1. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  2. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In: Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticlepeer-review

  3. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In: Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticlepeer-review

  4. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  5. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  6. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In: Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticlepeer-review

  7. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  8. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Cribb, R., Gilbert, H. & Tiffin, H., Jan 2014, Honolulu: University of Hawaii Press. 336 p.

    Research output: Book/ReportBook

  9. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In: GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticlepeer-review

  10. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    William Haughton's An Englishman for my Money: A Critical Note

    Schafer, E., 1990, In: Review of English Studies. XLI, p. 536-538

    Research output: Contribution to journalArticlepeer-review

  12. Published

    Wind, even when we do not move

    Williams, D., 2000, 5 p. London : Taylor & Francis / Performance Research.

    Research output: Other contribution

  13. Published

    Witch theatre? A guide to the weird world of stage superstitions

    Nield, S., 31 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  14. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  15. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Unpublished

    Women in Korean Musical Theatre

    Gu, J., 2017, (Unpublished) 380 p.

    Research output: ThesisDoctoral Thesis

  17. Published

    Women in Revolutionary Theatre: IPTA, Labor, and Performance

    Purkayastha, P., 14 Sep 2015, In: Asian Theatre Journal. 32, 2, p. 518-535 18 p.

    Research output: Contribution to journalArticlepeer-review

  18. Published

    Women Like Us?

    Bush-Bailey, G., 28 Sep 2012, In: Comedy Studies . 3, 2, p. 151-159

    Research output: Contribution to journalArticlepeer-review

  19. Published

    Women’s Plays and Monologues 1880-1947

    Bush-Bailey, G. (ed.) & Gale, M. B. (ed.), 2011, Manchester University Press.

    Research output: Book/ReportBook

  20. Published
  21. Published

    Work/place: Making Theatre in new and old spaces

    Wiles, D., 2000, In: Studies in Theatre and Performance. 20, p. 205-208

    Research output: Contribution to journalArticlepeer-review

  22. Published

    Working (in) the in-between: contact improvisation as an ethical practice

    Williams, D., 1996, In: Writings on Dance. 15, p. 22-37 16 p.

    Research output: Contribution to journalArticlepeer-review

  23. Published

    World Wide Wandering: E-drifting in Paris and London

    Overend, D., 2013, In: Scottish Journal of Performance. 1, 1

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Worlds of Wayang: The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets

    Cohen, M., 2018, In: Yale University Art Gallery Bulletin. p. 40-47 8 p.

    Research output: Contribution to journalArticle

  25. Published

    Writ Large: New Writing on the English Stage 2003-2009

    Rebellato, D. & British Theatre Consortium, 9 Dec 2009, London: Arts Council England. 151 p.

    Research output: Book/ReportCommissioned report