1. Published

    What's so wrong with proscenium arch theatre?

    Rebellato, D., 1 Jul 2010, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  2. Published

    When We Talk of Horses: or, what do we see when we see a play?

    Rebellato, D., 2007.

    Research output: Contribution to conferencePaper

  3. Published

    When We Talk of Horses: Or, what do we see when we see a play?

    Rebellato, D., 2009, In : Performance Research. 14, 1, p. 17-28

    Research output: Contribution to journalArticle

  4. Published

    Where is the body in the costume design process?

    Dean, S., 1 Apr 2016, In : Studies in Costume & Performance . 1, 1, p. 97-111 15 p.

    Research output: Contribution to journalArticle

  5. Published

    Whig Heroics: Shakespeare, Cibber, and the Troublesome King John

    McGirr, E. M., Mar 2010, Shakespeare in Stages: New Theatre Histories. Dymkowski, C. & Carson, C. (eds.). Cambridge: Cambridge University Press, p. 22-36

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Whistleblower

    Rebellato, D. & Kerbel, L., 21 Oct 2011

    Research output: Non-textual formPerformance

  7. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  8. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In : Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticle

  9. Published

    Why did Greek actors wear masks?

    Wiles, D., 2001, In : Omnibus. 42, p. 27-29

    Research output: Contribution to journalArticle

  10. Published

    Why Do Some Theatre Critics Seem to Be Enjoying the Arts Cuts?

    Rebellato, D., 8 Apr 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  11. Published

    Why is theatre such a dirty word in politics?

    Nield, S., 22 Aug 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  12. Published

    Why Lovelace Must Die

    McGirr, E., 2004, In : Novel: a Forum on Fiction. 37, 1/2, p. 5-23

    Research output: Contribution to journalArticle

  13. Unpublished

    Why Simon Stephens Writes Such Bad Plays

    Rebellato, D., 30 Apr 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  14. Published

    Wild Man from Borneo: A Cultural History of the Orangutan

    Gilbert, H., Cribb, R. & Tiffin, H., 2014, Honolulu: University of Hawai'i Press. 318 p.

    Research output: Book/ReportBook

  15. Published

    Wild Performatives: Experiments in Rewilding at the Knepp Wildland Project

    Overend, D. & Lorimer, J., 2018, In : GeoHumanities. 4, 2, p. 527-542 16 p.

    Research output: Contribution to journalArticle

  16. Published

    Will we ever have a Black Desdemona? Casting Josette Simon at the Royal Shakespeare Company

    Goddard, L., Jul 2016, Shakespeare, Race and Performance: The Diverse Bard. Jarrett-Macauley, D. (ed.). 1st ed. London: Routledge, 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    William Haughton's An Englishman for my Money: A Critical Note

    Schafer, E., 1990, In : Review of English Studies. XLI, p. 536-538

    Research output: Contribution to journalArticle

  18. Published

    Wind, even when we do not move

    Williams, D., 2000, 5 p. London : Taylor & Francis / Performance Research.

    Research output: Other contribution

  19. Published

    Witch theatre? A guide to the weird world of stage superstitions

    Nield, S., 31 Oct 2011, The Guardian.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  20. Published

    Witnessing Trauma: Theatrical Responses to Terrorism

    Brodzinski, E., 2005, Collateral Damage: Art in the Age of Terrorism. Paul Holberton, p. 49-59 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  21. Published

    Włodzimierz Staniewski: Gardzienice and the Naturalised Actor

    Hodge, A., 2000, Twentieth Century Actor Training. London and New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Unpublished

    Women in Korean Musical Theatre

    Gu, J., 2017, (Unpublished) 380 p.

    Research output: ThesisDoctoral Thesis

  23. Published

    Women in Revolutionary Theatre: IPTA, Labor, and Performance

    Purkayastha, P., 14 Sep 2015, In : Asian Theatre Journal. 32, 2, p. 518-535 18 p.

    Research output: Contribution to journalArticle

  24. Published

    Women Like Us?

    Bush-Bailey, G., 28 Sep 2012, In : Comedy Studies . 3, 2, p. 151-159

    Research output: Contribution to journalArticle

  25. Published

    Women’s Plays and Monologues 1880-1947

    Bush-Bailey, G. (ed.) & Gale, M. B. (ed.), 2011, Manchester University Press.

    Research output: Book/ReportBook

  26. Published
  27. Published

    Work/place: Making Theatre in new and old spaces

    Wiles, D., 2000, In : Studies in Theatre and Performance. 20, p. 205-208

    Research output: Contribution to journalArticle

  28. Published

    Working (in) the in-between: contact improvisation as an ethical practice

    Williams, D., 1996, In : Writings on Dance. 15, p. 22-37 16 p.

    Research output: Contribution to journalArticle

  29. Published

    World Wide Wandering: E-drifting in Paris and London

    Overend, D., 2013, In : Scottish Journal of Performance. 1, 1

    Research output: Contribution to journalArticle

  30. Published

    Worlds of Wayang: The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets

    Cohen, M., 2018, In : Yale University Art Gallery Bulletin. p. 40-47 8 p.

    Research output: Contribution to journalArticle

  31. Published

    Writ Large: New Writing on the English Stage 2003-2009

    Rebellato, D. & British Theatre Consortium, 9 Dec 2009, London: Arts Council England. 151 p.

    Research output: Book/ReportCommissioned report

  32. Published

    Writing (after) the event: notes on appearance, passage, and hope

    Williams, D., 2006, A Performance Cosmology: Testimony from the Future, Evidence from the Past. Christie, J., Gough, R. & Watt, D. (eds.). London and New York: Routledge, p. 103-107 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Writing Plays: Taking Note of Genre

    Nicholson, H., 1998, On the Subject of Drama. Hornbrook, D. (ed.). London: Routledge, p. 73-91

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Unpublished
  35. Unpublished
  36. Published

    Y ahora que vas a hacer, mulata?: Hip choreographies in the Mexican cabaretera film Mulata (1954)

    Blanco Borelli, M., 2008, In : Women & Performance: a journal of feminist theory. 18, 3, p. 215-233 18 p.

    Research output: Contribution to journalArticle

  37. Published

    You Can't Out-Do Black People: Soul Train, Queer Witnessing, and Pleasurable Competition

    Blanco, M., 2018, The Oxford Handbook of Dance and Competition. Dodds, S. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Yucatán in an Era of Globalisation - by Baklanoff, Eric N. and Moseley, Edward H., (eds.)

    Llanes Ortiz, G., Jul 2009, In : Bulletin of Latin American Research. 28, 3, p. 437-438 2 p.

    Research output: Contribution to journalBook/Film/Article review

  39. Forthcoming

    Yvette Holt

    Castro, E., 2013, (Accepted/In press) Dictionnaire des créatrices. Edition des femmes

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  40. Published

    Zola: Blood, Sex & Money

    Rebellato, D., 2016

    Research output: Non-textual formPerformance

  41. Published
  42. Published

    京剧服饰术语中英文对照

    Thorpe, A. (Translator) & Ba, T. (ed.), 2017, Beijing: Zhongguo Xiju Xueyuan Chubanshe. 211 p.

    Research output: Book/ReportBook

  43. Submitted

    京剧行当术语

    Thorpe, A. (Translator), 2019, (Submitted) Beijing: Zhongguo Xiju Xueyuan Chubanshe.

    Research output: Book/ReportBook

  44. Published

    跨界對談:差異- 認同與混雜

    Zhao, Y., hui., B. Y. Y. S. Y. J. S. L. W. C. G. F. B. Y. T. & Prakash, B., 2007, Chu ban. ed. Tai bei xian ban qiao shi: Guo li Tai wan yi shu da xue biao yan yi shu yan jiu suo. 9 p.

    Research output: Book/ReportBook

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