1. Unpublished
  2. Unpublished

    The Later Edward Bond: Subjectivity, Dramaturgy, and Performance

    Chen, C-C., 2018, (Unpublished)

    Research output: ThesisDoctoral Thesis

  3. Published

    The Lewes bonfire festival

    Wiles, D., 1996, In: New Theatre Quarterly. 12, 46, p. 177-191

    Research output: Contribution to journalArticlepeer-review

  4. Published

    The Lion the Witch and the Wardrobe - threesixty

    Bidgood, J., 9 Jul 2012, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  5. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum

    Thorpe, A., 2009, In: Studies in Theatre and Performance. 29, 2, p. 133-147 14 p.

    Research output: Contribution to journalArticlepeer-review

  7. Unpublished

    The Magical Body on the Stage: Henry Irving Reconsidered

    Punter, M., 7 Mar 2014, (Unpublished) 310 p.

    Research output: ThesisDoctoral Thesis

  8. Published

    The Majority

    Overend, D. & Drummond, R., Aug 2017

    Research output: Non-textual formPerformance

  9. Published

    The Making of the West End Stage: marriage, management and the mapping of gender in London, 1830-1870

    Bratton, J., Nov 2011, Cambridge: Cambridge University Press. 222 p.

    Research output: Book/ReportBook

  10. Published

    The male gaze in Woyzeck: Re-presenting Madness and Marie

    Schafer, E., 1993, In: Themes in Drama. 15, p. 55-64

    Research output: Contribution to journalArticlepeer-review

  11. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Unpublished
  13. Published

    The mask in Greek tragedy

    Wiles, D., 2004, In: Dioniso. 3, p. 206-213

    Research output: Contribution to journalArticlepeer-review

  14. Published

    The masks of Greek tragedy as point of departure for modern performance

    Wiles, D. & Vervain, C., 2001, In: New Theatre Quarterly. 17, p. 254-272

    Research output: Contribution to journalArticlepeer-review

  15. Published

    The Masks of Menander: Sign and Meaning in Greek and Roman Performance

    Wiles, D., 1991, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  16. Published

    The Master and Margarita - Complicite and Simon McBurney

    Bidgood, J., 19 Dec 2012, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  17. Published

    The Merchant of Venice: Theatre Review of The Merchant of Venice, Shakespeare's Globe, London

    Paitayawat, P., 2007, In: Cahiers Elisabéthains. 72, Autumn, p. 39-41 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  18. Published

    The Merry Wives of Windsor

    Schafer, E., 2005, In: Performance Research. 10, 3, p. 102

    Research output: Contribution to journalArticlepeer-review

  19. In preparation

    'The Merry Wives of Windsor' in Performance

    Schafer, E., 1 Sep 2021, (In preparation) London: Routledge. 200 p.

    Research output: Book/ReportBook

  20. Published

    The Methuen Drama Book of Naturalist Plays

    Megson, C. (ed.), 2010, London: Methuen.

    Research output: Book/ReportBook

  21. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Forthcoming

    The Northern Lass by Richard Brome

    Schafer, E., 2023, (Accepted/In press) Oxford: Oxford University Press.

    Research output: Book/ReportScholarly edition

  24. Published

    The Oxford Encyclopaedia of Theatre and Performance

    Kennedy, D. (ed.) & Bratton, J. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  25. Published

    The Oxford Handbook of Dance and the Popular Screen

    Blanco Borelli, M., 2014, Oxford University Press.

    Research output: Book/ReportAnthology

  26. In preparation

    The Oxford Handbook of Indian Dance

    Purkayastha, P. & Banerji, A., 1 Jan 2023, (In preparation) New York: Oxford Univerity Press; Oxford.

    Research output: Book/ReportAnthology

  27. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  28. Unpublished
  29. Published

    The Performance of Memory

    Nicholson, H., 2003, In: The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticlepeer-review

  30. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?

    Rebellato, D., 2007, In: Western European Stages. xix, 1, p. 33-36

    Research output: Contribution to journalArticlepeer-review

  32. Unpublished
  33. Published

    The play-within-the-film-within-the-play's the thing: re-transmitting analogue bodies in the Wooster Group's Hamlet

    Parker-Starbuck, J., 1 Jun 2009, In: International Journal of Performance Arts and Digital Media. 5, 1, p. 23-34 12 p.

    Research output: Contribution to journalArticlepeer-review

  34. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    The Point of Culture: Brazil Turned Upside Down

    Spowage, C., 2013, ed. by Paul Heritage and Rosie Hunter, with Poppy Spowage. Lisbon: Calouste Gulbenkian Foundation

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  36. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published
  38. Published

    The Prison and the Font: An Essay on Patrick White's A Fringe of Leaves

    Gilbert, H., 1989, In: Kunapipi: Journal of Postcolonial Writing. 11, 2, p. 17-22

    Research output: Contribution to journalArticlepeer-review

  39. Unpublished
  40. Published

    The Problem with 'Dance'

    Purkayastha, P., 1 Dec 2020, Conversations Across the Field of Dance Studies: Decolonizing Dance Discourses. Mitra, R., Banerji, A. & Candelario, R. (eds.). Vol. XL. p. 28-30

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  41. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    The promises of history: pedagogic principles and processes of change

    Nicholson, H., 2010, In: Research in Drama Education. 15, 2, p. 147-154 8 p.

    Research output: Contribution to journalArticlepeer-review

  43. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. E-pub ahead of print

    The Repairer and the Ad Hocist: Understanding the ‘ongoingness’ of the amateur theatre maker’s craft

    Gray, C., 23 Apr 2020, (E-pub ahead of print) In: Performance Research. 25, 1, p. 88-95 8 p.

    Research output: Contribution to journalArticlepeer-review

  45. Unpublished
  46. Published

    The right horse, the animal eye: Bartabas and Théâtre Zingaro

    Williams, D., 2000, In: Performance Research. 5, 2, p. 29-40 12 p.

    Research output: Contribution to journalArticlepeer-review

  47. Published

    The Ring Story in Northward Ho I.i.: An English Source

    Schafer, E., 1986, In: Notes and Queries. 33, September, p. 374-375

    Research output: Contribution to journalArticlepeer-review

  48. Published

    The Rise of the Character named Spectator

    Nield, S., 2008, In: Contemporary Theatre Review. 18, 4

    Research output: Contribution to journalArticlepeer-review

  49. Published

    The role of objects in supporting older adults with dementia to tell stories about their lives

    Lloyd, J., 1 Oct 2015, In: Journal of Applied Arts & Health. 6, 2, p. 171-186 16 p.

    Research output: Contribution to journalArticlepeer-review

  50. Unpublished

    The Role of Reminiscence Arts in the Lives of Care Home Residents Living with Dementia

    Lloyd, J., 2016, (Unpublished) 337 p.

    Research output: ThesisDoctoral Thesis

  51. Published

    The Role of the Chou ("Clown") in Traditional Chinese Drama: Comedy, Criticism and Cosmology on the Chinese Stage

    Thorpe, A., 2007, Lewiston: The Edwin Mellen Press. 351 p.

    Research output: Book/ReportBook

  52. In preparation

    The Routledge Companion to Documenting Performance

    Guy, G. (ed.) & Linsley, J. (ed.), 2023, (In preparation)

    Research output: Book/ReportBook

  53. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    The Sea: 6 Waves

    Williams, D., 2009, Cupola Bobber: reading companion to the performance 'Way Out West, The Sea Whispered Me'. Chicago, USA, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  55. Published

    The Serpent's Gaze: Re-working Myths for a Feminist Australian Drama

    Gilbert, H., 1993, In: Australian and New Zealand Studies in Canada. 10, p. 30-40

    Research output: Contribution to journalArticlepeer-review

  56. Published

    The seven gates of Aeschylus

    Wiles, D., 1993, In: Drama. 2, p. 180-194

    Research output: Contribution to journalArticlepeer-review

  57. Published

    The Six Wild Ways of the Oak

    Overend, D., Narbed, S., Lorimer, J., Swingler, J. & Twynholm, S., 2018

    Research output: Non-textual formDigital or Visual Products

  58. Published

    The Sociable Aesthetics of Amateur Theatre

    Walcon, E. & Nicholson, H., 2017, In: Contemporary Theatre Review. 27, 1, p. 18-33 16 p.

    Research output: Contribution to journalArticlepeer-review

  59. Published

    'The Spectacle is Everywhere': tracing the Situationist legacy in British playwriting since 1968

    Megson, C., May 2004, In: Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticlepeer-review

  60. Published

    'The Spectacle is Everywhere': Tracing the Situationist Legacy in British Playwriting Since 1968

    Megson, C., 2004, In: Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticlepeer-review

  61. Published

    The Spectator and Her Double: Seeing Performance through the Eyes of Another

    Parker-Starbuck, J., Jun 2014, In: Theatre Topics. 24, 2, p. 125-136 12 p.

    Research output: Contribution to journalArticlepeer-review

  62. E-pub ahead of print

    The Spectatorial Body in Multimedia Performance

    Parker-Starbuck, J., 17 Aug 2011, (E-pub ahead of print) In: PAJ: A Journal of Performance and Art. 33, 3, p. 60-71 12 p.

    Research output: Contribution to journalArticlepeer-review

  63. Published

    The staging of the recognition scene in the Choephoroi

    Wiles, D., 1988, In: The Classical Quarterly. 38, p. 82-85

    Research output: Contribution to journalArticlepeer-review

  64. Published

    'The State We’re In': Tribunal Theatre and British Politics in the 1990s

    Megson, C., 2008, Theatres of Thought: Theatre, Performance and Philosophy. Watt, D. & Meyer-Dinkgräfe, D. (eds.). Newcastle: Cambridge Scholars, p. 110-126

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    The Suspect Culture Book

    Rebellato, D. (ed.) & Eatough, G. (ed.), 2013, London: Oberon. 335 p.

    Research output: Book/ReportBook

  66. Published

    The Sweater's Baby and the Docker's Cat: Performing occupation of public space in the 1889 London Dock Strike

    Nield, S., Nov 2016, In: About Performance. 14/15, p. 61-76

    Research output: Contribution to journalArticlepeer-review

  67. Unpublished

    The Sword as a Didactic Tool on the London Comic Stage, 1660-1740

    MacNeill, M., 2016, (Unpublished) 244 p.

    Research output: ThesisDoctoral Thesis

  68. Published

    The Taming of the Shrew: Shakespeare in Production

    Schafer, E., 2002, Cambridge University Press.

    Research output: Book/ReportBook

  69. Published

    The tears of things (for Pina)

    Williams, D., Mar 2011, The Live Art Almanac Vol. 2. Keidan, L., Mitchell, CJ. & Mitchelson, A. (eds.). Live Art Development Agency, p. 125-8 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    The Tempest

    Dymkowski, C., 2000, Cambridge: Cambridge University Press. (Shakespeare in Production)

    Research output: Book/ReportBook

  71. Published

    The Theatre is Not Local: Borges’s Birds and the Otherwhere of Theatre

    Rebellato, D., 2006.

    Research output: Contribution to conferencePaperpeer-review

  72. In preparation

    The Theatre of Drottningholm: Performing Today on the Baroque Stage: 3.5 chapters in co-authored volume

    Wiles, D., 2013, (In preparation) Iowa University Press.

    Research output: Book/ReportBook

  73. Published

    The Theatres Act (1968), documentary theatre and the actor’s overwhelming reality

    Megson, C., May 2011, In: Studies in Theatre and Performance. 31, 2, p. 137-151 15 p.

    Research output: Contribution to journalArticlepeer-review

  74. Published

    The thing with feathers

    Williams, D., 2004, In: Performance Research. 9, 4, p. 59-65 7 p.

    Research output: Contribution to journalArticlepeer-review

  75. Published

    The Trial That Never Was: Russian Documentary Theatre and The Pursuit of Justice

    Flynn, M., 21 Oct 2014, In: New Theatre Quarterly. 30, 04, p. 307-317

    Research output: Contribution to journalArticlepeer-review

  76. Published

    the tricking period

    Gardner, N-M., 10 Feb 2009, 3AM Magazine.

    Research output: Other contribution

  77. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    The Victorian Clown

    Bratton, J. & Featherstone, A., 2006, Unkown Publisher.

    Research output: Book/ReportBook

  79. Published

    The Visual Laboratory of Robert Lepage by Ludovic Fouquet

    Poll, M., 25 Mar 2015, In: Theatre Research in Canada. 36, 1, p. 165-169 5 p.

    Research output: Contribution to journalBook/Film/Article review

  80. Published

    The Wind in the Willows - Will Tuckett

    Bidgood, J., 13 Dec 2012, In: Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  81. Published

    The Wooster Group Work Book (review)

    Parker-Starbuck, J., 2008, In: Modern Drama. 51, 3, p. 427-429 3 p.

    Research output: Contribution to journalArticlepeer-review

  82. Published
  83. Published

    The Work of the Moment

    Nield, S., Feb 2012, In: Art History. 35, 1, p. 185-187 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  84. Published

    Theatre & Christianity

    Schafer, E., 22 Mar 2019, Red Globe Press. 91 p. (Theatre &)

    Research output: Book/ReportBook

  85. Published

    Theatre & Education

    Nicholson, H., 2009, Basingstoke: Palgrave Macmillan. 91 p.

    Research output: Book/ReportBook

  86. Published

    Theatre & Globalization

    Rebellato, D., 2009, Basingstoke: Palgrave Macmillan. 97 p. (Theatre&)

    Research output: Book/ReportBook

  87. Published

    Theatre & Museums by Susan Bennett

    Guy, G., 21 Oct 2014, In: Contemporary Theatre Review. 24, 4, p. 526-528 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  88. Published

    Theatre & The Body

    Conroy, C., 2010, Basingstoke: Palgrave Macmillan.

    Research output: Book/ReportBook

  89. Submitted
  90. Published

    Theatre and Citizenship: the History of a Practice

    Wiles, D., 2011, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  91. Published

    Theatre and Cultural Commerce: Louis Nowra’s Cosí

    Gilbert, H., 1997, In: Southerly. 57, 3, p. 191-199

    Research output: Contribution to journalArticlepeer-review

  92. Published

    Theatre and Migration

    Cox, E., 2014, Palgrave Macmillan. 104 p.

    Research output: Book/ReportBook

  93. Published

    Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

    Lease, B., 5 Mar 2015, In: TDR: The Drama Review. 59, 1, p. 119-135 17 p.

    Research output: Contribution to journalArticlepeer-review

  94. Published

    Theatre Blogging: The emergence of a critical culture

    Vaughan, M., 6 Feb 2020, Bloomsbury Methuen Drama.

    Research output: Book/ReportBook

  95. Published

    Théâtre dionysiaque dans le ‘Banquet’ de Xénophon

    Wiles, D., 2000, In: Cahiers du GITA. 13, p. 107-118

    Research output: Contribution to journalArticlepeer-review

  96. Published

    Theatre for Young Audiences in Singapore: Dimensions of Creativity

    Lee, C., 2020

    Research output: ThesisDoctoral Thesis

  97. Published

    Theatre History and Historiography

    Davis, J., Normington, K., Bush-Bailey, G. & Bratton, J., 2011, Research Methods in Theatre and Performance. Kershaw, B. & Nicholson, H. (eds.). Edinburgh: Edinburgh University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Forthcoming

    Theatre History of The Tempest

    Dymkowski, C., 2016, (Accepted/In press) New Variorum edition of The Tempest. Gurr, A. (ed.). Modern Language Association of America

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  99. Published
  100. Published

    Theatre in Health and Care

    Brodzinski, E., 2010, Palgrave/Macmillan. 190 p.

    Research output: Book/ReportBook