1. Published

    'Middle Class Aspirations and Black Women’s Mental Illness in Zindika’s Leonora’s Dance, and Bonnie Greer’s Munda Negra and Dancing on Blackwater'

    Goddard, L., 2007, Cool Britannia: British Political Theatre in the 1990s. D'Monte, R. & Saunders, G. (eds.). Basingstoke: Palgrave, p. 96-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  2. Published

    Midland Street

    Overend, D., 2009

    Research output: Non-textual formPerformance

  3. Published

    Migrant Voices Onstage in London

    Flynn, M., 8 Oct 2015, In : Open Democracy.

    Research output: Contribution to journalBook/Film/Article review

  4. Published

    Millennial Blues: Performing the (White) Nation

    Gilbert, H., 2003, Playing Australia: Theatre, Diaspora, Dialogue. Pfisterer, S. & Schafer, L. (eds.). Amsterdam: Editions Rodopi BV, p. 12-28

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    Mining Anatomy: Dancing Naturally

    Worth, L., 2011, Dancing Naturally: nature, neo-classicism and modernity in early twentieth century dance. Fensham, R. & Carter, A. (eds.). Hampshire: Palgrave Macmillan, p. 155-169 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Modern British Playwriting 2000-2009: Voices, Documents, New Interpretations

    Rebellato, D. (ed.), Oct 2013, London: Methuen Drama. (Decades)

    Research output: Book/ReportBook

  7. Published

    Modern British Playwriting: the 1970s: Voices, Documents, New Interpretations

    Megson, C., 2012, London: Methuen Drama. 299 p.

    Research output: Book/ReportBook

  8. Published

    Modern Mysteries: Contemporary Productions of Medieval English Cycle Drama

    Normington, K., 2007, Woodbridge, Suffolk: D. S. Brewer.

    Research output: Book/ReportBook

  9. Published

    Monumental Moments: Michael Gow's 1841, Stephen Sewell's Hate, Louis Nowra's Capricornia and Australia's Bicentenary

    Gilbert, H., 1994, In : Australasian Drama Studies. 24, p. 29-45

    Research output: Contribution to journalArticle

  10. Unpublished

    Moving Intimacies: A Comparative Study of "Physical Theatres" in France and the UK

    Pastor, E., 2014, (Unpublished) 356 p.

    Research output: ThesisDoctoral Thesis

  11. Published

    MsDirecting Shakespeare: Women Direct Shakespeare

    Schafer, E., 1998, London: Women's Press.

    Research output: Book/ReportBook

  12. Published

    Music Hall

    Bratton, J., 2003, Cambridge Companion to Victorian and Edwardian Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Music in traditional Asian theatre: China

    Thorpe, A., 2016, The Routledge Handbook of Asian Theatre. Liu, S. (ed.). London & New York: Routledge, p. 134-139 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Musical Epistemology

    Robinson, D., 2009, Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Verstraete, P., Itay, S., Birdsall, C. & Boletsi, M. (eds.). Cambridge Scholars, p. 245-266

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Musicology Objects

    Robinson, D., 2008, Collision: Interarts Practice and Research. Cecchetto, D., Cuthbert, N., Lassonde, J. & Robinson, D. (eds.). Cambridge Scholars, p. 225-242 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    My Life

    Rebellato, D., 2007, In : Studies in Theatre and Performance. 27, 2, p. 199

    Research output: Contribution to journalArticle

  17. Published

    Myth and the Monster of Intersex: Narrative Strategies of Otherness in XXY (Lucía Puenzo, Argentina, 2007)

    Gleghorn, C., 2011, Latin American Cinemas: Local Views and Transnational Connections. Bermúdez Barrios, N. (ed.). Calgary, AB: Canada: University of Calgary Press, p. 149-174 26 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Nation: Alphabet: A Lexicon of Theatre & Performance

    Thorpe, A., 2013, In : Contemporary Theatre Review. 23, 1, p. 49-52 3 p.

    Research output: Contribution to journalArticle

  19. Published

    Nation and Negation (Terrible Rage)

    Rebellato, D., 4 May 2018, In : Journal of Contemporary Drama in English. 6, 1, p. 15-39 25 p.

    Research output: Contribution to journalArticle

  20. Published

    National Identity and the Female Body

    Nield, S., 2000, Feminisms on Edge: Politics, Discourses and National Identities. Atkinson, K., Oerton, S. & Plain, G. (eds.). Cardiff, Wales: Cardiff Academic Press, p. 101-110 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    National Theatre of Scotland: The First Year

    Rebellato, D., 2007, In : Contemporary Theatre Review. 17, 2, p. 213-218

    Research output: Contribution to journalArticle

  22. Published

    Natural Theatre Company (Bath)

    Peterson, G. T., 15 Oct 2011.

    Research output: Contribution to conferencePaper

  23. Published

    Naturalism and Symbolism: Early Modernist Practice

    Rebellato, D., 2010, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. Gale, M. & Deeney, J. (eds.). Abingdon: Routledge, p. 6-24

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Navigating the currents: an interview with Basia Irland

    Williams, D., 2001, In : Performance Research. 6, 3, p. 113-122 10 p.

    Research output: Contribution to journalArticle

  25. Published

    Negotiating Cultural Narratives: All-Aboriginal Shakespearean Dreaming

    Cox, E., 2004, In : Southerly. 64, 3, p. 15-27

    Research output: Contribution to journalArticle

  26. Unpublished

    Negotiating the Material Past: ‘Telling’ as Rearticulation of Place

    Hussein, N., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  27. Published

    New Directions - 'Much Ado' - Women (and Men) of a Certain Age

    Schafer, E. & Reimers, S., 1 Dec 2017, Much Ado About Nothing: A Critical Reader. Cartmell, D. & Smith, P. J. (eds.). London: Bloomsbury Academic, p. 111-131 20 p. 5. (Arden Early Modern Drama Guides).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    New Directions in Ancient Pantomime

    Hall, E. (ed.) & Wyles, R. (ed.), 20 Nov 2008, Oxford University Press. 504 p.

    Research output: Book/ReportBook

  29. Published

    New Images and Old lies: Gender and Drama Education

    Nicholson, H. & Bundy, P., 2003, Special Interest Fields of Drama, Theatre and Education. Heikkinen, H. (ed.). Jyvaskyla University Press, p. 68-84

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    'New Music - New Audience': A Report

    Alston, A., Nov 2009, In : Dutch Journal of Music Theory. 14, 3, p. 194 197 p.

    Research output: Contribution to journalComment/debate

  31. E-pub ahead of print

    New Perspectives on Home: Simon Stephens and Authorship in British Theatre

    Love, C., 22 Sep 2016, In : Contemporary Theatre Review. 26, 3, p. 319-327 19 p.

    Research output: Contribution to journalArticle

  32. Published

    New Readings in Theatre History

    Bratton, J., 2003, Cambridge University Press.

    Research output: Book/ReportBook

  33. Published

    New Theatre Writing: Dennis Kelly

    Rebellato, D., 2007, In : Contemporary Theatre Review. 17, 4, p. 603-608

    Research output: Contribution to journalArticle

  34. Published

    New Theatre Writing: Simon Stephens

    Rebellato, D., 2005, In : Contemporary Theatre Review. 15, 1

    Research output: Contribution to journalArticle

  35. Published

    New York Abroad [in section 'Being Contemporary']

    Parker-Starbuck, J. & Abrams, J., Jan 2012, In : PAJ: A Journal of Performance and Art. 34, 1, p. 93-110 18 p.

    Research output: Contribution to journalArticle

  36. Published

    Nigerian Political Satire on the Contemporary British Stage: Class, Culture and Theatrical Languages in Oladipo Agboluaje's The Estate and Iyale (The First Wife)

    Goddard, L., 2018, Africa on the London Stage. Morosetti, T. (ed.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Ninette de Valois: Adventurous Traditionalist

    Cave, R. A. (ed.) & Worth, L. (ed.), 2 Jul 2012, Alton, Hampshire: Dance Books. 289 p.

    Research output: Book/ReportBook

  38. Published
  39. Published
  40. Published

    Nobody Really Wants To Be Here: Tim Crouch's Work for Children

    Rebellato, D., 2016, Tim Crouch ou la scène émancipée. Angel-Perez, E., Kiehl, C. & Lanteri, J-M. (eds.). Paris: RADAC, p. 89-108 (Coup de Théâtre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    Noël Coward's Bad Manners

    Rebellato, D., 2000, Look Back in Pleasure: Noël Coward Reconsidered. Kaplan, J. & Stowell, S. (eds.). London: Methuen

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. In preparation

    Noh and European Practitioners

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. In preparation

    Noh at the Venice Biennale 1957

    Pellecchia, D., 2013, (In preparation) A History of Japanese Theatre. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    Noli Me Tangere: Revealing New Approaches to Early Drama

    Normington, K., 2007, In : Literature Compass. 4, 3, p. 688-697

    Research output: Contribution to journalArticle

  45. Published

    Not Magic But Work: An Ethnographic Account of a Rehearsal Process

    McAuley, G., 2012, Manchester: Manchester University Press. 241 p.

    Research output: Book/ReportBook

  46. Published

    Not Mere Beauties: Women on the Restoration Stage

    McGirr, E., 2016, Eighteenth Century Drama: Censorship, Society and the Stage. Adam Matthew

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  47. Published

    Notebook (s-h-i-f-t-s): dramaturg

    Shifts (Malgven Gerbes and David Brandstaetter), 2009

    Research output: Other contribution

  48. Published

    Obituary: David Bradby

    Rebellato, D., 2 Mar 2011, The Guardian, p. 36.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  49. Published

    Objects of Engagement: Conference Response

    Hussein, N., Peterson, G. & Sánchez-Camus, R., 2008, In : Platform. 3, 2

    Research output: Contribution to journalComment/debate

  50. Published

    Observations on the importance of the yao/koshi [腰] to the actor in Japanese nô and Chinese jingju (‘Beijing opera’)

    Thorpe, A., 2015, Expressions of the Invisible: A Comparative Study of Noh and Other Traditions: Noh Research Studies 3. Yamanaka, R. & Watson, M. (eds.). Tokyo, p. 19-40 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  51. Published

    Occasionally Ovid - Helen Ainsworth

    Bidgood, J., 11 May 2013, In : Animations Online.

    Research output: Contribution to journalBook/Film/Article review

  52. Published

    Occidental (Sex) Tourists: Michael Gurr's Sex Diary of an Infidel

    Gilbert, H., 1994, In : Australasian Drama Studies. 25, p. 177-188

    Research output: Contribution to journalArticle

  53. Forthcoming

    Oedipus: the chronotope

    Wiles, D., 2011, (Accepted/In press) Close Relations: the Spaces of Greek and Roman Theatre. Griffiths, J. & Monaghan, P. (eds.). Cambridge: Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  54. Published

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Rebellato, D., 23 Jun 2017, In : Sillages Critiques. 22

    Research output: Contribution to journalArticle

  55. Published

    On Churchill's Influences

    Rebellato, D., 2010, Cambridge Companion to Caryl Churchill. Aston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  56. Published

    On Disability: Creative Tensions in Applied Theatre

    Conroy, C. (ed.), Feb 2009, In : Research in Drama Education. 14, 1, 163 p.

    Research output: Contribution to journalSpecial issue

  57. Published

    On Edward Bond’s Dramaturgy of Crisis in The Chair Plays: The Dystopian Imagination and the Imagination in Dystopia

    Chen, C-C., 2016, In : Platform. 10, 2, p. 32-50 19 p.

    Research output: Contribution to journalArticle

  58. Published

    On Show: Truth and Reconciliation in Canada

    Gilbert, H., 2017, The Social Work of Narrative: Human Rights and the Cultural Imaginary. Griffiths, G. & Mead, P. (eds.). Hannover: Ibidem-Verlag, p. 249-78

    Research output: Chapter in Book/Report/Conference proceedingChapter

  59. Published

    On Text and Dance: New Questions and New Forms

    Worth, L., 2009, The Cambridge Companion to Caryl Churchill. Alston, E. & Diamond, E. (eds.). Cambridge: Cambridge University Press, p. 71-87

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. Published

    On the Border as Theatrical Space: appearance, dis-location and the production of the refugee

    Nield, S., 2006, Contemporary Theatres in Europe. Kelleher, J. & Ridout, N. (eds.). Routledge, p. 61-72

    Research output: Chapter in Book/Report/Conference proceedingChapter

  61. Published

    On the Edge: The Plays of Susan Glaspell

    Dymkowski, C., 1988, In : Modern Drama. 31, 1, p. 91-105

    Research output: Contribution to journalArticle

  62. Published

    On the Injunction 'Enjoy'

    Alston, A., Aug 2013, In : Platform. 7, 2, p. 71-73

    Research output: Contribution to journalArticle

  63. Published

    On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister

    Bullen, D., 2017, Neo-Victorian Villains : Adaptations and Transformations in Popular Culture. Poore, B. (ed.). Rodopi B.V., p. 180-196 17 p. (Neo-Victorian Series; vol. 6).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  64. Published

    On the origin of the Komedie Stamboel: popular culture, colonial society, and the Parsi theatre movement

    Cohen, M., 2001, In : Bijdragen tot de Taal-, Land- en Volkenkunde. 157, 2, p. 313-357

    Research output: Contribution to journalArticle

  65. Published

    Only joking? The relationship between the clown and percussion in Jingju

    Thorpe, A., 2005, In : Asian Theatre Journal. 22, 2, p. 269-292 23 p.

    Research output: Contribution to journalArticle

  66. E-pub ahead of print

    Opening Borders, Closing Nations: How ‘Generation Nothing’ Stages Polish Migration

    Lease, B., 5 Mar 2014, In : Contemporary Theatre Review. 24, 1, p. 6-20 15 p.

    Research output: Contribution to journalArticle

  67. Published

    Opera Indigene: Re/presenting First Nations and Indigenous Culture

    Karantonis, P. (ed.) & Robinson, D. (ed.), 2011, Ashgate. 357 p. (Ashgate Interdisciplinary Studies in Opera; no. 1)

    Research output: Book/ReportAnthology

  68. Published

    Orlando

    Mitchell, K., McLeish, L. & Woolf, V., 2019

    Research output: Non-textual formPerformance

  69. Published

    Othering the Mestizo: Alterity and Indigenous Politics in Otavalo, Ecuador

    Huarcaya, S. M., 2010, In : Latin American and Caribbean Ethnic Studies. 5, 3

    Research output: Contribution to journalArticle

  70. Submitted

    Out of the Exhibition: Installation, Activation, Invigilation

    Gilbert, H. & Phillipson, J. D., 2019, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, J. D. (eds.). 2nd ed. Liverpool: Liverpool University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    Pantomime and the Experienced Young Fellow

    Bratton, J., 11 Aug 2010, Victorian Pantomime. Davis, JI. (ed.). Cambridge: Cambridge University Press, p. 87-100 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    Paradigms of Movement Composition

    Skanberg Dahlstedt, A., 4 Dec 2014, In : The International Journal of Screendance . 4, 4, p. 130 -146 16 p.

    Research output: Contribution to journalArticle

  73. E-pub ahead of print

    Paradoxes of Acting: Bakhtin and Stanislavsky

    McCaw, D., 6 Feb 2014, Cambridge: Cambridge Uni Press, p. 29 - 39, 11 p.

    Research output: Working paper

  74. Published

    Partial Histories: A Reappraisal of Colley Cibber

    McGirr, E., 15 Jun 2016, Palgrave Macmillan. 211 p.

    Research output: Book/ReportBook

  75. Published

    Past imperfect, present tense: on history as discarded practice

    Nield, S., 2014, Misperformance: essays in shifting perspectives. Blazevic, M. & Cale Feldman, L. (eds.). Llubljana: MASKA Insititute of Publishing, Production and Education, p. 69-78 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Forthcoming

    Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presents

    Lease, B., 2020, (Accepted/In press) Contemporary European Playwrights. Delgado, M., Lease, B. & Rebellato, D. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Published

    Peaceful Surface and Monstrous Depths: Barbara Pentland and Dorothy Livesay’s The Lake

    Robinson, D., 2011, Opera Indigene: Re/presenting First Nations and Indigenous Culture. Karantonis, P. & Robinson, D. (eds.). Ashgate, p. 245-57 16 p. (Interdisciplinary Studies in Opera; no. 1).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published
  79. Published

    Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia

    Gilbert, H. & Lo, J., 2007, London: Palgrave Macmillan. 246 p.

    Research output: Book/ReportBook

  80. Published

    Performance and Media: Taxonomies for a Changing Field

    Parker-Starbuck, J., Bay-Cheng, S. & Saltz, D., 2015, University of Michigan Press.

    Research output: Book/ReportBook

  81. Published

    Performance and Migration: Digital Theatre 4x45

    Cox, E. (ed.), 2019

    Research output: Non-textual formDigital or Visual Products

  82. Published

    Performance and Participation: Practices, Audiences, Politics

    Harpin, A. (ed.) & Nicholson, H. (ed.), 2016, London: Palgrave Macmillan. 244 p.

    Research output: Book/ReportBook

  83. Published

    Performance and the Global City edited by D.J. Hopkins and Kim Solga

    Poll, M., Dec 2014, In : Performance Research. 19.5, p. 112-114 3 p.

    Research output: Contribution to journalBook/Film/Article review

  84. Published

    Performance Anxiety: The Relationship Between Social and Aesthetic Drama in Medicine and Health

    Brodzinski, E., 2014, Medicine, Health and the Arts: Approaches to Medical Humanities. Bates, V., Bleakley, A. & Goodman, S. (eds.). London: Routledge, p. 165-185 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  85. Published

    Performance Editions, Editing and Editors

    Schafer, E., 2006, In : Shakespeare Survey. 59, p. 198-212

    Research output: Contribution to journalArticle

  86. Published

    Performance, Experience, Transformation: What do Spectators Value in Theatre?

    Megson, C. & Reinelt, J., 1 May 2016, In : Journal of Contemporary Drama in English. 4, 1, p. 227-242 16 p.

    Research output: Contribution to journalArticle

  87. Published

    Performative Acts: Drama Education and Gender.

    Nicholson, H., 1995, In : The NADIE Journal Australia. 19, 1, p. 27-37

    Research output: Contribution to journalArticle

  88. Published

    Performative Reintegration: Applied Theatre for Conflict Transformation in Contemporary Colombia

    Estrada Fuentes, M., Oct 2018, In : Theatre Research International. 43, 3, p. 291-304 14 p.

    Research output: Contribution to journalArticle

  89. Forthcoming

    Performer Training: Researching and Disseminating the Theatre Laboratory

    Worth, L., 2011, (Accepted/In press) Research Methods in Theatre Studies. Kershaw, B. & Nicholson, H. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Published

    Performing and Archiving Queer Publics in South Africa

    Lease, B. (ed.) & Davids, N. (ed.), 2017, Safundi. The Journal of South African and American Studies.

    Research output: Other contribution

  91. Published

    Performing animal, becoming-animal: animal acts

    Williams, D., 2001, Body Show/s: Australian Viewings of Live Performance. Tait, P. (ed.). Amsterdam/Atlanta GA: Editions Rodopi BV, p. 44-59 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Performing Bogotá: Memories of an Urban Bombing

    Estrada Fuentes, M., 2014, Performing Cities. Whybrow, N. (ed.). Palgrave Macmillan, p. 233-244

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. Published

    Performing China on the London stage: Chinese opera and global power, 1759-2008

    Thorpe, A., Oct 2016, Houndmills: Palgrave. 263 p.

    Research output: Book/ReportBook

  94. Published

    Performing Herself: AutoBiography & Fanny Kelly's Dramatic Recollections

    Bush-Bailey, G., 2011, Manchester: Manchester University Press.

    Research output: Book/ReportBook

  95. Published

    Performing HerSelf: Practice-based Research and Women’s Theatre History

    Bush-Bailey, G., 2008, Acting on Stage - Acting on Film [O ithopios, anamesa sti skini kai stin othoni]. Adamou, C. (ed.). Athens, OH, and Leiden: Kastanioti

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. Published

    Performing Hybridity in Post-colonial Monodrama

    Gilbert, H. & Lo, J., 1997, In : Journal of Commonwealth Literature. 31, 1, p. 5-19

    Research output: Contribution to journalArticle

  97. Published

    Performing Identity Politics: South Asian Dance in Britain

    Purkayastha, P., 2010, In : Diálogos com a Arte II. p. 71-84

    Research output: Contribution to journalArticle

  98. Unpublished
  99. Published

    Performing Noncitizenship: Asylum Seekers in Australian Theatre, Film and Activism

    Cox, E., May 2015, Anthem Press.

    Research output: Book/ReportBook

  100. Published

    Performing Otherness: Java and Bali on International Stages, 1905-1952

    Cohen, M. I., 2010, Basingstoke: Palgrave Macmillan. 285 p.

    Research output: Book/ReportBook

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