1. Published

    Greek and Roman Actors: Aspects of an Ancient Profession

    Easterling, P. (ed.) & Hall, E. (ed.), Sep 2002, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  2. Published

    Greek and Shakespearean plays in performance: their different academic receptions

    Wiles, D., 2010, Theorising performance: Greek Drama, Cultural History and Critical Practice. Hall, E. & Harrop, S. (eds.). London: Duckworth, p. 43-55

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    Greek theatre and the legitimation of slavery

    Wiles, D., 1988, Slavery and Other Forms of Unfree Labour. Archer, L. (ed.). London: Routledge, p. 53-67

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    Greek Theatre Performance: an Introduction

    Wiles, D., 2000, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  5. Published

    Greek Tragedy and the British Theatre 1660-1914

    Hall, E. (ed.) & Macintosh, F. (ed.), 14 Jul 2005, Oxford University Press. 768 p.

    Research output: Book/ReportBook

  6. Published

    Half the Picture: “a certain frisson” at the Tricycle Theatre

    Megson, C., 2009, Get Real: Documentary Theatre Past and Present. Forsyth, A. & Megson, C. (eds.). Basingstoke: Palgrave Macmillan, p. 195-208

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published
  8. Published

    Harley Granville Barker: A Preface to Modern Shakespeare

    Dymkowski, C., 1986, Washington, London, and Toronto: Folger Shakespeare Library and Associated University Presses. 240 p.

    Research output: Book/ReportBook

  9. In preparation

    Hear Tell: Describing, Reporting, Narrating

    Guy, G. (ed.) & Linsley, J. (ed.), 2021, (In preparation) In : Contemporary Theatre Review.

    Research output: Contribution to journalSpecial issue

  10. Published

    Hearing Voices

    Summerskill, C., 2010, London: Tollington Press. 91 p.

    Research output: Book/ReportBook

  11. Published

    Hearing Voices: Creating Theatre from Stories Given by Mental Health Service Users

    Summerskill, C., 2014, Creative Positions in Adult Mental Health: Outside In-Inside Out. McNab, S. & Partridge, K. (eds.). Karnac Books, p. 227-239

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    'Her tears were sincere': Kate McCann and the Paradox of Mourning

    Nield, S., 2008, In : Contemporary Theatre Review.

    Research output: Contribution to journalArticle

  13. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  14. Published

    Heroic Mode and Political Crisis, 1660-1745

    McGirr, E., 2009, Newark, NJ: University of Delaware Press. 248 p.

    Research output: Book/ReportBook

  15. Published

    Hidden Territories: The Theatre of Gardzienice

    Hodge, A. & Staniewski, W., 2003, London: Routledge.

    Research output: Book/ReportBook

  16. Published

    Hip Work: Undoing the Tragic Mulata

    Blanco Borelli, M., 2014, Black Performance Theory. DeFrantz, T. F. & Gonzalez, A. (eds.). Duke University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  17. Published

    Hips, Hip-notism, Hip(g)nosis: the mulata performances of Ninón Sevilla

    Blanco Borelli, M., 2010, The Routledge Dance Studies Reader. Carter, A. & O'Shea, J. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  18. Published

    Historical Re-presentation: Performance and Counter-discourse in Jack Davis's Drama

    Gilbert, H., 1990, In : New Literatures Review. 19, p. 91-101

    Research output: Contribution to journalArticle

  19. Published

    Hope (L'espoir)

    Castro, E. & Neil, L., 2011, Origins Festival of First Nations Programme. London: Border Crossings, p. 59 1 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  20. Published

    Hosts and Parasites: Late 19th Century Migration, Bram Stoker's Dracula, and the Discourse of Disease

    Nield, S., Apr 2018, Bodies of Evidence: Ethics, Aesthetics and Politics of Movement. Ertem, G. & Noeth, S. (eds.). Vienna: Passagen Verlag, p. 215-228 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    How can Westerners study Japanese Noh? An Interview with Richard Emmert, Director of the Noh Training Project and Theatre Nohgaku.

    Thorpe, A., Oct 2014, In : Theatre, Dance and Performance Training. 5, 3, p. 321-333

    Research output: Contribution to journalArticle

  22. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre and Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). 1st ed. Methuen Drama, p. 284-295 12 p. (Thinking Through Theatre).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    How Long a Thing Takes: an invitation to think duration

    Wakefield, N., 2013, In : Video Journal of Performance.

    Research output: Contribution to journalArticle

  25. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In : Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview article

  29. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Hrosvitha of Gandersheim: the performance of her plays in the tenth century

    Wiles, D., 1999, In : Theatre History Studies. 19, p. 133-150

    Research output: Contribution to journalArticle

  32. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    I La Galigo

    Cohen, M., 2005, In : Asian Theatre Journal. 22, 1, p. 138-149

    Research output: Contribution to journalArticle

  35. Published

    I Love A Good Story: British Drama against Postmodernism

    Rebellato, D., 1999.

    Research output: Contribution to conferencePaper

  36. Published

    I'm Not This Girl

    Gardner, N-M., Jan 2006, Bedford Square. Serota, A. & Motion, A. (eds.). London: Hodder Headline

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  37. E-pub ahead of print

    Image and Infatuation

    Guy, G., 2 Jan 2020, In : PAJ: A Journal of Performance and Art. 42, 1, p. 49-52 4 p.

    Research output: Contribution to journalBook/Film/Article review

  38. Published

    Imaginary (re)vision: Politics and Poetics in Sam Watson’s The Kadaitcha Sung and Eric Willmot’s Below the Line

    Castro, E., 2007, In : Anglophonia: French journal of English studies. 21, Divergences and Convergences, p. 159-170 12 p.

    Research output: Contribution to journalArticle

  39. Published

    Imagining Human Rights in Twenty-First Century Theater: Global Perspectives

    Cox, E., 2014, In : Contemporary Theatre Review. 24, 1, p. 117-119

    Research output: Contribution to journalBook/Film/Article review

  40. Unpublished

    Improbable Objects: Physical Materials between the Self and the 'Other'? A provocation

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  41. Published

    Improvisation in Dance and the Movement of Everyday Life

    Worth, L., 2 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. L. (ed.). 1st ed. Oxford: Oxford University Press, p. 1-13 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    In Conversation with Geoffrey Rush

    Cox, E., 2012, In : Australian Studies. 4

    Research output: Contribution to journalArticle

  43. Published

    In Memoriam: Harold Pinter 1930-2008

    Rebellato, D., 2009, In : Contemporary Theatre Review. 19, 2, p. 244-253

    Research output: Contribution to journalArticle

  44. Published

    In Praise of Luvvies

    Rebellato, D., 2000.

    Research output: Contribution to conferencePaper

  45. Unpublished

    In Search of Another Eye: Mimesis, Chinese Aesthetics, Post-modern Theatre

    Sohn, W., 2011, (Unpublished)

    Research output: ThesisDoctoral Thesis

  46. Unpublished
  47. Published

    In the Balance: Indigeneity, Performance, Globalization

    Raheja, M. H. (ed.), Phillipson, J. D. (ed.) & Gilbert, H. (ed.), 2017, Liverpool: Liverpool University Press. 316 p.

    Research output: Book/ReportBook

  48. Published

    In Transit: Travel, Text, Empire

    Gilbert, H. (ed.) & Johnston, A. (ed.), 2002, New York: Peter Lang. 285 p.

    Research output: Book/ReportBook

  49. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Inappropriate(d) others: the difficulty of being a dog

    Williams, D., 2007, In : TDR: The Drama Review. 51, 1 T193, p. 92-118 27 p.

    Research output: Contribution to journalArticle

  51. Published

    India, Greece, and Rome, 1757 to 2007

    Hall, E. (ed.) & Vasunia, P. (ed.), 2010, London: Institute of the Classical Tradition. 180 p.

    Research output: Book/ReportBook

  52. Published

    Indian Modern Dance, Feminism and Transnationalism

    Purkayastha, P., Oct 2014, 1st ed. Basingstoke, Hampshire: Palgrave Macmillan. 232 p. (New World Choreographies)

    Research output: Book/ReportBook

  53. Unpublished

    Indigeneity and Theatre in the New South Africa

    Moyo, A., 2016, (Unpublished) 329 p.

    Research output: ThesisDoctoral Thesis

  54. Published

    Indigeneity in the Contemporary World

    Gilbert, H., 2014, London : Streamline Press.

    Research output: Other contribution

  55. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  56. Published

    Indigeneity, time and the cosmopolitics of postcolonial belonging in the atomic age

    Gilbert, H. (ed.), 2013, In : Interventions: International Journal of Postcolonial Studies. 15, 2, p. 195-210

    Research output: Contribution to journalArticle

  57. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  58. Published

    Indigenous Australian Arts Showcased in Saint-Tropez

    Castro, E., 9 Dec 2010, National Indigenous Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  59. Published

    Indigenous Festivals in the Pacific: Cultural Renewal, Decolonization and Nation-building

    Gilbert, H., 2020, In : Pacific and American Studies. p. 41-56 16 p.

    Research output: Contribution to journalArticle

  60. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  61. Published

    Indonesian performing arts across borders

    Cohen, M., Lopez y Royo, A. & Noszlopy, L., 2007, In : Indonesia and the Malay World. 35, 101, p. 1-7

    Research output: Contribution to journalArticle

  62. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Unpublished
  64. Published

    Indonesian theatre: New North American scholarship on modern and traditional performance practices

    Cohen, M. I., 2013, In : Theatre Journal. 65, 1, p. 127-135

    Research output: Contribution to journalArticle

  65. Unpublished

    Inhuman, All Too Inhuman

    Rebellato, D., 19 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  66. Published
  67. Published

    Intercultural Art Music and the Sensory Veracity of Reconciliation: Brent Michael Davids’ Powwow Symphony on the Dakota Music Tour

    Robinson, D., 2012, In : MUSICultures. 39, 1, p. 111-128 17 p.

    Research output: Contribution to journalArticle

  68. Unpublished

    Intercultural Communication of Chinese Traditional Opera Programs under the View of Deconstructionism

    Li, X., 13 Aug 2018, (Unpublished) Second World Conference of Chinese Studies & 17th Intl. Conference on the Digitalization of Premodern Chinese Novel & Drama.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  69. Published

    Interculturalism, Globalization and Cosmopolitanism

    Rebellato, D., 15 Dec 2010.

    Research output: Contribution to conferencePaper

  70. Published

    Interculturalización fallida: Desarrollismo, neoindigenismo y universidad intercultural en Yucatán, México

    Llanes Ortiz, G., Jun 2008, In : TRACE. VI, 53, p. 49-63

    Research output: Contribution to journalArticle

  71. Published

    Interdisciplinarity, ‘Mythunderstanding’ and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works

    Castro, E., 2009, L'interdisciplinarité en question/Questioning Interdisciplinarity. Presses universitaires de Nancy, p. 161-1731 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  72. Published

    Interdisciplinarity, Intermediality and Opera

    Vorwerg, L., 22 May 2017.

    Research output: Contribution to conferencePaper

  73. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  74. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    Intermedial Performance and Politics in the Public Sphere

    Mancewicz, A., Arfara, K. & Remshardt, R., 2018, Palgrave Macmillan.

    Research output: Book/ReportBook

  76. Published

    Intermedial Shakespeares on European Stages

    Mancewicz, A., 2014, 1st ed. Palgrave Macmillan. 215 p. (Palgrave Studies in Performance and Technology)

    Research output: Book/ReportBook

  77. Published

    Intersections of Queer in Post-apartheid Cape Town

    Lease, B., Mar 2015, In : Theatre Research International. 40, 1, p. 70-74 5 p.

    Research output: Contribution to journalArticle

  78. Published

    Interview with Daniel York, actor, writer and director and Anna Chen, writer, performer and broadcaster

    Rogers, A. & Thorpe, A., 2014, In : Contemporary Theatre Review. 24, 4, p. 496-503 8 p.

    Research output: Contribution to journalArticle

  79. Published

    Interview with Katie Mitchell

    Lease, B., 2020, In : Contemporary Theatre Review. 30, 3, p. 253 259 p.

    Research output: Contribution to journalReview article

  80. In preparation

    Interview with Kerry Reed-Gilbert / Entretien avec Kerry Reed-Gilbert

    Castro, E., 2013, (In preparation) The Australian Literature Resource.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  81. Published

    Interview with the RSC’s Hannah Miller, Head of Casting, and Kevin Fitzmaurice, Producer

    Thorpe, A. & Rogers, A., 2014, In : Contemporary Theatre Review. 24, 4, p. 486-493 8 p.

    Research output: Contribution to journalArticle

  82. Published

    Interview: Chris Megson in conversation with Jonathan Holmes, Cora Bissett and Jem Wall: Performance and Ethics - A Debate

    Megson, C., 2013, In : Performing Ethos: an international journal of ethics in theatre and performance. 3, 1, p. 59-75 17 p.

    Research output: Contribution to journalArticle

  83. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  84. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants: Dance Books, p. 105-116 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Introduction: Global encounters in Southeast Asian performing arts

    Cohen, M. I., 2014, In : Asian Theatre Journal. 31, 2, p. 353-368

    Research output: Contribution to journalArticle

  87. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  88. Published

    Introduction

    Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  89. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  90. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Introduction

    Bullen, D., Dec 2015, Adaptable Women: A Collection of Essays to Accompany By Jove Theatre's Pantomime Adaptation of 'Pride and Prejudice'. Plastow, C. (ed.). London: By Jove Theatre Company

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Ah! Wilderness. London: Nick Hern Books, p. vii-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  93. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Desire under the Elms and The Great God Brown. London: Nick Hern Books, p. vii-xxviii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  94. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Hairy Ape and All God’s Chillun Got Wings. London: Nick Hern Books, p. vi-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  95. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, A Touch of the Poet. London: Nick Hern Books, p. v-xxv

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  96. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Iceman Cometh. London: Nick Hern Books, p. v-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  97. Published

    Introduction

    Schafer, E. & Bradley Smith, S., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 1-10

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Long Day’s Journey into Night. London: Nick Hern Books, p. vii-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  99. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Strange Interlude. London: Nick Hern Books, p. v-xxiii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  100. Published

    Introduction

    Dymkowski, C. & vii-xxix, 1991, Anna Christie & The Emperor Jones: Introduction by Christine Dymkowski. London: Nick Hern Books

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

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