1. Published

    Hearing Voices

    Summerskill, C., 2010, London: Tollington Press. 91 p.

    Research output: Book/ReportBook

  2. Published

    'Her tears were sincere': Kate McCann and the Paradox of Mourning

    Nield, S., 2008, In : Contemporary Theatre Review.

    Research output: Contribution to journalArticle

  3. Published

    Heroic Drama

    McGirr, E., 2014, Encyclopedia of British Literature, 1660-1789. Wiley-Blackwell

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  4. Published

    Heroic Mode and Political Crisis, 1660-1745

    McGirr, E., 2009, Newark, NJ: University of Delaware Press. 248 p.

    Research output: Book/ReportBook

  5. Published

    Hidden Territories: The Theatre of Gardzienice

    Hodge, A. & Staniewski, W., 2003, London: Routledge.

    Research output: Book/ReportBook

  6. Published

    Hip Work: Undoing the Tragic Mulata

    Blanco Borelli, M., 2014, Black Performance Theory. DeFrantz, T. F. & Gonzalez, A. (eds.). Duke University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  7. Published

    Hips, Hip-notism, Hip(g)nosis: the mulata performances of Ninón Sevilla

    Blanco Borelli, M., 2010, The Routledge Dance Studies Reader. Carter, A. & O'Shea, J. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  8. Published

    Historical Re-presentation: Performance and Counter-discourse in Jack Davis's Drama

    Gilbert, H., 1990, In : New Literatures Review. 19, p. 91-101

    Research output: Contribution to journalArticle

  9. Published

    Hope (L'espoir)

    Castro, E. & Neil, L., 2011, Origins Festival of First Nations Programme. London: Border Crossings, p. 59 1 p.

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  10. Published

    Hosts and Parasites: Late 19th Century Migration, Bram Stoker's Dracula, and the Discourse of Disease

    Nield, S., 2018, Bodies of Evidence: Ethics, Aesthetics and Politics of Movement. Ertem, G. & Noeth, S. (eds.). Vienna: Passagen Verlag, p. 215-228 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    How can Westerners study Japanese Noh? An Interview with Richard Emmert, Director of the Noh Training Project and Theatre Nohgaku.

    Thorpe, A., Oct 2014, In : Theatre, Dance and Performance Training. 5, 3, p. 321-333

    Research output: Contribution to journalArticle

  12. Published

    How does the riot speak?

    Nield, S., 2019, The Routledge Companion to Theatre and Politics. Eckersall, P. & Grehan, H. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    How does theatricality legitimise the law?

    Nield, S., 7 Feb 2019, Thinking Through Theatre: A Critical Companion to Performance. Bleeker, M., Kear, A., Kelleher, J. & Roms, H. (eds.). Bloomsbury, p. 284-295 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    How Long a Thing Takes: an invitation to think duration

    Wakefield, N., 2013, In : Video Journal of Performance.

    Research output: Contribution to journalArticle

  15. Published

    How To Look Like Yourself

    Nield, S., 2011, From the Bottom of the Chin: To the Top of the Head. Sousa, P. (ed.). Dutch Art Institute, p. 6-13 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Howard Barker

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 62-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Howard Barker and the Theatre of Catastrophe

    Megson, C., 2006, A Companion to Modern British and Irish Drama, 1880-2005. Luckhurst, M. (ed.). Oxford: Blackwell, p. 488-498

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Howard Barker's Theatre: Wrestling with Catastrophe, ed. Andy Smith and James Reynolds

    Ashby, R., 1 Apr 2016, In : Platform. 10, 1, p. 85-89 4 p.

    Research output: Contribution to journalReview article

  19. Published

    Howard Brenton

    Megson, C., 2003, Continuum Encyclopaedia of British Literature. Serafin, S. & Grosvenor Myer, V. (eds.). New York and London: Continuum Group, p. 113-4

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Hrosvitha of Gandersheim: the performance of her plays in the tenth century

    Wiles, D., 1999, In : Theatre History Studies. 19, p. 133-150

    Research output: Contribution to journalArticle

  22. Published

    Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation

    Cox, E., Aug 2015, Theatre and Human Rights after 1945: Things Unspeakable. Luckhurst, M. & Morin, E. (eds.). Palgrave Macmillan, p. 110-127 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Hybridity in Komedi Stambul

    Cohen, M., 2009, Chewing Over the West: Occidental Narratives in Non-Western Readings. Jedamski, D. (ed.). Amsterdam & Atlanta GA: Editions Rodopi BV, p. 275-301

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    I La Galigo

    Cohen, M., 2005, In : Asian Theatre Journal. 22, 1, p. 138-149

    Research output: Contribution to journalArticle

  25. Published

    I Love A Good Story: British Drama against Postmodernism

    Rebellato, D., 1999.

    Research output: Contribution to conferencePaper

  26. Published

    I'm Not This Girl

    Gardner, N-M., Jan 2006, Bedford Square. Serota, A. & Motion, A. (eds.). London: Hodder Headline

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  27. Published

    Imaginary (re)vision: Politics and Poetics in Sam Watson’s The Kadaitcha Sung and Eric Willmot’s Below the Line

    Castro, E., 2007, In : Anglophonia: French journal of English studies. 21, Divergences and Convergences, p. 159-170 12 p.

    Research output: Contribution to journalArticle

  28. Published

    Imagining Human Rights in Twenty-First Century Theater: Global Perspectives

    Cox, E., 2014, In : Contemporary Theatre Review. 24, 1, p. 117-119

    Research output: Contribution to journalBook/Film/Article review

  29. Forthcoming

    Imhof, Image, and Infatuation

    Guy, G., 2 Sep 2019, (Accepted/In press) In : PAJ: A Journal of Performance and Art.

    Research output: Contribution to journalBook/Film/Article review

  30. Unpublished

    Improbable Objects: Physical Materials between the Self and the 'Other'? A provocation

    Hussein, N., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  31. Published

    Improvisation in dance and the movement of everyday life.

    Worth, L., 10 Apr 2019, The Oxford Handbook of Improvisation in Dance. Midgelow, V. (ed.). First ed. Oxford: Oxford University Press, Vol. 1. p. TBC 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    In Conversation with Geoffrey Rush

    Cox, E., 2012, In : Australian Studies. 4

    Research output: Contribution to journalArticle

  33. Published

    In Memoriam: Harold Pinter 1930-2008

    Rebellato, D., 2009, In : Contemporary Theatre Review. 19, 2, p. 244-253

    Research output: Contribution to journalArticle

  34. Published

    In Praise of Luvvies

    Rebellato, D., 2000.

    Research output: Contribution to conferencePaper

  35. Unpublished

    In Search of Another Eye: Mimesis, Chinese Aesthetics, Post-modern Theatre

    Sohn, W., 2011, (Unpublished)

    Research output: ThesisDoctoral Thesis

  36. Unpublished
  37. Published

    In the Balance: Indigeneity, Performance, Globalization

    Gilbert, H. (ed.), Phillipson, J. D. (ed.) & Raheja, M. H. (ed.), 2017, Liverpool: Liverpool University Press. 351 p.

    Research output: Book/ReportBook

  38. Published

    In Transit: Travel, Text, Empire

    Gilbert, H. (ed.) & Johnston, A. (ed.), 2002, New York: Peter Lang. 285 p.

    Research output: Book/ReportBook

  39. Published

    In Warsaw’s New York: Krzysztof Warlikowski’s Queer Interventions

    Lease, B., 2016, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Campbell, A. & Farrier, S. (eds.). Palgrave Macmillan, p. 35-51 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Inappropriate(d) others: the difficulty of being a dog

    Williams, D., 2007, In : TDR: The Drama Review. 51, 1 T193, p. 92-118 27 p.

    Research output: Contribution to journalArticle

  41. Published

    India, Greece, and Rome, 1757 to 2007

    Hall, E. (ed.) & Vasunia, P. (ed.), 2010, London: Institute of the Classical Tradition. 180 p.

    Research output: Book/ReportBook

  42. Published

    Indian Modern Dance, Feminism and Transnationalism

    Purkayastha, P., Oct 2014, Basingstoke, Hampshire: Palgrave Macmillan. 232 p. (New World Choreographies)

    Research output: Book/ReportBook

  43. Unpublished

    Indigeneity and Theatre in the New South Africa

    Moyo, A., 2016, (Unpublished) 329 p.

    Research output: ThesisDoctoral Thesis

  44. Published

    Indigeneity in the Contemporary World

    Gilbert, H., 2014, London : Streamline Press.

    Research output: Other contribution

  45. Submitted

    Indigeneity, Globalisation, Performance: Richard Loring’s "African Footprint"

    Moyo, A., 2016, (Submitted) In the Balance: Indigeneity, Performance, Globalization. Gilbert, H., Raheja, M. & Phillipson, D. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  46. Published

    Indigeneity, time and the cosmopolitics of postcolonial belonging in the atomic age

    Gilbert, H. (ed.), 2013, In : Interventions: International Journal of Postcolonial Studies. 15, 2, p. 195-210

    Research output: Contribution to journalArticle

  47. In preparation

    Indigeneity: Cultural Resurgence and Environmental Justice on the Global Stage

    Gilbert, H., 2020, (In preparation) Oxford Handbook of Performance and Politics. Rai, S. M., Gluhovic, M., Jestrovic, S. & Saward, M. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Unpublished

    Indigenising Bizet, Rooting the Global Opera: The Case of "uCarmen eKhayelitsha"

    Moyo, A., 24 Oct 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  49. Published

    Indigenous Australian Arts Showcased in Saint-Tropez

    Castro, E., 9 Dec 2010, National Indigenous Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  50. Unpublished

    Indigenous Interculturality and the Theatrics of a New South Africa

    Moyo, A., 20 Nov 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  51. Published

    Indonesian performing arts across borders

    Cohen, M., Lopez y Royo, A. & Noszlopy, L., 2007, In : Indonesia and the Malay World. 35, 101, p. 1-7

    Research output: Contribution to journalArticle

  52. Published

    Indonesian performing arts in the Netherlands, 1913-1944

    Cohen, M. I., 2013, Recollecting Resonances: Indonesian-Dutch Musical Encounters. Barendregt, B. & Bogaerts, E. (eds.). Brill, p. 231-258

    Research output: Chapter in Book/Report/Conference proceedingChapter

  53. Unpublished
  54. Published

    Indonesian theatre: New North American scholarship on modern and traditional performance practices

    Cohen, M. I., 2013, In : Theatre Journal. 65, 1, p. 127-135

    Research output: Contribution to journalArticle

  55. Unpublished

    Inhuman, All Too Inhuman

    Rebellato, D., 19 Mar 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  56. Published
  57. Published

    Intercultural Art Music and the Sensory Veracity of Reconciliation: Brent Michael Davids’ Powwow Symphony on the Dakota Music Tour

    Robinson, D., 2012, In : MUSICultures. 39, 1, p. 111-128 17 p.

    Research output: Contribution to journalArticle

  58. Published

    Interculturalism, Globalization and Cosmopolitanism

    Rebellato, D., 15 Dec 2010.

    Research output: Contribution to conferencePaper

  59. Published

    Interculturalización fallida: Desarrollismo, neoindigenismo y universidad intercultural en Yucatán, México

    Llanes Ortiz, G., Jun 2008, In : TRACE. VI, 53, p. 49-63

    Research output: Contribution to journalArticle

  60. Published

    Interdisciplinarity, ‘Mythunderstanding’ and Aboriginal Literature: Shifting Ground in Terri Janke’s, Eric Willmot’s and Romaine Moreton’s Fictional and Poetic Works

    Castro, E., 2009, L'interdisciplinarité en question/Questioning Interdisciplinarity. Presses universitaires de Nancy, p. 161-1731 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  61. Published

    Interdisciplinarity, Intermediality and Opera

    Vorwerg, L., 22 May 2017.

    Research output: Contribution to conferencePaper

  62. Published

    Intergenerational Reminiscence Theatre

    Nicholson, H., 2009, Applied Theatre: International Case Studies. Prendergast, M. & Saxton, J. (eds.). Bristol: Intellect Books, p. 174-178 4 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  63. Published

    Interiorities

    McGirr, E., 2012, Cambridge History of the English Novel. Cambridge University Press, p. 80-96 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  64. Published

    Intermedial Shakespeares on European Stages

    Mancewicz, A., 2014, Palgrave Macmillan. 215 p. (Palgrave Studies in Performance and Technology)

    Research output: Book/ReportBook

  65. Published

    Intersections of Queer in Post-apartheid Cape Town

    Lease, B., Mar 2015, In : Theatre Research International. 40, 1, p. 70-74 5 p.

    Research output: Contribution to journalArticle

  66. Published

    Interview with Daniel York, actor, writer and director and Anna Chen, writer, performer and broadcaster

    Rogers, A. & Thorpe, A., 2014, In : Contemporary Theatre Review. 24, 4, p. 496-503 8 p.

    Research output: Contribution to journalArticle

  67. In preparation

    Interview with Kerry Reed-Gilbert / Entretien avec Kerry Reed-Gilbert

    Castro, E., 2013, (In preparation) The Australian Literature Resource.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  68. Published

    Interview with the RSC’s Hannah Miller, Head of Casting, and Kevin Fitzmaurice, Producer

    Thorpe, A. & Rogers, A., 2014, In : Contemporary Theatre Review. 24, 4, p. 486-493 8 p.

    Research output: Contribution to journalArticle

  69. Published

    Interview: Chris Megson in conversation with Jonathan Holmes, Cora Bissett and Jem Wall: Performance and Ethics - A Debate

    Megson, C., 2013, In : Performing Ethos: an international journal of ethics in theatre and performance. 3, 1, p. 59-75 17 p.

    Research output: Contribution to journalArticle

  70. Published

    Interviews with Basia Irland

    Williams, D. & Irland, B., 2007, Water Library. Albuquerque, NM: University of New Mexico Press, p. 8-9, 26-9, 45-8, 61-2, 106-11, 119-23, 134-5, 163-5, 191, 203-4 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  71. Published

    Interviews with Ron Smedley and Simon Rice on the teaching of folk dance and national dances at The Royal Ballet School. Additional material on track 3 DVD.

    Worth, L., 2 Jul 2012, Ninette de Valois: Adventurous Traditionalist. Cave, R. & L. W. (eds.). Alton Hants.: Dance Books, p. 105-116 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  72. Published

    Introduction

    Goddard, L., 2011, Mojisola Adebayo: Plays One. London: Oberon Books

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. Published

    Introduction: Global encounters in Southeast Asian performing arts

    Cohen, M. I., 2014, In : Asian Theatre Journal. 31, 2, p. 353-368

    Research output: Contribution to journalArticle

  74. Published

    Introduction: The Transnational Dynamic in Southeast Asian Performance

    Cohen, M. I. & Noszlopy, L., 2010, Contemporary Southeast Asian Performance: Transnational Perspectives. Noszlopy, L. & Cohen, M. I. (eds.). Cambridge: Cambridge Scholars, p. 1-23 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  75. Published

    Introduction

    Rebellato, D., 2015, An Oak Tree by Tim Crouch: 10th Anniversary Edition. London: Oberon, p. 5-8

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. Published

    Introduction: Recasting commodity and spectacle in the indigenous Americas

    Gilbert, H. & Gleghorn, C., 2014, Recasting Commodity and Spectacle in the Indigenous Americas. Gilbert, H. & Gleghorn, C. (eds.). Institute of Latin American Studies, p. 1-18 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  77. Forthcoming

    Introduction

    Rebellato, D., 2015, (Accepted/In press) Citizenship by Mark Ravenhill. London: Bloomsbury Methuen Drama, p. 3-17 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  78. Published

    Introduction

    Bullen, D., Dec 2015, Adaptable Women: A Collection of Essays to Accompany By Jove Theatre's Pantomime Adaptation of 'Pride and Prejudice'. Plastow, C. (ed.). London: By Jove Theatre Company

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Ah! Wilderness. London: Nick Hern Books, p. vii-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  80. Published

    Introduction

    Dymkowski, C., 1995, Eugene O’Neill, Desire under the Elms and The Great God Brown. London: Nick Hern Books, p. vii-xxviii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  81. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Hairy Ape and All God’s Chillun Got Wings. London: Nick Hern Books, p. vi-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  82. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, A Touch of the Poet. London: Nick Hern Books, p. v-xxv

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  83. Published

    Introduction

    Dymkowski, C., 1993, Eugene O’Neill, The Iceman Cometh. London: Nick Hern Books, p. v-xxvi

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  84. Published

    Introduction

    Schafer, E. & Bradley Smith, S., 2003, Playing Australia: Australian theatre and the International Stage. Schafer, E. & Bradley Smith, S. (eds.). p. 1-10

    Research output: Chapter in Book/Report/Conference proceedingChapter

  85. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Long Day’s Journey into Night. London: Nick Hern Books, p. vii-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  86. Published

    Introduction

    Dymkowski, C., 1991, Eugene O’Neill, Strange Interlude. London: Nick Hern Books, p. v-xxiii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  87. Published

    Introduction

    Dymkowski, C. & vii-xxix, 1991, Anna Christie & The Emperor Jones: Introduction by Christine Dymkowski. London: Nick Hern Books

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  88. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, A Moon for the Misbegotten. London: Nick Hern Books, p. v-xxvii

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  89. Published

    Introduction

    Dymkowski, C., 1992, Eugene O’Neill, Mourning Becomes Electra. London: Nick Hern Books, p. v-xxix

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  90. Published

    Introduction

    Schafer, E. & Rogers, M., 2009, In : Australasian Drama Studies. 53, October

    Research output: Contribution to journalArticle

  91. In preparation

    Introduction - Part II: Theorising the multiplicity of Noh

    Thorpe, A., 2019, (In preparation) English-language Noh: texts and analysis. Cornell East Asia Series

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  92. Published

    Introduction – Theatre Australia: or London is a long way from the centre

    Schafer, E., 2004, In : Contemporary Theatre Review. 14, 5, p. 1-4

    Research output: Contribution to journalArticle

  93. Published

    Introduction to Part V: Presence, Physicality, Play and Communication

    McCaw, R., 2015, The Actor Training Reader. Abingdon: Routledge, p. 171 -181 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  94. Published

    Introduction: "A presence queer unwelcome here": On Eris and Unhappiness

    Bullen, D., 2018, ERIS by John King. London and New York: Methuen Drama

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  95. Published

    Introduction: Attending to Early Modern Women as Theatre Makers

    Schafer, E., Dec 2015, In : Early Theatre. 18, 2, p. 125-33 9 p.

    Research output: Contribution to journalArticle

  96. Published

    Introduction: Indigeneity and Performance

    Gilbert, H., 2013, In : Interventions: International Journal of Postcolonial Studies. 15, 2, p. 173–80

    Research output: Contribution to journalArticle

  97. Published

    Introduction: The Power of Speech

    Nield, S., 2008, Farber, Yael “Molora”. Oberon Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    Introduction: Unsettling Will?

    Schafer, E. & Houlahan, M., 2009, In : Contemporary Theatre Review. 19, 3, p. 266-9

    Research output: Contribution to journalArticle

  99. Published

    Inventing the Performing Arts: Modernity and Tradition in Colonial Indonesia

    Cohen, M., 2016, University of Hawaii Press. 344 p.

    Research output: Book/ReportBook

  100. Published

    'Is it chaos? Or is it a building site?': British Theatrical Responses to the Cold War and its Aftermath

    Megson, C., 2005, Cold War Literature: Writing the Global Conflict. Hammond, A. (ed.). London: Routledge, p. 46-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

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