1. Published

    ‘The Impact of Print in Ireland, 1750-1800’

    Rankin, D., 2005, History of the Irish Book, Vol. III: The Irish Book in English, 1550-1800. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    ‘The Stakes for City Theatres: Linus Tunström’s Farewell to the Uppsala Stadsteater’

    Lease, B., 2016, In: European Stages . 6

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  3. Published

    ‘The Tempest: Dhaka Theatre’, Shakespeare’s Globe, 7 May 2012

    Dymkowski, C., 2012

    Research output: Non-textual formWeb publication/site

  4. Published

    ‘The Work is the Fix’: An Email Conversation with Darren O’Donnell, Artistic Director of Mammalian Diving Reflex

    Jarvis, L., Mar 2011, In: Platform. 5, 2

    Research output: Contribution to journalArticlepeer-review

  5. Published

    ‘Vienos Ienos Miško Pasakos’ (Tales from Vienna Woods) at Lithuanian State Youth Theatre

    Lease, B., 17 Mar 2019, In: Theatre Times .

    Research output: Contribution to journalBook/Film/Article review

  6. Published
  7. Published

    ‘What became of Poland’s transgressive theatre?’

    Lease, B., 2010, Ethical Encounters: Boundaries of Theatre, Performance and Philosophy . Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    ‘What’s Past is Prologue’: Performing Shakespeare and Aboriginality in Australia

    Cox, E., 2011, In: Multicultural Shakespeare: Translation, Appropriation and Performance. 8, p. 71-92

    Research output: Contribution to journalArticlepeer-review

  9. Submitted

    ‘Who will believe thee, Isabel?’: Measure for Measure, #Me Too and Performing Christianity Today

    Schafer, E., 1 Jan 2021, (Submitted) Christian Shakespeare: Question Mark A Collection of Essays on Shakespeare in his Christian Context. Scott, M. & Collins, M. (eds.). Georgetown University Press, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    ‘Writing across the footlights: Ninette de Valois and the Vic-Wells community’

    Schafer, E., Jul 2012, Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books, p. 88-93 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    ‘Year of Shakespeare: The Tempest’, Shakespeare’s Globe, 7 May 2012

    Dymkowski, C., 2012

    Research output: Non-textual formWeb publication/site

  12. Submitted

    “Archive and Asylum – experiential memories of Kneehigh Theatre’s performance venue and theatre archive” at Shared Memories II Eastap Conference at the University of Lison, Portugal

    Trenchfield, C., 24 Sep 2019, (Submitted) Shared Memories II Eastap Conference at the University of Lison, Portugal.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  13. Published

    “Butterfly Song de Terri Janke”: introduction to and translation of the beginning of Terri Janke’s Butterfly Song

    Castro, E. & Guerre, P., Dec 2006, 1 p. Nouméa : Correspondances Océaniennes.

    Research output: Other contribution

  14. Published

    “Can I Tell You about It?”: England, Austerity and 'Radical Optimism' in the Theatre of Anders Lustgarten

    Megson, C., 4 May 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 40-54 15 p.

    Research output: Contribution to journalArticlepeer-review

  15. Published

    “Children” of the Gods: Filming the private rituals of Haitian Vodou

    Hammond, C., 2012, In: Journal of Haitian Studies. 18, 2 (Fall 2012)

    Research output: Contribution to journalArticlepeer-review

  16. Submitted

    “Kneehigh Theatre Company and Cultural Hybridisation”at Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta

    Trenchfield, C., 14 Mar 2019, (Submitted) Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. Published
  18. Published

    “Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009)

    Thorpe, A., 2011, In: Asian Theatre Journal. 28, 2, p. 483-504 21 p.

    Research output: Contribution to journalArticlepeer-review

  19. Published

    “Not our Olivia”: Lydia Lopokova and Twelfth Night

    Schafer, E., 2010, Shakespeare in Stages: New Directions in Theatre History. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 144-163

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    “Pierced to the soul”: The politics of the Gaze in Richard II

    Ashby, R., 2015, In: Shakespeare. 11, 2, p. 201-213 13 p.

    Research output: Contribution to journalArticlepeer-review

  21. E-pub ahead of print

    “Presencing” Pleasure and Pain in Hispanophone Caribbean Performance

    Blanco, M., 7 Oct 2019, (E-pub ahead of print) In: The Black Scholar - A Journal of Black Studies and Research . 49, 4, p. 6-19 14 p.

    Research output: Contribution to journalArticlepeer-review

  22. Unpublished
  23. Published

    “The play’s the thing”: The Metatheatre of Timberlake Wertenbaker

    Dymkowski, C., 1997, Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Boireau, N. (ed.). London: Palgrave Macmillan, p. 121-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Aeschylus' Persians: Edited with Introduction, Translation and Commentary

    Hall, E., 1996, Oxford: Aris & Phillips/Oxbow.

    Research output: Book/ReportScholarly edition

  25. Published

    Camilla the Amazon by Jane Scott

    Bratton, J. & Bush-Bailey, G., 1999, In: Nineteenth Century Theatre. 27, p. 156-195

    Research output: Contribution to journalArticlepeer-review

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