-169 5 p.

    Research output: Contribution to journalBook/Film/Article review

  161. Published

    The Victorian Clown

    Bratton, J. & Featherstone, A., 2006, Unkown Publisher.

    Research output: Book/ReportBook

  162. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  163. Published

    the tricking period

    Gardner, N-M., 10 Feb 2009, 3AM Magazine.

    Research output: Other contribution

  164. Published

    The Trial That Never Was: Russian Documentary Theatre and The Pursuit of Justice

    Flynn, M., 21 Oct 2014, In : New Theatre Quarterly. 30, 04, p. 307-317

    Research output: Contribution to journalArticle

  165. Published

    The thing with feathers

    Williams, D., 2004, In : Performance Research. 9, 4, p. 59-65 7 p.

    Research output: Contribution to journalArticle

  166. Published

    The Theatres Act (1968), documentary theatre and the actor’s overwhelming reality

    Megson, C., May 2011, In : Studies in Theatre and Performance. 31, 2, p. 137-151 15 p.

    Research output: Contribution to journalArticle

  167. In preparation

    The Theatre of Drottningholm: Performing Today on the Baroque Stage: 3.5 chapters in co-authored volume

    Wiles, D., 2013, (In preparation) Iowa University Press.

    Research output: Book/ReportBook

  168. Published

    The Theatre is Not Local: Borges’s Birds and the Otherwhere of Theatre

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaper

  169. Published

    The Tempest

    Dymkowski, C., 2000, Cambridge: Cambridge University Press. (Shakespeare in Production)

    Research output: Book/ReportBook

  170. Published

    The tears of things (for Pina)

    Williams, D., Mar 2011, The Live Art Almanac Vol. 2. Keidan, L., Mitchell, CJ. & Mitchelson, A. (eds.). Live Art Development Agency, p. 125-8 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Published

    The Taming of the Shrew: Shakespeare in Production

    Schafer, E., 2002, Cambridge University Press.

    Research output: Book/ReportBook

  172. Unpublished

    The Sword as a Didactic Tool on the London Comic Stage, 1660-1740

    MacNeill, M., 2016, (Unpublished) 244 p.

    Research output: ThesisDoctoral Thesis

  173. Published

    The Sweater's Baby and the Docker's Cat: Performing occupation of public space in the 1889 London Dock Strike

    Nield, S., Nov 2016, In : About Performance. 14/15, p. 61-76

    Research output: Contribution to journalArticle

  174. Published

    The Suspect Culture Book

    Rebellato, D. (ed.) & Eatough, G. (ed.), 2013, London: Oberon. 335 p.

    Research output: Book/ReportBook

  175. Published

    'The State We’re In': Tribunal Theatre and British Politics in the 1990s

    Megson, C., 2008, Theatres of Thought: Theatre, Performance and Philosophy. Watt, D. & Meyer-Dinkgräfe, D. (eds.). Newcastle: Cambridge Scholars, p. 110-126

    Research output: Chapter in Book/Report/Conference proceedingChapter

  176. Published

    The staging of the recognition scene in the Choephoroi

    Wiles, D., 1988, In : The Classical Quarterly. 38, p. 82-85

    Research output: Contribution to journalArticle

  177. E-pub ahead of print

    The Spectatorial Body in Multimedia Performance

    Parker-Starbuck, J., 17 Aug 2011, In : PAJ: A Journal of Performance and Art. 33, 3, p. 60-71 12 p.

    Research output: Contribution to journalArticle

  178. Published

    The Spectator and Her Double: Seeing Performance through the Eyes of Another

    Parker-Starbuck, J., Jun 2014, In : Theatre Topics. 24, 2, p. 125-136 12 p.

    Research output: Contribution to journalArticle

  179. Published

    'The Spectacle is Everywhere': Tracing the Situationist Legacy in British Playwriting Since 1968

    Megson, C., 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle

  180. Published

    'The Spectacle is Everywhere': tracing the Situationist legacy in British playwriting since 1968

    Megson, C., May 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle

  181. Published

    The Sociable Aesthetics of Amateur Theatre

    Walcon, E. & Nicholson, H., 2017, In : Contemporary Theatre Review. 27, 1, p. 18-33 16 p.

    Research output: Contribution to journalArticle

  182. Published

    The Six Wild Ways of the Oak

    Overend, D., Narbed, S., Lorimer, J., Swingler, J. & Twynholm, S., 2018

    Research output: Non-textual formDigital or Visual Products

  183. Published

    The seven gates of Aeschylus

    Wiles, D., 1993, In : Drama. 2, p. 180-194

    Research output: Contribution to journalArticle

  184. Published

    The Serpent's Gaze: Re-working Myths for a Feminist Australian Drama

    Gilbert, H., 1993, In : Australian and New Zealand Studies in Canada. 10, p. 30-40

    Research output: Contribution to journalArticle

  185. Published

    The Sea: 6 Waves

    Williams, D., 2009, Cupola Bobber: reading companion to the performance 'Way Out West, The Sea Whispered Me'. Chicago, USA, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  186. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  187. In preparation

    The Routledge Companion to Documenting Performance

    Guy, G. (ed.) & Linsley, J. (ed.), 2022, (In preparation)

    Research output: Book/ReportBook

  188. Published

    The Role of the Chou ("Clown") in Traditional Chinese Drama: Comedy, Criticism and Cosmology on the Chinese Stage

    Thorpe, A., 2007, Lewiston: The Edwin Mellen Press. 351 p.

    Research output: Book/ReportBook

  189. Unpublished

    The Role of Reminiscence Arts in the Lives of Care Home Residents Living with Dementia

    Lloyd, J., 2016, (Unpublished) 337 p.

    Research output: ThesisDoctoral Thesis

  190. Published

    The role of objects in supporting older adults with dementia to tell stories about their lives

    Lloyd, J., 1 Oct 2015, In : Journal of Applied Arts & Health. 6, 2, p. 171-186 16 p.

    Research output: Contribution to journalArticle

  191. Published

    The Rise of the Character named Spectator

    Nield, S., 2008, In : Contemporary Theatre Review. 18, 4

    Research output: Contribution to journalArticle

  192. Published

    The Ring Story in Northward Ho I.i.: An English Source

    Schafer, E., 1986, In : Notes and Queries. 33, September, p. 374-375

    Research output: Contribution to journalArticle

  193. Published

    The right horse, the animal eye: Bartabas and Théâtre Zingaro

    Williams, D., 2000, In : Performance Research. 5, 2, p. 29-40 12 p.

    Research output: Contribution to journalArticle

  194. Unpublished
  195. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  196. Published

    The promises of history: pedagogic principles and processes of change

    Nicholson, H., 2010, In : Research in Drama Education. 15, 2, p. 147-154 8 p.

    Research output: Contribution to journalArticle

  197. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  198. Unpublished
  199. Published

    The Prison and the Font: An Essay on Patrick White's A Fringe of Leaves

    Gilbert, H., 1989, In : Kunapipi: Journal of Postcolonial Writing. 11, 2, p. 17-22

    Research output: Contribution to journalArticle

  200. Published
  201. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  202. Published

    The Point of Culture: Brazil Turned Upside Down

    Spowage, C., 2013, ed. by Paul Heritage and Rosie Hunter, with Poppy Spowage. Lisbon: Calouste Gulbenkian Foundation

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  203. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  204. Published

    The play-within-the-film-within-the-play's the thing: re-transmitting analogue bodies in the Wooster Group's Hamlet

    Parker-Starbuck, J., 1 Jun 2009, In : International Journal of Performance Arts and Digital Media. 5, 1, p. 23-34 12 p.

    Research output: Contribution to journalArticle

  205. Unpublished
  206. Published

    The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?

    Rebellato, D., 2007, In : Western European Stages. xix, 1, p. 33-36

    Research output: Contribution to journalArticle

  207. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  208. Published

    The Performance of Memory

    Nicholson, H., 2003, In : The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticle

  209. Unpublished
  210. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  211. Published

    The Oxford Handbook of Dance and the Popular Screen

    Blanco Borelli, M., 2014, Oxford University Press.

    Research output: Book/ReportAnthology

  212. Published

    The Oxford Encyclopaedia of Theatre and Performance

    Kennedy, D. (ed.) & Bratton, J. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  213. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  214. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  215. Published

    The Methuen Drama Book of Naturalist Plays

    Megson, C. (ed.), 2010, London: Methuen.

    Research output: Book/ReportBook

  216. In preparation

    'The Merry Wives of Windsor' in Performance

    Schafer, E., 1 Sep 2021, (In preparation) London: Routledge. 200 p.

    Research output: Book/ReportBook

  217. Published

    The Merry Wives of Windsor

    Schafer, E., 2005, In : Performance Research. 10, 3, p. 102

    Research output: Contribution to journalArticle

  218. Published

    The Merchant of Venice: Theatre Review of The Merchant of Venice, Shakespeare's Globe, London

    Paitayawat, P., 2007, In : Cahiers Elisabéthains. 72, Autumn, p. 39-41 3 p.

    Research output: Contribution to journalBook/Film/Article review

  219. Published

    The Master and Margarita - Complicite and Simon McBurney

    Bidgood, J., 19 Dec 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  220. Published

    The Masks of Menander: Sign and Meaning in Greek and Roman Performance

    Wiles, D., 1991, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  221. Published

    The masks of Greek tragedy as point of departure for modern performance

    Wiles, D. & Vervain, C., 2001, In : New Theatre Quarterly. 17, p. 254-272

    Research output: Contribution to journalArticle

  222. Published

    The mask in Greek tragedy

    Wiles, D., 2004, In : Dioniso. 3, p. 206-213

    Research output: Contribution to journalArticle

  223. Unpublished
  224. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  225. Published

    The male gaze in Woyzeck: Re-presenting Madness and Marie

    Schafer, E., 1993, In : Themes in Drama. 15, p. 55-64

    Research output: Contribution to journalArticle

  226. Published

    The Making of the West End Stage: marriage, management and the mapping of gender in London, 1830-1870

    Bratton, J., Nov 2011, Cambridge: Cambridge University Press. 222 p.

    Research output: Book/ReportBook

  227. Published

    The Majority

    Overend, D. & Drummond, R., Aug 2017

    Research output: Non-textual formPerformance

  228. Unpublished

    The Magical Body on the Stage: Henry Irving Reconsidered

    Punter, M., 7 Mar 2014, (Unpublished) 310 p.

    Research output: ThesisDoctoral Thesis

  229. Published

    The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum

    Thorpe, A., 2009, In : Studies in Theatre and Performance. 29, 2, p. 133-147 14 p.

    Research output: Contribution to journalArticle

  230. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  231. Published

    The Lion the Witch and the Wardrobe - threesixty

    Bidgood, J., 9 Jul 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  232. Published

    The Lewes bonfire festival

    Wiles, D., 1996, In : New Theatre Quarterly. 12, 46, p. 177-191

    Research output: Contribution to journalArticle

  233. Unpublished

    The Later Edward Bond: Subjectivity, Dramaturgy, and Performance

    Chen, C-C., 2018, (Unpublished)

    Research output: ThesisDoctoral Thesis

  234. Unpublished
  235. Published

    The Labelling Effect: Drama, Mental Health and Learning Disability

    Hatton, N., 2009, In : Research in Drama Education. 14, 1

    Research output: Contribution to journalArticle

  236. Published

    The Laban Sourcebook

    McCaw, D., 29 Jan 2011, Abingdon: Routledge. 376 p.

    Research output: Book/ReportBook

  237. Published

    The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891-1903

    Cohen, M., 2006, Athens, OH, and Leiden: Ohio University Press and KITLV Press.

    Research output: Book/ReportBook

  238. Published
  239. Published

    The Intersubjective Witness: Trauma Testimony in Towfiq Al-Qady’s Nothing But Nothing: One Refugee’s Story

    Cox, E., 2008, In : Research in Drama Education. 13, 2, p. 193-198

    Research output: Contribution to journalArticle

  240. Published

    The Internet: History 2.0?

    Bratton, J. & Peterson, G., 2012, The Cambridge Companion to Theatre History. Dymkowski, C. & Wiles, D. (eds.). Cambridge University Press, p. 299-313 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  241. Published

    The International Noh Institute of Milan: Transmission of Ethics and Ethics of Transmission in a Transcultural Contex

    Pellecchia, D., Dec 2011, Japanese Theatre Transcultural: German and Italian Intertwinings. Scholz-Cionca, S. & Regelsberger, A. (eds.). iudicium, p. 32-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  242. Published

    The Indian People's Theatre Association

    Purkayastha, P., 2010, Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  243. Published

    The Incantation of Semar Smiles: a tarling musical drama by Pepen Effendi

    Cohen, M., 1999, In : Asian Theatre Journal. 16, 2, p. 139-193

    Research output: Contribution to journalArticle

  244. Published

    The Importance of Being Martha

    Rebellato, D., 2002.

    Research output: Contribution to conferencePaper

  245. Published

    The importance of being gay: the perils and possibilities of LGBTI asylum seekers’ involvement in Rights of Passage

    Summerskill, C., 2018, In : Research in Drama Education. 23, 2, p. 282-288 7 p.

    Research output: Contribution to journalArticle

  246. Published

    The Imperial London Stage: A Tale of Two Australians: Haddon Chambers and Gilbert Murray

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 108-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  247. Forthcoming

    The Hidden Dialogue between Sarah Kane and Edward Bond

    Chen, C-C., 2019, (Accepted/In press) After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. Boles, W. (ed.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  248. E-pub ahead of print

    The Hidden Costs of Aspiring to Global City Status: Robert Lepage, Vancouver and Twenty-First Century China Collide at the 2010 Cultural Olympiad

    Poll, M., 30 Oct 2015, In : Canadian Theatre Review. 164, p. 78-82 5 p.

    Research output: Contribution to journalArticle

  249. Published

    The Guru and the Sishya

    Purkayastha, P., 2004, In : Pulse: Asian Music and Dance. 8, Summer, p. 32-5 3 p.

    Research output: Contribution to journalArticle

  250. In preparation

    The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance

    Shuler, W., 30 Oct 2016, (In preparation) War and Theatrical Innovation: "Palgrave Studies in Theatre and Performance". Emeljanow, V. & Wilmeth, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  251. Published

    The Great War - Hotel Modern

    Bidgood, J., 24 Jun 2014, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  252. Unpublished
  253. Published

    'The Girl Defies': A Kenyan Merry Wives of Windsor

    Cox, E., 2013, Shakespeare Beyond English: A Global Experiment. Carson, C. & Bennett, S. (eds.). Cambridge University Press, p. 53-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  254. Published

    'The Festival' (Lone Twin Theatre) - dramaturg

    Lone Twin Theatre, 2010

    Research output: Other contribution

  255. Published

    The Far Side Of The Moon (review)

    Parker-Starbuck, J., Mar 2001, In : Theatre Journal. 53, 1, p. 151-154 4 p.

    Research output: Contribution to journalArticle

  256. Published

    The Fan of Noh Theatre

    Pellecchia, D., 2008, In : Platform. 3, 2, p. 33-46

    Research output: Contribution to journalArticle

  257. Unpublished
  258. Published

    The Ensemble Theatre Company: Open Discussion with RSC Personnel

    Paitayawat, P., 2007, In : Cahiers Elisabéthains. Special Issue, p. 97-99 3 p.

    Research output: Contribution to journalBook/Film/Article review

  259. Published

    The Ecologies of Amateur Theatre

    Nicholson, H., Holdsworth, N. & Milling, J., Nov 2018, London: Palgrave Macmillan. 343 p.

    Research output: Book/ReportBook

  260. Published

    The Early Plays of Robin Hood

    Wiles, D., 1981, Woodbridge: D.S.Brewer.

    Research output: Book/ReportBook

  261. Published

    The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estrelas (Tata Amaral, 1996) and Vagón Fumador (Verónica Chen, 2001)

    Gleghorn, C., 2011, New Trends in Argentine and Brazilian Cinema. Rêgo, C. & Rocha, C. (eds.). Bristol, UK; Chicago; USA: Intellect Books, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  262. Published

    The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets: The Structure of the Conjuncture

    Cohen, M., 14 Sep 2018, In : Asian Theatre Journal. 35, 2, p. 300-328 29 p.

    Research output: Contribution to journalArticle

  263. Published

    The Dating of The Merry Wives of Windsor; A Caveat

    Schafer, E., 1991, In : Notes and Queries. March, p. 57-60

    Research output: Contribution to journalArticle

  264. Published

    The dark, disturbing genius of Philip Ridley

    Rebellato, D., 19 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  265. Published

    The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics

    Gilbert, H., 1992, In : ARIEL: A Review of International English Literature. 23, 1, p. 133-147

    Research output: Contribution to journalArticle

  266. Published

    The Contested Scenography of the Revolution

    El Khoury, T., 2013, In : Performance Research. 18, 3, p. 202-205 3 p.

    Research output: Contribution to journalArticle

  267. Published

    The Claim

    Cowbury, T., 2017, London: Oberon Books. 83 p. (Oberon Modern Plays)

    Research output: Book/ReportBook

  268. Published

    'The City Wit' by Richard Brome

    Schafer, E. (ed.), Feb 2010

    Research output: Non-textual formWeb publication/site

  269. Published

    The Citation of Injury: Regarding the Exceptional Body

    Cox, E., 2009, In : Journal of Australian Studies. 33, 4, p. 459-72

    Research output: Contribution to journalArticle

  270. Published

    The Choreography of Performance

    Nicholson, H. & Taylor, R., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 112-128

    Research output: Chapter in Book/Report/Conference proceedingChapter

  271. Published

    The Catherine Wheel: Travel, Exile, and the (Post) Colonial Woman

    Gilbert, H., 1993, In : Southerly. 53, 2, p. 58-77

    Research output: Contribution to journalArticle

  272. Published

    The carnivalesque in A Midsummer Night’s Dream

    Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  273. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  274. Published

    The Care Home as a Creative Space

    Nicholson, H. & Lloyd, J., 2017, Applied Theatre: Creative Ageing. McCormick, S. (ed.). London: Bloomsbury, p. 125-146 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  275. Published

    The Cambridge Companion to Theatre History

    Wiles, D. (ed.) & Dymkowski, C. (ed.), Nov 2012, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  276. Published

    The Boomerang Effect: David Malouf's Blood Relations as an Oppositional Re-working of The Tempest

    Gilbert, H., 1991, In : World Literature Written in English. 31, 2, p. 50-64

    Research output: Contribution to journalArticle

  277. Published

    The Body in the Library: On playwriting-as-research

    Rebellato, D., Mar 2010.

    Research output: Contribution to conferencePaper

  278. Published

    The Body Electric: Cathy Weis at Dance Theatre Workshop

    Parker-Starbuck, J., May 2003, In : PAJ: A Journal of Performance and Art. 25, 2, p. 93-98 6 p.

    Research output: Contribution to journalArticle

  279. Published

    The big man and the puppeteer: a transcultural morality tale from West Java, Indonesia

    Cohen, M., 2000, In : Puppetry Yearbook. 4, p. 103-156

    Research output: Contribution to journalArticle

  280. Published

    The Beginning of Spoken Theatre: Colonialism and Colonial Modernity

    Cohen, M. I., Singh, A., Isaka, M. & Liu, S., 2016, Routledge Handbook of Asian Theatre. Liu, S. (ed.). 1st ed. Routledge, p. 393-412 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  281. Published

    The Bauhaus, Puppets and Play

    Bidgood, J., 21 Jul 2012, Animations Online.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  282. Published

    The Barikan banner of Gegesik: ritual and history in a village painting from Colonial Java

    Cohen, M., Behrend, T. E. & Cooper, T. L., 2000, In : Archipel. 59, p. 97-144

    Research output: Contribution to journalArticle

  283. Unpublished

    The Author is Dead! Long Live the Author!

    Rebellato, D., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  284. Unpublished

    The Audience Dug the Graves: Interacting with Oral History and Mourning in Live Art

    El Khoury, T., 2018, (Unpublished) 214 p.

    Research output: ThesisDoctoral Thesis

  285. Published

    The Arts Britain Utterly Ignored: or; Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s.

    Thorpe, A., 31 Aug 2018, Contesting British Chinese Culture. Thorpe, A. & Yeh, D. (eds.). Palgrave Macmillan Ltd., p. 195-222 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  286. E-pub ahead of print

    The Annotation of Skin

    Purkayastha, P., 26 Nov 2015, In : Performance Research. 20, 6, p. 114-121 8 p.

    Research output: Contribution to journalArticle

  287. Published

    The Alchemist on the Stage: Performance, Collaboration, and Deviation

    Schafer, E. & Cox, E., 2013, Ben Jonson: A Critical Reader. Ostovich, H. & Julian, E. (eds.). Methuen Drama, p. 43-74

    Research output: Chapter in Book/Report/Conference proceedingChapter

  288. Published

    The AHRC Mander and Mitchenson Theatre Collection Access for Research Project: Uncovering the Archive

    Nield, S., 2007, In : The Indexer. 25, 3, p. 197-199

    Research output: Contribution to journalArticle

  289. Published

    The AHRC Mander and Mitchenson Theatre Collection Access for Research Project: Conversations with Cataloguers

    Nield, S., Davidson, P. & Davis, K., 2005, In : Theatre Notebook. 59, 3, p. 144-164 21 p.

    Research output: Contribution to journalArticle

  290. Published

    The aesthetics of variety: to poikilon in the western tradition

    Wiles, D., 2003, In : Pallas. 61, p. 361-364

    Research output: Contribution to journalArticle

  291. Published

    The Actor/Audience Contract in Modern Restagings of the Mystery Plays

    Normington, K., 2004, In : Research Opportunities in Renaissance Drama. 43, p. 29-37

    Research output: Contribution to journalArticle

  292. Published

    The 2013 Sirenos Theatre Festival: Lithuanian Showcase

    Lease, B., 2014, In : European Stages .

    Research output: Contribution to journalBook/Film/Article review

  293. Published

    The ‘reinvention’ of the Mahachat Sung Sermon as a theatre play for new generations of Thai Buddhist audience in the context of urban migration

    Utairat, M., 2018, Theatre and Migration: Theatre, Nation and Identity between Migration and Stasis, IFTR World Congress 2018, Belgrade, Serbia .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  294. Published

    'That day are you free': The Shoemakers Holiday

    Wiles, D., 1990, In : Cahiers Elisabéthains. 38, p. 49-60

    Research output: Contribution to journalArticle

  295. Published

    Textual Notes

    Dymkowski, C., 1987, The Plays of Susan Glaspell. Bigsby, C. (ed.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  296. Published

    Territories of Contact: Two Australian Asylum Seeker Documentaries

    Cox, E., 2012, In : Moving Worlds: A Journal of Transcultural Writings. 12, 2, p. 16-29

    Research output: Contribution to journalArticle

  297. Forthcoming

    Terri Janke

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  298. Published

    'Terremoto: disaster, utopia and the unfinished in Sicily'

    Williams, D., 20 Feb 2015

    Research output: Other contribution

  299. Published

    'Terremoto'

    Williams, D., 5 Jun 2014

    Research output: Non-textual formPerformance

  300. Published

    'Terremoto: Utopia, memory, and the unfinished in Sicily’

    Williams, D., 2015, In : Performance Research. 20, 3, p. 39-49 11 p.

    Research output: Contribution to journalArticle

  301. Published

    Terence Rattigan's plays may be well-made, but they’re not well-behaved

    Rebellato, D., 19 Jun 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  302. Unpublished

    Technology, Theatrical Aesthetics and the Changing Role of the Director

    Keramida, S., 2013, (Unpublished)

    Research output: ThesisDoctoral Thesis

  303. Published

    Technologies of Performance

    Nield, S., 8 Aug 2019, A Cultural History of Theatre in the Age of Empire . Marx, P. W. (ed.). 1 ed. Methuen Drama, Vol. 5. p. 203-226 24 p. (The Cultural Histories Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  304. Published

    Technicolour Twelfth Night

    Schafer, E., 2013, Shakespeare Beyond English: a Global Experiment. & Bennett, S. Carson, C. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  305. Published

    Teaching Drama 11-18

    Nicholson, H. (ed.), 2000, London: Continuum Group. 177 p.

    Research output: Book/ReportBook

  306. Published

    Te Reo Shakespeare: Te Tangata Whai Rawa o Weneti / The Maori Merchant of Venice

    Cox, E., 2006, In : Kunapipi: Journal of Postcolonial Writing. 28, 1, p. 79-95

    Research output: Contribution to journalArticle

  307. Unpublished

    Taste, participation and identity: applied arts practice in the care home ‘community’

    Hatton, N., 2014, (Unpublished).

    Research output: Contribution to conferencePaper

  308. Forthcoming

    Tarian Melayu Ala Singapura?: Reflections on Singapore’s Nationalising of Malay Folk Dances From Maritime Southeast Asia

    Mohamed Farid, M. N., 2021, (Accepted/In press) Is there such a thing as Singaporean performance? (Working Title).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  309. Unpublished
  310. Published

    'Tamper (balls)'

    Williams, A., 29 Jul 2016

    Research output: Other contribution

  311. Published

    Taming, Shaming and Displaying; Katharine Hepburn’s trousers, Australia 1955

    Schafer, E., 17 Oct 2018, Robert Helpmann; The Many Faces of a Theatrical Dynamo . Cave, R. & Meadmore, A. (eds.). Dance Books, 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  312. Published

    Talking in Class: Spoken Language and Effective Learning

    Nicholson, H., 1999, Use of Language in the Secondary Curriculum . London: Routledge, p. 26-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  313. Published

    'Talking Country': Place and Displacement in Jack Davis's Theatre

    Gilbert, H., 1994, Jack Davis: A Critical Study. Turcotte, G. (ed.). Sydney: Collins-Angus & Robertson, p. 60-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  314. Published

    Talk to the Hand - Nina Conti

    Bidgood, J., 25 May 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  315. Published

    Taking farce seriously: recent critical approaches to Plautus

    Wiles, D., 1987, Farce: Themes in Drama Vol.10. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 261-271

    Research output: Chapter in Book/Report/Conference proceedingChapter

  316. Published

    Tahrir Square EC4M: the Occupy movement and the dramaturgy of public order

    Nield, S., 2015, The Grammar of Politics and Performance. Rai, S. M. & Reinelt, J. (eds.). London and New York: Routledge, p. 121-133 13 p. (Interventions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  317. Published

    Symmetry and asymmetry in dance and movement training using the Feldenkrais Method®

    Worth, L., 2015, In : Theatre, Dance and Performance Training. 6, 2, p. 130-144 15 p.

    Research output: Contribution to journalArticle

  318. Published

    Swimming in Sewage: Political performances in the Mediterranean

    El Khoury, T., 2016, In : Performance Research. 21, 2, p. 138-140 3 p.

    Research output: Contribution to journalArticle

  319. Published

    Swedish Premieres: Upending Ibsen, Deconstructing Richard

    Lease, B., 20 May 2018, Theatre Times .

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  320. Published

    Sweating Saris: Indian Dance as Transnational Labor, by Priya Srinivasan, Temple University Press: Book Review

    Purkayastha, P., 2013, In : Dance Research Journal. p. 140-2 2 p.

    Research output: Contribution to journalBook/Film/Article review

  321. Unpublished
  322. Published

    Suriashi - a meditation on the local through artistic research

    Skanberg Dahlstedt, A., 7 Mar 2018, Artistic Research: Being There - explorations into the Local. Greenfield, L., Trustam, M. & Abrantes, E. (eds.). Copenhagen: NSU Press, p. 29-41 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  323. Published

    Suluk Wujil and Javanese performance theory

    Cohen, M. I., 2012, In : Performing Islam. 1., 1, p. 13-34

    Research output: Contribution to journalArticle

  324. Published

    Subversive Bodies: Feminism and New Dance in India

    Purkayastha, P., 2013, In : Studies in South Asian Film and Media. 4, 2, p. 189-200 11 p.

    Research output: Contribution to journalArticle

  325. Published

    Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity

    Thorpe, A., 2011, In : Studies in Theatre and Performance. 31, 3, p. 275-291 16 p.

    Research output: Contribution to journalArticle

  326. Published

    Street theatre: the drama of civil disobedience

    Nield, S., 22 Nov 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  327. Published

    Storytelling as Theatre: Theatre Alibi

    Hodge, A., 1993, Exeter: Arts Archives, Arts Documentation Unit.

    Research output: Book/ReportBook

  328. Published
  329. Forthcoming

    Stéphanie-Ariirau Richard

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  330. Published
  331. Published

    Static

    Rebellato, D., 2008, London: Oberon.

    Research output: Book/ReportBook

  332. Published

    State of the arts, arts of the state: a review essay

    Cohen, M., 2000, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 3, p. 347-355

    Research output: Contribution to journalArticle

  333. Published

    State Funerals

    Brodzinski, E., 2009, Encyclopedia of Death and the Human Experience. Thousand Oaks: Sage, p. 837

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  334. Unpublished
  335. Published

    Staging Asylum: Emma Cox sets out the context for a new collection of Australian plays about refugees

    Cox, E., 16 Dec 2013, Platforma Arts and Refugees Network.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  336. Published

    Staging Asylum: Contemporary Australian Plays about Refugees

    Cox, E., 2013, Currency Press.

    Research output: Book/ReportAnthology

  337. Published

    Staging Asylum enhanced ebook

    Cox, E., 2015

    Research output: Non-textual formDigital or Visual Products

  338. Published

    Stage-Managed? Theatre and the leaders' debate

    Rebellato, D., 1 May 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  339. Published

    Stage Mothers: Women, Work, and the Theatre, 1660-1830

    Engel, L. & McGirr, E., 2014, Bucknell University Press / Associated University Presses. 286 p.

    Research output: Book/ReportBook

  340. Published

    St Christopher and the Puppets

    Bidgood, J., 2015, In : Puppet Notebook. 25

    Research output: Contribution to journalArticle

  341. Published

    'Speeches that draw tears': theatricality, commemoration and social history

    Nield, S., 2014, In : Social History. 39, 4, p. 547-556 10 p.

    Research output: Contribution to journalArticle

  342. Published

    Spectators at the Saecular games. What do the games smell like?

    Trostnikova, A., 3 Jun 2014.

    Research output: Contribution to conferencePoster

  343. Published

    Special Issue: Dealing with Martin Crimp

    Rebellato, D. & Angelaki, V., 2014, In : Contemporary Theatre Review. 24, 3

    Research output: Contribution to journalSpecial issue

  344. Published

    Special issue on Indonesian performing arts across borders: Indonesia and the Malay World 35, no. 101

    Cohen, M. (ed.), Lopez y Royo, A. (ed.) & Noszlopy, L. (ed.), 2007, Unkown Publisher.

    Research output: Book/ReportBook

  345. Published

    Special issue: Envisioning Asylum/Engendering Crisis

    Cox, E. (ed.) & Wake, C. (ed.), 2018, In : Research in Drama Education. 23, 2, p. 1-334 334 p.

    Research output: Contribution to journalArticle

  346. Published

    Special Edition: A Scandinavian Perspective

    Brodzinski, E. (ed.) & Torrissen, W. (ed.), 2015, Journal of Applied Arts and Health. 2 ed. Intellect Books, Vol. 6.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  347. Published

    Spaces within Spaces

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  348. Published

    Space without movement: Lefebvre and the Refugee

    Nield, S., 2012, In : Moving Worlds: A Journal of Transcultural Writings. 12, 2

    Research output: Contribution to journalArticle

  349. Published

    Space och time i dans

    Skanberg Dahlstedt, A., 27 Sep 2017

    Research output: Other contribution

  350. Unpublished
  351. Published

    Space and Festivalscapes

    Perez Falconi, J., 2011, In : Platform. 5, 2, p. 12-27 16 p., 1.

    Research output: Contribution to journalArticle

  352. Published

    Sovereign Ontologies in Australia and Aotearoa–New Zealand: Indigenous responses to Asylum Seekers, Refugees and Overstayers

    Cox, E., Aug 2013, Knowing Differently: The Challenge of the Indigenous. Devy, G. N., Davis, G. V. & Chakravarty, K. K. (eds.). Routledge, p. 139-157

    Research output: Chapter in Book/Report/Conference proceedingChapter

  353. Unpublished

    South African Musicals in Global Circulation Space: "Umoja" and "African Footprint"

    Moyo, A., 3 Jul 2012, (Unpublished).

    Research output: Contribution to conferencePaper

  354. Published

    Sophocles' Oedipus the King, Antigone, Electra: Edited with Introduction and Notes

    Hall, E. (ed.) & Kitto, H. D. F. (Translator), 14 Aug 2008, Oxford: Oxford University Press. 224 p. (World's Classics)

    Research output: Book/ReportScholarly edition

  355. Published

    Sophocles and the Greek Tragic Tradition

    Goldhill, S. (ed.) & Hall, E. (ed.), Feb 2009, Cambridge: Cambridge University Press. 354 p.

    Research output: Book/ReportBook

  356. Published

    Sophoclean Diptychs modern translations of dramatic poetry

    Wiles, D., 2005, In : Arion. 13, p. 9-26

    Research output: Contribution to journalArticle

  357. Published

    Songs of innocence and experience

    Williams, D. & Clarke/Uninvited Guests, P. (ed.), 2006, 2 p. Bristol

    Research output: Other contribution

  358. Forthcoming

    'Somewhere to Call Home? Immigration, Asylum and Citizenship in Black British Plays, 1958-2018'

    Goddard, L., 2020, (Accepted/In press) Cambridge Companion to British Playwriting Since 1945. Angelaki, V. & Rebellato, D. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  359. Published

    Solitary Place

    Goudouna, S., 2009.

    Research output: Contribution to conferencePaper

  360. Published

    Solitary Place

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  361. Published

    Soli I Tai - Soli I Uta (Tread on the Sea - Tread on the Land)

    Gilbert, H. & Huarcaya, S. M., 2014

    Research output: Non-textual formDigital or Visual Products

  362. Published

    Soirées océaniennes à la Comédie-Française

    Castro, E., May 2006, In : Littérama’ohi. 9, p. 24-30 7 p.

    Research output: Contribution to journalArticle

  363. Unpublished

    Socially-engaged theatre performances in contemporary Indonesia

    Aberle, T., 2014, (Unpublished) 306 p.

    Research output: ThesisDoctoral Thesis

  364. Published

    Social Work Ethics: Using Theatre to Enhance Judgement

    Evans, A. & Brodzinski, E., May 2018, In : Social Dialogue Free magazine of the International Association of Schools of Social Work. 19, p. 31-32 2 p.

    Research output: Contribution to journalArticle

  365. Published

    Social Movement and Modern Dance [Bengal]

    Purkayastha, P., 2010, The Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  366. In preparation

    Sleepless

    Jarvis, L. & Barker, H., 2015, (In preparation) TBC.

    Research output: Book/ReportBook

  367. Published

    Sleep, Laziness and Making

    Wakefield, N., 10 Feb 2016, In : Performance Research. 21, 1, p. 126-131 6 p.

    Research output: Contribution to journalArticle

  368. Published

    Siting the people: power, protest and public space

    Nield, S., 2012, Performing Site-Specific Theatre. Birch, A. & Tompkins, J. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  369. Unpublished

    Singing the South Downs Way: Affect and Performance in Practice

    Bennett, E., 2018, (Unpublished)

    Research output: ThesisDoctoral Thesis

  370. Published

    Sing Land: SongMark and other Indigenous Illuminations

    Gilbert, H. & Huarcaya, S. M., 2014

    Research output: Non-textual formDigital or Visual Products

  371. Published

    Simon McBurney

    Williams, D., 2005, Fifty Key Theatre Directors. Shevtsova, M. & Mitter, S. (eds.). London and New York: Routledge, p. 247-252 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  372. Published

    Sightlines: Race, Gender and Nation in Contemporary Australian Theatre

    Gilbert, H., 1998, Ann Arbor: Michigan University Press. 274 p.

    Research output: Book/ReportBook

  373. Published

    Sightlines: Foucault and Naturalist theatre

    Rebellato, D., Oct 2019, Foucault’s theatres. Fisher, T. & Gotman, K. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  374. Published

    shuttle 1-21: elsew/here

    Williams, D., Jul 2013

    Research output: Other contribution

  375. Published

    Show Us Your Papers: Performing post-Soviet National Identity in Talgat Batalov's Uzbek

    Flynn, M., 29 Dec 2015, In : Problems of Post-Communism. 00, 2015, p. 1-11 11 p.

    Research output: Contribution to journalArticle

  376. Published

    Shopping and Fucking

    Ravenhill, M. & Rebellato, D. (ed.), 2005, London: Methuen. (Student edition)

    Research output: Book/ReportBook

  377. Published

    Shifting the mainstream: Conference Keynote Speech

    Conroy, C., 2003, Shifting Aesthetic: Disability and Performance: Conference Proceedings. London Arts Board

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  378. Published

    Sherry & Narcotics

    Gardner, N-M., 1 May 2011, New York, NY: Future Fiction London. 216 p.

    Research output: Book/ReportBook

  379. Published

    She Is Cuba: A Genealogy of the Mulata Body

    Blanco Borelli, M., 7 Jan 2016, Oxford University Press. 240 p.

    Research output: Book/ReportBook

  380. Published

    Shared Histories and Commemorative Extension: Warsaw's POLIN Museum

    Lease, B., 19 Sep 2017, In : Theatre Journal. 69, 3, p. 383-401 19 p.

    Research output: Contribution to journalArticle

  381. Published

    Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse

    Wiles, D., 1987, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  382. Published

    Shakespeare's Cleopatra, the Male Gaze and Madonna: Performance Dilemmas

    Schafer, E., 1995, In : Contemporary Theatre Review. 2, 3, p. 7-16

    Research output: Contribution to journalArticle

  383. Published

    Shakespeare's Almanac: A Midsummer Night's Dream, Marriage and the Elizabethan Calendar

    Wiles, D., 1993, Woodbridge: D.S.Brewer.

    Research output: Book/ReportBook

  384. Published

    Shakespeare, Trauma and Contemporary Performance

    Cox, E., 2013, In : Contemporary Theatre Review. 23, 2, p. 239-241

    Research output: Contribution to journalBook/Film/Article review

  385. Published

    Shakespeare in Stages: New Theatre Histories

    Dymkowski, C. (ed.) & Carson, C. (ed.), Mar 2010, Cambridge: Cambridge University Press. 306 p.

    Research output: Book/ReportBook

  386. Published

    Shakespeare in Greeneland: A Note on The Heart of the Matter

    Schafer, E., 1991, In : Journal of Modern Literature. XVII, 4, p. 588-91

    Research output: Contribution to journalArticle

  387. Published

    Shakespeare and the medieval idea of the play

    Wiles, D., 1992, The Show Within: Dramatic and Other Insets. Laroque, F. (ed.). Publications de l'Université Paul Valéry, Montpellier III, p. 65-74 (Collection Astraea; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  388. Published

    Shadow Puppet Theatre from Indonesia, Malaysia and Thailand

    Cohen, M. & Green, A., 8 Sep 2016

    Research output: Non-textual formExhibition

  389. Published

    Sexuality: The Mulatta Figure in the Cuban Imaginary

    Blanco Borelli, M., 2012, Cuba: History, Culture, Society. West-Duran, A. (ed.). First ed. Charles Scribner's Sons

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  390. Published

    Sexist and Racist People Go to the Theatre Too

    El Khoury, T., 2012, In : Performing Ethos: an international journal of ethics in theatre and performance. 3, 2, p. 209-212 3 p.

    Research output: Contribution to journalArticle

  391. Published

    Sex, Politics and the Single Latina

    Blanco Borelli, M., 2012, The Feminist Wire.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  392. In preparation

    Serampang Dua Belas Ala Singapura: Medan’s Legacy in Singapore Malay Dance History

    Mohamed Farid, M., 2018, (In preparation).

    Research output: Contribution to conferencePaper

  393. Unpublished

    Sense of a Self, Emerging: Nomadic Trajectories in Contemporary Dance

    Duffield, A., 2016, (Unpublished) 305 p.

    Research output: ThesisDoctoral Thesis

  394. Published

    Self-effacement and Self-fashioning: Michael Blakemore and the Craft of Directing

    Schafer, E., 2004, In : Contemporary Theatre Review. 14, 5, p. 30-38

    Research output: Contribution to journalArticle

  395. Published

    Seeing through the Wall: Objectification between Resistance and Acceptance

    Hussein, N., 2008, In : Platform. 3, 2

    Research output: Contribution to journalArticle

  396. Published

    Seeing is believing: the historian’s use of images

    Wiles, D., 2010, Representing the Past: Essays in the Historiography of Performance. Canning, C. & Postlewait, T. (eds.). Iowa: Iowa University Press, p. 215 239 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  397. Published
  398. Published

    Sarah Kane: An Appreciation

    Rebellato, D., 1999, In : New Theatre Quarterly. xv, 3 (NTQ 59), p. 280-281

    Research output: Contribution to journalArticle

  399. Published

    Sarah Kane before Blasted: The Monologues

    Rebellato, D., 2010, Sarah Kane in Context. Saunders, G. & De Vos, L. (eds.). Manchester: Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  400. E-pub ahead of print

    Sarah Kane and Blasted : The Arcade Game?

    Ashby, R., 10 Oct 2018, In : Contemporary Theatre Review. 28, 3, p. 431-433 3 p.

    Research output: Contribution to journalArticle

  401. Published

    Root Vegetables and Reflections on West Coast Culture: Radix's BEUTFL CARATS for Progress Lab

    Poll, M., Jul 2013, Canadian Theatre Review, 155.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  402. Forthcoming

    Romaine Moreton

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  403. Published

    Rolls in Their Pockets

    Overend, D. & Drummond, R., 2012

    Research output: Non-textual formPerformance

  404. Published

    Robert Lepage's Scenographic Dramaturgy: The Aesthetic Signature at Work

    Poll, M., Mar 2012, In : Body, Space, Technology. 11, 2

    Research output: Contribution to journalArticle

  405. Unpublished

    Robert Lepage's Scenographic Dramaturgy: The Aesthetic Signature at Work

    Poll, M., 2015, (Unpublished) 341 p.

    Research output: ThesisDoctoral Thesis

  406. Published

    Rivers of China by Alma de Groen

    Schafer, E., 1995, In : Studies in Theatre Production. 11, June, p. 4-11

    Research output: Contribution to journalArticle

  407. Published

    Rival Queens: Actresses, Performance and the Eighteenth-Century British Theater

    McGirr, E., 2012, In : Review of English Studies. 63, p. 855-856

    Research output: Contribution to journalBook/Film/Article review

  408. Published

    Ringing True

    Worth, L., 15 Oct 2016, Justitia: Multidisciplinary Readings of the work of Jasmin Vardimon Company. Johnson, P. & Dobkowska, S. (eds.). 1st ed. Bristol: Intellect Publishers, p. 113-122 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  409. Unpublished

    Rights of Representation: The Ethics of Intercultural Theatre Practice

    O Toole, E., 2012, (Unpublished) 370 p.

    Research output: ThesisDoctoral Thesis

  410. Published

    Rights of Passage

    Summerskill, C., 2 Apr 2016, 1 ed. Machynlleth: Tollington Press. 76 p.

    Research output: Book/ReportBook

  411. Published

    Richard Brome Online

    Cave, R. (ed.), 2010

    Research output: Non-textual formData set/Database

  412. Published

    Rhythmic Routes: Developing a nomadic physical practice for the daily commute

    Overend, D. & Bissell, L., 2014, Scottish Journal of Performance.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  413. Published

    Rhythmic Routes: Research on Display

    Overend, D. & Bissell, L., 2014

    Research output: Non-textual formExhibition

  414. Published

    Revolution, Legislation & Autonomy

    Bush-Bailey, G., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 15-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  415. Published

    Reviving the Royal National Theatre’s The Mysteries

    Normington, K., 2001, In : Research Opportunities in Renaissance Drama. 40, p. 133-148

    Research output: Contribution to journalArticle

  416. Submitted
  417. Forthcoming

    Revisioning the Colonial Record: La relación de Michoacán and Contemporary Mexican Indigenous Film

    Gleghorn, C., 2013, (Accepted/In press) In : Interventions: International Journal of Postcolonial Studies.

    Research output: Contribution to journalArticle

  418. Published

    Reviews: Improvisation in Rehearsal by John Abbott and Style for Actors: a Handbook for Moving Beyond Realism by Robert Barton

    Overend, D., 2011, In : New Theatre Quarterly. 27, 3, p. 294

    Research output: Contribution to journalBook/Film/Article review

  419. Published

    Review: Theatre, Body and Pleasure

    Conroy, C., 2007, In : Contemporary Theatre Review.

    Research output: Contribution to journalBook/Film/Article review

  420. Published

    Review: The art of inclusive theatre making

    Conroy, C., 2005, In : Research in Drama Education. 11, 1

    Research output: Contribution to journalBook/Film/Article review

  421. Published

    Review: Mythogeography: a Guide to Walking Sideways by Phil Smith

    Overend, D., 2010, In : New Theatre Quarterly. 26, 4, p. 399

    Research output: Contribution to journalBook/Film/Article review

  422. Published

    Review: Contemporary Disability Performance: Bodies On Edge

    Conroy, C., 2005, In : Contemporary Theatre Review. 5, 1

    Research output: Contribution to journalBook/Film/Article review

  423. Published

    Review: A Boal Companion

    Conroy, C., 2007, In : Studies in Theatre and Performance. 27, 1

    Research output: Contribution to journalBook/Film/Article review

  424. Published

    Review of 'Theatres of Immanence: Deleuze and the Ethics of Performance' by Laura Cull

    Wakefield, N., 2013, In : Platform. 7, 2, p. 101-103 2 p.

    Research output: Contribution to journalBook/Film/Article review

  425. Published

    Review of Sylvia Tiwon, Breaking the Spell: Colonialism and Literary Renaissance in Indonesia

    Cohen, M., 2000, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 4, p. 821-824

    Research output: Contribution to journalArticle

  426. Published

    Review of Stuart Robson (ed.), The Kraton

    Cohen, M., 2004, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 2 and 3, p. 371-373

    Research output: Contribution to journalArticle

  427. Published

    Review of Stephen C. Headley, From Cosmogony to Exorcism in a Javanese Genesis

    Cohen, M., 2001, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 4, p. 915-917

    Research output: Contribution to journalArticle

  428. Published

    Review of Stephen C. Headley (ed.), Towards an Anthropology of Prayer: Javanese Ethnolinguistic Studies

    Cohen, M., 1997, In : Journal of Asian Studies. 56, 4, p. 1165-1167

    Research output: Contribution to journalArticle

  429. Published

    Review of Sean Williams, The Sound of the Ancestral Ship: Highland Music of West Java

    Cohen, M., 2004, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 4, p. 575-578

    Research output: Contribution to journalArticle

  430. Published

    Review of Rustom Bharucha, The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization

    Cohen, M., 2001, In : Theatre Research International. 27, 1, p. 119

    Research output: Contribution to journalArticle

  431. Published

    Review of Rudolph Mrázek, A Certain Age

    Cohen, M. I., 2011, In : Journal of Asian Studies. 70, 1, p. 309-310

    Research output: Contribution to journalBook/Film/Article review

  432. Published

    Review of Purbo Asmoro and Kathryn Emerson, Makutharama: Rama’s Crown and The Grand Offering of the Kings: Sesaji Raja Suya (Wayang Educational Package)

    Cohen, M., 11 Mar 2016, In : Asian Theatre Journal. 33, 1, p. 206-213 8 p.

    Research output: Contribution to journalBook/Film/Article review

  433. Published

    Review of Philip Kitley, Television, Nation, and Culture in Indonesia

    Cohen, M., 2002, In : Journal of Southeast Asian Studies. 33, 1, p. 178-180

    Research output: Contribution to journalArticle

  434. Published

    Review of Mimi Herbert, Voices of the Puppet Masters: The Wayang Golek Theater of Indonesia

    Cohen, M., 2002, In : Journal of Asian Studies. 6, 4, p. 1436-1438

    Research output: Contribution to journalArticle

  435. Published

    Review of M.C. Ricklefs, Polarising Javanese Society: Islamic and Other Visions (c. 1830-1930)

    Cohen, M., 2010, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 166, 1, p. 143-146

    Research output: Contribution to journalArticle

  436. Published

    Review of Leonard Retel Helmrich (director), Promised Paradise

    Cohen, M., 2010, In : Asian Theatre Journal. 27, 2, p. 400-402

    Research output: Contribution to journalArticle

  437. Published

    Review of Leon Rubin and I Nyoman Sedana, Performance in Bali

    Cohen, M., 2008, In : New Theatre Quarterly. 24, 4, p. 396

    Research output: Contribution to journalArticle

  438. Published

    Review of Laurie J. Sears, Shadows of Empire: Colonial Discourse and Javanese Tales

    Cohen, M., 1997, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 153, 3, p. 442-445

    Research output: Contribution to journalArticle

  439. Published

    Review of Jan Mrázek, Phenomenology of a Puppet Theatre: Contemplations on the Art of Javanese Wayang kulit

    Cohen, M., 2008, In : Crossroads. 19, 1, p. 200-203

    Research output: Contribution to journalArticle

  440. Published

    Review of Henry Spiller, Gamelan: The Traditional Sounds of Indonesia

    Cohen, M., 2005, In : Asian Theatre Journal. 25, 2, p. 365-366

    Research output: Contribution to journalArticle

  441. Published

    Review of Henry Spiller, Erotic Triangles: Sundanese Dance and Masculinity in West Java

    Cohen, M. I., 2012, In : Asian Theatre Journal. 29 , 1, p. 313-316

    Research output: Contribution to journalBook/Film/Article review

  442. Published

    Review of Hamera, Judith, Dancing Communities: Performance, Difference and Connection in the Global City, Basingstoke, Palgrave, 2007

    Worth, L., Mar 2009, In : Theatre Research International. 34, 1, p. 93-94 2 p.

    Research output: Contribution to journalBook/Film/Article review

  443. Published

    Review of Garelick, Rhonda K., Electric Salome: Loie Fuller’s Performance of Modernism. Princeton: Princeton University Press, 2007

    Worth, L., 22 Oct 2008, In : TDR: The Drama Review. 51, 2, p. 298-300 3 p.

    Research output: Contribution to journalBook/Film/Article review

  444. Published

    Review of Craig A. Lockard, Dance of Life: Popular Music and Politics in Southeast Asia

    Cohen, M., 1998, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 154, 4, p. 649-652

    Research output: Contribution to journalArticle

  445. Published

    Review of 'Beyond the Slave Narrative: Politics, Sex, and Manuscripts in the Haitian Revolution' by Deborah Jenson

    Hammond, C., 2011, In : Bulletin of Francophone Postcolonial Studies. 2, 2

    Research output: Contribution to journalBook/Film/Article review

  446. Published

    Review of Bambang Widoyo Sp., Gapit, 4 Naskah Drama Berbahasa Jawa [Gapit, 4 Playscripts in Javanese]

    Cohen, M., 1999, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 155, 2, p. 268-271

    Research output: Contribution to journalArticle

  447. Published

    Review of Applied Theatre: International Case Studies and Challenges for Practice by Monica Prendergast and Juliana Saxton

    Apospori, S., 2010, In : Platform. x, 1

    Research output: Contribution to journalBook/Film/Article review

  448. Published

    Review of Andrew N. Weintraub, Power Plays: Wayang Golek Puppet Theater of West Java

    Cohen, M., 2005, In : Asian Theatre Journal. 25, 2, p. 366-368

    Research output: Contribution to journalArticle

  449. Published

    Review of Andrew Beatty, Varieties of Javanese Religion: An Anthropological Account

    Cohen, M., 2000, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 156, 4, p. 818-821

    Research output: Contribution to journalArticle

  450. Published

    Review of "The Gentle, Jealous God: Reading Euripides' Bacchae in English" by Simon Perris

    Bullen, D., 2017, In : Translation and Literature. 26, 3

    Research output: Contribution to journalBook/Film/Article review

  451. Published

    Review of "Ladies' Greek: Victorian Translations of Tragedy" by Yopie Prins

    Bullen, D., 2018, In : Classical Review.

    Research output: Contribution to journalBook/Film/Article review

  452. Published

    Review of "Dionysus Resurrected: Performances of Euripides' The Bacchae in a Globalizing World" by Erika Fischer-Lichte

    Bullen, D., 2016, In : Contemporary Theatre Review. 26, 2, p. 273 274 p.

    Research output: Contribution to journalBook/Film/Article review

  453. Forthcoming

    Rethinking the Actor's Body: Dialogues with Neuroscience

    McCaw, R., 2019, (Accepted/In press) London: Methuen. (Performance and Science)

    Research output: Book/ReportBook

  454. Published

    Rethinking Reform Comedies: Colley Cibber's Desiring Women

    McGirr, E. M., 2013, In : Eighteenth-Century Studies. 46, 3, p. 385-397 12 p.

    Research output: Contribution to journalArticle

  455. Published
  456. Published

    Resisting Globalization from Above: Ethics, Aesthetics and British Drama

    Rebellato, D., 2003.

    Research output: Contribution to conferencePaper

  457. Published

    Researching the Body in/as Performance

    Parker-Starbuck, J. & Mock, R., 1 Jun 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh, United Kingdom: Edinburgh University Press, p. 210-235 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  458. Published

    Research Methods in Theatre and Performance

    Kershaw, B. (ed.) & Nicholson, H. (ed.), 2011, Edinburgh University Press. 248 p.

    Research output: Book/ReportBook

  459. Published

    Research into communicating climate change in live performance

    Mitchell, K., Birch, A., Macmillan, D., Emmott, S. & Rapley, C., Nov 2014

    Research output: Non-textual formPerformance

  460. Published

    Representing Java and Bali in Popular Film, 1919-1954: Sites of Performance, Extra-Daily Bodies, Enduring Stories

    Cohen, M. I., 2015, Sites, Bodies and Stories: Imagining Indonesian History. Legêne, S., Purwanto, B. & Schulte Nordholt, H. (eds.). Singapore: NUS Press, p. 132-156 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  461. Unpublished
  462. Published

    Report on the Demonstration and Roundtable at Royal Holloway, University of London

    Thorpe, A. & Watson, M., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Tokyo, p. 9-18 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  463. Forthcoming

    Re-Packaged and Re-Sold: Shakespeare as a Cultural product

    Paitayawat, P., 2010, (Accepted/In press) In : Thoughts.

    Research output: Contribution to journalArticle

  464. Unpublished

    Re-Orienting Shakespeare in Japan

    Eglinton, M., 2017, (Unpublished) 243 p.

    Research output: ThesisDoctoral Thesis

  465. In preparation

    Renegotiating Immersive Participation

    Jarvis, L., 2015, (In preparation) Performance & Participation.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  466. Published

    Rencontres (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2007

    Research output: Other contribution

  467. Published

    Re-membering the others that are us: trans-culturalism and myth in the theatre of Peter Brook

    Williams, D. & Pavis, P. (ed.), 1996, The Intercultural Performance Reader. Pavis, P. (ed.). London and New York: Routledge, p. 67-78 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  468. Published

    re-member 3

    Richardson, A., 29 Nov 2014

    Research output: Non-textual formPerformance

  469. Published

    Re-locating Memory: Performance, Reminiscence and Communities of Diaspora

    Nicholson, H., 2009, The Applied Theatre Reader. Prentki, T. & Preston, S. (eds.). London: Routledge, p. 268-276

    Research output: Chapter in Book/Report/Conference proceedingChapter

  470. Published

    Re-imagining the care home: a spatially responsive approach to arts practice with older people in residential care

    Hatton, N., 2014, In : Research in Drama Education. 19, 4

    Research output: Contribution to journalArticle

  471. Published

    Rehearsing (Inter)disciplinarity: Interdisciplinary Production Practice and the 10,000 Hour Problem

    Vorwerg, L., 2019, Time and Performer Training. Evans, M., Thomaidis, K. & Worth, L. (eds.). Routledge, p. 166-171

    Research output: Chapter in Book/Report/Conference proceedingChapter

  472. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 2016, Deep Mapping. Roberts, L. (ed.). Basel: MDPI, p. 131-154

    Research output: Chapter in Book/Report/Conference proceedingChapter

  473. Published

    Regular Routes: Deep Mapping a Performative Counterpractice for the Daily Commute

    Overend, D. & Bissell, L., 23 Sep 2015, In : Humanities . 4, 3, p. 476-499 24 p.

    Research output: Contribution to journalArticle

  474. Published

    Refugees, Theatre and Crisis: Performing Global Identities

    Cox, E., 2012, In : Research in Drama Education. 17, 3, p. 454-456

    Research output: Contribution to journalBook/Film/Article review

  475. Published

    Refugee Performance: Practical Encounters

    Cox, E., 2014, In : New Theatre Quarterly. 30, 3, p. 302-303

    Research output: Contribution to journalBook/Film/Article review

  476. Published

    Refugee Imaginaries: Research Across the Humanities

    Cox, E. (ed.), Durrant, S. (ed.), Farrier, D. (ed.), Stonebridge, L. (ed.) & Woolley, A. (ed.), 2019, Edinburgh University Press. 642 p.

    Research output: Book/ReportBook

  477. Published

    Refuge and Refusal: Why Theatre about Asylum Seekers Matters

    Cox, E., 29 Jan 2014, The Conversation.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  478. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  479. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  480. Unpublished

    Reflections on observing, doing and writing for ‘practice-informed’ research

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  481. Forthcoming

    Reflections on Intimacy and Narcissism in Ontroerend Goed’s Personal Trilogy

    Alston, A., 2013, (Accepted/In press) In : Performing Ethos: an international journal of ethics in theatre and performance. 4, 1

    Research output: Contribution to journalArticle

  482. Published

    Reflections on a mobile train conference from Helsinki to Rovaniemi

    Overend, D. & Bissell, L., 1 Oct 2015, In : Cultural Geographies. 22, 4, p. 731-735 5 p.

    Research output: Contribution to journalArticle

  483. Published

    Reflecting on Amateur Theatre Research

    Nicholson, H., Holdsworth, N. & Milling, J., Sep 2016, None: Grey Literature. 22 p.

    Research output: Book/ReportOther report

  484. Published

    Reconciling Shakespeare and Indigeneity in Australia: Star-cross’d Communities and Racial Tempests

    Cox, E., 2004, In : Australasian Drama Studies. 44, p. 78-95

    Research output: Contribution to journalArticle

  485. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  486. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  487. Forthcoming

    Reconciliation en minga: Indigenous Video and Social Justice in Colombia

    Gleghorn, C., 2013, (Accepted/In press) In : Journal of Latin American Cultural Studies: Travesia.

    Research output: Contribution to journalArticle

  488. Published

    Recasting Commodity and Spectacle in the Indigenous Americas

    Gilbert, H. & Gleghorn, C., 20 Nov 2014, Institute of Latin American Studies. 268 p.

    Research output: Book/ReportBook

  489. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  490. E-pub ahead of print

    Reading Three Kingdoms as a Woman: Criticism, Misogyny, and Representation

    Nield, S., 22 Sep 2016, In : Contemporary Theatre Review. 26, 3, p. 396-399 4 p.

    Research output: Contribution to journalArticle

  491. Published

    Reading Greek performance

    Wiles, D., 1987, In : Greece and Rome. 34, p. 136-151

    Research output: Contribution to journalArticle

  492. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  493. Published

    Reading Ancient Slavery

    Alston, R. (ed.), Hall, E. (ed.) & Proffitt, L. (ed.), 2010, Duckworth.

    Research output: Book/ReportBook

  494. Published

    Reading Ancient Slavery

    Hall, E. (ed.), Proffitt, L. (ed.) & Alston, R. (ed.), 27 Jan 2011, London: Duckworth. 240 p.

    Research output: Book/ReportBook

  495. Published

    Reading “Suluk Wayang”: Javanese Shadow Puppets, “Nala”-Vision, Private Self, Bodily Self

    Cohen, M., Jul 2002, In : Journal of the Royal Asiatic Society. 12, 2, p. 167-186 20 p.

    Research output: Contribution to journalArticle

  496. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  497. Published

    Raymond Williams Now: Knowledge, Limits and the Future

    Nield, S. (ed.), Wallace, J. (ed.) & Jones, R. (ed.), 1997, Basingstoke and London: Palgrave Macmillan. 192 p.

    Research output: Book/ReportBook

  498. Published

    Quizoola LIVE in response to Forced Entertainment’s Quizoola!

    Ramayya, N. & Damian Martin, D. (ed.), Nov 2014, Exeunt.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  499. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  500. Published
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