1. Published

    跨界對談:差異- 認同與混雜

    Zhao, Y., hui., B. Y. Y. S. Y. J. S. L. W. C. G. F. B. Y. T. & Prakash, B., 2007, Chu ban. ed. Tai bei xian ban qiao shi: Guo li Tai wan yi shu da xue biao yan yi shu yan jiu suo. 9 p.

    Research output: Book/ReportBook

  2. Published

    解构主义哲学观下的中国传统戏曲程式的跨文化交流

    Li, X., 1 Oct 2018, 京剧传播研究. Yu, J. (ed.). Beijing: 文化艺术

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. In preparation

    艾米丽 - 英语演出的能剧

    Thorpe, A. & Ni, F. (Translator), 2020, (In preparation) Liaoning University Press.

    Research output: Book/ReportBook

  4. Published

    京剧行当术语

    Thorpe, A. (Translator), 2019, Beijing: Zhongguo Xiju Xueyuan Chubanshe.

    Research output: Book/ReportBook

  5. Published

    京剧服饰术语中英文对照

    Thorpe, A. (Translator) & Ba, T. (ed.), 2017, Beijing: Zhongguo Xiju Xueyuan Chubanshe. 211 p.

    Research output: Book/ReportBook

  6. Published
  7. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  8. Published

    Yucatán in an Era of Globalisation - by Baklanoff, Eric N. and Moseley, Edward H., (eds.)

    Llanes Ortiz, G., Jul 2009, In : Bulletin of Latin American Research. 28, 3, p. 437-438 2 p.

    Research output: Contribution to journalBook/Film/Article review

  9. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Y ahora que vas a hacer, mulata?: Hip choreographies in the Mexican cabaretera film Mulata (1954)

    Blanco Borelli, M., 2008, In : Women & Performance: a journal of feminist theory. 18, 3, p. 215-233 18 p.

    Research output: Contribution to journalArticle

  11. Unpublished
  12. Unpublished
  13. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Writ Large: New Writing on the English Stage 2003-2009

    Rebellato, D. & British Theatre Consortium, 9 Dec 2009, London: Arts Council England. 151 p.

    Research output: Book/ReportCommissioned report

  16. Published

    Worlds of Wayang: The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets

    Cohen, M., 2018, In : Yale University Art Gallery Bulletin. p. 40-47 8 p.

    Research output: Contribution to journalArticle

  17. Published

    World Wide Wandering: E-drifting in Paris and London

    Overend, D., 2013, In : Scottish Journal of Performance. 1, 1

    Research output: Contribution to journalArticle

  18. Published

    Working (in) the in-between: contact improvisation as an ethical practice

    Williams, D., 1996, In : Writings on Dance. 15, p. 22-37 16 p.

    Research output: Contribution to journalArticle

  19. Published

    Work/place: Making Theatre in new and old spaces

    Wiles, D., 2000, In : Studies in Theatre and Performance. 20, p. 205-208

    Research output: Contribution to journalArticle

  20. Published
  21. Published

    Women’s Plays and Monologues 1880-1947

    Bush-Bailey, G. (ed.) & Gale, M. B. (ed.), 2011, Manchester University Press.

    Research output: Book/ReportBook

  22. Published

    Women Like Us?

    Bush-Bailey, G., 28 Sep 2012, In : Comedy Studies . 3, 2, p. 151-159

    Research output: Contribution to journalArticle

  23. Published

    Women in Revolutionary Theatre: IPTA, Labor, and Performance

    Purkayastha, P., 14 Sep 2015, In : Asian Theatre Journal. 32, 2, p. 518-535 18 p.

    Research output: Contribution to journalArticle

  24. Unpublished

    Women in Korean Musical Theatre

    Gu, J., 2017, (Unpublished) 380 p.

    Research output: ThesisDoctoral Thesis

  25. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  27. Published

    Witch theatre? A guide to the weird world of stage superstitions

    Nield, S., 31 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  28. Published

    Wind, even when we do not move

    Williams, D., 2000, 5 p. London : Taylor & Francis / Performance Research.

    Research output: Other contribution

  29. Published

    William Haughton's An Englishman for my Money: A Critical Note

    Schafer, E., 1990, In : Review of English Studies. XLI, p. 536-538

    Research output: Contribution to journalArticle

  30. Published

    Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., 22 Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1 ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In : GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticle

  32. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Cribb, R., Gilbert, H. & Tiffin, H., Jan 2014, Honolulu: University of Hawaii Press. 336 p.

    Research output: Book/ReportBook

  33. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  34. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In : Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticle

  35. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  36. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  37. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In : Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticle

  38. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In : Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticle

  39. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  40. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  41. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In : Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticle

  43. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In : Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticle

  44. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  45. Published

    What's so wrong with proscenium arch theatre?

    Rebellato, D., 1 Jul 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  46. Published

    'What Signifies a Theatre?’: Recreating Private Theatricals at Chawton House Library

    McGirr, E., 2011, In : Nineteenth Century Theatre and Film. 38, 2, p. 75-85

    Research output: Contribution to journalSpecial issue

  47. Published
  48. Published
  49. Published

    What on earth is happening in Poland? On Klątwa, protest, and a new regime

    Lease, B., Jun 2018, In : Interventions . 28, 2

    Research output: Contribution to journalArticle

  50. Published

    'What it's like to have Parkinson's for 15 minutes'

    Jarvis, L., 19 Nov 2014

    Research output: Other contribution

  51. Published

    'What I'm aspiring to be is a good dramatist': Alecky Blythe in Conversation with Chris Megson

    Megson, C., 4 May 2018, In : Journal of Contemporary Drama in English. 6, 1, p. 220-233

    Research output: Contribution to journalArticle

  52. Unpublished

    What If There’s No Such Thing As Practice-as-Research?

    Rebellato, D., 16 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  53. Published

    'West Indies vs England in Winsome Pinnock's Migration Narratives'

    Goddard, L., Nov 2004, In : Contemporary Theatre Review. 14, 4, p. 23-33

    Research output: Contribution to journalArticle

  54. Forthcoming

    'Wesker's Flawed Diamond: "Their Very Own and Golden City"'

    Megson, C., 2021, (Accepted/In press) Arnold Wesker: Fragments and Visions. Etienne, A. & Saunders, G. (eds.). Bristol: Intellect Publishers, p. 87-105

    Research output: Chapter in Book/Report/Conference proceedingChapter

  55. Published

    Welcome to Country? Aboriginal Sovereignties and Asylum Seekers

    Cox, E., 2011, In : Australian Studies. 3

    Research output: Contribution to journalArticle

  56. Published
  57. Published

    Weather

    Williams, D., 2006, In : Performance Research. 11, 3, p. 142-144 3 p.

    Research output: Contribution to journalArticle

  58. Published

    Wayang kulit as contact zone

    Cohen, M., 2004, Performing Objects: Museums, Material Culture and Performance in Southeast Asia. Kerlogue, F. (ed.). London: The Horniman Museum and Gardens, p. 135-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    Wayang kulit as a contact zone: tradition in global flux

    Cohen, M., 2005, Ethnicity and Identity: Global Performance. Chaturvedi, R. & Singleton, B. (eds.). Jaipur, India: Rawat, p. 423-441

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Wayang Kulit and Islam: Perspectives from Cirebon

    Cohen, M., 2006, Dimensions of Shadow Play in Malay Civilisation. Noor, F. N. M. (ed.). Kuala Lumpur: Centre for Civilisational Dialogue, University of Malaya, p. 39-61

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    Wayang in Museums: The Reverse Repatriation of Javanese Puppets

    Cohen, M., 19 Sep 2017, In : Theatre Journal. 69, 3, p. 361-381 21 p.

    Research output: Contribution to journalArticle

  62. E-pub ahead of print

    Wayang in Jaman Now: Reflexive Traditionalization and Local, National, and Global Networks of Javanese Shadow Puppet Theatre

    Cohen, M., 3 Apr 2019, In : Theatre Research International. 44, 1, p. 40-57 18 p.

    Research output: Contribution to journalArticle

  63. Published

    Warrior, Untouchable, Courtesan: Fringe Women in Tagore’s Dance Dramas

    Purkayastha, P., 2009, In : South Asia Research. 29, 3, p. 255-73 18 p.

    Research output: Contribution to journalArticle

  64. Published

    Wallace

    Overend, D. & Drummond, R., 2014

    Research output: Non-textual formPerformance

  65. Published

    Walking With Dinosaurs: The Rise and Fall of the State-of-the-Nation Play

    Rebellato, D., 2005.

    Research output: Contribution to conferencePaper

  66. Published

    'W radiu obraz jest lepszy': z Danem Rebellato rozmawia Michał Lachman

    Rebellato, D., 2013, In : Tekstualia: Palimpsesty, Literackie, Artystyczne, Naukowe. 32, 1, p. 25-30 6 p.

    Research output: Contribution to journalArticle

  67. Published

    Voices on Stage

    Nicholson, H., 1996, Voices Off: Texts, ontexts, Readers. Styles, M., Bearne, E. & Watson, V. (eds.). London: Cassell, p. 248-284

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    Violence and the Body: Dissecting Recent British Drama

    Rebellato, D., 2002, In : Anglo Files. 126, p. 15-26

    Research output: Contribution to journalArticle

  69. Published

    Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking

    Cox, E., Jul 2012, In : Theatre Research International. 37, 2, p. 118-133 16 p.

    Research output: Contribution to journalArticle

  70. Published

    Versions of Exhaustion

    Goudouna, S., 2010.

    Research output: Contribution to conferencePaper

  71. Published

    Verbatim Practices in Contemporary Theatre: Symposium Report

    Megson, C., 2006, In : Contemporary Theatre Review. 16, 4, p. 529-32

    Research output: Contribution to journalArticle

  72. Published

    Vancouver Opera’s Coast Salish-inspired Magic Flute: a Conversation with Robert McQueen, with responses by Lorna Williams, Cathi Charles Wherry, Tracey Herbert, and Marion Newman

    Robinson, D., McQueen, R., Williams, L., Newman, M., Charles Wherry, C. & Herbert, T., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 309-24 (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    Unsilencing Elizabeth Cary: Worldmaking in The Tragedy of Mariam, Fair Queen of Jewry

    Schafer, E., Jan 2017, Worldmaking : Literature, language, culture. Clark, T., Finlay, E. & Kelly, P. (eds.). Amsterdam: John Benjamins, p. 41-54 14 p. (FILLM Studies in Literatures and Languages).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Unsettling Illyria: Twelfth Night, (Austr)Illyria and Exotic Englishness

    Schafer, E., 2009, In : Contemporary Theatre Review. 19, 3, p. 350-359

    Research output: Contribution to journalArticle

  75. Published

    Unrecognisable Lives: Narrating the Right to Be

    Tsanikidou, A., 15 May 2016, Separated children: Minori, identità e pratiche dell'appartenenza. Angelini, A. (ed.). Ariccia: aracne, p. 71-84 13 p. DOI: 10.4399/97888548915176

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Unfinished Gestures: Devadasis, Memory, and Modernity in South Asia, by Davesh Soneji, University of Chicago Press: Book Review

    Purkayastha, P., 2013, In : Dance Research Journal. 45, 2, p. 140-2 2 p.

    Research output: Contribution to journalBook/Film/Article review

  77. Published

    Underworld, underground, underhistory: Towards a counterhistory of waste and wastelands

    Williams, D., 2010, In : Performance Research. 15, 4, p. 131-140 10 p.

    Research output: Contribution to journalArticle

  78. Published

    Understand the Meaning of Movement

    McCaw, R., 25 Jul 2015, In : Theatre, Dance and Performance Training. 6, 2, p. 219 -232 14 p.

    Research output: Contribution to journalArticle

  79. Published

    Underneath the Arches: Developing a relational theatre practice in response to a specific cultural site

    Overend, D., 2011, The University of Glasgow. 195 p.

    Research output: ThesisDoctoral Thesis

  80. Published

    Underneath the Arches

    Overend, D., 2009

    Research output: Non-textual formPerformance

  81. Published

    Two Live Artists in the Theatre: A Dialogue with Tania El Khoury and Deborah Pearson

    Pearson, D. & El Khoury, T., 4 Jul 2015, In : Performance Research. 20, 4, p. 122-126 5 p.

    Research output: Contribution to journalComment/debate

  82. Published

    Two: Duologues and the Differend

    Rebellato, D., 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 79-95 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Twentieth Century Actor Training

    Hodge, A. (ed.), 2000, London and New York: Routledge.

    Research output: Book/ReportBook

  84. Published

    Twelfth Night

    Schafer, E. (ed.), 2009, Cambridge University Press. 250 p.

    Research output: Book/ReportBook

  85. Published

    Troublesome histories: performance and early modern drama

    Schafer, E., 2012, The Cambridge Companion to Shakespeare and Contemporary Dramatists. Hoenslaars, T. (ed.). Cambridge University Press, p. 244-268 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Treading The Bawds: Actresses & Playwrights on the Late Stuart Stage

    Bush-Bailey, G., 2006, Manchester University Press.

    Research output: Book/ReportBook

  87. Published

    Transnational and postcolonial gamelan

    Cohen, M., 2006, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 162, 4, p. 576-588

    Research output: Contribution to journalArticle

  88. Published
  89. Published

    Translating Greek theatre

    Wiles, D., 2007, In : Theatre Journal. 59, 3, p. 363-366

    Research output: Contribution to journalArticle

  90. Published

    Trans-Global Readings: Crossing Theatrical Boundaries

    Parker-Starbuck, J., 2005, In : TDR: The Drama Review. 49, 2, p. 159-160 2 p.

    Research output: Contribution to journalArticle

  91. Published

    Transforming Tradition: Performance of Jingju ('Beijing Opera') in the UK

    Thorpe, A., Mar 2011, In : Theatre Research International. 36, 1, p. 33-46

    Research output: Contribution to journalArticle

  92. Unpublished

    Transformation as Action and Reaction: The Body as a Site of Material and Political Exchange

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  93. Published

    Training the Actor's Body - A Guide

    McCaw, R., 22 Feb 2018, London: Methuen. 253 p.

    Research output: Book/ReportBook

  94. E-pub ahead of print

    Training of the chorus in ancient Greece

    Shuler, W., 26 Mar 2015, In : Theatre, Dance and Performance Training. 6, 1, p. 110-113 4 p., 12.

    Research output: Contribution to journalArticle

  95. Published

    Tragedy in Athens: Performance Space and Theatrical Meaning

    Wiles, D., 1997, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  96. Published

    Traditional Theatre: The Case of Japanese Noh

    Pellecchia, D., 2012, The Cambridge Companion to Theatre History. Wiles, D. & Dymkovski, C. (eds.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. Unpublished
  98. Published

    Traditional and Post-traditional Wayang Kulit in Java Today

    Cohen, M. I., 15 Jul 2014, The Routledge Companion to Puppetry and Material Performance. Posner, D., Orenstein, C. & Bell, J. (eds.). 1st ed. Routledge, p. 178-191 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Traditional and popular painting in modern Java

    Cohen, M., 2005, In : Archipel. 69, p. 5-38

    Research output: Contribution to journalArticle

  100. Published

    Tradition and Modernity in Buddhist Storytelling

    Utairat, M., 2016, Presenting the Theatrical Past, IFTR World Congress 2016, Stockholm, Sweden .

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

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