1. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  3. Published

    Witch theatre? A guide to the weird world of stage superstitions

    Nield, S., 31 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  4. Published

    Wind, even when we do not move

    Williams, D., 2000, 5 p. London : Taylor & Francis / Performance Research.

    Research output: Other contribution

  5. Published

    William Haughton's An Englishman for my Money: A Critical Note

    Schafer, E., 1990, In: Review of English Studies. XLI, p. 536-538

    Research output: Contribution to journalArticlepeer-review

  6. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In: GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticlepeer-review

  8. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Cribb, R., Gilbert, H. & Tiffin, H., Jan 2014, Honolulu: University of Hawaii Press. 336 p.

    Research output: Book/ReportBook

  9. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  10. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In: Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticlepeer-review

  11. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  12. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  13. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In: Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticlepeer-review

  14. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In: Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticlepeer-review

  15. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  16. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  17. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In: Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticlepeer-review

  19. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In: Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticlepeer-review

  20. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  21. Published

    What's so wrong with proscenium arch theatre?

    Rebellato, D., 1 Jul 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  22. Published

    'What Signifies a Theatre?’: Recreating Private Theatricals at Chawton House Library

    McGirr, E., 2011, In: Nineteenth Century Theatre and Film. 38, 2, p. 75-85

    Research output: Contribution to journalSpecial issuepeer-review

  23. Published
  24. Published
  25. Published

    What on earth is happening in Poland? On Klątwa, protest, and a new regime

    Lease, B., Jun 2018, In: Interventions . 28, 2

    Research output: Contribution to journalArticlepeer-review

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