1. Scholarly edition › Research
  2. Published

    First Episode

    Rebellato, D., 2011, London: Nick Hern Books.

    Research output: Book/ReportScholarly edition

  3. Published

    Flare Path

    Rebellato, D., 2011, London: Nick Hern Books.

    Research output: Book/ReportScholarly edition

  4. Published

    Love in Idleness/Less Than Kind

    Rebellato, D., 2011, London: Nick Hern Books.

    Research output: Book/ReportScholarly edition

  5. Published

    Sophocles' Oedipus the King, Antigone, Electra: Edited with Introduction and Notes

    Hall, E. (ed.) & Kitto, H. D. F. (Translator), 14 Aug 2008, Oxford: Oxford University Press. 224 p. (World's Classics)

    Research output: Book/ReportScholarly edition

  6. Forthcoming

    The Northern Lass by Richard Brome

    Schafer, E., 2023, (Accepted/In press) Oxford: Oxford University Press.

    Research output: Book/ReportScholarly edition

  7. Published

    Who is Sylvia?/Duologue

    Rebellato, D., 2011, Nick Hern Books.

    Research output: Book/ReportScholarly edition

  8. Commissioned report › Research
  9. Unpublished
  10. Published

    Writ Large: New Writing on the English Stage 2003-2009

    Rebellato, D. & British Theatre Consortium, 9 Dec 2009, London: Arts Council England. 151 p.

    Research output: Book/ReportCommissioned report

  11. Other report › Research
  12. Published

    Amateur Dramatics: Crafting Communities in Time and Space

    Nicholson, H., 1 Mar 2015, None: Grey Literature. 12 p.

    Research output: Book/ReportOther report

  13. Published

    Critical Mass: Theatre Spectatorship and Value Attribution

    Megson, C., Rebellato, D., Reinelt, J., Edgar, D., Wilkinson, J. & Woddis, J., Jul 2014, London: British Theatre Consortium. 125 p.

    Research output: Book/ReportOther report

  14. Published

    Reflecting on Amateur Theatre Research

    Nicholson, H., Holdsworth, N. & Milling, J., Sep 2016, None: Grey Literature. 22 p.

    Research output: Book/ReportOther report

  15. Article › Research › Not peer-reviewed
  16. Published

    After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi’s Lady Precious Stream

    Thorpe, A., 25 Feb 2019, In: TDR: The Drama Review. 63, 1, p. 83-99 17 p.

    Research output: Contribution to journalArticle

  17. Published

    Anthologizing Indonesian Popular Theatre

    Cohen, M. I., 2013, In: Asian Theatre Journal. 30, 1, p. 506-519

    Research output: Contribution to journalArticle

  18. Published

    'Backpages: debbie tucker green'

    Goddard, L., 2005, In: Contemporary Theatre Review. 15, 3, p. 376-81

    Research output: Contribution to journalArticle

  19. Published

    Concerning a certain komedi stambul actress

    Cohen, M. I., 2013, In: Indonesia and the Malay World. 42, 122, p. 113-119

    Research output: Contribution to journalArticle

  20. Published

    Indonesian theatre: New North American scholarship on modern and traditional performance practices

    Cohen, M. I., 2013, In: Theatre Journal. 65, 1, p. 127-135

    Research output: Contribution to journalArticle

  21. Published

    Lights Up: for Teatr.doc, Russia’s most controversial theatre company, the show must go on

    Flynn, M., 12 Mar 2015, In: Calvert Journal.

    Research output: Contribution to journalArticle

  22. Published

    Performing Identity Politics: South Asian Dance in Britain

    Purkayastha, P., 2010, In: Diálogos com a Arte II. p. 71-84

    Research output: Contribution to journalArticle

  23. Published

    Performing the "Arab"

    El Khoury, T., 2016, In: Kohl: a Journal for Body and Gender Research. 2, 2, p. 163-167 5 p.

    Research output: Contribution to journalArticle

  24. Published

    Proving Grounds: Live fire, starfish and incendiaries

    Crawley, G., 18 Jun 2013, In: Performance Research. 18, 1, p. 105-112

    Research output: Contribution to journalArticle

  25. Published

    Social Work Ethics: Using Theatre to Enhance Judgement

    Evans, A. & Brodzinski, E., May 2018, In: Social Dialogue Free magazine of the International Association of Schools of Social Work. 19, p. 31-32 2 p.

    Research output: Contribution to journalArticle

  26. Published

    St Christopher and the Puppets

    Bidgood, J., 2015, In: Puppet Notebook. 25

    Research output: Contribution to journalArticle

  27. Published

    Surface

    Crawley, G. & Critchley, E., 28 Apr 2015, In: Architecture and Culture. 2, 3, p. 287-289 2 p.

    Research output: Contribution to journalArticle

  28. Published

    The Guru and the Sishya

    Purkayastha, P., 2004, In: Pulse: Asian Music and Dance. 8, Summer, p. 32-5 3 p.

    Research output: Contribution to journalArticle

  29. E-pub ahead of print

    The Hidden Costs of Aspiring to Global City Status: Robert Lepage, Vancouver and Twenty-First Century China Collide at the 2010 Cultural Olympiad

    Poll, M., 30 Oct 2015, (E-pub ahead of print) In: Canadian Theatre Review. 164, p. 78-82 5 p.

    Research output: Contribution to journalArticle

  30. Published
  31. Published

    To Permit Refusal

    Cox, E., Dec 2016, In: Contemporary Theatre Review. 26, 4

    Research output: Contribution to journalArticle

  32. E-pub ahead of print

    Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba

    Purkayastha, P., 28 Jul 2021, (E-pub ahead of print) In: Theatre Research International. 46, 2, p. 200-208 9 p.

    Research output: Contribution to journalArticle

  33. Published

    Worlds of Wayang: The Dr. Walter Angst and Sir Henry Angest Collection of Indonesian Puppets

    Cohen, M., 2018, In: Yale University Art Gallery Bulletin. p. 40-47 8 p.

    Research output: Contribution to journalArticle

  34. Article › Research › Peer-reviewed
  35. Published

    "Greek tragedy and the politics of subjectivity in recent fiction"

    Hall, E., 2009, In: Classical Receptions Journal. 1, 1, p. 1-17 17 p.

    Research output: Contribution to journalArticlepeer-review

  36. Published

    "Moving Uncertainties: Negotiating 'Theatre in Movement' and Field-work Research in the French Context"

    Pastor, E., 2010, In: Platform. 5, 1, p. 79-94

    Research output: Contribution to journalArticlepeer-review

  37. Published

    "No Theatre Guild Attraction Are We": Kiss Me, Kate and the Politics of the Integrated Musical

    Rebellato, D., 2009, In: Contemporary Theatre Review. 19, 1, p. 61-73

    Research output: Contribution to journalArticlepeer-review

  38. Published

    "Nomos and Attic Dramatics"

    Shuler, W., 2013, In: Emerging Theatre Research.

    Research output: Contribution to journalArticlepeer-review

  39. Published

    "On the Radio the Pictures are Better": Dan Rebellato interviewed by Michał Lachman

    Rebellato, D., 2013, In: Text Matters. 3, p. 264-270 6 p.

    Research output: Contribution to journalArticlepeer-review

  40. Published

    #BlackLivesMatter: Remembering Mark Duggan and David Oluwale in Contemporary British Plays

    Goddard, L., 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 69-86 18 p.

    Research output: Contribution to journalArticlepeer-review

  41. Published

    ‘ “Shet Fourd vor Generaul Nouddificaushion”: Relocating the Irish Joke, 1678-90’

    Rankin, D., 2001, In: Eighteenth Century Ireland. 16 , 5, p. 47-72.

    Research output: Contribution to journalArticlepeer-review

  42. Published

    ‘A Pair of Star-crossed Lovers Take Their Feet’: Polynesian Identities in Romeo and Tusi

    Cox, E., 2008, In: Shakespeare Studies. 46, p. 46-61

    Research output: Contribution to journalArticlepeer-review

  43. Published

    ‘Abstain, and Hide Your Life’: The Hidden Narrator of Flaubert’s Parrot

    Cox, E., 2004, In: Critique: Studies in Contemporary Fiction. 46, 1, p. 53-63

    Research output: Contribution to journalArticlepeer-review

  44. Forthcoming

    ‘Behind Every Suffering, There Is a Human Life Worth Loving’: Receptions and Perceptions of Uniqueness, Universality and Hope in Warwick Thornton’s Samson and Delilah

    Castro, E., 2013, (Accepted/In press) In: The Journal of the European Association for Studies on Australia. 3, 2

    Research output: Contribution to journalArticlepeer-review

  45. Published

    ‘Do you know a love song…?’ Action Hero’s Oh Europa: Created by Gemma Paintin and James Stenhouse

    Lamont Bishop, O., 2020, In: Platform. 14, 1, p. 175-178 4 p.

    Research output: Contribution to journalArticlepeer-review

  46. Published

    ‘Gardzienice: Political Bodies in Social Transformation’

    Lease, B., 2008, In: Body, Space, Technology. 8, 1

    Research output: Contribution to journalArticlepeer-review

  47. Published

    ‘How Badly Do You Want to Kill Your Father?’

    Lease, B., 2008, In: International Journal of Žižek Studies. 2, 1

    Research output: Contribution to journalArticlepeer-review

  48. Published

    ‘It’s telling your story to your family’: reflections by an older lesbian on being interviewed for a verbatim theatre production

    Summerskill, C., 21 Mar 2020, In: Oral History. 48, 1, p. 66-74 9 p.

    Research output: Contribution to journalArticlepeer-review

  49. Published

    ‘Let them know you have broughtuptcy’: Childhood and Child-Subjects in Olive Senior’s Short Fiction

    Gilbert, H., 2004, In: Kunapipi: Journal of Postcolonial Writing. 26, 1, p. 24-38

    Research output: Contribution to journalArticlepeer-review

  50. Published

    ‘NOTES on a return’ to a not-Forgotten: Durations of the missed and the previously unvisited

    Guy, G., 9 Oct 2012, In: Performance Research. 17, 5, p. 135-139 5 p.

    Research output: Contribution to journalArticlepeer-review

  51. E-pub ahead of print

    ‘Retailed to all Posterity’: Post-Truth, Oral Tradition and the Popular Voice in Richard III

    Ashby, R., 26 Aug 2020, (E-pub ahead of print) In: Cahiers Elisabéthains. 15 p.

    Research output: Contribution to journalArticlepeer-review

  52. Published

    ‘The Work is the Fix’: An Email Conversation with Darren O’Donnell, Artistic Director of Mammalian Diving Reflex

    Jarvis, L., Mar 2011, In: Platform. 5, 2

    Research output: Contribution to journalArticlepeer-review

  53. Published

    ‘What’s Past is Prologue’: Performing Shakespeare and Aboriginality in Australia

    Cox, E., 2011, In: Multicultural Shakespeare: Translation, Appropriation and Performance. 8, p. 71-92

    Research output: Contribution to journalArticlepeer-review

  54. Published

    “Can I Tell You about It?”: England, Austerity and 'Radical Optimism' in the Theatre of Anders Lustgarten

    Megson, C., 4 May 2018, In: Journal of Contemporary Drama in English. 6, 1, p. 40-54 15 p.

    Research output: Contribution to journalArticlepeer-review

  55. Published

    “Children” of the Gods: Filming the private rituals of Haitian Vodou

    Hammond, C., 2012, In: Journal of Haitian Studies. 18, 2 (Fall 2012)

    Research output: Contribution to journalArticlepeer-review

  56. Published

    “Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009)

    Thorpe, A., 2011, In: Asian Theatre Journal. 28, 2, p. 483-504 21 p.

    Research output: Contribution to journalArticlepeer-review

  57. Published

    “Pierced to the soul”: The politics of the Gaze in Richard II

    Ashby, R., 2015, In: Shakespeare. 11, 2, p. 201-213 13 p.

    Research output: Contribution to journalArticlepeer-review

  58. E-pub ahead of print

    “Presencing” Pleasure and Pain in Hispanophone Caribbean Performance

    Blanco, M., 7 Oct 2019, (E-pub ahead of print) In: The Black Scholar - A Journal of Black Studies and Research . 49, 4, p. 6-19 14 p.

    Research output: Contribution to journalArticlepeer-review

  59. Published

    Camilla the Amazon by Jane Scott

    Bratton, J. & Bush-Bailey, G., 1999, In: Nineteenth Century Theatre. 27, p. 156-195

    Research output: Contribution to journalArticlepeer-review

  60. Published

    Cultural Graffiti in London: Singing Life into Exhibitions and Embodying the Digital Document

    Gilbert, H. & Phillipson, J. D., 20 Sep 2015, In: Unesco Observatory e-Journal. 5, 1, p. 1-36 36 p.

    Research output: Contribution to journalArticlepeer-review

  61. E-pub ahead of print

    Rantin and Raving: Kieran Hurley's Aesthetic Communities

    Overend, D., 5 Aug 2019, (E-pub ahead of print) In: Contemporary Theatre Review. 29, 2, p. 166-179 14 p.

    Research output: Contribution to journalArticlepeer-review

  62. Published

    A “United” Kingdom: The London 2012 Cultural Olympiad

    Abrams, J. & Parker-Starbuck, J., Jan 2013, In: PAJ: A Journal of Performance and Art. 35, 1, p. 19-31 13 p.

    Research output: Contribution to journalArticlepeer-review

  63. Published

    A Body of Accents

    Skanberg Dahlstedt, A., 15 Sep 2018, In: Nordic Journal of Dance. 9, 1 , p. 1, 44-51 9 p.

    Research output: Contribution to journalArticlepeer-review

  64. Published

    A Culture of Development: The Royal Court and the Young Writers' Programme

    Love, C., 27 Jun 2015, In: Theatre Notebook. 69, 2, p. 113-124 12 p.

    Research output: Contribution to journalArticlepeer-review

  65. Published

    A Dance Between Chaos and Complexity: Choreographing the Spasm in Music Videos

    Blanco, M., 12 May 2016, In: The International Journal of Screendance . 6, p. np

    Research output: Contribution to journalArticlepeer-review

  66. Published

    A grain of sand in the works: continuity and change at the Théâtre du Soleil

    Williams, D., 1997, In: Performance Research. 2, 2, p. 102-107 6 p.

    Research output: Contribution to journalArticlepeer-review

  67. Published

    A Ham Funeral: Patrick White, Collaboration and Neil Armfield

    Schafer, E., 2011, In: Australian Studies. 3, p. 1-24 24 p.

    Research output: Contribution to journalArticlepeer-review

  68. Published

    A Line of Distinction: Orangutan Farces and the Question of Interpretation

    Gilbert, H., 2012, In: Kunapipi: Journal of Postcolonial Writing. 34, 2, p. 152–62

    Research output: Contribution to journalArticlepeer-review

  69. Published

    A Performance Studies Approach to The Tragedy of Mariam

    Mccutcheon, R., 31 Dec 2015, In: Early Theatre. 18, 2, p. 187-201 15 p.

    Research output: Contribution to journalArticlepeer-review

  70. Published

    A Poor Man's 'What Shall I Do'

    Wiles, D., 1994, In: Notes and Queries. 239, p. 452-455

    Research output: Contribution to journalArticlepeer-review

  71. Forthcoming

    A Posthuman Interpretation of Wolfgang Laib’s Work with Pollen as an Ecological Proposition.

    Battista, S., Aug 2012, (Accepted/In press) In: Performance Research. Vol.17, 4 ‘On Ecology’.

    Research output: Contribution to journalArticlepeer-review

  72. Published

    A Question of Faith: Oroonoko and the Language of Revolution

    McGirr, E., 2007, In: 1650-1850: Ideas, Aesthetics & Inquiries in the Early Modern Era. 14, p. 49-70

    Research output: Contribution to journalArticlepeer-review

  73. Published

    A Taste of Honey: Choreographing Mulatta in the Hollywood Dance Film

    Blanco Borelli, M., 2009, In: International Journal of Performing Arts and Digital Media. 5, 2 & 3, p. 141-152 11 p.

    Research output: Contribution to journalArticlepeer-review

  74. Published

    A thing being done: an interview with Peter Hulton

    Williams, D. & Allsopp, R., 2002, In: Writings on Dance. 20, p. 12-19 8 p.

    Research output: Contribution to journalArticlepeer-review

  75. Published

    'A thing built to move': Lone Twin's The Boat Project: An interview with Gregg Whelan and Gary Winters, by David Williams

    Williams, D., 2012, In: Total Theatre. 24, 1, p. 11-12 2 p.

    Research output: Contribution to journalArticlepeer-review

  76. Published

    A Work on Progress: Documentation and Exegesis

    Overend, D., 2011, In: Journal for Artistic Research. 1, 1

    Research output: Contribution to journalArticlepeer-review

  77. E-pub ahead of print

    Absent amateurs

    Nicholson, H., 16 Nov 2015, (E-pub ahead of print) In: Research in Drama Education. 20, 3, p. 263-266 4 p.

    Research output: Contribution to journalArticlepeer-review

  78. Published

    Acting, Creativity and Justice: An analysis of Edward Bond’s The Children

    Nicholson, H., 2003, In: Research in Drama Education. 8, 1, p. 9-23

    Research output: Contribution to journalArticlepeer-review

  79. Published

    Active Differences: Disability and identity beyond postmodernism

    Conroy, C., 2008, In: Contemporary Theatre Review. 18, 3, p. 341-354

    Research output: Contribution to journalArticlepeer-review

  80. Published

    Actor Training: The Actor’s Exploration of Space

    Hodge, A., 2000, In: Studies in Theatre and Performance. 20, 3

    Research output: Contribution to journalArticlepeer-review

  81. Published

    Adapting ‘Le Grand Will’ in Wendake: Ex Machina and the Huron-Wendat Nation’s Scenographic Collaboration.

    Poll, M., 17 Nov 2014, In: Theatre Research in Canada. 35, 3, p. 330-351 21 p.

    Research output: Contribution to journalArticlepeer-review

  82. Published

    Aesthetic Values: Drama Education and the Politics of Difference.

    Nicholson, H., 1999, In: The NADIE Journal Australia. 23, 2, p. 81-90

    Research output: Contribution to journalArticlepeer-review

  83. Published

    Affective Geographies of the Ballot Box

    Nicholson, H., 30 Apr 2015, In: Contemporary Theatre Review. 25, 2, p. 230-241 12 p.

    Research output: Contribution to journalArticlepeer-review

  84. Published

    Affective Labors: Love, Care, Solidarity in the Social Reintegration of Female Ex- Combatants in Colombia

    Estrada-Fuentes, M., Oct 2016, In: Lateral: Journal of the Cultural Studies Association. 5, 2, p. 1

    Research output: Contribution to journalArticlepeer-review

  85. Published

    An AfroReggae Explosion: Reimagining the Value of Quality, Profit, and the Global Market in the Development of Applied Performance

    Spowage, C., 2011, In: Platform Journal of Performing Arts. 5, 2, p. 69 89 p., 5.2.

    Research output: Contribution to journalArticlepeer-review

  86. Published

    An encounter is perhaps: a meeting with Damir Bartol Indos, Zagreb 2004

    Williams, D., 2005, In: Frakcija (Croatia). 36, October, p. 18-35 18 p.

    Research output: Contribution to journalArticlepeer-review

  87. Published

    'An Outlandish Miss': The Geography of ‘Vertue’ in Three Seventeenth-century Irish Novels

    Rankin, D., Apr 2011, In: Irish University Review: a journal of Irish studies. 41, 1, p. 21-39

    Research output: Contribution to journalArticlepeer-review

  88. Published

    And I will reach out my hand with a kind of infinite slowness and say the perfect thing: the Utopian theatre of Suspect Culture

    Rebellato, D., 2003, In: Contemporary Theatre Review. 13, 1, p. 61-80

    Research output: Contribution to journalArticlepeer-review

  89. Published

    Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse

    Parker-Starbuck, J., Oct 2013, In: Theatre Journal. 65, 3, p. 373-393 21 p.

    Research output: Contribution to journalArticlepeer-review

  90. Published

    Anna Halprin in Paris

    Worth, L., 2005, In: Contemporary Theatre Review. 15, 4, p. 440-448 9 p.

    Research output: Contribution to journalArticlepeer-review

  91. Published

    Appropriating Aphra

    Schafer, E., 1991, In: Australasian Drama Studies. 19, October, p. 39-49

    Research output: Contribution to journalArticlepeer-review

  92. Published

    Art Museums and Audibility: Invisible Action and Acoustic Reporting in Lawrence Abu Hamdan’s Earwitness Theatre (2018)

    Guy, G., 2019, In: Performance Research. 24, 7, p. 110-116 7 p.

    Research output: Contribution to journalArticlepeer-review

  93. Published

    Attending to Sites of Learning: London and Pedagogies of Scale

    Nicholson, H., 16 Aug 2012, In: Performance Research. 17, 4, p. 95-105

    Research output: Contribution to journalArticlepeer-review

  94. Published

    Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre

    Alston, A., Jun 2013, In: Performance Research. 18, 2, p. 128-138

    Research output: Contribution to journalArticlepeer-review

  95. Published

    B is for Booing

    Rebellato, D., Mar 2013, In: Contemporary Theatre Review. 18, 1, p. 11-15

    Research output: Contribution to journalArticlepeer-review

  96. Published

    Back and forth…From Text to Performance – Open and Spoken Texts or the Practice of (Un)writing in Aboriginal Poetry

    Castro, E., 2005, In: Commonwealth Essays and Studies. 28, 1, p. 53-63

    Research output: Contribution to journalArticlepeer-review

  97. Published

    Becoming-Animate: On the Performed Limits of "Human"

    Parker-Starbuck, J., Dec 2006, In: Theatre Journal. 58, 4, p. 649-668 20 p.

    Research output: Contribution to journalArticlepeer-review

  98. E-pub ahead of print

    Becoming-Leech: Animal-Human-Technological Hybrid Exchanges

    Parker-Starbuck, J., 30 Nov 2020, (E-pub ahead of print) In: Performance Research. 25, 4, p. 26-35 10 p.

    Research output: Contribution to journalArticlepeer-review

  99. Published

    Becomings and Belongings: Lucy Guerin's The Ends of Things

    Blanco Borelli, M., 2009, In: Brolga: An Australian Journal About Dance. 31, p. 31-37 6 p.

    Research output: Contribution to journalArticlepeer-review

  100. E-pub ahead of print

    Being Contemporary

    Wilson, R., Bernstein, C., Goldberg, R., Gerard, B., Kelly, R., Nevarez, A., Tevere, V., Collins, K., Weintraub, L., Lyons, R., Paraiso, N., Stokic, J., Skurvida, S., Abrams, J., Parker-Starbuck, J., Antin, E. & Schechner, R., 6 Jan 2012, (E-pub ahead of print) In: PAJ: A Journal of Performance and Art. 34, 1, p. 93-110 18 p.

    Research output: Contribution to journalArticlepeer-review

  101. Published

    Berlin/Wall

    Megson, C., 2009, In: Contemporary Theatre Review. 19, 4, p. 515-517

    Research output: Contribution to journalArticlepeer-review

  102. Published

    Betwixt and Between: Youthful Vitality and Renewal in a Twenty-Three-Hundred-Year-Old City

    Abrams, J. & Parker-Starbuck, J., Jan 2008, In: PAJ: A Journal of Performance and Art. 30, 1, p. 76-84 9 p.

    Research output: Contribution to journalArticlepeer-review

  103. Published

    Black and White and Re(a)d All Over Again: Indigenous Minstrelsy in Australian and Canadian Theatre

    Gilbert, H., 2003, In: Theatre Journal. 55, 4, p. 679-698

    Research output: Contribution to journalArticlepeer-review

  104. Published

    Bodies in Focus: Photography and Performativity in Post-Colonial Theatre

    Gilbert, H., 1998, In: Textual Studies in Canada. 10/11, p. 17-32

    Research output: Contribution to journalArticlepeer-review

  105. Published

    Border crossings: bangsawan in the Netherlands Indies in the nineteenth and early twentieth centuries

    Cohen, M., 2002, In: Indonesia and the Malay World. 30, 87, p. 101-115

    Research output: Contribution to journalArticlepeer-review

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