1. Published

    Marco Pantani: The Pirate

    Overend, D. & Hepburn, S., 2013

    Research output: Non-textual formPerformance

  2. Published

    Mare Nostrum, or On Water Matters

    Cox, E. & Zaroulia, M., 3 May 2016, In : Performance Research. 21, 2, p. 141-149 9 p.

    Research output: Contribution to journalArticle

  3. Forthcoming

    Marie-Claude Teissier-Landgraf

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  4. Published

    Marriage and prostitution in classical New Comedy

    Wiles, D., 1989, Women in Theatre: Themes in Drama Vol.11. Redmond, J. (ed.). Cambridge: Cambridge University Press, p. 31-48

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Mask and Performance in Greek tragedy: From Ancient Festival to Modern Experimentation

    Wiles, D., 2007, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  6. Published

    Masks: East and West Confronted

    Pellecchia, D. (Translator) & Sartori, D., 2011, iudicium.

    Research output: Other contribution

  7. Unpublished

    Material Bodies... Bodied Material: A Case of Subversion

    Hussein, N., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  8. Published

    Materialities of Amateur Theatre

    Gray, C. & Penny, S., 12 Apr 2017, In : Contemporary Theatre Review. 27, 1, p. 104-123 20 p.

    Research output: Contribution to journalArticle

  9. Published

    Maybe If You Choreograph Me: You'll Feel Better

    El Khoury, T., 2016, Forest Fringe : The First Ten Years.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Measure for Measure: Shakespeare’s Twentieth-Century Play

    Dymkowski, C., 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 164-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Medea in Performance 1500-2000

    Hall, E. (ed.), Macintosh, F. (ed.) & Taplin, O. (ed.), 1 Dec 2000, Oxford: legenda. 320 p.

    Research output: Book/ReportBook

  12. Unpublished

    Mediated Breath: Interfaces between the Theatre and The Visual Arts

    Goudouna, S., 2011, (Unpublished)

    Research output: ThesisDoctoral Thesis

  13. Published

    Medieval English Drama: Performance and Spectatorship

    Normington, K., 2009, Cambridge: Polity Press.

    Research output: Book/ReportBook

  14. Published

    Menander's Dyskolos and Demetrios of Phaleron's dilemma

    Wiles, D., 1984, In : Greece and Rome. 31, p. 170-180

    Research output: Contribution to journalArticle

  15. Published

    Meyerhold in the New Millennium

    Normington, K., 2005, In : New Theatre Quarterly. 21, 2, p. 118-126

    Research output: Contribution to journalArticle

  16. Published
  17. Published

    'Middle Class Aspirations and Black Women’s Mental Illness in Zindika’s Leonora’s Dance, and Bonnie Greer’s Munda Negra and Dancing on Blackwater'

    Goddard, L., 2007, Cool Britannia: British Political Theatre in the 1990s. D'Monte, R. & Saunders, G. (eds.). Basingstoke: Palgrave, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Midland Street

    Overend, D., 2009

    Research output: Non-textual formPerformance

  19. Published

    Migrant Voices Onstage in London

    Flynn, M., 8 Oct 2015, In : Open Democracy.

    Research output: Contribution to journalBook/Film/Article review

  20. Published

    Millennial Blues: Performing the (White) Nation

    Gilbert, H., 2003, Playing Australia: Theatre, Diaspora, Dialogue. Pfisterer, S. & Schafer, L. (eds.). Amsterdam: Editions Rodopi BV, p. 12-28

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Mining Anatomy: Moving Naturally

    Worth, L., Oct 2011, Dancing Naturally : Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance. Carter, A. & Fensham, R. (eds.). 1st ed. Hampshire: Palgrave Macmillan, p. 155-169 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations

    Rebellato, D. (ed.), Oct 2013, London: Methuen Drama. (Decades)

    Research output: Book/ReportBook

  23. Published

    Modern British Playwriting: the 1970s: Voices, Documents, New Interpretations

    Megson, C., 2012, London: Methuen Drama. 299 p.

    Research output: Book/ReportBook

  24. Published

    Modern Mysteries: Contemporary Productions of Medieval English Cycle Drama

    Normington, K., 2007, Woodbridge, Suffolk: D. S. Brewer.

    Research output: Book/ReportBook

  25. Published

    Monumental Moments: Michael Gow's 1841, Stephen Sewell's Hate, Louis Nowra's Capricornia and Australia's Bicentenary

    Gilbert, H., 1994, In : Australasian Drama Studies. 24, p. 29-45

    Research output: Contribution to journalArticle

  26. Unpublished

    Moving Intimacies: A Comparative Study of "Physical Theatres" in France and the UK

    Pastor, E., 2014, (Unpublished) 356 p.

    Research output: ThesisDoctoral Thesis

  27. Published

    MsDirecting Shakespeare: Women Direct Shakespeare

    Schafer, E., 1998, London: Women's Press.

    Research output: Book/ReportBook

  28. Published

    Music Hall

    Bratton, J., 2003, Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Music in traditional Asian theatre: China

    Thorpe, A., 2016, The Routledge Handbook of Asian Theatre. Liu, S. (ed.). London & New York: Routledge, p. 134-139 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Musical Epistemology

    Robinson, D., 2009, Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Verstraete, P., Itay, S., Birdsall, C. & Boletsi, M. (eds.). Cambridge Scholars, p. 245-266

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Musicology Objects

    Robinson, D., 2008, Collision: Interarts Practice and Research. Cecchetto, D., Cuthbert, N., Lassonde, J. & Robinson, D. (eds.). Cambridge Scholars, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    My Life

    Rebellato, D., 2007, In : Studies in Theatre and Performance. 27, 2, p. 199

    Research output: Contribution to journalArticle

  33. Published

    Myth and the Monster of Intersex: Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

    Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, AB: Canada: University of Calgary Press, p. 149-174 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Nation: Alphabet: A Lexicon of Theatre & Performance

    Thorpe, A., 2013, In : Contemporary Theatre Review. 23, 1, p. 49-52 3 p.

    Research output: Contribution to journalArticle

  35. Published

    Nation and Negation (Terrible Rage)

    Rebellato, D., 4 May 2018, In : Journal of Contemporary Drama in English. 6, 1, p. 15-39 25 p.

    Research output: Contribution to journalArticle

  36. Published

    National Identity and the Female Body

    Nield, S., 2000, Feminisms on Edge: Politics, Discourses and National Identities. Atkinson, K., Oerton, S. & Plain, G. (eds.). Cardiff, Wales: Cardiff Academic Press, p. 101-110 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    National Theatre of Scotland: The First Year

    Rebellato, D., 2007, In : Contemporary Theatre Review. 17, 2, p. 213-218

    Research output: Contribution to journalArticle

  38. Published

    Natural Theatre Company (Bath)

    Peterson, G. T., 15 Oct 2011.

    Research output: Contribution to conferencePaper

  39. Published

    Naturalism and Symbolism: Early Modernist Practice

    Rebellato, D., 2010, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 6-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Navigating the currents: an interview with Basia Irland

    Williams, D., 2001, In : Performance Research. 6, 3, p. 113-122 10 p.

    Research output: Contribution to journalArticle

  41. Published

    Negotiating Cultural Narratives: All-Aboriginal Shakespearean Dreaming

    Cox, E., 2004, In : Southerly. 64, 3, p. 15-27

    Research output: Contribution to journalArticle

  42. Unpublished

    Negotiating the Material Past: ‘Telling’ as Rearticulation of Place

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  43. Published

    New Directions - 'Much Ado' - Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 1 Dec 2017, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). London: Bloomsbury Academic, p. 111-131 20 p. 5. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    New Directions in Ancient Pantomime

    Hall, E. (ed.) & Wyles, R. (ed.), 20 Nov 2008, Oxford University Press. 504 p.

    Research output: Book/ReportBook

  45. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    'New Music - New Audience': A Report

    Alston, A., Nov 2009, In : Dutch Journal of Music Theory. 14, 3, p. 194 197 p.

    Research output: Contribution to journalComment/debate

  47. E-pub ahead of print

    New Perspectives on Home: Simon Stephens and Authorship in British Theatre

    Love, C., 22 Sep 2016, In : Contemporary Theatre Review. 26, 3, p. 319-327 19 p.

    Research output: Contribution to journalArticle

  48. Published

    New Readings in Theatre History

    Bratton, J., 2003, Cambridge University Press.

    Research output: Book/ReportBook

  49. Published

    New Theatre Writing: Dennis Kelly

    Rebellato, D., 2007, In : Contemporary Theatre Review. 17, 4, p. 603-608

    Research output: Contribution to journalArticle

  50. Published

    New Theatre Writing: Simon Stephens

    Rebellato, D., 2005, In : Contemporary Theatre Review. 15, 1

    Research output: Contribution to journalArticle

  51. Published

    New York Abroad [in section 'Being Contemporary']

    Parker-Starbuck, J. & Abrams, J., Jan 2012, In : PAJ: A Journal of Performance and Art. 34, 1, p. 93-110 18 p.

    Research output: Contribution to journalArticle

  52. Published

    'Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)'

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Published

    Ninette de Valois: Adventurous Traditionalist

    Cave, R. A. (ed.) & Worth, L. (ed.), 2 Jul 2012, Alton, Hampshire: Dance Books. 308 p.

    Research output: Book/ReportBook

  54. Published
  55. Published
  56. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  57. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  58. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    Noli Me Tangere: Revealing New Approaches to Early Drama

    Normington, K., 2007, In : Literature Compass. 4, 3, p. 688-697

    Research output: Contribution to journalArticle

  61. Published

    Not Magic But Work: An Ethnographic Account of a Rehearsal Process

    McAuley, G., 2012, Manchester: Manchester University Press. 241 p.

    Research output: Book/ReportBook

  62. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  63. Published

    Notebook (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2009

    Research output: Other contribution

  64. Published

    Obituary: David Bradby

    Rebellato, D., 2 Mar 2011, The Guardian, p. 36.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  65. Published

    Objects of Engagement: Conference Response

    Hussein, N., Peterson, G. & Sánchez-Camus, R., 2008, In : Platform. 3, 2

    Research output: Contribution to journalComment/debate

  66. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  67. Published

    Occasionally Ovid - Helen Ainsworth

    Bidgood, J., 11 May 2013, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  68. Published

    Occidental (Sex) Tourists: Michael Gurr's Sex Diary of an Infidel

    Gilbert, H., 1994, In : Australasian Drama Studies. 25, p. 177-188

    Research output: Contribution to journalArticle

  69. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Rebellato, D., 23 Jun 2017, In : Sillages Critiques. 22

    Research output: Contribution to journalArticle

  71. Published

    On Amateurs: An Introduction and a Manifesto

    Gilbert, D., Hawley, J., Nicholson, H. & Worth, L., 30 Apr 2020, In : Performance Research. 25, 1, p. 2-9 8 p.

    Research output: Contribution to journalArticle

  72. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    On Disability: Creative Tensions in Applied Theatre

    Conroy, C. (ed.), Feb 2009, In : Research in Drama Education. 14, 1, 163 p.

    Research output: Contribution to journalSpecial issue

  74. Published

    On Edward Bond’s Dramaturgy of Crisis in The Chair Plays: The Dystopian Imagination and the Imagination in Dystopia

    Chen, C-C., 2016, In : Platform. 10, 2, p. 32-50 19 p.

    Research output: Contribution to journalArticle

  75. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., Mar 2018, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 243-262 20 p. (Studies in World Literature; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 10 Dec 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87 17 p. (Cambridge Companions to Literature).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    On the Edge: The Plays of Susan Glaspell

    Dymkowski, C., 1988, In : Modern Drama. 31, 1, p. 91-105

    Research output: Contribution to journalArticle

  79. Published

    On the Injunction 'Enjoy'

    Alston, A., Aug 2013, In : Platform. 7, 2, p. 71-73

    Research output: Contribution to journalArticle

  80. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  81. Published

    On the origin of the Komedie Stamboel: popular culture, colonial society, and the Parsi theatre movement

    Cohen, M., 2001, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 2, p. 313-357

    Research output: Contribution to journalArticle

  82. Published

    Only joking? The relationship between the clown and percussion in Jingju

    Thorpe, A., 2005, In : Asian Theatre Journal. 22, 2, p. 269-292 23 p.

    Research output: Contribution to journalArticle

  83. E-pub ahead of print

    Opening Borders, Closing Nations: How ‘Generation Nothing’ Stages Polish Migration

    Lease, B., 5 Mar 2014, In : Contemporary Theatre Review. 24, 1, p. 6-20 15 p.

    Research output: Contribution to journalArticle

  84. Published

    Opera Indigene: Re/presenting First Nations and Indigenous Culture

    Karantonis, P. (ed.) & Robinson, D. (ed.), 2011, Ashgate. 357 p. (Ashgate Interdisciplinary Studies in Opera; no. 1)

    Research output: Book/ReportAnthology

  85. Published

    Orlando

    Mitchell, K., McLeish, L. & Woolf, V., 2019

    Research output: Non-textual formPerformance

  86. Published

    Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador

    Huarcaya, S. M., 2010, In : Latin American and Caribbean Ethnic Studies. 5, 3

    Research output: Contribution to journalArticle

  87. Unpublished

    OUT OF LINE: Performing Drag and Archive in Settler Culture

    Weiner, R., 2019, (Unpublished)

    Research output: ThesisDoctoral Thesis

  88. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Paradigms of Movement Composition

    Skanberg Dahlstedt, A., 4 Dec 2014, In : The International Journal of Screendance . 4, 4, p. 130 -146 16 p.

    Research output: Contribution to journalArticle

  91. E-pub ahead of print

    Paradoxes of Acting: Bakhtin and Stanislavsky

    McCaw, D., 6 Feb 2014, Cambridge: Cambridge Uni Press, p. 29 - 39, 11 p.

    Research output: Working paper

  92. Published

    Partial Histories: A Reappraisal of Colley Cibber

    McGirr, E., 15 Jun 2016, 1st ed. Palgrave Macmillan. 210 p.

    Research output: Book/ReportBook

  93. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Forthcoming

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, (Accepted/In press) Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  95. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published
  97. Published

    Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia

    Gilbert, H. & Lo, J., 2007, London: Palgrave Macmillan. 246 p.

    Research output: Book/ReportBook

  98. Published

    Performance and Media: Taxonomies for a Changing Field

    Bay-Cheng, S., Parker-Starbuck, J. & Saltz, D., Oct 2015, University of Michigan Press. 192 p.

    Research output: Book/ReportBook

  99. Published

    Performance and Migration: Digital Theatre 4x45

    Cox, E. (ed.), 2020

    Research output: Non-textual formDigital or Visual Products

  100. Published

    Performance and Participation: Practices, Audiences, Politics

    Harpin, A. (ed.) & Nicholson, H. (ed.), 7 Oct 2016, London: Palgrave Macmillan. 256 p.

    Research output: Book/ReportBook

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