1. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  2. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  3. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In: Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticlepeer-review

  4. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In: Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticlepeer-review

  5. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  6. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  7. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In: Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticlepeer-review

  8. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  9. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Cribb, R., Gilbert, H. & Tiffin, H., Jan 2014, Honolulu: University of Hawaii Press. 336 p.

    Research output: Book/ReportBook

  10. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In: GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticlepeer-review