1. Published

    "Ancient [and Modern] Gower": Presenting Shakespeare’s Pericles

    Dymkowski, C., 2007, The Narrator, the Expositor and the Prompter in European Medieval Theatre. Butterworth, P. (ed.). Turnhout: Brepols, p. 235-64

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    "And I was struck still by time": Contemporary British Theatre and the Metaphysical Imagination

    Megson, C., 2013, Contemporary British Theatre: Breaking New Ground. Angelaki, V. (ed.). Basingstoke: Palgrave Macmillan, p. 32-56

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    "Book Review: The Charismatic Chameleon: The Actor as Creative Artist by Leslie O’Dell"

    Pastor, E., 2011, In: Platform. 5, 2

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  4. Published

    "Can the Odyssey ever be tragic? Historical perspectives on the theatrical realization of Greek epic"

    Hall, E., 2008, Performance, Iconography, Reception: Studies in Honour of Oliver Taplin . Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 499-523 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    "European Opportunities for Funding"

    Gilbert, H., 17 Apr 2013

    Research output: Non-textual formDigital or Visual Products

  6. Published

    "Frontiers of Memory: Rethinking Performance, War and Heritage in Contemporary Europe"

    Gilbert, H., 1 Sep 2015

    Research output: Non-textual formDigital or Visual Products

  7. Published

    "Greek tragedy and the politics of subjectivity in recent fiction"

    Hall, E., 2009, In: Classical Receptions Journal. 1, 1, p. 1-17 17 p.

    Research output: Contribution to journalArticlepeer-review

  8. Published

    '"Haply for I am Black": Shifting Race and Gender Dynamics in Talawa’s Othello'

    Goddard, L., 2010, Shakespeare in Stages: New Theatre Histories. Carson, C. & Dymkowski, C. (eds.). Cambridge: Cambridge University Press, p. 248-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    "Heroes of the dance floor: the missing exemplary male dancer in ancient sources"

    Hall, E., 2010, The Ancient Dancer in the Modern World: Responses to Greek and Roman Dance. Macintosh, F. (ed.). Oxford: Oxford University Press, p. 145-68 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    "HY]Ψ[IPYLE”: a version for the stage

    Wiles, D., 2005, Lost Dramas of Classical Athens: Greek tragic fragments. McHardy, F., Robson, J. & Harvey, D. (eds.). Exeter: University of Exeter Press, p. 189-207

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    "Inimitable Sensibility": Susannah Cibber’s Performance of Maternity

    McGirr, E., 2014, Stage Mothers: Women, Work and the Theater, 1660-1830. Engel, L. & McGirr, E. (eds.). Bucknell University Press / Associated University Presses, p. 63-77 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    "Iphigenia in Oxyrhynchus and India: Greek tragedy for everyone"

    Hall, E., 2010, Parachoregema: Studs. G.M. Sifakis. Tsitsirides, S. (ed.). Heraklion: University of Crete Press, p. 225-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    "Let the games begin: Indigenous Performance and Global Spectacle, 1976-2000"

    Gilbert, H., 7 Feb 2012

    Research output: Non-textual formDigital or Visual Products

  14. Published

    "Medea and the mind of the murderer"

    Hall, E., 2010, Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. Bartel, H. & Simon, A. (eds.). Oxford: Legenda, p. 16-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    "Moving Uncertainties: Negotiating 'Theatre in Movement' and Field-work Research in the French Context"

    Pastor, E., 2010, In: Platform. 5, 1, p. 79-94

    Research output: Contribution to journalArticlepeer-review

  16. Published

    "Navigating the realms of gold: translation as access route to the Classics"

    Hall, E., 2008, Translation and the Classic. Lianeri, A. & Zajko, V. (eds.). Oxford: Oxford University Press, p. 315-41

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    "No Theatre Guild Attraction Are We": Kiss Me, Kate and the Politics of the Integrated Musical

    Rebellato, D., 2009, In: Contemporary Theatre Review. 19, 1, p. 61-73

    Research output: Contribution to journalArticlepeer-review

  18. Published

    "Nomos and Attic Dramatics"

    Shuler, W., 2013, In: Emerging Theatre Research.

    Research output: Contribution to journalArticlepeer-review

  19. Published

    "On the Radio the Pictures are Better": Dan Rebellato interviewed by Michał Lachman

    Rebellato, D., 2013, In: Text Matters. 3, p. 264-270 6 p.

    Research output: Contribution to journalArticlepeer-review

  20. Published

    "Out of the Exhibition: Indigenous Performance and Arts of Diplomacy"

    Gilbert, H., 11 Jul 2013

    Research output: Non-textual formDigital or Visual Products

  21. In preparation

    "Reverse thy [disc]/ And in thy best consideration check:" Shakespeare's King Lear in the Digital Age

    Paitayawat, P., Oct 2011, (In preparation).

    Research output: Working paper

  22. Published

    '"Side Doors and Service Elevators": Racial Constraints for Actresses of Colour'

    Goddard, L., 2007, The Cambridge Companion to the Actress. Gale, M. B. & Stokes, J. (eds.). Cambridge: Cambridge University Press, p. 215-32

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    "The autobiography of the western Subject: Carson’s Geryon"

    Hall, E., 2009, Living Classics . Harrison, S. J. (ed.). Oxford University Press, p. 218-37

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Unpublished

    "The Dangerous Edge of Things": John Webster's Bosola in Context and Performance

    Buckingham, J. F., 2011, (Unpublished) 397 p.

    Research output: ThesisDoctoral Thesis

  25. Published

    "The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt"

    Peterson, G., 2009, In: Platform. 4, 1

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  26. Published

    "The many faces of Lysistrata"

    Hall, E., 2010, Looking at Lysistrata. Studdard, D. (ed.). London: Duckworth, p. 29-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    "The Pronomos Vase and tragic theatre: Demetrios’ rolls and Dionysus’ other woman",

    Hall, E., 2010, The Pronomos Vase. Taplin, O. & Wyles, R. (eds.). Oxford: Oxford University Press, p. 159-79 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    "Theatre and Anti-Theatre": David Hare and Public Speaking

    Megson, C. & Rebellato, D., 2007, The Cambridge Companion to David Hare. Boon, R. (ed.). Cambridge: Cambridge University Press, p. 236-249

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    "Thoughts on Contact: A Dialogue with Michelle Raheja"

    Gilbert, H. & Huarcaya, S. M., 20 Nov 2012

    Research output: Non-textual formDigital or Visual Products

  30. Published

    #BlackLivesMatter: Remembering Mark Duggan and David Oluwale in Contemporary British Plays

    Goddard, L., 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 69-86 18 p.

    Research output: Contribution to journalArticlepeer-review

  31. Published
  32. Published

    '(Black) Masculinity, Race, and Nation in Roy Williams' Sports Plays'

    Goddard, L., 2014, Modern and Contemporary Black British Drama. Brewer, M., Goddard, L. & Osborne, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    (Post)Colonial Stages: Critical and Creative Views on Drama, Theatre, and Performance

    Gilbert, H. (ed.), 1999, Hebden Bridge, Sussex: Dangaroo. 278 p.

    Research output: Book/ReportBook

  34. Published

    ‘ “A More Worthy Patronesse”: Elizabeth Cary and Ireland’

    Rankin, D., 2007, The Literary Life and Legacy of Elizabeth Cary, 1613-1680. Wolfe, H. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    ‘ “Betwixt Both”: Sketching the Borders of Seventeenth-Century Tragicomedy’

    Rankin, D., 2007, Tragicomedy. Lyne, R. & Mukherji, S. (eds.). Boydell & Brewer

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    ‘ “If Egypt now enslav’d or free/ A Kingdom or a Province be”: Translating Corneille in Restoration Dublin’

    Rankin, D., 2003, Culture and Conflict in Seventeenth Century France. Desnain, V. & Alwyn Stacey, S. (eds.). Dublin: Four Courts Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    ‘ “Shet Fourd vor Generaul Nouddificaushion”: Relocating the Irish Joke, 1678-90’

    Rankin, D., 2001, In: Eighteenth Century Ireland. 16 , 5, p. 47-72.

    Research output: Contribution to journalArticlepeer-review

  38. Published

    ‘“I spy entertainment”: watching "The Merry Wives of Windsor" at the New Fortune.’

    Schafer, E., May 2018, The New Fortune Theatre: That Vast Open Stage. Crawley, WA: University of Western Australia, p. 177-87 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    ‘“Pierced to the Soul’: The Gaze and Political Theology in Richard II’

    Ashby, R., 24 Mar 2018.

    Research output: Contribution to conferencePaperpeer-review

  40. Published

    ‘“Retailed to All Posterity”: “Post-Truth”, Oral Tradition and the Popular Voice in Richard III’

    Ashby, R., 28 Jul 2018.

    Research output: Contribution to conferencePaperpeer-review

  41. Published

    ‘“Thought you were dead”: Dover Cliff, Death and Ephemeral Life in Blasted and King Lear’.

    Ashby, R., 17 Jan 2017.

    Research output: Contribution to conferencePaperpeer-review

  42. Published

    ‘“WHAT IS THIS GOOD?”: The Ethics and the Aesthetics of the Good Life in Seven Lears and King Lear’.

    Ashby, R., May 2016.

    Research output: Contribution to conferencePaperpeer-review

  43. Published

    ‘A Lexicon’: Special issue of Performance Research 11:3, Winter

    Williams, D. (ed.) & Alsopp, R. (ed.), 2006, Winter ed. Taylor and Francis.

    Research output: Book/ReportBook

  44. Published

    ‘A Pair of Star-crossed Lovers Take Their Feet’: Polynesian Identities in Romeo and Tusi

    Cox, E., 2008, In: Shakespeare Studies. 46, p. 46-61

    Research output: Contribution to journalArticlepeer-review

  45. Published

    ‘Abstain, and Hide Your Life’: The Hidden Narrator of Flaubert’s Parrot

    Cox, E., 2004, In: Critique: Studies in Contemporary Fiction. 46, 1, p. 53-63

    Research output: Contribution to journalArticlepeer-review

  46. In preparation

    ‘Autumn leaves drift west and east’: travel, migration, and cultural globalisation in Pagoda (2009)

    Thorpe, A., 2022, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  47. Forthcoming

    ‘Behind Every Suffering, There Is a Human Life Worth Loving’: Receptions and Perceptions of Uniqueness, Universality and Hope in Warwick Thornton’s Samson and Delilah

    Castro, E., 2013, (Accepted/In press) In: The Journal of the European Association for Studies on Australia. 3, 2

    Research output: Contribution to journalArticlepeer-review

  48. Published
  49. Published

    ‘Do you know a love song…?’ Action Hero’s Oh Europa: Created by Gemma Paintin and James Stenhouse

    Lamont Bishop, O., 2020, In: Platform. 14, 1, p. 175-178 4 p.

    Research output: Contribution to journalArticlepeer-review

  50. Published

    ‘Ethics, theatre and judgment’

    Evans, A. & Brodzinski, E., 31 Oct 2018, Art in Social Work Practice Theory and Practice: International Perspectives. Huss, E. & E, B. (eds.). 1st Edition ed. Milton Park, Abingdon Oxford,: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    ‘Gardzienice: Political Bodies in Social Transformation’

    Lease, B., 2008, In: Body, Space, Technology. 8, 1

    Research output: Contribution to journalArticlepeer-review

  52. Published

    ‘Genealogies of the Self: (auto)Biography in Sandra Kogut’s Um Passaporte Húngaro (Sandra Kogut, 2001) and Albertina Carri’s Los rubios (2003)

    Gleghorn, C., 2013, Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Gutiérrez-Albilla, J. D. & Nair, P. (eds.). University of Manchester Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published
  54. Published

    ‘home landing’: New Museum Gallery, Cardiff, December 10/11th 2011

    Richardson, A., 10 Dec 2011

    Research output: Non-textual formPerformance

  55. Published

    ‘How Badly Do You Want to Kill Your Father?’

    Lease, B., 2008, In: International Journal of Žižek Studies. 2, 1

    Research output: Contribution to journalArticlepeer-review

  56. Published

    ‘I’m a Black woman, I write Black characters’: Black mothers, the police, and social justice in random and hang.

    Goddard, L., Apr 2020, debbie tucker green: critical perspectives. Adiseshiah, S. & Bolton, J. (eds.). Basingstoke: Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    ‘Inte Hela Världen? (Not the End of the World)’

    Lease, B., 2018, In: Theatre Journal. 70, 2

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  58. Published

    ‘Inter-views and the flower mind: an exploded view of Goat Island’s films’

    Williams, D., May 2011, A Last, A Quartet. Chicago/London, with South-East Dance, UK: Goat Island

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Unpublished
  60. Published

    ‘It’s telling your story to your family’: reflections by an older lesbian on being interviewed for a verbatim theatre production

    Summerskill, C., 21 Mar 2020, In: Oral History. 48, 1, p. 66-74 9 p.

    Research output: Contribution to journalArticlepeer-review

  61. Published

    ‘Let them know you have broughtuptcy’: Childhood and Child-Subjects in Olive Senior’s Short Fiction

    Gilbert, H., 2004, In: Kunapipi: Journal of Postcolonial Writing. 26, 1, p. 24-38

    Research output: Contribution to journalArticlepeer-review

  62. Published

    ‘Longing for a past: the sublime kernel of mythology in Polish theatre'

    Lease, B., 2010, Cultural Memory. Miles, M. (ed.). Shearsman/ University of Plymouth Press, (Critical Texts Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    ‘Morbror Vanja’ at the Uppsala Stadsteater

    Lease, B., 1 Oct 2015, In: Theatre Journal. 67, 02, p. 548-550 3 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  64. Published

    ‘Moving Bodies’: Special issue of Performance Research 8:4, Winter

    Williams, D. (ed.) & Allsopp, R. (ed.), 2003, Winter ed. Unkown Publisher.

    Research output: Book/ReportBook

  65. Published

    ‘Multiculturalism’ and performance in colonial Cirebon

    Cohen, M., 2002, The Indonesian Town Revisited. Nas, P. J. M. (ed.). Berlin: LIT Verlag, p. 348-373

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    ‘Navigations’: Special issue of Performance Research 6:3, Winter

    Williams, D. (ed.) & Allsopp, R. (ed.), 2001, Winter ed. Unkown Publisher.

    Research output: Book/ReportBook

  67. Published

    ‘NOTES on a return’ to a not-Forgotten: Durations of the missed and the previously unvisited

    Guy, G., 9 Oct 2012, In: Performance Research. 17, 5, p. 135-139 5 p.

    Research output: Contribution to journalArticlepeer-review

  68. Published

    ‘On Place’: Special issue of Performance Research 3:2, Summer

    Williams, D. (ed.) & Minchinton, M. (ed.), 1998, Summer ed. Unkown Publisher.

    Research output: Book/ReportBook

  69. Published

    ‘Openings’: Special issue of Performance Research 5:1, Spring

    Williams, D. (ed.) & Allsopp, R. (ed.), 2000, Spring ed. Unkown Publisher.

    Research output: Book/ReportBook

  70. Published

    ‘Performing Gender, Race and Slave Narratives in Mojisola Adebayo’s Moj of the Antarctic: An African Odyssey.’

    Goddard, L., 2007, Theater and Slavery: Ghosts at the Crossroads. Walling, M. (ed.). Middlesex: Border Crossings, p. 120-23

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    ‘Plumbbob: eleven songs for the hydrogen jukebox’

    Williams, D., Nov 2010

    Research output: Other contribution

  72. Published

    ‘Power play: Dhaka Theatre’s Bangla Tempest’

    Dymkowski, C., 2013, Shakespeare beyond English: A Global Experiment: A Global Experiment. Bennett, S. & Carson, C. (eds.). Cambridge University Press, p. 141-49

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    ‘Re-making Katherina: Julia Marlowe and "The Shrew"’

    Schafer, E., 2013, Women Making Shakespeare. McMullan, G., Orlin, L. & Mason Vaughan, V. (eds.). London: Bloomsbury Academic, p. 283-92 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. E-pub ahead of print

    ‘Retailed to all Posterity’: Post-Truth, Oral Tradition and the Popular Voice in Richard III

    Ashby, R., 26 Aug 2020, (E-pub ahead of print) In: Cahiers Elisabéthains. 15 p.

    Research output: Contribution to journalArticlepeer-review

  75. Published

    ‘The French Issue’: Special issue of Writings on Dance 15, Winter

    Williams, D. (ed.) & Gardner, S. (ed.), 1996, 15 ed. Unkown Publisher.

    Research output: Book/ReportBook

  76. Published

    ‘The Impact of Print in Ireland, 1750-1800’

    Rankin, D., 2005, History of the Irish Book, Vol. III: The Irish Book in English, 1550-1800. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    ‘The Stakes for City Theatres: Linus Tunström’s Farewell to the Uppsala Stadsteater’

    Lease, B., 2016, In: European Stages . 6

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  78. Published

    ‘The Tempest: Dhaka Theatre’, Shakespeare’s Globe, 7 May 2012

    Dymkowski, C., 2012

    Research output: Non-textual formWeb publication/site

  79. Published

    ‘The Work is the Fix’: An Email Conversation with Darren O’Donnell, Artistic Director of Mammalian Diving Reflex

    Jarvis, L., Mar 2011, In: Platform. 5, 2

    Research output: Contribution to journalArticlepeer-review

  80. Published

    ‘Vienos Ienos Miško Pasakos’ (Tales from Vienna Woods) at Lithuanian State Youth Theatre

    Lease, B., 17 Mar 2019, In: Theatre Times .

    Research output: Contribution to journalBook/Film/Article review

  81. Published
  82. Published

    ‘What became of Poland’s transgressive theatre?’

    Lease, B., 2010, Ethical Encounters: Boundaries of Theatre, Performance and Philosophy . Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    ‘What’s Past is Prologue’: Performing Shakespeare and Aboriginality in Australia

    Cox, E., 2011, In: Multicultural Shakespeare: Translation, Appropriation and Performance. 8, p. 71-92

    Research output: Contribution to journalArticlepeer-review

  84. Submitted

    ‘Who will believe thee, Isabel?’: Measure for Measure, #Me Too and Performing Christianity Today

    Schafer, E., 1 Jan 2021, (Submitted) Christian Shakespeare: Question Mark A Collection of Essays on Shakespeare in his Christian Context. Scott, M. & Collins, M. (eds.). Georgetown University Press, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    ‘Writing across the footlights: Ninette de Valois and the Vic-Wells community’

    Schafer, E., Jul 2012, Ninette De Valois: Adventurous Traditionalist. Alton: Dance Books, p. 88-93 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    ‘Year of Shakespeare: The Tempest’, Shakespeare’s Globe, 7 May 2012

    Dymkowski, C., 2012

    Research output: Non-textual formWeb publication/site

  87. Submitted

    “Archive and Asylum – experiential memories of Kneehigh Theatre’s performance venue and theatre archive” at Shared Memories II Eastap Conference at the University of Lison, Portugal

    Trenchfield, C., 24 Sep 2019, (Submitted) Shared Memories II Eastap Conference at the University of Lison, Portugal.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  88. Published

    “Butterfly Song de Terri Janke”: introduction to and translation of the beginning of Terri Janke’s Butterfly Song

    Castro, E. & Guerre, P., Dec 2006, 1 p. Nouméa : Correspondances Océaniennes.

    Research output: Other contribution

  89. Published

    “Can I Tell You about It?”: England, Austerity and 'Radical Optimism' in the Theatre of Anders Lustgarten

    Megson, C., 4 May 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 40-54 15 p.

    Research output: Contribution to journalArticlepeer-review

  90. Published

    “Children” of the Gods: Filming the private rituals of Haitian Vodou

    Hammond, C., 2012, In: Journal of Haitian Studies. 18, 2 (Fall 2012)

    Research output: Contribution to journalArticlepeer-review

  91. Submitted

    “Kneehigh Theatre Company and Cultural Hybridisation”at Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta

    Trenchfield, C., 14 Mar 2019, (Submitted) Hybrid Practices: Methodologies, Histories, and Performance hosted by the School of Performing Arts at the University of Malta.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  92. Published
  93. Published

    “Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009)

    Thorpe, A., 2011, In: Asian Theatre Journal. 28, 2, p. 483-504 21 p.

    Research output: Contribution to journalArticlepeer-review

  94. Published

    “Not our Olivia”: Lydia Lopokova and Twelfth Night

    Schafer, E., 2010, Shakespeare in Stages: New Directions in Theatre History. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 144-163

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    “Pierced to the soul”: The politics of the Gaze in Richard II

    Ashby, R., 2015, In: Shakespeare. 11, 2, p. 201-213 13 p.

    Research output: Contribution to journalArticlepeer-review

  96. E-pub ahead of print

    “Presencing” Pleasure and Pain in Hispanophone Caribbean Performance

    Blanco, M., 7 Oct 2019, (E-pub ahead of print) In: The Black Scholar - A Journal of Black Studies and Research . 49, 4, p. 6-19 14 p.

    Research output: Contribution to journalArticlepeer-review

  97. Unpublished
  98. Published

    “The play’s the thing”: The Metatheatre of Timberlake Wertenbaker

    Dymkowski, C., 1997, Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Boireau, N. (ed.). London: Palgrave Macmillan, p. 121-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Aeschylus' Persians: Edited with Introduction, Translation and Commentary

    Hall, E., 1996, Oxford: Aris & Phillips/Oxbow.

    Research output: Book/ReportScholarly edition

  100. Published

    Camilla the Amazon by Jane Scott

    Bratton, J. & Bush-Bailey, G., 1999, In: Nineteenth Century Theatre. 27, p. 156-195

    Research output: Contribution to journalArticlepeer-review

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