1. 2003
  2. Published

    The Oxford Encyclopaedia of Theatre and Performance

    Kennedy, D. (ed.) & Bratton, J. (ed.), 2003, Unkown Publisher.

    Research output: Book/ReportBook

  3. Published

    The Performance of Memory

    Nicholson, H., 2003, In: The NADIE Journal Australia. 27, 2, p. 79-92

    Research output: Contribution to journalArticlepeer-review

  4. Published

    The performing arts

    Cohen, M., 2003, Malaysia: Riches from the Golden Land. Biswas, R. K. (ed.). Vienna: Springer, p. 120-127

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    The Use of Masks in Modern Performances of Greek Drama

    Wiles, D., 2003, Dionysus since 69. Hall, E., Macintosh, F. & Wrigley, A. (eds.). Oxford: Oxford University Press, p. 245-263

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Whose Country’s Good? Anglo-Australian Bicentennial Exchange

    Schafer, E., 2003, In: Contemporary Theatre Review. 13, 2, p. 57-66

    Research output: Contribution to journalArticlepeer-review

  7. Published

    The Body Electric: Cathy Weis at Dance Theatre Workshop

    Parker-Starbuck, J., May 2003, In: PAJ: A Journal of Performance and Art. 25, 2, p. 93-98 6 p.

    Research output: Contribution to journalArticlepeer-review

  8. 2004
  9. Published

    ‘Abstain, and Hide Your Life’: The Hidden Narrator of Flaubert’s Parrot

    Cox, E., 2004, In: Critique: Studies in Contemporary Fiction. 46, 1, p. 53-63

    Research output: Contribution to journalArticlepeer-review

  10. Published

    ‘Let them know you have broughtuptcy’: Childhood and Child-Subjects in Olive Senior’s Short Fiction

    Gilbert, H., 2004, In: Kunapipi: Journal of Postcolonial Writing. 26, 1, p. 24-38

    Research output: Contribution to journalArticlepeer-review

  11. Published

    Anna Halprin

    Worth, L. (ed.) & Poynor, H. (ed.), 2004, 1st ed. London: Routledge. 208 p.

    Research output: Book/ReportBook

  12. Published

    Book Review. Elaine Aston, Feminist Views on the English Stage 1990-2000

    Goddard, L., 2004, In: Contemporary Theatre Review. 14, 4, p. 94-5

    Research output: Contribution to journalBook/Film/Article review

  13. Published

    Book Review. Roberto Uno with Lucy Mae Pablo Burns, eds. The Color of Theatre,

    Goddard, L., 2004, In: Studies in Theatre and Performance. 24, 3, p. 221-2

    Research output: Contribution to journalBook/Film/Article review

  14. Published

    Case Study: Cicely Hamilton’s Diana of Dobson’s, 1908

    Dymkowski, C., 2004, The Cambridge History of British Theatre, Volume 3: Since 1895. Kershaw, B. (ed.). Cambridge: Cambridge University Press, p. 110-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Desire and Danger in the Long Journey from Door to Table: An Exploration of Movement in Jenny Kemp's The Black Sequin Dress

    Worth, L., 2004, In: Contemporary Theatre Review. 14, 3, p. 53-62 10 p.

    Research output: Contribution to journalArticlepeer-review

  16. Published

    Entertaining Illness

    Brodzinski, E., 2004, Probing the Boundaries/At the Interface. Rodopi, p. 125-140

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  17. Published

    Gender and Medieval Drama

    Normington, K., 2004, Woodbridge, Suffolk: D. S. Brewer.

    Research output: Book/ReportBook

  18. Published

    Howard Brenton

    Megson, C., 2004, New Makers of Modern Culture. Wintle, J. (ed.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Introduction – Theatre Australia: or London is a long way from the centre

    Schafer, E., 2004, In: Contemporary Theatre Review. 14, 5, p. 1-4

    Research output: Contribution to journalArticlepeer-review

  20. Published

    Lena Ashwell and her Players: Popular Performers on Extraordinary Stages

    Dymkowski, C., 2004, Extraordinary Actors: Essays on Popular Performers. Milling, J. & Banham, M. (eds.). Exeter: Exeter University Press, p. 120-34

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Negotiating Cultural Narratives: All-Aboriginal Shakespearean Dreaming

    Cox, E., 2004, In: Southerly. 64, 3, p. 15-27

    Research output: Contribution to journalArticlepeer-review

  22. Published

    Popular Theatre 1896-1940

    Nield, S., 2004, Cambridge History of British Theatre vol. 3. Kershaw, B. (ed.). Cambridge University Press, p. 86-109

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Reconciling Shakespeare and Indigeneity in Australia: Star-cross’d Communities and Racial Tempests

    Cox, E., 2004, In: Australasian Drama Studies. 44, p. 78-95

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Review of Sean Williams, The Sound of the Ancestral Ship: Highland Music of West Java

    Cohen, M., 2004, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 4, p. 575-578

    Research output: Contribution to journalArticlepeer-review

  25. Published

    Review of Stuart Robson (ed.), The Kraton

    Cohen, M., 2004, In: Bijdragen tot de Taal-, Land- en Volkenkunde. 160, 2 and 3, p. 371-373

    Research output: Contribution to journalArticlepeer-review

  26. Published

    Self-effacement and Self-fashioning: Michael Blakemore and the Craft of Directing

    Schafer, E., 2004, In: Contemporary Theatre Review. 14, 5, p. 30-38

    Research output: Contribution to journalArticlepeer-review

  27. Published

    The Actor/Audience Contract in Modern Restagings of the Mystery Plays

    Normington, K., 2004, In: Research Opportunities in Renaissance Drama. 43, p. 29-37

    Research output: Contribution to journalArticlepeer-review

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