1. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Two Live Artists in the Theatre: A Dialogue with Tania El Khoury and Deborah Pearson

    Pearson, D. & El Khoury, T., 4 Jul 2015, In: Performance Research. 20, 4, p. 122-126 5 p.

    Research output: Contribution to journalComment/debatepeer-review

  3. Published

    Underneath the Arches

    Overend, D., 2009

    Research output: Non-textual formPerformance

  4. Published

    Underneath the Arches: Developing a relational theatre practice in response to a specific cultural site

    Overend, D., 2011, The University of Glasgow. 195 p.

    Research output: ThesisDoctoral Thesis

  5. Published

    Understand the Meaning of Movement

    McCaw, R., 25 Jul 2015, In: Theatre, Dance and Performance Training. 6, 2, p. 219 -232 14 p.

    Research output: Contribution to journalArticlepeer-review

  6. Published

    Underworld, underground, underhistory: Towards a counterhistory of waste and wastelands

    Williams, D., 2010, In: Performance Research. 15, 4, p. 131-140 10 p.

    Research output: Contribution to journalArticlepeer-review

  7. Published

    Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia, by Davesh Soneji, University of Chicago Press: Book Review

    Purkayastha, P., 2013, In: Dance Research Journal. 45, 2, p. 140-2 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  8. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Unsettling Illyria: Twelfth Night, (Austr)Illyria and Exotic Englishness

    Schafer, E., 2009, In: Contemporary Theatre Review. 19, 3, p. 350-359

    Research output: Contribution to journalArticlepeer-review

  10. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Verbatim Practices in Contemporary Theatre: Symposium Report

    Megson, C., 2006, In: Contemporary Theatre Review. 16, 4, p. 529-32

    Research output: Contribution to journalArticlepeer-review

  13. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  14. Published

    Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking

    Cox, E., Jul 2012, In: Theatre Research International. 37, 2, p. 118-133 16 p.

    Research output: Contribution to journalArticlepeer-review

  15. Published

    Violence and the Body: Dissecting Recent British Drama

    Rebellato, D., 2002, In: Anglo Files. 126, p. 15-26

    Research output: Contribution to journalArticlepeer-review

  16. E-pub ahead of print

    Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba

    Purkayastha, P., 28 Jul 2021, (E-pub ahead of print) In: Theatre Research International. 46, 2, p. 200-208 9 p.

    Research output: Contribution to journalArticle

  17. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    'W radiu obraz jest lepszy': z Danem Rebellato rozmawia Michał Lachman

    Rebellato, D., 2013, In: Tekstualia: Palimpsesty, Literackie, Artystyczne, Naukowe. 32, 1, p. 25-30 6 p.

    Research output: Contribution to journalArticlepeer-review

  19. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  20. Published

    Wallace

    Overend, D. & Drummond, R., 2014

    Research output: Non-textual formPerformance

  21. Published

    Warrior, Untouchable, Courtesan: Fringe Women in Tagore’s Dance Dramas

    Purkayastha, P., 2009, In: South Asia Research. 29, 3, p. 255-73 18 p.

    Research output: Contribution to journalArticlepeer-review

  22. E-pub ahead of print

    Wayang in Jaman Now: Reflexive Traditionalization and Local, National, and Global Networks of Javanese Shadow Puppet Theatre

    Cohen, M., 3 Apr 2019, (E-pub ahead of print) In: Theatre Research International. 44, 1, p. 40-57 18 p.

    Research output: Contribution to journalArticlepeer-review

  23. Published

    Wayang in Museums: The Reverse Repatriation of Javanese Puppets

    Cohen, M., 19 Sep 2017, In: Theatre Journal. 69, 3, p. 361-381 21 p.

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Weather

    Williams, D., 2006, In: Performance Research. 11, 3, p. 142-144 3 p.

    Research output: Contribution to journalArticlepeer-review

  28. Published
  29. Published

    Welcome to Country? Aboriginal Sovereignties and Asylum Seekers

    Cox, E., 2011, In: Australian Studies. 3

    Research output: Contribution to journalArticlepeer-review

  30. Published

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 89-107

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    'West Indies vs England in Winsome Pinnock's Migration Narratives'

    Goddard, L., Nov 2004, In: Contemporary Theatre Review. 14, 4, p. 23-33

    Research output: Contribution to journalArticlepeer-review

  32. Unpublished

    What If There’s No Such Thing As Practice-as-Research?

    Rebellato, D., 16 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  33. Published

    'What I'm aspiring to be is a good dramatist': Alecky Blythe in Conversation with Chris Megson

    Megson, C., 4 May 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 220-233

    Research output: Contribution to journalArticlepeer-review

  34. Published

    'What it's like to have Parkinson's for 15 minutes'

    Jarvis, L., 19 Nov 2014

    Research output: Other contribution

  35. Published

    What on earth is happening in Poland? On Klątwa, protest, and a new regime

    Lease, B., Jun 2018, In: Interventions . 28, 2

    Research output: Contribution to journalArticlepeer-review

  36. Published
  37. Published
  38. Published

    'What Signifies a Theatre?’: Recreating Private Theatricals at Chawton House Library

    McGirr, E., 2011, In: Nineteenth Century Theatre and Film. 38, 2, p. 75-85

    Research output: Contribution to journalSpecial issuepeer-review

  39. Published

    What's so wrong with proscenium arch theatre?

    Rebellato, D., 1 Jul 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  40. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  41. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In: Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticlepeer-review

  42. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In: Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticlepeer-review

  43. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  45. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  46. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In: Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticlepeer-review

  47. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In: Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticlepeer-review

  48. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  49. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  50. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In: Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticlepeer-review