1. Published
  2. Published

    Transnational and postcolonial gamelan

    Cohen, M., 2006, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 162, 4, p. 576-588

    Research output: Contribution to journalArticlepeer-review

  3. Published

    Treading The Bawds: Actresses & Playwrights on the Late Stuart Stage

    Bush-Bailey, G., 2006, Manchester University Press.

    Research output: Book/ReportBook

  4. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Twelfth Night

    Schafer, E. (ed.), 2009, Cambridge University Press. 250 p.

    Research output: Book/ReportBook

  6. Published

    Twentieth Century Actor Training

    Hodge, A. (ed.), 2000, London and New York: Routledge.

    Research output: Book/ReportBook

  7. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Two Live Artists in the Theatre: A Dialogue with Tania El Khoury and Deborah Pearson

    Pearson, D. & El Khoury, T., 4 Jul 2015, In: Performance Research. 20, 4, p. 122-126 5 p.

    Research output: Contribution to journalComment/debatepeer-review

  9. Published

    Underneath the Arches

    Overend, D., 2009

    Research output: Non-textual formPerformance

  10. Published

    Underneath the Arches: Developing a relational theatre practice in response to a specific cultural site

    Overend, D., 2011, The University of Glasgow. 195 p.

    Research output: ThesisDoctoral Thesis

  11. Published

    Understand the Meaning of Movement

    McCaw, R., 25 Jul 2015, In: Theatre, Dance and Performance Training. 6, 2, p. 219 -232 14 p.

    Research output: Contribution to journalArticlepeer-review

  12. Published

    Underworld, underground, underhistory: Towards a counterhistory of waste and wastelands

    Williams, D., 2010, In: Performance Research. 15, 4, p. 131-140 10 p.

    Research output: Contribution to journalArticlepeer-review

  13. Published

    Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia, by Davesh Soneji, University of Chicago Press: Book Review

    Purkayastha, P., 2013, In: Dance Research Journal. 45, 2, p. 140-2 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  14. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Unsettling Illyria: Twelfth Night, (Austr)Illyria and Exotic Englishness

    Schafer, E., 2009, In: Contemporary Theatre Review. 19, 3, p. 350-359

    Research output: Contribution to journalArticlepeer-review

  16. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Verbatim Practices in Contemporary Theatre: Symposium Report

    Megson, C., 2006, In: Contemporary Theatre Review. 16, 4, p. 529-32

    Research output: Contribution to journalArticlepeer-review

  19. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  20. Published

    Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking

    Cox, E., Jul 2012, In: Theatre Research International. 37, 2, p. 118-133 16 p.

    Research output: Contribution to journalArticlepeer-review

  21. Published

    Violence and the Body: Dissecting Recent British Drama

    Rebellato, D., 2002, In: Anglo Files. 126, p. 15-26

    Research output: Contribution to journalArticlepeer-review

  22. E-pub ahead of print

    Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba

    Purkayastha, P., 28 Jul 2021, (E-pub ahead of print) In: Theatre Research International. 46, 2, p. 200-208 9 p.

    Research output: Contribution to journalArticle

  23. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    'W radiu obraz jest lepszy': z Danem Rebellato rozmawia Michał Lachman

    Rebellato, D., 2013, In: Tekstualia: Palimpsesty, Literackie, Artystyczne, Naukowe. 32, 1, p. 25-30 6 p.

    Research output: Contribution to journalArticlepeer-review

  25. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper