1. Published

    The Body Electric: Cathy Weis at Dance Theatre Workshop

    Parker-Starbuck, J., May 2003, In : PAJ: A Journal of Performance and Art. 25, 2, p. 93-98 6 p.

    Research output: Contribution to journalArticle

  2. Published

    The Body in the Library: On playwriting-as-research

    Rebellato, D., Mar 2010.

    Research output: Contribution to conferencePaper

  3. Published

    The Boomerang Effect: David Malouf's Blood Relations as an Oppositional Re-working of The Tempest

    Gilbert, H., 1991, In : World Literature Written in English. 31, 2, p. 50-64

    Research output: Contribution to journalArticle

  4. Published

    The Cambridge Companion to Theatre History

    Wiles, D. (ed.) & Dymkowski, C. (ed.), Nov 2012, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  5. Published

    The Care Home as a Creative Space

    Nicholson, H. & Lloyd, J., 2017, Applied Theatre: Creative Ageing. McCormick, S. (ed.). London: Bloomsbury, p. 125-146 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Unpublished

    The care home as a performative space: possibilities for creative practice

    Hatton, N., 2014, (Unpublished) The care home as a performative space: possibilities for creative practice.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  7. Published

    The carnivalesque in A Midsummer Night’s Dream

    Wiles, D., 1998, Shakespeare and Carnival: after Bakhtin. Knowles, R. (ed.). Basingstoke: Palgrave Macmillan, p. 61-82

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    The Catherine Wheel: Travel, Exile, and the (Post) Colonial Woman

    Gilbert, H., 1993, In : Southerly. 53, 2, p. 58-77

    Research output: Contribution to journalArticle

  9. Published

    The Choreography of Performance

    Nicholson, H. & Taylor, R., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 112-128

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    The Citation of Injury: Regarding the Exceptional Body

    Cox, E., 2009, In : Journal of Australian Studies. 33, 4, p. 459-72

    Research output: Contribution to journalArticle

  11. Published

    'The City Wit' by Richard Brome

    Schafer, E. (ed.), Feb 2010

    Research output: Non-textual formWeb publication/site

  12. Published

    The Claim

    Cowbury, T., 2017, London: Oberon Books. 83 p. (Oberon Modern Plays)

    Research output: Book/ReportBook

  13. Published

    The Contested Scenography of the Revolution

    El Khoury, T., 2013, In : Performance Research. 18, 3, p. 202-205 3 p.

    Research output: Contribution to journalArticle

  14. Published

    The Dance as Text in Contemporary Australian Drama: Movement and Resistance Politics

    Gilbert, H., 1992, In : ARIEL: A Review of International English Literature. 23, 1, p. 133-147

    Research output: Contribution to journalArticle

  15. Published

    The dark, disturbing genius of Philip Ridley

    Rebellato, D., 19 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  16. Published

    The Dating of The Merry Wives of Windsor; A Caveat

    Schafer, E., 1991, In : Notes and Queries. March, p. 57-60

    Research output: Contribution to journalArticle

  17. Published

    The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets: The Structure of the Conjuncture

    Cohen, M., 14 Sep 2018, In : Asian Theatre Journal. 35, 2, p. 300-328 29 p.

    Research output: Contribution to journalArticle

  18. Published

    The Dystopian City: Gendered Interpretations of the Urban in Um Céu de Estrelas (Tata Amaral, 1996) and Vagón Fumador (Verónica Chen, 2001)

    Gleghorn, C., 2011, New Trends in Argentine and Brazilian Cinema. Rêgo, C. & Rocha, C. (eds.). Bristol, UK; Chicago; USA: Intellect Books, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    The Early Plays of Robin Hood

    Wiles, D., 1981, Woodbridge: D.S.Brewer.

    Research output: Book/ReportBook

  20. Published

    The Ecologies of Amateur Theatre

    Nicholson, H., Holdsworth, N. & Milling, J., Nov 2018, London: Palgrave Macmillan. 343 p.

    Research output: Book/ReportBook

  21. Published

    The Ensemble Theatre Company: Open Discussion with RSC Personnel

    Paitayawat, P., 2007, In : Cahiers Elisabéthains. Special Issue, p. 97-99 3 p.

    Research output: Contribution to journalBook/Film/Article review

  22. Unpublished
  23. Published

    The Fan of Noh Theatre

    Pellecchia, D., 2008, In : Platform. 3, 2, p. 33-46

    Research output: Contribution to journalArticle

  24. Published

    The Far Side Of The Moon (review)

    Parker-Starbuck, J., Mar 2001, In : Theatre Journal. 53, 1, p. 151-154 4 p.

    Research output: Contribution to journalArticle

  25. Published

    'The Festival' (Lone Twin Theatre) - dramaturg

    Lone Twin Theatre, 2010

    Research output: Other contribution

  26. Published

    'The Girl Defies': A Kenyan Merry Wives of Windsor

    Cox, E., 2013, Shakespeare Beyond English: A Global Experiment. Carson, C. & Bennett, S. (eds.). Cambridge University Press, p. 53-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Unpublished
  28. Published

    The Great War - Hotel Modern

    Bidgood, J., 24 Jun 2014, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  29. In preparation

    The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance

    Shuler, W., 30 Oct 2016, (In preparation) War and Theatrical Innovation: "Palgrave Studies in Theatre and Performance". Emeljanow, V. & Wilmeth, D. (eds.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    The Guru and the Sishya

    Purkayastha, P., 2004, In : Pulse: Asian Music and Dance. 8, Summer, p. 32-5 3 p.

    Research output: Contribution to journalArticle

  31. E-pub ahead of print

    The Hidden Costs of Aspiring to Global City Status: Robert Lepage, Vancouver and Twenty-First Century China Collide at the 2010 Cultural Olympiad

    Poll, M., 30 Oct 2015, In : Canadian Theatre Review. 164, p. 78-82 5 p.

    Research output: Contribution to journalArticle

  32. Forthcoming

    The Hidden Dialogue between Sarah Kane and Edward Bond

    Chen, C-C., 2019, (Accepted/In press) After In-Yer-Face Theatre: Remnants of a Theatrical Revolution. Boles, W. (ed.). Palgrave

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    The Imperial London Stage: A Tale of Two Australians: Haddon Chambers and Gilbert Murray

    Schafer, E., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 108-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    The importance of being gay: the perils and possibilities of LGBTI asylum seekers’ involvement in Rights of Passage

    Summerskill, C., 2018, In : Research in Drama Education. 23, 2, p. 282-288 7 p.

    Research output: Contribution to journalArticle

  35. Published

    The Importance of Being Martha

    Rebellato, D., 2002.

    Research output: Contribution to conferencePaper

  36. Published

    The Incantation of Semar Smiles: a tarling musical drama by Pepen Effendi

    Cohen, M., 1999, In : Asian Theatre Journal. 16, 2, p. 139-193

    Research output: Contribution to journalArticle

  37. Published

    The Indian People's Theatre Association

    Purkayastha, P., 2010, Sage Encyclopedia for Social Movement Media. Downing, J. D. H. (ed.). Thousand Oaks, California: Sage publications

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  38. Published

    The International Noh Institute of Milan: Transmission of Ethics and Ethics of Transmission in a Transcultural Contex

    Pellecchia, D., Dec 2011, Japanese Theatre Transcultural: German and Italian Intertwinings. Scholz-Cionca, S. & Regelsberger, A. (eds.). iudicium, p. 32-50

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    The Internet: History 2.0?

    Bratton, J. & Peterson, G., 2012, The Cambridge Companion to Theatre History. Dymkowski, C. & Wiles, D. (eds.). Cambridge University Press, p. 299-313 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    The Intersubjective Witness: Trauma Testimony in Towfiq Al-Qady’s Nothing But Nothing: One Refugee’s Story

    Cox, E., 2008, In : Research in Drama Education. 13, 2, p. 193-198

    Research output: Contribution to journalArticle

  41. Published
  42. Published

    The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891-1903

    Cohen, M., 2006, Athens, OH, and Leiden: Ohio University Press and KITLV Press.

    Research output: Book/ReportBook

  43. Published

    The Laban Sourcebook

    McCaw, D., 29 Jan 2011, Abingdon: Routledge. 376 p.

    Research output: Book/ReportBook

  44. Published

    The Labelling Effect: Drama, Mental Health and Learning Disability

    Hatton, N., 2009, In : Research in Drama Education. 14, 1

    Research output: Contribution to journalArticle

  45. Unpublished
  46. Unpublished

    The Later Edward Bond: Subjectivity, Dramaturgy, and Performance

    Chen, C-C., 2018, (Unpublished)

    Research output: ThesisDoctoral Thesis

  47. Published

    The Lewes bonfire festival

    Wiles, D., 1996, In : New Theatre Quarterly. 12, 46, p. 177-191

    Research output: Contribution to journalArticle

  48. Published

    The Lion the Witch and the Wardrobe - threesixty

    Bidgood, J., 9 Jul 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  49. Published

    The little by little suddenly

    Williams, D., 2007, Slow. Abbot, I. (ed.). Devon: Elusive Camel Books, p. 81-100 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum

    Thorpe, A., 2009, In : Studies in Theatre and Performance. 29, 2, p. 133-147 14 p.

    Research output: Contribution to journalArticle

  51. Unpublished

    The Magical Body on the Stage: Henry Irving Reconsidered

    Punter, M., 7 Mar 2014, (Unpublished) 310 p.

    Research output: ThesisDoctoral Thesis

  52. Published

    The Majority

    Overend, D. & Drummond, R., Aug 2017

    Research output: Non-textual formPerformance

  53. Published

    The Making of the West End Stage: marriage, management and the mapping of gender in London, 1830-1870

    Bratton, J., Nov 2011, Cambridge: Cambridge University Press. 222 p.

    Research output: Book/ReportBook

  54. Published

    The male gaze in Woyzeck: Re-presenting Madness and Marie

    Schafer, E., 1993, In : Themes in Drama. 15, p. 55-64

    Research output: Contribution to journalArticle

  55. Published

    The Management of Laughter: Jane Scott's Camilla the Amazon in 1998

    Bratton, J. & Bush-Bailey, G., 2000, Women in British Romantic Theatre. Burroughs, C. (ed.). Cambridge University Press, p. 178-204

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Unpublished
  57. Published

    The mask in Greek tragedy

    Wiles, D., 2004, In : Dioniso. 3, p. 206-213

    Research output: Contribution to journalArticle

  58. Published

    The masks of Greek tragedy as point of departure for modern performance

    Wiles, D. & Vervain, C., 2001, In : New Theatre Quarterly. 17, p. 254-272

    Research output: Contribution to journalArticle

  59. Published

    The Masks of Menander: Sign and Meaning in Greek and Roman Performance

    Wiles, D., 1991, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  60. Published

    The Master and Margarita - Complicite and Simon McBurney

    Bidgood, J., 19 Dec 2012, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  61. Published

    The Merchant of Venice: Theatre Review of The Merchant of Venice, Shakespeare's Globe, London

    Paitayawat, P., 2007, In : Cahiers Elisabéthains. 72, Autumn, p. 39-41 3 p.

    Research output: Contribution to journalBook/Film/Article review

  62. Published

    The Merry Wives of Windsor

    Schafer, E., 2005, In : Performance Research. 10, 3, p. 102

    Research output: Contribution to journalArticle

  63. In preparation

    'The Merry Wives of Windsor' in Performance

    Schafer, E., 1 Sep 2021, (In preparation) London: Routledge. 200 p.

    Research output: Book/ReportBook

  64. Published

    The Methuen Drama Book of Naturalist Plays

    Megson, C. (ed.), 2010, London: Methuen.

    Research output: Book/ReportBook

  65. Published

    The Mystery of Revival: Performance and Reception of Susanna Centlivre on the modern stage

    Bush-Bailey, G., 2009, The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Engel, L. (ed.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. Published

    The mythical Medea and her historical counterparts

    Wiles, D., 2003, European Cultural Centre of Delphi IX International Meeting on History and Myths (1995). Delphi: ECCD, p. 81-86

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    The Oxford Encyclopaedia of Theatre and Performance

    Kennedy, D. (ed.) & Bratton, J. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  68. Published

    The Oxford Handbook of Dance and the Popular Screen

    Blanco Borelli, M., 2014, Oxford University Press.

    Research output: Book/ReportAnthology

  69. Published

    The Patient Performer: Embodied Pathography in Contemporary Productions

    Brodzinski, E., 2016, Performance and the Medical Body. Merkmikides, A. & Bouchard, G. (eds.). p. 85-95 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  70. Unpublished
  71. Published

    The Performance of Memory

    Nicholson, H., 2003, In : The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticle

  72. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?

    Rebellato, D., 2007, In : Western European Stages. xix, 1, p. 33-36

    Research output: Contribution to journalArticle

  74. Unpublished
  75. Published

    The play-within-the-film-within-the-play's the thing: re-transmitting analogue bodies in the Wooster Group's Hamlet

    Parker-Starbuck, J., 1 Jun 2009, In : International Journal of Performance Arts and Digital Media. 5, 1, p. 23-34 12 p.

    Research output: Contribution to journalArticle

  76. Published

    The poetics of the mask in Old Comedy

    Wiles, D., 2008, Performance, Iconography, Reception. Revermann, M. & Wilson, P. (eds.). Oxford: Oxford University Press, p. 374-392

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    The Point of Culture: Brazil Turned Upside Down

    Spowage, C., 2013, ed. by Paul Heritage and Rosie Hunter, with Poppy Spowage. Lisbon: Calouste Gulbenkian Foundation

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  78. Published

    The Politics of Innocence in Contemporary Theatre about Refugees

    Cox, E., 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 213-235 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published
  80. Published

    The Prison and the Font: An Essay on Patrick White's A Fringe of Leaves

    Gilbert, H., 1989, In : Kunapipi: Journal of Postcolonial Writing. 11, 2, p. 17-22

    Research output: Contribution to journalArticle

  81. Unpublished
  82. In preparation

    The Promise of Experience: Immersive Theatre in the Experience Economy

    Alston, A., 2014, (In preparation) Framing Immersive Theatre and Performance. Frieze, J. (ed.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    The promises of history: pedagogic principles and processes of change

    Nicholson, H., 2010, In : Research in Drama Education. 15, 2, p. 147-154 8 p.

    Research output: Contribution to journalArticle

  84. Published

    The Proteus Cabinet, or, ‘Here but Not Here’

    Nield, S., 2008, Research in Drama Education: Performance and Asylum. Gilbert, H. & Nield, S. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Unpublished
  86. Published

    The right horse, the animal eye: Bartabas and Théâtre Zingaro

    Williams, D., 2000, In : Performance Research. 5, 2, p. 29-40 12 p.

    Research output: Contribution to journalArticle

  87. Published

    The Ring Story in Northward Ho I.i.: An English Source

    Schafer, E., 1986, In : Notes and Queries. 33, September, p. 374-375

    Research output: Contribution to journalArticle

  88. Published

    The Rise of the Character named Spectator

    Nield, S., 2008, In : Contemporary Theatre Review. 18, 4

    Research output: Contribution to journalArticle

  89. Published

    The role of objects in supporting older adults with dementia to tell stories about their lives

    Lloyd, J., 1 Oct 2015, In : Journal of Applied Arts & Health. 6, 2, p. 171-186 16 p.

    Research output: Contribution to journalArticle

  90. Unpublished

    The Role of Reminiscence Arts in the Lives of Care Home Residents Living with Dementia

    Lloyd, J., 2016, (Unpublished) 337 p.

    Research output: ThesisDoctoral Thesis

  91. Published

    The Role of the Chou ("Clown") in Traditional Chinese Drama: Comedy, Criticism and Cosmology on the Chinese Stage

    Thorpe, A., 2007, Lewiston: The Edwin Mellen Press. 351 p.

    Research output: Book/ReportBook

  92. In preparation

    The Routledge Companion to Documenting Performance

    Guy, G. (ed.) & Linsley, J. (ed.), 2022, (In preparation)

    Research output: Book/ReportBook

  93. Published

    'The ruins of time (I've forgotten this before)'

    Williams, D., 5 Nov 2015, Rethinking the Theatre of the Absurd: Ecology, Environment, and the Greening of the Modern Stage. Finburgh, C. & Lavery, C. (eds.). London: Bloomsbury Methuen Drama, p. 241-8 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    The Sea: 6 Waves

    Williams, D., 2009, Cupola Bobber: reading companion to the performance 'Way Out West, The Sea Whispered Me'. Chicago, USA, p. unpaginated

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  95. Published

    The Serpent's Gaze: Re-working Myths for a Feminist Australian Drama

    Gilbert, H., 1993, In : Australian and New Zealand Studies in Canada. 10, p. 30-40

    Research output: Contribution to journalArticle

  96. Published

    The seven gates of Aeschylus

    Wiles, D., 1993, In : Drama. 2, p. 180-194

    Research output: Contribution to journalArticle

  97. Published

    The Six Wild Ways of the Oak

    Overend, D., Narbed, S., Lorimer, J., Swingler, J. & Twynholm, S., 2018

    Research output: Non-textual formDigital or Visual Products

  98. Published

    The Sociable Aesthetics of Amateur Theatre

    Walcon, E. & Nicholson, H., 2017, In : Contemporary Theatre Review. 27, 1, p. 18-33 16 p.

    Research output: Contribution to journalArticle

  99. Published

    'The Spectacle is Everywhere': tracing the Situationist legacy in British playwriting since 1968

    Megson, C., May 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle

  100. Published

    'The Spectacle is Everywhere': Tracing the Situationist Legacy in British Playwriting Since 1968

    Megson, C., 2004, In : Contemporary Theatre Review. 14, 2, p. 17-28

    Research output: Contribution to journalArticle