1. Published

    Postcolonial Noncitizenship in Australian Theatre and Performance: Twenty-First Century Paradigms

    Cox, E., Nov 2017, The Bloomsbury Introduction to Postcolonial Writing: New Contexts, New Narratives, New Debates. Ramone, J. (ed.). London: Bloomsbury, p. 141-157 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Post-Colonial Plays: An Anthology

    Gilbert, H., 2001, London: Routledge. 486 p.

    Research output: Book/ReportBook

  3. Published

    Post-colonial Theatre, Tourism, and the Sex Trade

    Gilbert, H., 1998, The Body in the Library: Post-colonial Representations of the Body. Dale, L. & Ryan, S. (eds.). Amsterdam: Editions Rodopi BV, p. 206-215

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Postmodern Chinese Opera: Re-citing China in Monkey: Journey to the West

    Thorpe, A., 2010, In: Contemporary Theatre Review. 20, 1, p. 66-86 18 p.

    Research output: Contribution to journalArticlepeer-review

  5. Unpublished

    Postmodern Ludergies: Theorizing Participatory Theatre Events as Folk Play

    Gowers, M., 4 Jul 2013, (Unpublished) 323 p.

    Research output: ThesisDoctoral Thesis

  6. Published

    Postscript: inner life

    Cohen, M., 2006, Life is with Others: Selected Writings on Child Psychiatry by Donald J. Cohen. Martin, A. & King, R. A. (eds.). New Haven: Yale University Press, p. 242-248

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Postshow

    Overend, D. & Drummond, R., 2009

    Research output: Non-textual formPerformance

  8. Published

    Post-War British Theatre

    Rebellato, D., 2021, Tom Stoppard in Context. Loehlin, J. N. & Kornhaber, D. (eds.). Cambridge: Cambridge University Press, p. 199-206

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    'Practising Participation: A Conversation with Lone Twin'

    Lavery, C. & Williams, D., 2011, Performance Research: 'On Participation'. 4 ed. England: Taylor & Francis / Performance Research, Vol. 16. p. 7-14 8 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  10. Published

    Prefazione

    Dymkowski, C. & Gandolfi, R. (ed.), 2003, La Prima Regista: Edith Craig, fra rivoluzione della scena e cultura della donne. Roma: Bulzone Editore, p. 13-14

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  11. Published

    Pré-occupation et souffle du lieu dans Carpentaria

    Castro, E., 2009, In: Loxias. 25, Littératures du Pacifique

    Research output: Contribution to journalArticlepeer-review

  12. Unpublished
  13. Published

    Processional Aesthetics and Irregular Transit: Envisioning Refugees in Europe

    Cox, E., Dec 2017, In: Theatre Journal. 69, 4, p. 477-496 20 p.

    Research output: Contribution to journalArticlepeer-review

  14. Unpublished
  15. Unpublished

    Productive Participants: Aesthetics and Politics in Immersive Theatre

    Alston, A., 2013, (Unpublished) 355 p.

    Research output: ThesisDoctoral Thesis

  16. Forthcoming

    Protest and Racial Progress in debbie tucker green’s ear for eye

    Goddard, L., 2020, (Accepted/In press) Contemporary Women's Plays Since 2000. Farfan, P. & Ferris, L. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Psychological Training for the Actor: A question of plumbing or Wiring?

    McCaw, D., Jun 2009, In: Performance Research. 14, 2, p. 60 - 66 7 p.

    Research output: Contribution to journalArticlepeer-review

  18. Published

    Psychopathic characters on the stage of Stephen Sondheim

    Cohen, M. & Cohen, P. M., 2006, In: Psychoanalytic Study of the Child. 61, p. 308-319

    Research output: Contribution to journalArticlepeer-review

  19. Published

    Puppetry and the destruction of the object

    Cohen, M., 2007, In: Performance Research. 12, 4, p. 119-27

    Research output: Contribution to journalArticlepeer-review

  20. Unpublished

    Puppetry in Museum Interpretation and Communication

    Tsitou, F., 2012, (Unpublished) 346 p.

    Research output: ThesisDoctoral Thesis

  21. Published

    Puppetry: A Reader in Theatre Practice by Penny Francis

    Bidgood, J., 2012, In: Platform. 6, 2, p. 112-114 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  22. Unpublished
  23. E-pub ahead of print

    Puppets, Puppeteers, and Puppet Spectators: A Response to the Volkenburg Puppetry Symposium

    Cohen, M., 18 Jul 2017, (E-pub ahead of print) In: Contemporary Theatre Review. 27, 2, p. 275-280 6 p.

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Purchase power: the marketing of performance and its discursive effects

    Thorpe, A., 2014, Contemporary Theatre Review Interventions.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  25. Published

    Quand la parole libère (de) l’écrit, et l’écrit (de) la parole…Entretien avec Romaine Moreton

    Castro, E., Jun 2007, In: Multitudes. 29, p. 101-112 12 p.

    Research output: Contribution to journalSpecial issuepeer-review

  26. Published

    Queering Masculine Peer Culture: Softening Gender Performances on the University Dance Floor

    Peterson, G. T. & Anderson, E., 2011, Queer Masculinities: A Critical Reader in Education. Landreau, J. & Rodriguez, N. (eds.). New York: Springer, Vol. 21. (Explorations in Educational Purpose).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published
  28. Published

    Questioning Comedy in Daniels, Wertenbaker, and Churchill

    Dymkowski, C., 1994, New Forms of Comedy. Reitz, B. (ed.). Trier: Wissenschaftlicher Verlag Trier, p. 33-44

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Quizoola LIVE in response to Forced Entertainment’s Quizoola!

    Ramayya, N. & Damian Martin, D. (ed.), Nov 2014, Exeunt.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  30. Published

    Raymond Williams Now: Knowledge, Limits and the Future

    Nield, S. (ed.), Wallace, J. (ed.) & Jones, R. (ed.), 1997, Basingstoke and London: Palgrave Macmillan. 192 p.

    Research output: Book/ReportBook

  31. Published

    Re: Enactment

    Bush-Bailey, G., Mar 2013, Cambridge Companion to Theatre History. Wiles, D. & Dymkowski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Reading “Suluk Wayang”: Javanese Shadow Puppets, “Nala”-Vision, Private Self, Bodily Self

    Cohen, M., Jul 2002, In: Journal of the Royal Asiatic Society. 12, 2, p. 167-186 20 p.

    Research output: Contribution to journalArticlepeer-review

  33. Published

    Reading Ancient Slavery

    Alston, R. (ed.), Hall, E. (ed.) & Proffitt, L. (ed.), 2010, Duckworth.

    Research output: Book/ReportBook

  34. Published

    Reading Ancient Slavery

    Hall, E. (ed.), Proffitt, L. (ed.) & Alston, R. (ed.), 27 Jan 2011, London: Duckworth. 240 p.

    Research output: Book/ReportBook

  35. Published

    Reading for performance: a Cirebonese romance as a narrative model for wayang

    Cohen, M., 2001, Reading Asia: New Research in Asian Studies. Hüsken, F. & van der Meij, D. (eds.). Richmond: Curzon Press, p. 197-218

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Reading Greek performance

    Wiles, D., 1987, In: Greece and Rome. 34, p. 136-151

    Research output: Contribution to journalArticlepeer-review

  37. E-pub ahead of print

    Reading Three Kingdoms as a Woman: Criticism, Misogyny, and Representation

    Nield, S., 22 Sep 2016, (E-pub ahead of print) In: Contemporary Theatre Review. 26, 3, p. 396-399 4 p.

    Research output: Contribution to journalArticlepeer-review

  38. E-pub ahead of print

    Realness & the Digital Archive: South African Drag Online

    Lease, B., 19 May 2021, (E-pub ahead of print) In: Contemporary Theatre Review. 31, 1-2, p. 153-171 19 p.

    Research output: Contribution to journalArticlepeer-review

  39. Unpublished

    Reassuring Literary Legitimacy of Traditional Chinese Theatre Texts Through Translation Database Research

    Li, X., 21 Jul 2019, (Unpublished) Fourth International Symposium: Dialogue between Chinese Language Teaching and Culture and the Arts.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  40. Published

    Recasting Commodity and Spectacle in the Indigenous Americas

    Gilbert, H. & Gleghorn, C., 20 Nov 2014, Institute of Latin American Studies. 268 p.

    Research output: Book/ReportBook

  41. Forthcoming

    Reconciliation en minga: Indigenous Video and Social Justice in Colombia

    Gleghorn, C., 2013, (Accepted/In press) In: Journal of Latin American Cultural Studies: Travesia.

    Research output: Contribution to journalArticlepeer-review

  42. Published

    Reconciliation Shakespeare? Aboriginal presence in Australian Shakespeare Production

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 63-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Reconciliation? Aboriginality and Australian Theatre in the 1990s

    Gilbert, H., 1998, Our Australian Theatre in the 1990s. Kelly, V. (ed.). Amsterdam: Editions Rodopi BV, p. 71-88

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Reconciling Shakespeare and Indigeneity in Australia: Star-cross’d Communities and Racial Tempests

    Cox, E., 2004, In: Australasian Drama Studies. 44, p. 78-95

    Research output: Contribution to journalArticlepeer-review

  45. Published

    Reflecting on Amateur Theatre Research

    Nicholson, H., Holdsworth, N. & Milling, J., Sep 2016, None: Grey Literature. 22 p.

    Research output: Book/ReportOther report

  46. Published

    Reflections on a mobile train conference from Helsinki to Rovaniemi

    Overend, D. & Bissell, L., 1 Oct 2015, In: Cultural Geographies. 22, 4, p. 731-735 5 p.

    Research output: Contribution to journalArticlepeer-review

  47. Forthcoming

    Reflections on Intimacy and Narcissism in Ontroerend Goed’s Personal Trilogy

    Alston, A., 2013, (Accepted/In press) In: Performing Ethos: an international journal of ethics in theatre and performance. 4, 1

    Research output: Contribution to journalArticlepeer-review

  48. Unpublished

    Reflections on observing, doing and writing for ‘practice-informed’ research

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  49. Published

    Reflective Viewing: ORLAN's Hybridized Harlequin, Banksy, Bacon, and the Animal-Human Divide

    Parker-Starbuck, J., 15 May 2013, Performance, Identity and the Neo-Political Subject. Causey, M. & Walsh, F. (eds.). 1 ed. Routledge: Taylor & Francis Group, p. 230-244 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Re-forming Nostalgia: Geoffrey Rush and 'The Merry Wives of Windsor', Brisbane

    Schafer, E., Jun 2015, Shakespeare and Emotions: inheritances, enactments, legacies. White, R. S., Houlahan, M. & O'Loughlin, K. (eds.). Houndmills: Palgrave Macmillan, p. 240-50 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter